INTERVIEW: Queen Zee

“I could do a Morrissey…” threatens Queen Zee, as we sit outside of Hackney’s Sebright Arms chatting before the band’s headline gig at the venue that evening (April 26th). Zee’s referring to The Smiths’ front-man’s recent controversial interview in which he makes more of his weird and divisive statements for seemingly no reason. I know it’s an idle threat, but Zee’s dry wit puts me at ease. I begin by asking Zee about what they’re expecting from the show that evening.

“The great thing with Queen Zee gigs is that you never really know what’s going to happen. Sometimes we turn up and it’s absolute mayhem, and sometimes we turn up and people are ballroom dancing. You can’t predict it, and that’s what I love about it”

It’s this unpredictability that drew me to the band in the first place. I saw them support Marmozets on their 2017 UK tour at The Garage, and I was blown away by their ability to get the crowd stirred up in to a mosh pit with their songs ‘Boy’ and ‘Fly The Pink Flag’. Their combination of punk anthems and activist attitude has laid the foundations for a community of fans to unite and celebrate in style – and safety – when they attend Queen Zee gigs. I ask Zee whether fans approach them after shows about this.

“We do have some fans who prefer to message us after the gig on Twitter which is always nice, but I make a point when I’m on stage of saying ‘come and say hello’, because I love sharing and I see Queen Zee as a collective, not just as an extension of my ego or as my project. I like people getting involved. People have been customising their clothes and getting tattoos…”

I tell Zee that I saw that a fan had posted a picture of the “sass or die” tattoo that they’d had inked in honour of the band on Queen Zee’s social media accounts. But for every loyal fan, there seems to be a troll. I ask about the trolling Zee experienced on the band’s posts about International Transgender Day Of Visibility (31st March). I ask if shouting back – which Zee always does – takes its toll, or do posts like the one about the tattoo make things easier to deal with?

“Cis people will see these things online and be really shocked by that, but one of the main things for trans people is that you go through things like that every day anyway, it’s just not always online. I actually love people trolling, it’s my favourite thing. I know that I have offended them, and that my existence offends them – and I think that’s brilliant. I don’t want those people to like me, I don’t want them to come to our shows if they’re that bigoted.

Going back to the tattoo though, I absolutely love that. I think it’s bizarre that people would do that. It blows my mind. We played this huge punk show in Liverpool last year, where all the DIY punks get together as a collective and play to about 300 people. We played that and my guitar broke, so we just had to play cover songs, and after that the fan came up to me and showed me the “sass or die” tattoo – and that was the way we ended 2017: it was absolutely amazing. I loved it”.

I broach the subject of mental health too, as this is also an issue Zee speaks openly about online. I ask if they have any advice for other bands who find themselves feeling mentally drained whilst on tour.

“The big thing for me was that I was originally really anti-meds. But actually, just starting on meds has totally changed my life and I feel so much better for it. I don’t want to be ‘pro-meds’ – whatever your stance is, it’s your stance and that’s totally fine – but I would advise people to come to their own decisions, and don’t close your mind off to it. Especially if it’s something that could potentially help you.

General advice and stuff for bands is to eat well, sleep well, and look after each other. It’s dead simple. When we first started touring it was like ‘Yeah! We’re on tour, let’s go out every night!’ and you end up being destroyed by day ten. You get physically ill too.

The thing that made me really ill whilst touring though was that the band consumes your life, so it takes away your social life and even though you’re with your best friends in a band, you don’t see your family, or your other friends, or your partner. And on top of that you’re constantly tired, so it all adds up. I would advise keeping in contact with friends as much as you can. Get your friends to come to shows in the different cities that you’re touring, which is what I’ve done on this tour. A bit of life outside of the band whilst you’re all on tour is great, and it will stop you killing each other.

Our band is formed of five of the most annoying individuals ever. Our bassist is obsessed with meme songs, so on the way here we were listening to Toto – just Toto. It’s funny to start with, you’re like ‘you’ve played ‘Africa’ a few times, okay’ and then he played another Toto song, and another one, and another. He played them for the entire journey – which was an hour. He’s lucky to still be alive. So yeah, no Toto songs on tour…

After establishing a strong “No Toto” rule, I ask if Zee can remember the first time they crowd-surfed or got involved in a mosh pit at a gig, as both of these things always occur at Queen Zee shows.

“The first time I crowd-surfed was as Queen Zee. I never had the guts as a little queer kid to get down to the front and do it. I can’t remember the first time I moshed really, but I was always in to punk and thrash bands so I definitely moshed at those gigs. It was very macho though, so I didn’t feel very welcome in to any of that and there was never really any girls in the pit. So it’s great now when we play shows that I see a mix of girls and guys in the mosh.”

I highlight what a great achievement that is, to have created the safe space that Zee felt was initially lacking at gigs.

“That’s what it’s all about. People know at our gigs that we won’t tolerate any nonsense either. We stopped a show in Nottingham on this tour because our bassist Frankie’s Mum got punched in the face. It was the last song of the set, so I was like ‘if you want to move about, this is your chance to do it!’ and this guy thought it was a great idea to just to swing round in to me, hitting Frankie’s Mum in the face in the process.”

I point out that of all the people that could’ve happened to, what are the chances it would be the Bassist’s Mum…

“I know! I was like ‘you need to leave, now’. Luckily she was okay, she actually loved it! Mosh pits are weird though. We had a gig in Birmingham the other day, and the crowd for the support bands were quite young, maybe seventeen year olds? So they were really kicking off, and I thought I’d jump in because you know, it’s only kids – but I just got beaten up! I’m too old. I’m twenty-four this year, and I came out of that mosh bruised and feeling like a fifty year old”.

I ask Zee what new music they’ve been listening too, as GIHEs are always interested in new music recommendations from our favourite bands.

“There’s so many on this tour that we’ve played with. A band from Cardiff called CHROMA are amazing. We shared a stage with them at Reading & Leeds last year and then we’ve played with them on this tour, and they always blow me away. Their songs have a really cool Death From Above type vibes to them. There’s a band from Nottingham called Babe Punch who play Riot Grrrl-esque punk stuff, and they do a really good cover of ABBA’s ‘SOS’. Salt Bath are another Cardiff band who play really cool queer punk stuff. They’re my big three”.

Now it’s time to talk about plans for the summer. I ask what festivals Queen Zee will be playing at, and if there are any festivals Zee would like to attend just as a fan.

“I hate music…”

It takes me a moment to work out whether Zee’s joking or not…

“No seriously, when we play a gig or we’re watching support bands I’m like “Ah music is great, I love it!” but when I’m at home I never listen to music. I’m chilling the fuck out and watching Netflix, I’m not going to any festivals as a fan! After seeing the inner-workings of festivals as well, it changes your perspective on things. It’s always so stressful trying to get from point A to point B in a field, which you think would be simple but it’s the most difficult thing.

But, having said that, we’re playing quite a few festivals in May. We’re playing The Great Escape, Sound City, Live At Leeds, Neighbourhood and there’s more on the horizon too. We’ve got some time off on June & July to do some more recording though.

To make the idea of Festivals more bearable, I ask Zee what their dream Festival line-up would be.

“Dream headliner would be Me, with a support of Me and just before that it would be Me. Doing slightly different stuff though, maybe even a ‘Toto’ covers set? I dunno, I’d probably give the headline slot to someone who really deserves it.

I have really bad music taste, I love classic rock like Twisted Sister. I’m obsessed with them, and I know I shouldn’t be, and I know it’s bad. Everyone else in the band has really cool music taste like Pixies and Neutral Milk Hotel and I’m like ‘okay, does anyone like Scorpions?’ I’d like to see The B52s, I don’t even know if they’re still going?’

I mention that Cindy Wilson of the B52s is doing her own solo stuff now, so that might have to wait.

“I’d resurrect ABBA! To be honest, it’d probably just be loads of little bands in a sweat-box venue. Oh wait – I’ve got my dream headliner – Judas Priest…I’m obsessed with them.”

Little did we know at this point that the next day ABBA would announce they’re releasing new music. It’s as if Zee has a sixth sense. To end our chat, I ask Zee what three words they’d used to describe Queen Zee – aside from “sass or die”…

“Tortured Scissor Sisters…”

Fingers crossed that’s what Zee calls the band’s debut album.

Catch Queen Zee at The Great Escape at The Hope & Ruin (10:45pm -Thursday 17th May)

Photo Credit: Jon Mo

Kate Crudgington
@KCBobCut

Track Of The Day: ILL – ‘ILL SONG’

A manic cacophony of post-punk & prog noise, Manchester’s ILL have shared new single ‘ILL SONG’ ahead of the release of their debut album, We Are ILL, tomorrow on May 11th via Box Records.

Recorded over 18 months in the crumbling mills of Ancoats, Manchester, the band channelled their furious love of pop punk into a record that challenges not just the ears, but the stigma surrounding mental health issues; the politics of identity and gender, capitalism and misogyny. Their single ‘ILL Song’ is a surreal, humorous blend of this activism, with a healthy dose of fun thrown in too.

We Are ILL will be released on limited edition transparent blue vinyl, gatefold CD and as a digital audio download on May 11th. The release is accompanied by a launch show at Sebright Arms on the same date, with support from LibraLibra and The Ethical Debating Society, hosted by Club The Mammoth (RSVP here).

Watch the video for ‘ILL Song’ below and follow the band on Facebook for more updates.

ILL UK Tour Dates 2018

11 May Sebright Arms, London (album launch)
12 May Doubledotbash Festival, Reading
21 May Soup Kitchen, Manchester (supporting Screaming Females)
31 May The Soundhouse, Leicester
1 June Head of Steam, Newcastle
15 June Liverpool (TBA)
16 June The Deaf Institute, Manchester (album launch)

Photo Credit: Megan Powell

Kate Crudgington
@KCBobCut

Track Of The Day: Something Leather – ‘Disappear On Me’

After catching them live at We Can Do It’s single launch for Big & The Fat a few weeks ago, we’ve had the sounds of Brighton-based Something Leather swirling round our skulls. Their dark, trippy alternative tunes have kept us in a sultry haze, fuelled by their jagged keys and brooding bass lines.

The band recently released their single ‘Disappear On Me’ and have shared an accompanying video, which shows them having a good(?) time at a party, cut with shots of them performing the track live. It’s an anti-party anthem that ricochets between loud and quiet, up and down, mad and melancholy – just like us on a hangover…

Something Leather return to London on 10th June to play the Leech All-Dayer at Sebright Arms, featuring A Void, Guru, Gaygirl, Hexmaze and more acts to be announced (RSVP here).

Watch the video for ‘Disappear On Me’ below.

Follow Something Leather on Facebook for more updates.

Kate Crudgington
@KCBobCut

INTERVIEW: Pillow Queens

“Kate, you’re two minutes late! We were worried about ya!” joked Pillow Queens guitarist & vocalist Sarah as I walked in to The Irish Cultural Centre to interview her and her band mates last week. I’s been walking in circles following Google Maps trying to find the venue, and I was relieved by her kindness and secretly impressed by her adherence to the clock. The conversation flowed effortlessly from there.

Before watching them play a knockout gig for The Irish Jam alongside TAYNE, Video Blue and Delorentos, I chatted away to Pamela (Guitar/Bass/Vocals), Rachel (Drums/Vocals), Cathy (Guitar/Vocals) and Sarah for what felt like no time at all. We spoke about playing gigs, their new EP State Of The State, and what it was like to be surrounded by dogs on the set for their music video ‘Favourite’ (spoiler: it was a dream come true…)

Hello Girls. You’re playing a gig for The Irish Jam tonight, what are your anticipations for the show?

Cathy: Fame…

Sarah: …and inevitably fortune. Today’s the release of our new record, State Of The State, which is coincidental, but it’s a very big day for us. What are we anticipating?

Rachel: A bit of craic?

Cathy: Definitely a bit of craic. We’re also anticipating breaking all of the gear we borrow off the other bands.

Sarah: We haven’t brought anything with us. We’re sharing everything. Sharing, borrowing, stealing…

Cathy: I just showed up with a plectrum and was like “I’ve arrived!”

Pamela: I guess we’re anticipating more London fans as well?

Sounds cool! You’re also in town for St Patrick’s Day tomorrow too. What are your plans?

Pamela: We’re in Camden all day. We’ve got an acoustic set at Voodoo Rays and then we’re playing the Dr Martens boot room.

What would you be doing if you were back in Ireland?

Pamela: Staying. Away. From. Town. (laughs)

Is it really that bad?

Pamela: It gets pretty hectic. Loads of the roads in and out of town are closed, so it’s hard to get anywhere. Usually on St Patrick’s Day I go to my friends house and we get all of his couches and we put them out in the back garden and we take the TV out there and we chill out and watch movies.

Cathy: Why, is it always sunny or something? (laughs)

It won’t be this year, apparently the ‘Best From The East’ is back so it’s going to snow…

Congratulations on releasing your EP State Of The State today! How are you planning to celebrate the occasion?

Pamela: We’re probably going to be quite tame this evening because we have gigs tomorrow.

Sarah: We’re quite tame generally speaking though. Even last year when we were on tour, I was always like “alright girls, come on, time to go to bed!”

Cathy: That didn’t mean that we weren’t hungover though…

Pamela: I didn’t drink for most of the tour really.

Rachel: What? How did I miss that?

You were drunk?

Cathy: (To Pamela) You did fall down the stairs though…

Pamela: Ughh yeah, I did do that. No wait, I fell up a step! I think we’ll just celebrate by having a good time and hopefully making people buy our record.

Sarah: We sold our first one today! The record is so nice. You know when you see an album on your computer screen and you’re like “that looks like it could be amazing” and then you see it in real life, and it’s just like “Oh my God, it’s actually perfect”.

Pamela: They probably don’t have any songs on them or anything, but they look cool.

I’ll be grabbing one after your set this evening!

On a surface level, your songs are upbeat and catchy but your lyrics touch on darker emotions like guilt, paranoia and frustration about situations you’re trying to change. Do you think it’s important to take negatives emotions like this and turn them in to something positive? Is it a conscious decision you make when you’re writing new music?

Pamela: I know it’s something I definitely do, because I absolutely love writing pop songs. I love being like “d’ya know what? I’m gonna make people sing along to a song that’s actually really fucking sad.” That’s the way I’ve always done it. I love seeing people bobbing away and singing and being really happy, but if you actually listen to the lyrics, you’ll realise I’m dead inside.

That’s my favourite kind of music! It’s like you’re tricking people…

Pamela: Yeah definitely. I love listening to sad music as well, but sometimes I feel inclined not to listen to it just because it kind of puts you into a warped sadness. You want to divulge when you’re sad, but you don’t want to get sad, so if I’m like that I’m sure other people are like that too. Which is why I want to trick them. So if you want to listen to a banger that will make you dance, well, I’ll give you that – but I will also give you all my emotional baggage too.

Nothing wrong with that. I’ll take the baggage. Do you each have a favourite song on the EP, or one that you’re most proud of?

Sarah: For me, it’s ‘Puppets’. I know that’s narcissistic because it’s the song that I sing on and it’s a song that I wrote, but for me it’s a song that I’d listen to even if it wasn’t by us. That’s probably because I find it to be really relatable, obviously, because I wrote it, but I think it was due to me learning song-writing techniques whilst being in the band.

It’s kind if like what Pamela was saying, where you take negative feelings and turn them into a sing-along, it’s an empowering thing. That’s really attractive to me. When I listened back to ‘Puppets’ I was like “God, I was so sad when I wrote this, but now it sounds so happy” and that just feels great.

Cathy: I’d say ‘Puppets’ too, because I felt like it was the most challenging song and we all went outside of our comfort zones a bit. I’m just so happy with every track on the EP, there’s nothing I would change.

Rachel: It’s really hard because I love them all, but it has to be ‘Favourite’. I’m sorry Sarah.

Sarah: It’s okay! It’s not a competition. If Pamela and I ever had any sense of rivalry, it would be about how much Vietnamese soup we could eat in one sitting, I don’t think it would ever be anything to do with song-writing. What’s your favourite song Pamela?

Pamela: It’s not actually one of my own, it’s ‘Cuckoo’. I learned how to play the bass on that track. It’s the first song where I felt like I’d played the bass really well.

Rachel: That’s it! It’s the sense of accomplishment within the band. All of the tracks for me are absolute bangers because they’re about the coming together of the band. That’s why I like ‘Favourite’ so much. I had a sound for it in my head and we achieved exactly that sound. I listen back to it and I get goosebumps, I’m like “Wow, we are soooo good!” (laughs). Peter helped us to get that sound as well. He’s our friend and he produced it.

Pamela: He really captured what we were looking for and I don’t even know whether knew that was the sound we wanted? But it turned out really well and I’m so proud of it.

That’s great. Speaking of favourites, the video you released for the track is brilliant. Talk me through how that came about…

Sarah: We love dogs. We really, really love dogs. We met with the Director, (Bob Gallagher, but initially we were a bit worried about working with external people on videos because it’s kind of a personal thing. Pamela directed the video for ‘Rats’, so we all had an input. But as soon as we sat down with Bob, he didn’t want to go with a romantic element, so he suggested a dog show and we were like “that’s the most perfect thing you could say to us.”

Cathy: We didn’t need to hear his other ideas. We were just like “That’s it. We’re going with the dogs.”

Sarah: I was like “Do you need any help? I will be at all of the dog shows if you need me to be there!” and I was. 7am the day after Christmas? I was like “Let’s do this, my Mum’s gonna drop me over.”

Pamela: I wasn’t sure how he was going to make the parts filmed at the dog show and the parts filmed with the actors be cohesive, but now I don’t think you can tell who are the actors and who are the normal people? There are some just, normal people who are acting like they’re mad, like, there’s someone who smacks her head with her mobile phone…

Rachel: Is she not an actor?!

Pamela: No!

Sarah: Straight after that scene there’s a bit where a guy who wins the dog show blows on a woman’s hair and although he’s an actor, but that’s improvised!

Pamela: When we were filming at the National Show Centre, two of the people didn’t have dogs. They were just running around pretending to hold leads!

Rachel: I wish you and Sarah had been pretending to be the dogs.

That really would’ve been really impressive. The footage looks great though!

You’re back in London at The Sebright Arms on April 10th…

Sarah: Ohhh, is that how you pronounce it? We were like “Is it Seh-bright?”

I say it like it’s “See-bright”. I hope that’s right? It’s in Hackney…

Cathy: Hackney? I can’t wait!

It’s a great venue. I’ll be there!

Sarah: Will you be late again?

I’ll never be late to anything again after tonight…

After London, you return to Ireland to close your tour by playing your biggest headline show to date at The Workman’s Club in Dublin. It must feel pretty good to be finishing the journey with that in mind?

Pamela: It’s going to be great, but we’re also going to feel tired and a bit shite, and we’ll be a bit smelly, but our fans will be there and they know how bad we smell. So it’s going to be great!

Cathy: Do you not have a shower in your own house? We’ve sold a lot of tickets apparently, so it’s all good.

As a new music blog, we always ask bands what new music they’ve been listening to. Are there any new bands or artists that you can recommend to us?

Cathy: I’m listening to Totorro. They’re a math-rock band from Belgium (I think).

Sarah: I’ve been listening to a lot of Soccer Mommy.

ME TOO! I missed her show at Moth Club earlier this month…

Sarah: She’s touring again in September and we’re like “please can we support you?” that’d be amazing. I found her on YouTube and there were all these live sessions and I just think she’s great.

Rachel: You all know what I’m going to say…

P/S/C: Ailbhe Reddy!

Rachel: I can’t help it! She’s an Irish artist and she’s great. She knows I’m obsessed with her. She’s savage, and Phoebe Bridgers. Strangers In The Alps is my album of the year.

Pamela: There’s an Irish folk band called Lankum that I’ve been listening to who are great.

I’ll have to check them out! Finally, what does the rest of 2018 hold for Pillow Queens?

Sarah: Jesus, we’ve no idea…

Pamela: Festivals!

Sarah: Yes, but we haven’t announced them yet. I’m always living in fear of them just changing their minds last minute and just being like “mmm, no”

Kathy: We can say that one of the festivals is in the UK and one potentially in Europe…

Sarah: I never went to festivals growing up because it was too expensive, but now we get to go for free!

Cathy: We’ll have the craic at festivals and then I think we need to write.

Sarah: We have new ideas that are being shaped and we’re actually just discovering now how we write together. Now all four of us are contributing to every stage of the writing process so we’ve got a lot of learning to do, but a lot of really fun learning to do as well.

Thanks so much to Pillow Queens for answering my questions.

You can buy State Of The State here

Catch them on their upcoming UK & Ireland tour. Click here for more info.

Kate Crudgington
@KCBobCut