NEW TRACK: shaene – ‘sad’

A dreamy, melancholic rumination on a dark and complicated time, Leeds-based songwriter shaene has shared her latest single ‘sad’. Taken from her self-produced debut album, time lost / time regained, which is set for release on 1st September, the track is a reflection on the songwriter’s feelings of intense self doubt and alienation, filtered through a soft, shoegazey lens.

Having spent years writing and performing in multiple DIY bands across Yorkshire, shaene has been embedded in the Leeds DIY community for a number of years. She’s supported acts such as Lande Hekt and M(h)aol under her new moniker, but now she’s preparing to release her first full length solo record.

Starting life as a bedroom project during lockdown, before developing into a full band, shaene’s time lost / time regained is an album that’s inspired by her own experiences as a trans woman, her neurodivergency and the depth of emotions that surround these aspects of her life. Her new single ‘sad’ touches on these themes and gives listeners a poignant first hint at what the full album will sound like.

“‘sad’ is about being lodged in a deep depression, convinced that everybody would be better off without you around,” shaene explains. Her intimate, confessional lyrics are accompanied by considered, shimmering instrumentation that helps to ease the pain of the alienation that initially inspired the track. shaene’s willingness to share these thoughts is what makes her music so earnest and inspiring, and we look forward to hearing more from the songwriter in the lead up to her debut album release.

Listen to ‘sad’ below.

Follow shaene on bandcamp, Spotify & Instagram

Photo Credit: shaene

Kate Crudgington
@KCBobCut

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LISTEN: GIHE on Soho Radio with Circe (24.07.23)

Tash and Kate were back on Soho Radio’s airwaves playing loads of new music from some of their favourite female, non-binary and LGBTQIA+ artists! Mari offered some of her “musical musings” too. Tash talked about their excitement for upcoming East London festival Field Day and Kate shared memories of the recent GIHE gig that Mari organised at The Shacklewell Arms, featuring STRAIGHT GIRL, ALT BLK ERA and The Dead Zoo. Artists featured on the eclectic playlist included Maria Uzor, Sweeping Promises, Um, Jennifer?, congratulations, Divide and Dissolve and Nora Kelly Band.

Kate also caught up with London-based dark-pop sensation Circe to talk about her new EP, Drawing Wings From The Light. Inspired by personal epiphanies, unfiltered heartbreaks, precious teenage secrets and cell-shaping theatrical experiences, the record is a passionate, rapturous collection of slickly produced tracks. Circe spoke about the context behind her new songs, the loyalty of her fans, having FEELINGS about EVERYTHING, and her upcoming headline show at The Windmill in Brixton on 21st September. Tickets are available now on DICE.

Listen back to the show below:

 

We’ll be back on Soho Radio on Monday 21st August from 12-2pm!

Tracklist
Bikini Kill – Rebel Girl
Mary Lovett – Drive
Fever Ray – What They Call Us (Nifra Remix)
TSHA ft. Ell Murphy – Bloom
Maria Uzor – Ventolin
cumgirl8 – gothgirl1
ALT BLK ERA – I’m Normally Like This
congratulations – Zeitgeist
Jock – Spoilsport
Separatr – Directionless
Sweeping Promises – Eraser
Um, Jennifer? – Girl Class
afromerm – held
And Is Phi – Double Pink
AVR – Confirm Humanity
Sea Lemon – Vaporized
Circe – My Boy Aphrodite
**Interview with Circe**
Penguin Cafe – Galahad
1000 Beasts ft. Zeenie Summers Sà.Rù.Mí – Sun Valley Drive
Coolgirl – Silverlight
Joanna Sternberg – I’ve Got Me
Nora Kelly Band – Rodeo Clown
FOX GUNN – POTTERY
Divide and Dissolve – Want
Taylor Swift – Blank Space

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LISTEN: GIHE on Soho Radio with Cheri Percy (29.05.23)

Tash and Kate were back on Soho Radio’s airwaves playing loads of new music from some of their favourite female, non-binary and LGBTQIA+ artists! Mari offered some of her “musical musings” too. The pair talked about their highlights from The Great Escape Festival – which included spotting Courtney Love – and how much they collectively love Hypsoline after they headlined the latest GIHE gig at The Shacklewell Arms. They also enthused about the eclectic mix of tracks on the playlist, including ARXX, Ezra Williams, Touch Excellent, HotWax, GENN, SPIDER, CATBEAR, DEWEY, Midwife, Brutus and more.

Tash also caught up with author and journalist Cheri Percy to talk about her new book Come Away With ESG. Inspired by the story of ESG – one of the most under-rated and influential bands in electronic music – Cheri penned the book which features interviews with founding member Renee Scroggins, alongside cult-figures from 1980s New York and North England. Tash and Cheri spoke about all this and more. You can buy your copy of the book here.

Listen back to the radio show below:

 

We’ll be back on Soho Radio on Monday 26th June from 12-2pm!

Tracklist
ANOHNI and the Johnsons – It Must Change
Hypsoline – With You Gone
ARXX – Ride Or Die
HotWax – Rip It Out
GENN – A Reprise (That Girl)
INDIGOS – Drug Dealer, Faith Healer
FLOSSING – Switch
SOLE – en och en
Headboy – cement
Heff Vansaint – Ladder Rungs
BRUTUS – Brave
My Ugly Clementine – Are You In?
Aldous Harding – The Barrel
Ezra Williams – Until I’m Home
Janelle Monae – Lipstick Lover
jellyskin – bringer of brine
**Interview with Cheri Percy**
ESG – The Beat
DEWEY – The Janitor
CATBEAR – I’ll Meet You At The End
Midwife & Vyva Melinkolya – Hounds Of Heaven
Charlotte Carpenter – Spinning Plates
Carpenters – Yesterday Once More
SPIDER – Growing Into It
Touch Excellent – Record
pink suits – Fake Great Britain
Hole – Awful

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ALBUM: Hannah Jadagu – ‘Aperture’

Blurring the lines between pop, shoegaze, hip hop and grunge, Texas-born, New York-based musician Hannah Jadagu‘s debut album Aperture is a bright, kaleidoscopic collection of heart-on-sleeve indie anthems. Released via Sub Pop, the record’s title – defined as both “an opening, hole or gap” and as the “space through which light passes in an optical or photographic instrument” – hints at the way the artist processes and filters her musings on family ties, personal growth and epiphanies about life, love and religion. The result is a shimmering collection of guitar-based tunes that reflect Jadagu’s vibrant talent as a songwriter.

The follow up to her 2021 EP, What Is Going On?, also released via Sub Pop, Jadagu’s debut full length is a real step up. Her simple but effective method of using Garageband iOS and her iPhone 7 to produce and record her five track EP in her bedroom, has been subbed in for time in a professional recording studio alongside French songwriter and producer Max Robert Baby. Whilst her environment and set up may have changed, the result remains the same: Aperture deftly captures Jadagu’s personal-yet-universal approach to songwriting; it just feels more polished and precise.

“Every track on this album, except for ‘Admit It’, was written first on guitar, which is an instrumental throughline,” Jadagu explains about the process. “The blanket of synths I use throughout helps me move between sensibilities. There’s rock Hannah, there’s hip-hop Hannah, and so on. I didn’t want any of the songs to sound too alike.” This desire to thread her collective influences and experiences together underscores Aperture.

From the tender, slow-building opener ‘Explanation’, to the combination of hip hop-inspired beats, ambient guitar tones and buzzier riffs that cut through on ‘Warning Sign’, right up to her buoyant ruminations on final track ‘Your Thoughts Are Ur Biggest Obstacle’, Jadagu’s charming vocals lead her navigation through genres and emotional learning curves. The songwriter’s self doubt melts away when it’s pushed through a vocoder on the latter, allowing listeners to drift off into the ether with her.

There are two tracks that stand out on the record: ‘What You Did’ and ‘Admit It’. The driving beats and jangly, reverb-laden riffs on the first are totally infectious, enhanced by Jadagu’s cutting lyrics and bittersweet vocal delivery. The latter is a hazy, humble ode to her older sister, who Jadagu refers to as “the blueprint”. She made the reluctant songwriter join the local children’s chorus when they were younger, an experience which Jadagu says she “hated”, but was core to her learning how to harmonize, as well as being able to recognise and write melody.

Reflections on her upbringing – which are also underscored by her relationship to, and growing distance from Christianity – permeate Aperture, simultaneously giving the record its intimate-yet-omnipresent feeling. Whether she’s working through feelings of frustration on ‘Say It Now’, or drifting away on a cloud of melancholic bedroom-pop on ‘Dreaming’, Jadagu’s shimmering guitar tones, catchy beats and emotive lyrics are the bittersweet soundtrack to growth in all its forms.

Follow Hannah Jadagu on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo Credit: Sam Wilbert

Kate Crudgington
@KCBobCut

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