Track Of The Day: Hadda Be – ‘Wait In The Dark’

Following the jangly energy of latest single ‘Another Life’, London-Brighton band Hadda Be (fka Foundlings) have now shared a brand new offering taken from their upcoming debut album.

Propelled by scuzzy riffs and thrashing racing beats, ‘Wait In The Dark’ shows us a heavier side to Hadda Be than what we might be used to, proving them as a band who are able to constantly hone their sound, reluctant to be pigeon-holed into any one genre.

With a gritty, frenzied energy and shades of the whirring splendour of Sonic Youth, it builds with a frenetic tension to a magnificent, swirling cacophony. Oozing a riotous, grunge-infused spirit, it offers all the fuzzed-out, angst-driven power we need to motivate us through the next few months, when hopefully brighter things – and the possibility of live music – will be on the horizon.

Of the track, the band explain:

“’Wait In The Dark’ is a direct and visceral reaction to the turbulent political and cultural times we find ourselves in. There’s a lot of anger and passion in this song. It felt liberating to have a moment on the album where we really let loose, not allowing ourselves to be wrapped up in analytical posturing. Like with our first ever single, ‘Misery’, the track started off with a bass line and everything else was built up from there. We’re particularly excited about getting this one out on the road.

Filmed remotely during lockdown and directed by Chris Tomsett (AKA Innerstrings), you can watch the psychedelic new video for ‘Wait In The Dark’ here:

Wait In The Dark‘ is out now. Another Life, the debut album from Hadda Be, is set for release 30th April via Last Night From Glasgow.

Mari Lane
@marimindles

Photo Credit: Luthiem Escalona

Five Favourites: Venus Grrrls

Having previously supported the likes of Anteros and Bloxx, and following the release of their debut EP last year, Leeds rockers Venus Grrrls have now shared a brand new single. Reflecting on the stereotypes surrounding ‘goth culture’ and witchcraft, ‘Goth Girl’ is a fiercely catchy anthem, propelled by a swirling, seething energy and the soaring power of front woman GK’s vocals.

We think one of the best ways to get to know a band is by asking what music inspires them or influences their writing. So, we caught up with the whole of Venus Grrrls – GK, Grace, Gabby, Hannah and Jess – to discuss the five songs that have made the biggest mark on them. Check out their choices below, and listen to the band’s new single ‘Goth Girl’ at the end of this article

GK (Vocals):
Heart – ‘Barracuda’
Ann Wilson’s vocals just speak to me in a way that many other vocalists don’t. The power and the intensity she holds with her unstoppable vibrato, communicates complete and utter certainty in herself. That’s something I’m constantly trying to channel through my own musicianship.

Grace (Synths):
Grimes – ‘Oblivion’
The way Grimes uses the synth here really inspired me when it came to composing when I was a teenager. ‘Oblivion’ is something I always go back to when writing, or if I’m suffering with any type of writers’ block. It helps to clear my mind and not overthink things.

Gabby (Drums):
Arcane Roots – ‘Curtains’
I always think about this song because it starts off reserved and raw, but then grows into this big intense huge ending, which I love. It was song that got me into drumming in the first place, I’m a huge fan of playing around with dynamics.

Hannah (Bass):
Sonic Youth – ‘Kool Thing’
This song is important to me because Kim Gordon manages to be the main component of the song, but by being so simple and understated. She doesn’t insist on complexity, and the power of this is highly effective and is something I always think back to.

Jess (Guitar):
The Runaways- ‘You Drive Me Wild’
A song that has massively influenced my playing, specifically in Venus Grrrls is ‘You Drive Me Wild’ by The Runaways. Lita Ford’s solo in this track just stands out to me as so cool sounding, it’s unlike anyone else’s playing and has so much style. It’s something I always come back to for inspiration when I’m writing my own solos.

‘Goth Girl’ is out now, listen on Spotify.

 

Photo Credit: Milly Hewitt

PLAYLIST: October 2020

Whether you’re feeling apprehensive about the darker evenings after the pesky BST clock change, or you’re fed up of the ongoing Covid-restrictions that are full of contradictions, our October playlist is here to distract you. There’s an eclectic mix of dancing beats, atmospheric electronics, indie and alternative guitar tunes and some seasonal Halloween pop treats! Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of the page.

Nina Simone – ‘I Put A Spell On You’
The inimitable Nina Simone and her rendition of ‘I Put A Spell On You’ was an obvious choice for a Halloween-esque track, and it gives me goosebumps whenever I hear it. (Kate Crudgington)

Phoebe Bridgers – ‘Halloween’
Fun fact – I’m in love with Phoebe Bridgers. I more or less constantly have one of her songs running through my head, and spend a lot of time musing about how cool she is. So, for our October playlist it seemed only right to include her ode to the spooky season. Taken from her recent (perfect) album Punisher, ‘Halloween’ oozes Bridgers’ majestically haunting vocals and spellbinding splendour. And with the opening lyrics “I hate living by the hospital / The sirens go all night”, as someone who lives round the corner from Croydon hospital, I feel a deep hard relate on each listen. (Mari Lane)

Two Tribes – ‘Cruel Sensuality’
Full of commanding beats, jagged synths and soaring vocals, Two Tribes‘ latest single is a cathartic oscillation between emotional resilience and the unexpected apathy that comes with the ending of a relationship. Taken from their upcoming EP, which is set for release in 2021, the London-based trio blend vivid electronic textures with jolting rhythms to create an anthemic new sound. (KC)

CIRCE – ‘Ruined Your Sons’
A dark-pop gem that challenges toxic masculinity, ‘Ruined Your Sons’ is the latest single from London-based artist CIRCE. It’s taken from her upcoming debut EP She’s Made of Saints, which is set for release via Jazz Life on 25th November, and it’s a cinematic reflection on the apathy and disillusionment young men face while living under the thumb of patriarchal society. (KC)

Beckie Margaret – ‘Divine Feminine’
“’Divine Feminine’ is a song for people who stop you reaching your highest self,” explains Essex songwriter Beckie Margaret. “I wanted to write a sonically aggressive song that reflected this idea.” Through her commanding sounds and effortless vocal delivery, Margaret balances this aggression with elegance as she warns those trying to silence her to “stay out of my way.” I can’t wait to hear her debut album, which she’ll be releasing through Cool Thing Records at some point in the future. (KC)

Arlo Parks – ‘Green Eyes’
‘Green Eyes’ is the latest single from GIHE fave Arlo Parks. The track is taken from her debut album Collapsed In Sunbeams, which is set for release on 29th Jan via Transgressive Records. She’s yet to release something that don’t collectively adore here at GIHE, and I can’t wait to hear the full record next year. (KC)

Sans Soucis – ‘Air’ 
I have Kate to thank for sending this song my way, the latest single from the London based artist Sans Soucis and I cannot get enough of it. ‘Air’ evolves sonically under pitch perfect vocals, to put forth a message of protest against an era of human disconnection and destructive self-doubt. (Tash Walker)

Rihanna – ‘Disturbia’
Disturbia by absolute babe of babes Rihanna, taken from her 2008 album Good Girl Gone Bad: Reloaded. I think this is one of her best songs to date and I’m resurrecting it as a little Halloween treat for you all. (KC)

Eckoes – ‘The Light’
Alongside strobing synths and shimmering guitars, in ‘The Light’ the truly spellbinding power of Eckoes’ vocals soars, lulling the listener into a cathartic sense of hypnosis with its alluring grace. And we’re super excited that, having blown us away playing for us live at The Finsbury a few years back, Eckoes will be joining us for a special Instagram takeover next Wednesday 4th November – keep your eyes peeled on our socials for details! (ML)

Penelope Trappes – ‘Eel Drip’
A goose bump inducing, emotionally charged electronic soundscape, ‘Eel Drip’ is the title track from London-based, Australian-born musician Penelope Trappes’ recent EP. It’s a dark, delicate rumination on accepting the inevitability that our lives will all be touched by death at some point, and I’m a little bit obsessed with it. (KC)

Witch Prophet – ‘Tesfay’
‘Tesfay’ translated as “my hope” from queer artist Witch Prophet, inspired by the memory of Witch Prophet’s late grandfather who raised five daughters as a single father in Ethiopia after the passing of her grandmother. Instead of focusing on the traditional roles for women in his day, he pushed his daughters towards education and empowerment – a radical move for the time. The video is fantastic as well, go check it out. (TW)

LIINES – ‘On and On’
One of the latest singles from GIHE faves LIINES, ‘On and On’ reflects on not being able to express your true feelings. Oozing the band’s trademark dark, brooding power, it builds to a high-octane climax of raging riffs and throbbing bass lines, propelled by the utterly commanding vocals of Zoe McVeigh and a punk-fuelled bewitching allure. ‘On and On’ is the B-side to new single ‘Sorry’’, out on 6th November, with a limited number of black 7” vinyl editions available for direct mail order and through independent record shops, via Reckless Yes. Pre-order via LIINES’ Bandcamp now. (ML)

Bitch Falcon – ‘How Did I Know?’
Is it even a GIHE Playlist if I don’t include a Bitch Falcon track? (Long answer: no.) The Dublin alternative trio have shared this new single ahead of the release of the debut album, Staring At Clocks, on 6th November via Small Pond Records. Vocalist & guitarist Lizzie says this single is “an expression of frustration around someone I love and their problems. When someone you love is at the edge of your grasp, it can be so terrifying that your reaction is to let go.” (KC)

Total Rubbish – ‘What’s Your Damage?’
The latest single from Philadelphia-based trio Total Rubbish, whose sound reminds me a little bit of Garbage or L7 – which is never a bad thing. ‘What’s Your Damage’ is featured on their upcoming EP Triple Negative, which is set for release on 20th Nov via Born Losers Records. (KC)

Middle Kids – ‘R U 4 Me?’
With an uplifting jangly groove, Aussie band Middle Kids offer a swirling emotion and warm melodies with latest single ‘R U 4 Me?’. A perfect burst of sunny energy for this time of year, it’s a scuzzy indie pop anthem, leaving me excited to hear what this trio have in store for us next. (ML)

Landshapes – ‘Drama’
The new single from GIHE faves and one of our first guests on the radio show back in 2015, Landshapes, ‘Drama’ reflects on the imbalance of emotional labour that’s often seen between men and women. Soaring with a whirring synth-filled musicality and sweeping electro-driven hooks as the lustrous distinctive power of Luisa Gerstein’s vocals flows, it’s set to captivate on first listen with its majestic, funk-fuelled groove. ‘Drama‘ is out now, along with accompanying single ‘Let Me Be‘. Both are taken from Landshapes’ upcoming new album, Contact, set for release on 20th November via Bella Union. (ML)

Miri – ‘Just Breathe’
The latest single from London artist MIRI, ‘Just Breathe’ was released to coincide with Mental Health Awareness Day earlier this month. Reflecting on the negative impact some social media can have, whilst delivering a message of love and hope, it’s propelled by a soothing, soulful splendour and emotion-strewn majesty. As the soaring heartfelt power of Miri’s distinctive vocals flows, it’s filled with an uplifting musicality, oozing an endearing sense of hope. Of the track, MIRI explains: “Just Breathe is my message to anyone struggling mentally to please reach out for help. We are living in an incredibly stressful and intense time especially with the pandemic.” (ML)

Lande Hekt – ’80 Days Of Rain’
‘80 Days of Rain’ “is about moving away and missing someone, and how that person taught me to get angry about climate change,” songwriter Lande Hekt explains. It’s a humble, emotive guitar tune about the state of the planet, lifted from Hekt’s upcoming album Going to Hell, which is set for release on 22nd January 2021 via Get Better Records. (KC)

Swallow Cave – ‘Cold Moon’ 
‘Cold Moon’ comes from Bristolians Swallow Cave. Reflecting on mental health, I love the intonation in the vocals that resonate in those long guitar chords, reverberating right into my soul. It’s out now via Sad Club Records. (TW)

Bel Cobain & Lex Amor – ‘At The Bay’
‘At The Bay’ is a beautiful track that was made as part of a Hackney based community movement called The Silhouettes Project. They’re shining a light on artists in the shadows and protecting local spaces from gentrification. The Silhouettes Project provides an open space – a recording studio and live venue (located within the Total Refreshment Centre in Hackney, London) – where MCs, singers, musicians and producers can connect and create. (TW)

Thigh High – ‘Go Slow’ 
The latest single from queer glam-rock band Thigh High and I’m loving it. It’s a song about wanking, masturbating, about that annoying moment when your dildo’s batteries die and you have to raid the remote control. Incredible. Turn up those dials. (TW)

Spill Tab – ‘Santé’
‘Santé’ by LA-based, French Korean artist Spill Tab is intimate bedroom-pop at its best, mixing hypnotic dark-pop vocals with an urgent throbbing bass. Nice. (TW)

Tokky Horror – ‘Sleeper’
Dance-punk trio Tokky Horror have shared two new bangers just in time for Halloween. The explosive ‘Sleeper’ is one of them, with Demonoid Phenomenon – a Rob Zombie cover – being the other. You can download both from their bandcamp page now. (KC)

Lady Gaga – ‘Monster’
Taken from her 2009 album The Fame Monster, this track by Mother Monster herself is guaranteed to get me dancing at a Halloween party (even if that party consists of only me in my bedroom due to the current covid-19 restrictions.) (KC)

Pet Wife – ‘.B.L.O.O.D.O.R.A.N.G.E.’ 
PET wife, are a trans/nonbinary couple and art-pop duo from Bushwick, Brooklyn. This single, ‘.B.L.O.O.D.O.R.A.N.G.E.’ is accompanied with an incredible music video which you can watch here, that they describe as an homage to the vampire lesbian exploitation films of the 1970s with an all-trans/gender non-conforming crew and queer cast. Loving this track! (TW)

Soho Rezanejad – ‘Half The Shore’
The new single from Danish artist Soho Rezanejad, ‘Half The Shore’ is a beautifully ethereal soundscape. With Rezanejad’s work often rooted in mythological storytelling, this latest offering oozes a spellbinding majesty that’ll captivate on first listen. A much needed sea of calm. ‘Half The Shore’ is taken from Rezanejad’s upcoming album Perform And Surrender, set for release on 4th December via Silicone Records. Listen to the track here. (ML)

Sonic Youth – ‘Halloween’
The unmistakable sound of Kim Gordon’s voice over these eerie, strung out guitar sounds should be enough to create a wonderful sense of dread for you all this Halloween weekend. (KC)

ALBUM: The Wants – ‘Container’

Formed by Madison Velding-VanDam and Heather Elle from New York art-punk band Bodega, The Wants‘ debut album Container is a punchy, defiant, riot of a record that simultaneously reflects and resists anxiety, on both a personal and wider scale. With its swaggering beats, techno influences, and to-the-point lyricism; it flows seamlessly from track-to-track demanding uninterrupted listening from the offset.

The Wants began taking shape when drummer Jason Gates and Velding-VanDam met in New York in 2014, but became fully formed while Velding-VanDam and Elle were working together under the Bodega moniker years later. Realising they all had a passion for electronic music, the three began writing together, and Container is the result of this collaboration.

Instrumental opener ‘Ramp’ commands attention with its thudding kick drum, while eponymous track ‘Container’ pulses with brooding bass lines and deadpan lyrical delivery. Pounding instrumental ‘Machine Room’ bleeds in to ‘Fear My Society’. “Will you love me if I’m a failure?” agonises Velding-VanDam, over funky beats and surprisingly buoyant synths. It feels odd to dance around to a track that’s fueled by anxiety and alienation, but it’s a natural response to The Wants driving rhythms.

Making space to individually review each of Container‘s tracks feels odd, as the record is such a cohesive creation, where each track transitions smoothly in to the next. Instrumental ‘Aluminium’ blends in to the unsettling ‘Ape Trap’. “I will stay a deviant, or else I die of boredom” Velding-VanDam sings, desperate to escape his metaphorical cell. Instrumental ‘Waiting Room’ builds on this tension, until its relieved by the confessional ‘Clearly A Crisis’. “I have no intimacy, I’m never vul-ner-able” – Velding-VanDam takes care to repeat, and speak this line with intense clarity.

The funky beats on ‘Nuclear Party’ float around as the cute threat of “kiss my bombs” ricochets between your ears. The bouncy ‘Hydra’ follows, before eerie instrumental ‘Voltage’ closes the record on a somber note. It’s a striking offering, with each scratch, pulse, and echo captured clearly. The band recorded the album in their bedrooms and their rehearsal space — a re-purposed HANJIN shipping container situated in the middle of a dumpling factory parking lot — so it’s a testament to their personal, and joint production skills that these elements can be heard in the mix.

With their myriad of influences – including the literature of Jenny Holzer, the sounds of The National, and a love for techno –  The Wants have created a sonic space on Container that’s somewhere between the catchy electronics of Depeche Mode, the angsty lyrics of early Sonic Youth. It’s a distracting record, in the best possible way, and deserves your undivided attention.

Listen to Container in full here. Follow The Wants on Spotify and Facebook for more updates.

Photo Credit: Madison Carroll

Kate Crudgington
@KCBobCut