PLAYLIST: August 2019

Summer’s nearly over, but we’ve selected some of the finest new music tracks to see you through August’s final weeks of sunshine and unexpected showers.Take some time to scroll through our track choices and make sure you hit play on the Spotify playlist link at the bottom of the page…

Bones UK – ‘I’m Afraid Of Americans’ 
I have Anthony & Elis of Noise Noir to thank for this B.A.N.G.E.R. I heard it during their DJ set for Siren Calling Festival and I’ve been obsessed with it ever since. One of my favourite Bowie tracks covered in super cool style. I’m now an avid follower of Bones UK too. (Kate Crudgington)

Sui Zhen – ‘Matsudo City Life’
Inspired by the Japanese city of Matsudo – known by locals as a ‘sleeper town’ -, Sui Zhen’s latest single flows with infectious, ’80s inspired whirring hooks, alongside her luscious vocals. An utterly dreamy, synth-driven soundscape, it’s another slice of sparkling alt-pop from the Melbourne artist, and I cannot wait for the release of her upcoming new album, Losing, Linda, out 27th September. (Mari Lane)

Le Butcherettes – ‘Ever Fallen In Love (With Someone You Shouldn’t Have)’ 
My absolute faves Le Butcherettes have shared their brilliant cover of The Buzzcocks’ classic and I’m hooked on it. The Guadalajara-born and El Paso/L.A. based group shot a live video of the song as part of their collaboration with Fender for their Vintera Series of guitars before recording a studio version for the single release. (KC)

Cat Apostrophe – ‘January’ 
‘January’ by Yorkshire-based radically soft pop band Cat Apostrophe is taken from their debut LP Lifelong Amateurism, which is out now via Everything Sucks Music. You can catch them on their tour across the whole of the UK hitting London on 26th August at DIY Space for London. (Tash Walker)

Babeheaven – ‘Seabird’ 
Babeheaven’s cover of 70s classic ‘Seabird’ originally by the Alessi Brothers, is incredibly beautiful and has left me gazing dreamily out of many a window with it playing into my ears… so what better reason for wanting to share that with you all. It is quite simply, heart wrenchingly, sublime. (TW)

Suggested Friends – ‘Cygnet’
I’ve been completely addicted to Suggested Friends‘ eponymous debut release over the last couple of years, and so I couldn’t be more excited to hear that they have just announced the release of their second album. To coincide with the announcement, Suggested Friends have shared new single ‘Cygnets’. With totally dreamy harmonies and the distinctive heartfelt crystalline vocals of Faith Taylor, it’s filled with an infectious jangly scuzz and stirring raw emotion, complete with some impressive rollicking riffage. Turtle Taxi, the upcoming album from Suggested Friends, is out 4th October. (ML)

Wyldest – ‘Mind Over Body/Slowdance’ 
I caught two thirds of Wyldest live at Siren Calling Festival over the weekend, and their shoegazey guitars and smooth vocals melted my ears. (KC)

Hurtling – ‘Summer’
I just can’t get enough of London band Hurtling’s new single ‘Summer’. Starting off with gentle, finger-picked melodies and the luscious, delicate vocals of Jen Macro, it soon builds with sun-drenched whirring hooks and immense beats to a fuzz-filled noisepop anthem. A scuzzy dream of a track, it’s impossible not to get caught up in its sparkling, psychedelic haze.‘Summer’ is out now, whilst Hurtling’s debut album – Future From Here – is out 18th October, both via Onomatopoeia Records. (ML)

Hannah Stewart – ‘Glaze’
The new single from California based artist Hannah Glaze is propelled by throbbing beats and gritty bass-lines. Filled with the smooth allure of Hannah’s honey-sweet vocals and a driving energy, it oozes an infectious danceability and fuzzed-out groove that we can’t get enough of. (ML)

Hana Vu – ‘At The Party’ 
I am hooked on LA artist & producer Hana Vu’s down-beat disco banger ‘At The Party’. It’s a song about ““spite and how truly meaningless it is” and I can’t help but feel any sense of spite evaporate when I hear her sultry vocals. She’s set to release a new EP titled Nicole Kidman/Anne Hathaway on 25th October via Luminelle, and I can’t wait to hear more from this talented nineteen year old. (KC)

TONI&MASH – ‘LTGFU’ 
The debut electro-house banger ‘LTGFU’ by Berlin-based TONI&MASH out via Black Diamond Records. Absolute tune. (TW)

Nasty Cherry – ‘Live Forever’ 
Nasty Cherry co-wrote ‘Live Forever’ with Charli XCX & producer Justin Raisen (Angel Olsen, Kim Gordon), so it was destined to sound cool. In their own words “‘Live Forever’ is a song about being unconfined, unrefined and self-assured” – here’s to that! (KC)

Cozy Slippers – ‘A Million Pieces’
Formed at ‘Ladies Rock Camp’ – a weekend event that introduces women to rock instruments and playing in a band – Seattle band Cozy Slippers are back with a brand new single. Contrasting popular culture depictions of romance with lived reality, ‘A Million Pieces’ oozes shades of the jangly surf-pop of the likes of Real Estate or Best Coast, whilst adding its own dreamy air of romanticism. Flowing with luscious melodies, it’s filled with all the sparkling, uplifting summer vibes. We can’t wait for Cozy Slippers to come over to the UK and play for us at The Finsbury on 8th November! (ML)

Delacey – ‘Emily’  
The from LA singer-songwriter Delacey is an ode to her best friend. Shout out to her for representing the importance of female friendship, especially when it comes in the form of reverb heavy electro. (TW)

Intaya – ‘Guaguancó’ 
‘Guaguancó’ by Venezuelan born, London based Intaya is a potent amalgamation of cross-cultural music, described as a commute to an electric Latin Caribbean Island in a London Tube train. Their debut EP is due out later in the year. (TW)

Like A Villain – ‘My Hands’
The new single from New York artist Holland Andrews, aka Like A Villain, ‘My Hands’ is filled with glistening electronics and a hypnotic, haunting grace. Propelled by the emotion-strewn power of Andrews’ soulful vocals, it creates a poignant, ethereal soundscape.
Like A Villain’s upcoming album What Makes Vulnerability Good is out 20th September via Accidental Records. (ML)

BAD – ‘Sweat’ 
‘Sweat’ is a track so catchy it’s had me popping my shoulders all over London these last couple of weeks – the jury’s still out on those moves, but not on this track. Coming from NYC based duo BAD, described as Lizzo meets George Michael, this track is full of funk, soul and just enough of that throwback to Saved by the Bell that you need. (TW)

Roniit – ‘Foreign Tongues’
Self-proclaimed “Dark Queen” Roniit’s reimagination of Crywolf’s ‘Foreign Tongues’ is an ethereal, melancholy exploration of sound that gives me goosebumps. Roniit is a friend and frequent collaborator of Crywolf’s, working behind-the-scenes for the production of many of his photographs and videos. A true talent. (KC)

 

Track Of The Day: Suggested Friends – ‘Cygnets’

Having been completely addicted to Suggested Friends‘ eponymous debut release over the last couple of years, and having being utterly charmed by them at numerous gigs in that time, I couldn’t be more excited to hear that they have just announced the release of their second album.

To coincide with the announcement, Suggested Friends have shared new single ‘Cygnets’. With totally dreamy harmonies and the distinctive heartfelt crystalline vocals of Faith Taylor, it’s filled with an infectious jangly scuzz and stirring raw emotion, complete with some impressive rollicking riffage. Of the track, Faith explains:

This song documents the uneasy process of learning to trust yourself and therefore also trust other people. It refers to ‘digital birds’ because my bird-sound alarm clock mixed in with the sounds of the actual dawn chorus and became a metaphor for discerning which messages and voices to believe.”

Cygnets‘ is accompanied by a home-taped video filmed in Harper’s Ferry, Virginia, on the band’s recent 2018 US tour date. Watch now:

I just can’t get enough of Suggested Friends, and cannot wait for their new album Turtle Taxi, which is set for release on 4th October. Catch Suggested Friends live:

26th September – Metronome, Nottingham (supporting Camp Cope)
9th October – Shacklewell Arms, London (album launch show)
12th October – The Old Cold Store, Nottingham (Nottingham Pop All-Dayer)
25th October – DIY Space For London (Weenfest)

 

Mari Lane
@marimindles

Tracks Of The Year 2018

Despite being a pretty scary year in the grand scheme of things, 2018 has actually been exceptionally great for new music. Our ears have been filled with sonic delights of all genres, providing necessary catharsis and enjoyment. 

So, it was pretty hard to pick our 20 favourite tunes. But, from poignant punk to captivating pop-noir, here they are… 

Alice Bag – ’77’
Taken from this year’s poignant album Blueprint, punk legend Alice Bag brought together a dream team for her single ’77’. Featuring Riot Grrrl queens Kathleen Hanna and Allison Wolfe, plus an appearance in the video from Shirley Manson, it draws inspiration from Dolly Parton’s 1980 proto-feminist workplace comedy ‘9 to 5′, commenting on the gender pay gap that still plagues society. Filled with seething, punk-driven riffs, the women not only rage that “I make 77 cents and it’s not right / It’s bad for women!”, but make the point that “it’s worse if you’re not white”. As Bag poignantly sneers “… don’t pretend that we’re paid equal… You wrote the script / But I’m writing the sequel”, ’77’ is an empowering, inspiring call to arms to unite against the patriarchy and make the changes needed for equality, in the workplace and beyond.
(Mari Lane – Managing Editor/Co-Founder)

Nova Twins – ‘Lose Your Head’
A lesson in cutting loose and walking on the wild side, South East London duo Nova Twins provided us with this mind-melter of a track earlier in the year. We were lucky enough to have Amy & Georgia come into the Hoxton Radio studio for a chat, and they blew us away playing live for Loud Women at The Lexington too. Their raw, abrasive, genre-defying tunes are consistent favourites here at Get In Her Ears, and I’m sure they’ll bring the noise again in 2019.
(Kate Crudgington – Features Editor/Co-Founder)

Skating Polly – ‘Camelot’
Blasting into the eardrums with intense, pulsating basslines and the impassioned screech of Kelli Mayo, ‘Camelot’ is a seething, grunge-fuelled anthem. Oozing a thrashing power, it perfectly tears apart the misogynistic nature of American frat-boy culture with an empowering energy. This year Skating Polly released new album The Make It All Show, blew us away once again with their immense live show (with faves The Menstrual Cramps supporting), and generally proved themselves to be one of the most exciting young bands around.
(ML)

Brix And The Extricated – ‘Sleazebag’
Taken from their epic, genre-defying latest album, Brix And The Extricated’s ‘Sleazebag’ revives a classic punk energy and seething passion whilst marking Smith-Start out as an artist willing to move with the times and develop her sound. Confronting all those sleazebags in the industry that we’re unfortunately so familiar with, this track instantly grabs you with its immense, ferocious power. With swirling guitars and spiky bass, alongside Smith-Start’s distinctive soaring drawl, it’s a refreshing and riotous offering proving that Brix & The Extricated are well and truly back, and cannot be missed.
(ML)

Bad Sidekick – ‘I Ain’t Sick’
A fistful of brooding indie noise: London trio Bad Sidekick released their debut self-titled EP this year, and the snarling ‘I Ain’t Sick’ is my favourite track on the record. Vocalist Cooper (who also plays guitar in The Menstrual Cramps) is a powerhouse with her enviably cool lyrical intonation, and she’s supported by a cacophony of guitar noises and heart-thumping beats on this track.
(KC)

The Menstrual Cramps – ‘The Smash’
The Menstrual Cramps have pretty much summed up 2018 with each of their topical, tongue-in-cheek offerings and provided the perfect antidote to all that’s gone on with their empowering, feel good vibes. Taken from their incredible album Free Bleedin’, ‘The Smash’ in particular couldn’t have come at a better time. With the all-too-relatable refrain of “It’s time we took back the floor, kick the Tories out the door – we want a revolution”, it oozes an immense, politically-charged force as vocalist Emilia’s genuine, seething passion shines through. Combining activism with musical prowess, The Menstrual Cramps continue to reminds us all why we need bands like this now more than ever.
(ML)

Pink Kink – ‘You’
Although it wasn’t released as a single, this live recording from Liverpool’s Parr Street Studios showcases Pink Kink at their absolute best. A stunning mix of Warpaint style lo-fi indie, Sonic Youth switch-ups in tempo, ‘You’ is drenched in emotion, full of fired passions and stunning musicality. A band whose career was cut far, far too short for the kind of ridiculous reasons that have been an increasingly common occurrence in 2018’s dark days
(John McGovern – Contributor)

Soccer Mommy – ‘Your Dog’
I adore this song from Nashville’s Soccer Mommy, taken from her debut album Clean. Her trademark “soft anger” is executed so wonderfully, you barely notice you’re dropping expletives left, right and centre throughout the track. Written as an antidote to the feeling of being “paralyzed in a relationship to the point where you feel like you are a pawn in someone else’s world”, ‘Your Dog’ is a brilliant bite back from this talented artist.
(KC)

Snail Mail – ‘Pristine’
Laconic, bruised, wistful and sparkling – all while dealing with pop’s most frequent fixation: unrequited love – ‘Pristine’ is a brilliant introduction to the indie-pop stylings of Lindsay Jordan. If there’s been a better lyric than “It just feels like the same party every weekend, doesn’t it?” this year, then I haven’t heard it.
(JM)

Dott – ‘Like A Girl’
Activism and garage-pop collided in anthemic style on Dott’s single ‘Like A Girl’. The Galway-based band released the song ahead of Ireland’s vote to Repeal the 8th Amendment on May 25th – which resulted in the historic outcome of giving Irish women legal access to full reproductive health services, including abortion. The song features a guest appearance from Sadie Dupuis of Speedy Ortiz on guitar, and the accompanying video features members from Galway Pro Choice, Galway Parents for Choice, and Galway Roller Derby, as well as footage of recent marches for Women’s Rights in Galway.
(KC)

Wolf Girl – ‘Toast For Dinner’
Having captivated us with their sunny charm live at Indietracks Festival this year, Wolf Girl are fast becoming a firm favourite. Flowing with an infectious jangly scuzz and twinkling uplifting harmonies, ‘Toast for Dinner’ is an exquisite slice of perfect indie-pop. Propelled by a driving, vibrant energy and Healey’s luscious vocals – and with thoroughly relatable lyrics like “toast for dinner again, I’m trying to tie up loose ends” – it’s a total delight for the ears, as is the band’s latest album Every Now And Then.
(ML)

Pip Blom – ‘Come Home’
Unusually glum, but no less lively, this track marked the peak of a fantastic run of singles from the Dutch post-punk fourpiece. Its repetitive riff makes it unforgettable, rhythms make it sound like something that belongs more at a club than a gig, whilst Blom’s voice is just the right side of deadpan. Now signed to Heavenly, 2019 promises great things for PB.
(JM)

Suggested Friends – ‘Motherfucking Tree’
Although I think technically their self-titled album came out officially last year, throughout the entirety of 2018, I can safely say that Suggested Friends have been one of my most-listened to, and most thoroughly loved, bands. This track in particular showcases their perfect, immensely infectious ‘tweemo’ punk-pop to a tee. Filled with racing, catchy hooks and luscious harmonies, Faith Taylor’s witty charm and exquisite vocals (as well as spot on lyrics like “thought you had a halo, but it was just the glare from the backlight of your iPhone”) fill me with pure joy on each listen.

(ML)

Ah! Kosmos – ‘Wide'(feat. Özgür Yılmaz)
Atmospheric guitar, captivating percussion and hypnotic vocals melt together on this track from Ah! Kosmos. It’s taken from her second album Beautiful Swamp, and it sweeps me up in to a rapture every time I hear it. Her live performance supporting Zola Jesus at Omeara this year was an absolute knockout, and I can’t wait to see what she gets up to in 2019.
(KC)

Kill J – ‘Strange Fruits Of The Water’
This stunning single from Kill J tackles issues of immigration and racism, with a subtle nod to Billie Holiday’s  iconic track ‘Strange Fruit’ (1939). Taken from her album Superposition, Kill J explains: “’Strange Fruits Of The Water’ is a protest song about boarders, walls, barbed wire fences, and people trying to survive on small boats crossing the Mediterranean Sea. While some people dream of just surviving their journey across the boarders, others dream of wealth and power at the expense of others”.
(KC)

Black Gold Buffalo – ‘Lay It Down’
I’ve been hooked on Black Gold Buffalo’s mesmerising, pop-noir sounds all year, so I was thrilled to have them headline our first GIHEs night at Notting Hill Arts Club in August. ‘Lay It Down’ is taken from the band’s debut self-titled album (which I recommend you listen to) and it’s a well-crafted, smoldering gem that revolves around confronting feelings of anxiety.
(KC)

LIINES – ‘Shallow’
Having been labelled one of our ‘Ones To Watch 2018‘, Manchester trio LIINES certainly proved us right. Throughout the year, they’ve gone from strength to strength – releasing their debut album Stop-Start in May, receiving acclaim from the likes of John Kennedy and Steve Lamacq and just now announcing a support slot with Sleaford Mods for 2019. Oozing an immense, thrashing energy and the raw, commanding vocals of Zoe McVeigh, single ‘Shallow’ is filled with the band’s trademark dark, brooding power – an intense blast of perfect post-punk with shades of the likes of Savages of Sleater Kinney.
(ML)

Zola Jesus – ‘Bound’
Intriguing electro-industrial artist Zola Jesus had me spellbound from the moment I heard the hypnotic, off-kilter, heavy bouncing synths on ‘Bound’. Her penetrating vocals ring out across a demanding soundscape, and her blending of industrial and classical elements makes this track sound like a tortured but tentative hymn. Seeing her perform it live at Omeara was truly breath-taking too.
(KC)

Noga Erez – ‘Bad Habits’
Noga Erez had 2018’s shortcomings in her interrogative spotlight this year after releasing her incredible track ‘Bad Habits’. It’s a snarling tirade of anger spoken through gritted teeth, written from “a place where one feels they’ve lost all direction and meaning”. Gritty, defiant, and viciously executed – I love this track and can’t wait to hear more from the Tel Aviv renegade in 2019.
(KC)

Miss Eaves – ‘Push For The Bush’
Having previously fallen in love with Miss Eaves‘ fun-filled, empowering anthems ‘Thunder Thighs’ and ‘Hump Day’, ‘Bush For The Push’ offered another vibrant celebration of self love from Miss Eaves. With her trademark disco-punk energy, reminiscent of queen Peaches, it’s a liberating and wonderfully entertaining call to be free to have the bush you want – “It’s your body, so have a little fun…”
(ML)

Listen to our ‘Tracks Of 2018’ playlist here, and stay tuned for more of our 2018 highlights, and Ones To Watch for next year…

Premiere: Chorusgirl – ‘Demon Baby’

Following 2015’s wonderful self-titled debut, GIHE faves Chorusgirl have now announced their long-awaited new album Shimmer And Spin, and we couldn’t be happier for them. Chronicling a tense year, created during a period of crippling anxiety and a relentless string of bad luck and bad news, the new album is the result of immense hard work and dedication from Silvi, Faith, Udo and Michael.

Taken from the album, the band have now shared brand new track ‘Demon Baby’. Inspired by those all too common feelings of anxiety and isolation, it’s the first song of the band’s to be released featuring Faith Taylor on lead vocals. As a massive fan of her other band Suggested Friends, it’s wonderful to hear Taylor’s distinctive, rich vocals shine through on this one, propelled by Chorusgirl’s trademark shimmering sounds.

A slight change in tone from the usually guitar-driven jangly indie of Chorusgirl, ‘Demon Baby’ combines that welcome scuzzy whirr of hooks with a backdrop of a glitchy, electronic soundscape, filled with sparkling effects and luscious cascading harmonies. As Taylor’s exquisite vocals float effortlessly along with a raw emotion, you could almost be transported to the soundtrack of an ’80s teen drama (which is never a bad thing!); though, alongside those fuzzy nostalgic vibes, it manages to retain Chorusgirl’s unique sense of dreamy, effervescent melancholy. A beautifully stirring and reflective offering, ‘Demon Baby’ still ultimately manages to uplift the spirit with the soaring, glistening haze that this band are consistently able to create.

Of the track, the band explain:

“It is about pathologising your own unhappiness when you lack genuine emotional support in your life. The song talks about running away, reinventing yourself, and policing your sense of discontent and isolation because you don’t think you deserve more.”

Listen to ‘Demon Baby’, for the first time here:

 

Shimmer And Spin, the new album from Chorusgirl, is out 16th November via Reckless Yes. Catch Chorusgirl live at their album launch show tonight (9th November) at The Victoria, and at the following dates:

16th November: Nottingham, Rough Trade
17th November: Sheffield, Audacious Art Experiment
18th November: Newcastle, Head of Steam
19th November: Glasgow, Broadcast
21st November: Oxford, Common Ground
22nd November: Bristol, Hydra Cafe
23rd November: Coventry, The Tin
11th January 2019: London, The Finsbury (for Get In Her Ears!)

Mari Lane
@marimindles

Track Of The Day: Chorusgirl – ‘No Goodbye’

Following 2015’s wonderful self-titled debut, GIHE faves Chorusgirl have now announced their long-awaited new album Shimmer And Spin, and we couldn’t be happier for them. Chronicling a tense year, created during a period of crippling anxiety and a relentless string of bad luck and bad news, the new album is the result of immense hard work and dedication from Silvi, Faith, Udo and Michael. Of the writing process, Silvi explains:

“There was barely a month without bad news on a personal and wider level, and at the end of that year, my anxiety started to spike badly. The album became a very important anchor. Every note and lyric were raked over and looked at twice; we were hacking and honing away at the songs for months, trying to craft some sort of sculpture of our state of mind.”

Taken from the album, new single ‘No Goodbye’ is filled with jangly hooks and sunny uplifting beats, despite perhaps a lingering dark undercurrent. As Silvi’s distinctive, lush vocals soar throughout, effervescent harmonies and impressive driving riffs flow, creating Chorusgirl’s utterly unique, shimmering sounds. Another truly dreamy slice of scuzzy, sparkling garage-pop, ‘No Goodbye’ proves that it’s impossible to listen to Chorusgirl and not feel instantly better; their tunes just seem to be the perfect antidote to all life’s troubles. And the fact that the band overcame so much to create this new album just makes them all the more inspiring.

Chorusgirl honestly are one of my favourite bands of the last few years, and this latest offering – and the determination that went into creating it – showcases exactly why.

 

Shimmer And Spin, the upcoming new album from Chorusgirl, is out 16th November via Reckless Yes. Catch Chorusgirl live:

9th Nov: London, The Victoria
16th Nov: Nottingham,Rough Trade
17th Nov: Sheffield,Audacious Art Experiment
18th Nov: Newcastle,Head of Steam
19th Nov: Glasgow,Broadcast
21st Nov: Oxford, Common Ground
22nd Nov: BristolHydra Cafe
23rd Nov: Coventry,The Tin

Mari Lane
@marimindles

Get In Her Ears Live @ The Finsbury w/ LIINES, 09.02.18

Following a host of super amazing bands playing for us over the last year – including Witch Fever, The Magnettes, H.Grimace, REWS, Trash Kit and Deux Furieuses – we were back at The Finsbury on Friday night for another jam-packed night of the best new music.

Kicking off the night are Sheffield/Leeds creators of wonderfully wonky noise-pop, Duck. Treating us to a whirring array of synth-filled sonic delights, they deliver an utterly unique and fantastically quirky set.

Next up are Get In Her Ears faves Suggested Friends. Despite missing a bassist, they succeed in delivering their immensely infectious, thoroughly engaging ‘tweemo’ punk-pop to perfection. As the crowd unites in a buoyant joy, the band grace us with racing, catchy hooks and luscious harmonies as Faith Taylor’s witty charm and exquisite vocals flow with ease.

Penultimate band of the night, Bugeye, blow us all away with their powerful disco-punk force. Propelled by impeccable cowbell-filled beats, their politically charged offerings are filled with a frenzied energy as front-woman Angela Martin’s seething vocals soar.

Manchester trio LIINES headline the night with an immense, impassioned energy. With shades of the likes of Sleater Kinney or Savages, pummelling beats and throbbing bass lines rage as the raw, commanding vocals of Zoe McVeigh blast into the crowded venue with a dark, brooding power.

HUGE thanks to the four fantastic bands who made Friday night so awesome, and to everyone who made it down to support us for our third birthday celebrations! And make sure you don’t miss our International Women’s Day special on 9th March when Ghum will be headlining, along with some very special SECRET guests!

Mari Lane
@marimindles

 

 

PLAYLIST: February 2018

February might be the shortest month of the year, but it’s been a near impossible task for us GIHEs girls to scale down our choices for this month’s playlist. We’ve been overwhelmed by the sheer volume of new music that’s been flooding our inboxes, and we’re excited to finally share some of our favourites with you. Have a listen, head down to some of the gigs we’ve mentioned, and hold tight for another month of marvelous new music.

La Lune – ‘He Breathes Colour When I Feel So Grey’
‘He Breathes Colour When I Feel So Grey’ is such a beautiful sentiment and such a visual image. La Lune’s email popped into my inbox and within a couple of clicks I was listening… melting into my ears with its slow electronica and gentle murmuring vocals. A big slice of me. It’s taken from La Lune’s debut EP Bliss which is out NOW. (Tash Walker)

Complicated Animals – ‘Show Me’
If you dig 80s music, David Lynch films, and “dreamy synth-pop songs” – you’re going to love Complicated Animals latest single. The Brazilian-American duo’s track is a lush electronic exploration of the magic that happens when we experience pure, genuine human emotion in a world where most of our interactions are dictated by technology. (FYI – If you’re heading to see Greta Gerwig’s Lady Bird in a UK cinema this month, listen out for Monica da Silva’s song ‘Back To His Girl’, which is featured in the scene where Lady Bird is trying on prom dresses) (Kate Crudgington)

Sink Ya Teeth – ‘Pushin’
Having blown us away with their completely captivating live performance at The Finsbury last year, Norwich duo Sink Ya Teeth are fast becoming one of our favourite bands. Following the completely addictive sounds of ‘If You See Me’ and ‘Glass’, new release ‘Pushin’ is propelled by pounding beats and funk-fused bass hooks. Add Maria Uzor’s smooth, soaring vocals into the mix and the result is an utterly infectious, whirring soundscape that’ll have you up on the floor in no time. (Mari Lane)

Olivia Nelson – ‘Hideaway’ (K, Le Maestro Remix)
‘Hideaway’ came out in the dwindling days of 2017 and now it’s been freshened up by producer K, Le Maestro. Always one to go weak at the knees at the slightest hint of a remix, I have fellow GIHEs gal Kate to thank for giving me the heads up on this one. Strong beats, strong vocals and strong samples. Needless to say we’re stoked to have Olivia as a guest on Get In Her Ears Radio Show on the 8th February, so be sure to tune into that! (TW)

Black Gold Buffalo – ‘Lay It Down’
“Your mind will fester and your head will roll” sings Black Gold Buffalo‘s front woman Keziah Stillwell on new single ‘Lay It Down,’ a song she wrote about overcoming anxiety. It’s a well-crafted, slow-burning, beautiful track that I can’t wait to hear live at The Waiting Room on February 7th (gig details here). (KC)

After London – ‘Bitter Man’
If you’re looking for a slice of anthemic, alternative indie-rock, look no further than After London’s ‘Bitter Man’. The five-piece released their eponymous debut EP last month, and it’s a record that proves they’re well-rehearsed, wickedly talented, and ready for their launch party at Hoxton Square Bar & Kitchen on 7th February (RSVP here). (KC)

Soccer Mommy – ‘Cool’
I’m trying (and failing) to play it cool whenever I hear one of Soccer Mommy’s new tunes. She released the brilliant ‘Your Dog’ a few weeks ago, and she’s followed it up with the equally impressive ‘Cool’. I can’t wait to listen to her debut album Clean in full (released via Fat Possum Records on March 2nd) and hopefully hear a few of the tracks lives when she performs at Moth Club on March 6th. (KC)

Carolyn’s Fingers – ‘Her Howl’
‘Her Howl’ is the first official release from experimental pop band Carolyn’s Fingers and I just love it’s unexpected twists and turns with the vocals & samples plucking their way throughout the track. Carolyn’s Fingers sing about love, mental health, mythology and queer and social politics – this track in particular is about depression in what they describe as a weird but hopeful way. ‘Her Howl’ is 100% DIY, recorded and produced by themselves. Enough said. Get listening. (TW)

Partner – ‘Everybody Knows’
The latest single from our favourite Canadian duo, ‘Everybody Knows’ tells of the paranoia following one too many bong hits. Filled with a jangly guitar fuzz and delightful, sparkling harmonies, it gives a nostalgic nod to ’90s punk-pop whilst maintaining its own refreshing wit and sunny energy. Complete with impressive, racing licks, it’s a wonderfully infectious offering that’ll leave you longing for another hit of Partner’s playful, uplifting sounds. (ML)

Dream Wife – ‘Act My Age’
“Do I amuse you? Do I confuse you?” – Dream Wife’s vocalist Rakel confronts her listeners in trademark sweet & shouty style on this superb new track, taken from the band’s self-titled debut album (released via Lucky Number last month). Fearless on stage and now on record; Dream Wife’s debut is a joyful declaration of defiance and self-autonomy, designed to motivate listeners in to embracing life, love, and the fires that spark when you overcome adversity. (KC)

Blue Crime – ‘TYR’
I’m a bit late to the game on this one but as they say better late than never. Born in an Amsterdam bunker, Blue Crime are an experimental doom-pop/new wave four-piece self-described as a “trip from the disarming to the wrenching”. This track is taken from their debut EP TYR, released back in 2015 on their very own Meduse MagiQ label – an all female arts/music collective. ‘TYR’ draws you in with its hazy guitar and atmospheric vocals, like slowly falling into an endless kaleidoscope of music mist. Bliss. (TW)

The Nyx – ‘Patience’
Our favourite London rockers have released another new single to coincide with the appearance of another full moon, and we’re hooked on their powerful riffs and affecting vocals. We’re 99.9% sure The Nyx will be appearing on our monthly playlists for the remainder of 2018. #sorrynotsorry (KC)

Suggested Friends – ‘Mother Fucking Tree’
Taken from their fantastic self-titled album, this track oozes the band’s uptempo, ‘tweemo’ punk-pop and twinkling charm, showcasing the band’s infectious melodies and luscious harmonies as they tell frank, witty everyday life stories. Also, with amazing lyrics like “I thought you had a halo, but it was just the backlight from your iPhone…”, what is there not to love? We cannot wait to see them live next Friday, 9th February, at The Finsbury along with LIINES, Bugeye and Duck (RSVP here). (ML)

Kesha – ‘Praying’
Though I couldn’t bring myself to watch the whole of the Grammys last week, I did watch the full performance of Kesha performing ‘Praying’, taken from last year’s Rainbow. Though this song appallingly lost out to Ed Sheeran in the awards, her incredible, emotive performance of the track is the clear winner in my opinion. Surrounded by a mass of women dressed in white (including Cyndi Lauper and Camila Cabello), it was an exceptional, empowering moment in the face of all Kesha has had to go through with Dr Luke, and the challenges women in the music industry face in general (highlighted by the lack of women winning awards at the ceremony!). (ML)

Lady Gaga – ‘John Wayne’
Lady Gaga had to cancel 10 of her upcoming tour dates last week, after announcing that she was in chronic pain due to suffering from fibromyalgia (a condition which can cause pain all over the body). I’m gutted I’ll have to wait even longer to see The Grammy award-winning singer, but I’ve got good company and good gin lined up to drink the pain away. I’ll be raising a glass to her swift recovery whilst simultaneously belting out the lyrics to this Joanne track. (KC)

EMA – ‘Breathalyzer Instrumental’
This epic track is taken from EMA’s recent EP Outtakes From Exile, and I can’t get it out of my head. It’s twenty minutes of intriguing noise which broods somewhere between intense awareness, and a need to be aurally anesthetised. An intoxicating sonic assault that should not be skipped! (KC)