Introducing Interview: Small Crush

Having just released their second album, Bay Area band Small Crush create their own distinct brand of dreamy surf-pop with a shimmering energy and whimsical nostalgic charm. With lilting scuzzy vibes and the luscious honey-sweet vocals of front person Logan Hammon, each track perfectly balances vulnerable a raw emotion with blissful, carefree vibes and glistening allure.

We caught up with Logan to find out more about the album – have a read, and make sure you check out Penelope now!

Hi Small Crush! Welcome to Get In Her Ears! Can you tell us a bit about yourselves and how you initially got together to start creating music? 
Hello Get in Her Ears! Logan here, We are an indie rock group from the SF East Bay Area! I’ve always written songs ever since I was little and always admired my dad for playing music. In high school, I joined up with Jackson, our guitar player, and started working on my songs more. We met our current drummer, Allen, and bassist, Joey, through mutual friends and the love of music. 

I really love your luscious scuzzy energy and uplifting surf-pop vibes, but who would you consider to be your main musical influences?
Some of my favourites are Cub, The Cardigans, and Joni Mitchell. I love looking up to other female musicians. It always inspires me to keep going. Cub has a great rock-pop vibe. The Cardigans are so dreamy and sweet, and Joni’s songwriting is unmatched. 

You’ve recently released a new re-imagining of an older song, ‘Rumblin Tummy’ – what made you decide to do this, and how does this differ from the original, ‘Tummy Rumblin’? 
When we played this song live we always felt an urge to speed it up and make it more dancey. We played it so many times this way, it just felt right to record a version that the crowd enjoyed as much as we did playing it. I like re-imagining songs because it allows them to transform in ways we didn’t think of initially. 

And you’ve recently released your second album Penelope,  which is very exciting – congratulations! Are you able to tell us a bit about it? Are there any particular themes running throughout it? 
Penelope is kind of my “saying goodbye to childhood” record. I chose the name because when I was little I named a lot of things Penelope. Stuffies, a chicken, a songbird, and a frog – pretty much anything I could! It felt right to name the album something I resonated a lot with when I was little. Most of the songs are about wishing for a simpler time and reminiscing on old memories. 

What was the recording process for album like? And how did it differ from your 2019 debut? 
We set some time on District Recording’s schedule for a week and basically worked day and night getting it done. We even slept over a few times in the studio for an album slumber party. We then just edited things here and there in the weeks after. It was pretty similar to our first record, but I’d say we had more self-confidence and drive to get it done. 

Being based in California, how would you say this influences you as a band? Would you say it’s a good place to be involved in music? 
Living in the Bay I have felt so lucky to be surrounded by so much good music and different influences. I’ve grown up here my whole life and it’s definitely had a huge impact on my music. I like to mix a lot of genres and ideas to form Small Crush’s sound as a whole, and I think living up north versus LA gives us a little more breathing room to grow. 

You’re setting off on tour with Jeff Rosenstock later this year, which sounds like it’ll be a lot of fun! When out on tour, are there any particular essentials that you like to take with you to keep you going when away from home?
My #1 tour essential is my coffee pour-over set up – I seriously can’t function without it! Also, noise-canceling headphones for our long van rides and small sleeping quarters. A few good books are great for when you get tired of staring at your phone too long. 

How do you feel the industry is for new artists at the moment? And do you feel much has changed over the last few years in its treatment of female/gender non-conforming and queer artists? 
Through the power of the internet I feel a lot of new artists have a lot of control in taking their art into their own hands. It’s great that through promoting yourself you can find the best audience for you and your music. Before IG and TikTok, you had to have a lot of outside help to promote and find shows. Now, we have the power to plan our own gigs and find our own connections along the way. I feel like there has been some change in regards to female/gnc/queer artists, but there’s still a lot of work to be done. 

As we’re a new music focused site, are there any other upcoming artists you’re loving right now that you’d recommend we check out?
I’m currently loving Similar Kind, Strawberry Launch, and Chokecherry!! 

Finally, as well as the tour, what does the rest of 2023 have in store for you? 
Mostly getting ready for the tour and working on some new stuff for 2024!

Massive thanks to Logan from Small Crush for answering our questions!


Penelope, the latest album from Small Crush, is out now via Asian Man Records. Order here.

Photo Credit: Trinity Gardener

LIVE: Alvvays @ Islington Assembly Hall, 07.10.22

A rainy Friday night in North London and what better way to soothe our dampened spirits than with some shimmering surf-pop sounds…

Thankfully, we arrive at the springy-floored Islington Assembly Hall in time to catch support act Lande Hekt. Though you may know her from her band Muncie Girls, her debut solo album, Going To Hell, was one of my favourites of last year and live, her songs are no less special. Starting off with a few captivating solo offerings, Hekt treats us to beautifully heartfelt songs covering themes ranging from the struggles of coming out, to comforting times with her cat Lola. With a lilting musicality and stirring, luscious vocals, she kicks off our evening with a collection of shimmering soundscapes, all delivered with a raw emotion.

Having been a huge fan of Canadian band Alvvays since falling in love with their self-titled debut album upon its release in 2014, I’m not quite sure why I’ve not yet seen them live, and so it’s with an apprehensive excitement that I await their arrival to the stage – that feeling of having waited so long for something, that you can’t help but worry that it won’t live up to your high expectations…

However, I’m soon to be proved wrong as Molly Rankin and co. take to the stage amidst a sea of adoring cheers filling the packed out venue (it’s the most busy I’ve ever experienced it and I’m a little miffed about being stuck behind one of the tallest people I’ve ever seen, but I’ll try not to dwell on that…). As they kick off the set with the dreamy musicality of second album Antisocialites‘ opening track ‘In Undertow’, I’m instantly immersed in the sparkling splendour of Alvvays’ trademark swirling surf-pop energy. And I feel very lucky to witness the band’s shiny new line-up (with the addition Sheridan Riley and Abbey Blackwell now forming the seamless rhythm section) first hand.

Introducing themselves, Rankin oozes an infectious sense of excitement as she tells us that today is the day of release for their brand new album, Blue Rev, and informs us that the set will consist of some newer songs from the record, as well as “some oldies – gotta include those crowd pleasers too!” before diving into one of said new tracks, ‘Very Online Guy’. With a more synth-driven sound than previous offerings, it fizzes with a whirring energy alongside Rankin’s rippling crystalline vocals.


And from new to old as the band flow smoothly into the first track from their 2014 debut, ‘Adult Diversion’. Propelled by lilting hooks and a buoyant, uplifting energy, the large crowd sway along with a joyous sense of unity to Rankin’s luscious vocal tones, as the raw power of Riley’s thrashing beats shines through. Twinkling with a whimsical allure, ‘Plimsoll Punks’ proves to be another crowd favourite before perhaps the band’s most famous song ‘Archie Marry Me’ sees each and every one of us sing along to each and every word, and I find myself getting quite emotional; the track’s dreamy grace and twinkling romanticism holding a special place in my heart (it was even featured on my wedding playlist), and – despite not being able to see the stage – live, it is every bit as beautiful as I could have hoped for.

Interspersed between the shimmering musical offerings, Rankin interacts with the crowd, oozing an endearing charm – apologising for her lack of vocal strength which is feeling strained as they come to the end of their tour, and receiving mixed reactions as she shares that she was going to wear an Arsenal jersey to the show. However, despite her apologies, her vocals glisten with a soaring majesty throughout truly captivating renditions of ‘Dreams Tonite’ and ‘Party Police’ to draw the set to a close.

After we cautiously make our way to the back of the room, Alvvays return to the stage for a very welcome encore of old favourites. After the sparkling emotion of ‘Atop A Cake’ shimmers with a scintillating allure, the band offer the final track of the night, another one from their debut album, ‘Next Of Kin’ – a perfectly euphoric way to end what has been a blissfully exquisite experience (and it seems my apprehension of being disappointed was totally unfounded).

Mari Lane
@marimindles

Photo Credit: Eleanor Petry

Track Of The Day: Tall Poppies – ‘Big Shake’

A playful reflection inspired by a walk of shame and the ‘me too’ movement, Tall Poppies are back with new single ‘Big Shake’. The danceable track is filled with jangly guitars, catchy vocal lines and oozes a nostalgia as it captures the fun sounds of ’80s pop music.

Tall Poppies can be grouped along with artists such as Belle and Sebastian and Kate Bush. The London-based band, fronted by twin sisters Susan and Catherine who are originally from Australia, are back with their first new music since 2019 and it’s as dreamy and fresh as we could have wished for. The self-produced and self-mixed alternative surf-pop song glistens with a slick shimmering allure.

The track is filled with the energy and excitement of a revelation followed by a big release; the violin and guitar play in conversation and burst out in a vibrant joyous expression. Shades of Pulp come through in the buoyant string melodies and catchy vocal hooks, which are beautifully airy as both Susan and Catherine sing in unison accompanied by luscious harmonies and bouncy ad-libs, as the lyrics are direct and packed with witty anecdotes – “I woke up on someone else’s floor/I’m not doing this anymore”.

It really sounds as though Tall Poppies were having fun whilst recording this latest offering and this comes through in the music, making it feel refreshingly easy-going. ‘Big Shake’ is accompanied by a colourful art-pop video, made using Catherine’s art supplies and fashion design skills. Watch now:

Jaz Kelly
@surfjaz

LISTEN: LIME – ‘Surf n Turf’

With a sound as refreshing as the citrus fruit they’re named after; LIME‘s latest single ‘Surf n Turf’ is a catchy slice of surf-pop joy. The band have turned the experience of having an unwanted confrontation on a night out, in to an easy-going ear worm.

Coming together from across the UK, the four-piece band mix elements of psych, indie, and other genres to create their buoyant guitar tunes. Accompanied by a kaleidoscopic set of visuals (directed and produced by Jay Bartlett), ‘Surf n Turf’ brims with indie melodies, energetic vocals, and plenty of attitude.

We can’t wait to see them live at our GIHE gig at The Finsbury Pub supporting Jemma Freeman & The Cosmic Something on 8th May (Free entry. Event details here.) Watch the video for ‘Surf n Turf’ below, and follow LIME on Facebook & Spotify for more updates.

Photo credit: Julia Nala

Kate Crudgington
@KCBobCut