LISTEN: Charley Stone – ‘Better With You’

The PR for the latest Charley Stone single describes her as a ‘scene queen’. Hype, you may well initially think, but Charley’s been more than prolific for a long while. Having played with the likes of Salad, Charley currently plays guitar on tour with both Sleeper and Desperate Journalist. Her tribute band work is almost a Wikipedia page in itself: The Fallen Women (an all-female Fall karaoke band), ABBA Stripes (ABBA played by a White siblings-esque duo), Hive Fives (part of The Hives franchising of their own band) and The Dumb Blondes (a Dolly Parton tribute), to name just a few. Now, after so long playing others’ parts, Charley Stone is prepping to release her debut solo album, with musical support from her group, The Actual Band.

Before the album is released next month, Charley brings us its second single – ‘Better With You‘, the follow-up to last month’s ‘A Scream’.  But where the latter was spacey and darkly psychedelic, ‘Better With You’ finds us very much at the kitchen-sink, with Charley’s lyrics outlining the image of a couple making the misstep of travelling to a wedding. Musically, it’s more raw too; the association with The White Stripes is apparent here, with the guitars stripped back and fuzzy and drums way up in the mix, and there’s a resemblance to The Lovely Eggs in there – no great surprise given Holly Ross’ own Britpop to neo-garage trajectory. In addition, with the lyrical evocation of chaotic people combined with lo-fi guitar, there’s also an echo of Wild Billy Childish’s work from the noughties, albeit with vocals that sound somewhat akin to Lush’s Miki Berenyi. That’s not to say that this has been simply slung together, even if – as Charley herself describes it – the track was virtually recorded as live, “guitar solo and all”.

Lyrically, the track heads in one direction, indicating that the pair it depicts are simply “better with” each other, before its spoken-word middle eight undoes all of our understanding. And that’s sort of the rub; Charley Stone clearly has lyrical and musical chops, and ideas for what she wants to do, it’s just (as she said in a recent interview), “all my experiences with bands…were synthesising into something inside me that I now need to do”. And it’s to our benefit that she has: as all her various bands already know, everything’s better with Charley.

Here Comes The Actual Band, the debut album from Charley Stone, is out on 29th May.

John McGovern
@etinsuburbiaego

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LIVE: Deer Shed Festival 2022 (Day 1: 29.07.22)

It’s been a while since I attended a festival… Obviously, there were so many cancellations throughout the last couple of years due the pandemic, and I missed out on 2019 as I was busy hosting my own (well, my wedding which I aimed to be as festival-like as possible). So, this year I was desperate to find one that was as lovely as possible and suited my needs of being perhaps a little older than the average festival-goer without missing out on any of the best new music. Sadly, the last festival I went to in 2018, and my favourite ever festival experience – Indie Tracks – did not survive Covid, and so I was looking for a replacement; something equally as inclusive, chilled-out, family friendly, and of course hosting plenty of amazing female and non-binary bands and artists. And then I came across Deer Shed… And it was just what I was after! Highlighting a real family-friendly focus, whilst hosting an incredible range of exciting new artists, the North Yorkshire based Deer Shed perfectly filled the festival-shaped-void I’d been feeling for the last few years.

Having settled into our pre-pitched tent (a revelation saving so much time and energy that I will be doing at every festival going forwards!), our first taste of live music of the weekend comes from Scottish artist Brooke Combe, oozing a soul-drenched groove and danceable energy.

Although sadly Lime Garden weren’t able to make their initial slot due to van troubles, we wander to the In The Dock stage to see what’s happening, and I couldn’t be happier to have happened upon an impromptu set from Leeds-based composer and producer Remy Enceladus, aka Straight Girl (“but I’m not straight and I’m not a girl!“). Delivering an incredible performance, oozing a fierce charisma and immense, vibrant energy, their unique electro-punk soundscapes and sparkling stage presence offer the perfect start to the weekend. And I’m evidently not the only one who thinks so; a child called George who can’t be more than twelve is head-banging in the front row – grasping the barriers and losing themselves in the throbbing beats, it’s really wonderful to see the positive, inspiring impact that role models like Straight Girl can have on young ones (this heartwarming sentiment is to become an ongoing theme throughout the weekend…).

After enjoying some delicious vegan delights from ‘Big Mouth Gyoza’, we head back to the main stage to enjoy the satirical indie-rock of the first of North Yorkshire’s Mercury nominees of the weekend, Yard Act. Despite not being in-keeping with the usual bands we’d feature on this site, I love their raw energy and witty social commentary; my admiration of them growing when James explains to the crowd that despite their “lad-like persona“, they’re not always cynical and can be quite nice, and that sometimes “people are alright” – an endearing introduction to their slower anthem ‘100% Endurance’.

And then back to the In The Dock Stage for the driving force of total faves The Lovely Eggs. Despite my view being somewhat obstructed by someone wearing some kind of Lowkey-inspired headpiece for the entirety of the set, it’s wonderful to see the packed tent dance along to the band’s colourful, buoyant energy and the brash, inspiring charisma and no-frills-yet-empowering presence of vocalist Holly Ross. As she takes a swig of her Thatchers (Strongbow is too weak these days), she challenges the youngsters to become the “youngest ever crowd surfer” and it strikes me that had this been anywhere else other than Deer Shed, I may have felt a bit uneasy with this suggestion – but the incredibly warm and child-friendly atmosphere just feels like one big happy family, and I have no fear that the willing participant is in safe hands (literally) as they’re propelled through the top of the crowd. However, whilst welcoming kids at gigs, Ross takes a moment in-between frenzied offerings to make her pro-abortion stance clear at a time when reproductive rights are being terrifyingly restricted across the world, stating that “it’s a woman’s choice“.

For our penultimate performance of the day, we return to the Main Stage for Bristol-based artist and someone I’ve been keen to see live for some time now – Billy Nomates. As she bounds across the stage with nothing but a laptop for company, I find myself completely immersed in her poignant spot-on lyricism and fierce, gritty energy. Delivering her stark social commentary to the backdrop of propulsive beats, she’s able to create an immense, stirring sense of urgency with a swirling, danceable allure, and I’m utterly captivated. My excitement about this set was most certainly justified.

Completing our first day at Deer Shed festival, it’s wonderful to see the return of Nadine Shah. Looking sharp in a tiger print suit, she exudes all the spellbinding charisma that I remember from seeing her at the last gig I attended before lockdown in 2019 (BBC 6Music’s International Women’s Day event at The Roundhouse). With an endearing modesty and gratitude for finally being able to headline the festival (after ten years), Shah and her band treat us to a stunningly majestic set; a sweeping orchestral musicality accompanied by her distinctive rich vocals. A truly enchanting performance creating a beautifully unified atmosphere (of “young ones and drunk parents“) to close Friday’s events in a blissfully joyous fashion.

Stay tuned for our review of Days 2 and 3 of Deer Shed festival!

Words: Mari Lane / @marimindles

Photo Credit: Paul Dawes / @paullikesrobots

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Happy Birthday Us: GIHE Turns Two!

To mark two years since the birth of our baby website, we’ve decided to look back at a few of our personal highlights of the last 24 months. From fantastic gigs and memorable interviews, to informative guest blogs and the return of some of our favourite bands, it’s been amazing getting to share what we’re passionate about on our little platform.

So, we’d also like to take this opportunity to thank all who’ve supported us on this journey – to all the wonderful bands and artists who inspire us every day, and anyone who takes time to read/listen to us and spread the word about what we do. We’re super grateful for you all, and could not have done this without you! Here’s to the next two years and more, continuing to do as much as possible to promote and support female/non binary/LGBTQ+ people in new music.

Have a read about some of our highlights of the last couple of years, and listen to our special birthday playlist below…

Guest Blog: Dream Nails’ Janey – “What It Means To Be A Punk Witch”
One of the first ever posts to go up on the website, it was a real honour to have Janey from faves Dream Nails share with us what it means to be a punk witch; discussing the importance of sisterhood, feminism and direct action, and the need for women and non-binary people to come together in safe spaces. All things that we hold with great regard here at Get In Her Ears. Talking about the catharsis of channelling “the instinctive, magic energy of womanhood together”, reading this highlights just how necessary and powerful voices such as Janey’s are at times like this; why we need bands like Dream Nails more than ever – groups willing to combine activism and music to form a unifying force against the patriarchy.
– Mari Lane

Get In Her Ears w/ Big Joanie
It’s hard to pick favourites when it comes to guests we’ve booked for our radio show, but when Steph & Estella from punk band Big Joanie agreed to come in to the studio for a chat, I was genuinely excited. Their knowledge and experience surrounding the DIY music scene and intersectional feminism is so fascinating and so vital. The work they do on and off stage is incredible, so I’m glad we could support them on our platform.
– Kate Crudgington

Having Steph & Estella from Big Joanie as guests on the radio show was definitely a highlight for me! We barely needed to ask a question; as Kate says, they spoke with such knowledge and experience surrounding the DIY music scene and intersectional feminism, it was an honour to listen to what they were saying. And their music’s not too bad either…!
– Tash Walker

Get In Her Ears Live @ The Finsbury w/ ARXX
To celebrate International Women’s Day this year, we invited one of our most favourite bands to headline for us at The Finsbury. And what better way to celebrate womanhood than with the utterly phenomenal, ferocious force of the magnificent ARXX. Joined by the fun-filled empowering energy of The Baby Seals, the fierce post-punk of Scrounge and the twinkling soundscapes of Rainbow Corp, it was a truly special night; one which left me feeling all the feels and incredibly grateful for being able to do what we do.
– Mari

Introducing Interview: Helga
I really enjoyed interviewing Helga both because I love her music but also because it’s so important to us at Get In Her Ears to champion the artists we believe in. Publishing interviews, reviews and guest blogs from womxn and non-binary people across the music industry is what we’re about, and will always be about for all the years to come!
– Tash

Interview: Teri Gender Bender from Le Butcherettes 
I only discovered Le Butcherettes after they released their fourth album bi/MENTAL earlier this year – I must’ve been living under a rock. Shame on me! I saw them live at Moth Club and I was blown away by front-woman Teri Gender Bender’s formidable voice and captivating performance style. When I called her for a chat, I was worried my fan-girling would get in the way of my journalistic interests in her music, but luckily for me, she was incredibly friendly, charming and funny.
– Kate

LIVE (Photos): Cro Cro Land (Part 1) (Part 2)
As a fairly new Croydon resident, it was a real honour to be asked to help with the inaugural Cro Cro Land festival this year by friend and all round wonder woman Angela Martin (of Bugeye). A festival which ensures gender balance across the board – not only with those performing, but with all crew and staff behind the scenes – it was a fantastic day filled with incredible music from both widely known bands such as The Lovely Eggs, Nova Twins and Bang Bang Romeo, and personal favourites like Chorusgirl, Fightmilk and ARXX. Being able to be a part of it, and DJ on the day, was such a wonderful and informative experience, and we can’t wait for Cro Cro Land 2020… !
– Mari 

Playlist: 50 Years Of Pride
Supporting LGBTQ+ rights is at the core of what we do at Get In Her Ears 365 days a year. I’m so proud to be part of an organisation which takes the time to acknowledge this throughout everything we do, from gender neutral toilets at our gigs, to standing up in defence of LGBTQ+ equality. Our 50 Years of Pride playlist is a culmination of everything we believe in and represent, and a great way both to celebrate and take stock of what still needs to be done in the ongoing fight for equality for everyone.
– Tash

Get In Her Ears w/ ESYA
It’s an understatement to say that us GIHE girls were thrilled when ESYA (Ayse Hassan of Savages, Kite Base, 180 db) agreed to come into the Hoxton Radio show for a chat with us. There were a LOT of capital letters used in our group chat on WhatsApp. I’d seen her live and interviewed her at her gig at The Glove That Fits earlier in the year, and I was so happy to discover she rates Gazelle Twin’s music as highly as I do. Her attitude to going solo, and her general work ethic, are truly admirable. ESYA is proof that it doesn’t matter what level you’re at in the industry, doing things for yourself is a positive and honest way of working (even when you’re snowed under with emails/EP orders/life).
– Kate

Track Of The Day: Chorusgirl – ‘No Goodbye’
Three years after the release of their self-titled debut, GIHE faves Chorusgirl last year shared their poignant second album Shimmer and Spin via DIY label Reckless Yes. The return of a favourite band after a bit of a hiatus is always pretty exciting, but there was something particularly special about Chorusgirl’s come back. Chronicling a tense year, created during a period of crippling anxiety and a relentless string of bad luck and bad news, the album was the result of immense hard work and dedication from Silvi and co. ‘No Goodbye’ was the perfect introduction to the collection: a truly dreamy slice of scuzzy, sparkling garage-pop showcasing all there is to love about this band.
– Mari

Guest Blog: Grapefruit
I really loved this piece from Grapefruit’s Angela as part of our Guest Blog series. She chose to focus on what it means to take claim of being a woman in the music industry – it’s a great read! They also played a fantastic set for us at one of our Notting Hill Arts Club gigs, great music and great minds.
– Tash

EP: Petty Phase – ‘Petty Phase’
I love that our GIHE platform has allowed us to reach some of our established favourite artists but at its core, it’s about providing coverage for new musicians who deserve to be heard by all of our listeners/readers. Petty Phase are an Essex Riot Grrrl band who I’ve happily promoted over the last fews years on our website, and there are plenty more hard-working bands out there who are worthy of your/our attention too.
– Kate

LIVE: Indietracks Festival (Part 1) (Part 2)
With our ongoing disappointment at the lack of diversity on the majority of mainstream festival line-ups, I was particularly excited to have found out about Indietracks Festival last year – one that refreshingly, consistently, champions DIY bands and artists of all genders and genres. And it exceeded all expectations. With highlights including Sacred Paws, Colour Me Wednesday, Happy Accidents, Sink Ya Teeth and Ghum, it was so wonderful to be a part of. Indietracks is truly like a different world; a safe, joy-filled world, and one jam-packed with all the best music.
– Mari

LIVE: Hilary Woods, St Pancras Old Church
I’ve just re-read my live review of Hilary Woods’ performance at St Pancras Old Church from 2018, and it’s clear I was an emotional wreck during her show, and afterwards too. What a wonderful thing though – to be so moved by someone’s music that you hammer out 500 words about how insane you are.
– Kate

Get In Her Ears w/ Bengi Unsal
A radio show highlight for me was interviewing the Southbank Centre’s Senior Contemporary Music Programmer Bengi Unsal. She gave great insight to the work that she’s done at the Southbank Centre and throughout her career, including curating several Meltdown festivals, and the championing of electronic and world music.
– Tash

GIHE Behind The Scenes: Southbank Centre’s Alex & Phoebe
A recent feature we’ve started for the website, our behind the scenes feature focusses on all those amazing womxn working hard behind the scenes in the industry. It was a real honour to get to chat to Alex and Phoebe, the PR team behind promoting all the amazing events at my favourite space in London, Southbank Centre, for the first in the series. It was wonderful to find out about all the hard work they do, their dedication to accessibility and inclusivity, and all the Southbank Centre does for London’s culture.
– Mari 

Have a listen to our special birthday highlights playlist here:

 

Mari Lane / @marimindles
Tash Walker / @maudeandtrevor
Kate Crudgington / @kcbobcut 

Photo Credit: Jon Mo / @jonmophoto

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LIVE (Photos): Cro Cro Land, 06.04.19 (Part 2)

Last weekend saw the launch of Croydon’s brand new festival, Cro Cro Land. Organised by Croydon residents Angela Martin and Julia Woollams, the festival aimed to promote gender equality in both its line-up and staff, whilst championing a number of local bands and artists, and working in conjunction with a number of grassroots organisations and charities, including Lives Not Knives.

And what a festival it was! Paying host to SO MANY incredible bands, it was not only a day filled with all the best live music, but also a completely unmatched sense of community spirit and united joy at being part of the DIY scene. As well as all the superb bands playing on the day, we bumped into so many other bands and artists there to support their peers, as well as other key members from the community, such as Caffy from The Zine UK and staff from Croydon’s best pub, The Oval Tavern. It was like a huge family gathering, filled with all the most life-affirming vibes and, of course, the best live music.

Check out Part 1 of our review of the day here. And here’s some more fantastic photos from Jon Mo and Jamie MacMillan, who were there to capture all the action…

Following Bugeye’s impressive set, we stick around at the main Town Square stage to catch the festival’s ‘secret’ headliner – Liverpool’s She Drew The Gun. Kicking off with the politically-driven power of ‘Resister’, they treat us to an immense and utterly immersive set filled with a sincere, empowering energy.

Photo Credit: Jamie MacMillian

Photo Credit: Jamie MacMillan

Continuing the incredible performances at the Town Square stage, South Yorkshire’s Bang Bang Romeo blast into our eyes and ears with a magnificent energy. As front woman Stars completely blows my mind with her incredible compelling charisma and the soaring soulful power of her vocals, they deliver a truly breathtaking and instantly memorable set, taking full control of the huge crowd.

Photo Credit: Jon Mo

Photo Credit: Jon Mo

Rather nervous about some of my favourite bands clashing (it’s just such a perfect line-up!), I manage to fit in at least some of all the ones I’m desperate to see over the next hour – flitting between the Concrete Playground and Town Square…

From Bang Bang Romeo, I catch a good chunk of the luscious, punk-infused indie-pop of Fightmilk. With their wonderfully raucous energy, they never fail to uplift, as I find myself singing along to each of their dreamily catchy offerings – including personal highlight ‘Dream Phone’ (and yes, sadly I am old enough to remember the game!).

Photo Credit: Jon Mo

Photo Credit: Jamie MacMillan

Dashing back to the Town Square in time to catch South London duo Nova Twins, they once again succeed in completely taking my breath away with their ferocious power and biting energy. Having been following Georgia and Amy for some time now, it’s no surprise to see them achieving the success they have been (supporting Wolf Alice and Prophets Of Rage, praise from the likes of Iggy Pop, playing festivals across the world…); their truly immense, seething offerings are like nothing else I’ve heard before, and the vibrant, mighty force of their live show remains completely unmatched.

Photo Credit: Jon Mo

Photo Credit: Jon Mo

Back at the Concrete Playground, total faves Chorusgirl do not disappoint. Another band I’ve been following for the last few years, it really is wonderful to see them develop their sound, with their incredible dedication to their craft paying off with the release of last year’s truly epic second album Shimmer and Spin. A set filled with a joyous energy and front woman Silvi’s endearing modest charm, I just can’t get enough of their scuzzy, sparkling garage-rock, and may even have shed a tear upon hearing personal favourite ‘Stuck’ live for the first time; a poignant offering from the new album, that tugs at the heartstrings in all the right ways.

Photo Credit: Jamie MacMillan

Photo Credit: Jamie MacMillan

I manage to get back to the Town Square just in time to catch The Lovely Eggs. Despite a significant amp explosion moments before they’re due to start, the Lancaster duo deliver their immense punk-infused sonic fusions to perfection. With the brash, inspiring charisma and no-frills-yet-empowering presence of Holly Ross, they blast out a swirling, psychedelic cacophony and uplifting lo-fi fuzz. And, with their blunt realism and scathing retorts to all the dickheads in the world accompanying their riotous frenzied energy, they remain one of the most relevant bands around (and one of the most exciting to see live).

Photo Credit: Jamie MacMillan

Photo Credit: Jon Mo

Closing the incredible day, Blood Red Shoes deliver a headline set filled with raucous anthems new and old. Oozing their trademark whirring riffs, thrashing beats and the immense, energy-fuelled interplay between Laura Mary and Steven, they fill the room with a mass of buoyant bodies, singing along to each electrifying offering.

Photo Credit: Jon Mo

Photo Credit: Jon Mo

HUGE thanks to Angela and Julia for organising one of the best days ever; and here’s to Cro Cro Land 2020!

Photos:
Jon Mo / @jonmophoto
Jamie MacMillan / @jamiemacphotos

Words:
Mari Lane / @marimindles

 

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