Track Of The Day: Nikki & The Waves – ‘E.L.C’

As a cord-loving Northerner, I had high hopes for this song by the Manchester-based Nikki & the Waves. And woah, ‘E.L.C.’ (exceptionally lovely corduroy) delivers! From the catchy opening chords to sounds of the band dissolving into laughter towards the end, the joy just pours out of this lo-fi electro-pop gem. 

‘E.L.C.’ is supposedly a celebration of the ordinary; the ‘beige’ things in life that we can take for granted. But the infectious bassline, funk-tinged production and irresistible chorus that celebrates every indie kid’s favourite fabric give it an otherworldly quality that’s anything but mundane.  

Front-person Nikki’s sweeping vocal elevates the song further, making ‘E.L.C.’ a radio (and dancefloor!) friendly tune that’s as much a pop banger as an indie floor-filler. With shades of The Orielles, it sparkles wonderfully with heaps of potential. 

‘E.L.C.’ is taken from Nikki & The Waves’ new EP, songs to play tennis to, which is produced by Joel Patchett (The Orielles) and set for release this Friday 24th June. Also, we cannot wait for Nikki & The Waves to headline for us at The Victoria on 12th August (with support from BAXTR and Panic Pocket) – get your tickets here.

Vic Conway
@thepicsofvic

Track Of The Day: Nikki & The Waves – ‘The Phone Song’

Having recently been recommended Manchester band Nikki & The Waves by Chester trio Peaness when interviewing them for our last radio show on Soho Radio, I was excited to hear that they’ll be releasing a new EP in June. Having originally formed in Liverpool, the band have played esteemed venues such as The Cavern Club and charmed audiences at Isle Of Wight festival and Sound City, and look set to bring their joyous energy across the country throughout 2022.

Taken from the upcoming EP, new single ‘The Phone Song‘ instantly hits you with its jangly, quirky energy. Propelled by an uplifting, vibrant groove, it flows with fizzing hooks and Nikki’s lush, sugar-sweet vocals, as voicemails from those closest to the band – spanning Hong Kong to America – are interwoven into the funk-fuelled musicality. Oozing a blissful, shimmering allure – with shades of an eclectic array of influences, from early hip-hop to Lily Allen – it comes complete with swooping trombone solos, sparkling harmonies and a relatable witty lyricism, showcasing all there is to love about Nikki & The Waves. The perfect effervescent bank holiday jam to shimmy along to in the blazing sunshine (we can hope…).

Produced by Joel Pratchett (The Orielles, King Krule), songs to play tennis to – the upcoming EP from Nikki & The Waves – is set for release on 17th June.

Mari Lane
@marimindles

PLAYLIST: November 2018

The dark winter nights are creeping in, but our brand new November playlist is filled with bright, vibrant new sounds from a range of unusual and inspiring new artists. Take some time to scroll through our words and hit play on the Spotify link at the bottom of the page…

Temples Of Youth – ‘Darker Places’
Temples Of Youth have long been a favourite of ours here at Get In Her Ears, so we were thrilled to have them as guests on our Hoxton radio show last week (listen back here). ‘Darker Places’ is the title track of their latest EP, and I love Paul’s sweeping guitar sounds and Jo’s melancholy, but powerful vocals. We can’t wait to have them play for us at Notting Hill Arts Club on December 1st alongside Alyss, Elsa Hewitt & Varley (tickets are available on DICE. RSVP here). (Kate Crudgington)

Montauk Hotel – ‘Stains’
I poached these Dublin indie girls from Tash after she played ‘Stains’ on our Hoxton Radio show last week. I love their gentle, melodic, shimmering sound. They’re definitely ones to watch… (KC)

Scrounge – ‘Etch’
Both edgy and itchy, the appropriately named ‘Etch’ is a short, but very sweet blast of perfect scuzz-filled post-punk. A track that will indeed remain etched on your ears, demanding multiple listens, it’s propelled by Luke’s thrashing beats as Lucy’s colossal vocals rage alongside whirring hooks with a gritty sense of urgency. Oozing the duo’s epic, swirling wall of sound, with ‘Etch’ Scrounge have blown me away once again, marking themselves out as definite ones to watch. (Mari Lane)

Vulpynes – ‘2 Cents’
A song about freeing yourself from expectations, Vulpynes’ ‘2 Cents’ is propelled by the gritty, impassioned vocals of guitarist Maeve, raging with a seething energy and sublime raw power as punk-fuelled riffs are blasted out alongside intense pummelling beats. Reminiscent of the riotous force of the likes of L7 or The Distillers, it’s another storming, empowering offering from the Dublin duo, showcasing all there is to love about them. (ML)

Chorusgirl – ‘Demon Baby’
Following 2015’s wonderful self-titled debut, GIHE faves Chorusgirl have now announced their long-awaited new album Shimmer And Spin, and we couldn’t be happier for them. Taken from the album, ‘Demon Baby’ is the first song of the band’s to be released that’s written and sung by Faith Taylor (also of faves Suggested Friends). A slight change in tone from the usually guitar-driven jangly indie of Chorusgirl, ‘Demon Baby’ combines those welcome fuzz-filled hooks with a backdrop of a glitchy, electronic soundscape, filled with sparkling effects and luscious cascading harmonies. Shimmer And Spin is out 16th November via Reckless Yes. (ML)

Worst Place – ‘Square Eyes’ 
Oozing all the totally dreamy vibes we’ve come to expect from the East London band and GIHE faves Worst Place, ‘Square Eyes’ is an ode to Netflix lovers (me!) everywhere. Flowing with the scuzzy whirr of guitars alongside bassist Amy’s luscious honey-sweet vocals, it’s a simply perfect slice of sparkling, woozy indie-pop. ‘Square Eyes’ is out now on limited edition green glitter cassette, along with its double A Side ‘Soak’. (ML)

Bryde ‘On the Subject of Breathing’
Following a nomination for the Welsh Music Prize for her debut album Like An Island, London-based Welsh songwriter Bryde has share this new single ahead of her UK tour. It’s strummy, it’s seething, it’s sullen. (Tash Walker)

The Orielles – ‘Bobbi’s Second World’ 
The story of a cat named Bobbi, this new track from faves The Orielles flows with an onslaught of scuzzy, funk-fuelled hooks and groove-laden, disco-reminiscent vibes. With the noticeable addition of keys courtesy of new member Alex, ‘Bobbi’s Second World’ initially sounds a lot less ‘indie’ than previous releases – focusing on creating a poppy danceability -, but it is certainly no less innovative. It remains distinctly The Orielles; an instantly infectious anthem filled with a buoyant energy and oozing a colourful spirit. ‘Bobbi’s Second World’, along with accompanying track ‘Makes You Forget (Itgehane)’, is out now via Heavenly Recordings. (ML)

Planningtorock – ‘Much Too Touch’
I have loved Planningtorock for many a year now, having seen them for the first time in 2011.  Oh how the years fly by and the music just gets better and better. ‘Much Too Touch’ is the second track Planningtorock has shared in the run up to their very recently released album Powerhouse and the only track from the album to feature a co-producer, who is long time friend and collaborator Olof Dreijer of The Knife. Powerhouse was released last week on the 9th November via DFA records and is EXCELLENT. Go listen. (TW)

Queen Zee – ‘Hunger Pains’
Will there ever be a day when Liverpool rockers Queen Zee release something we don’t immediately love? (errr, no). ‘Hunger Pains’ is the band’s latest knockout single, and it’s accompanied by the news that they’ll be releasing their debut album in February 2019. We. Can’t. Wait. (KC)

Nasty Little Lonely – ‘Excuses Excuses’
Bristol’s Nasty Little Lonely are taking a step back from band life for the foreseeable future, but they’ve released the powerful ‘Excuses Excuses’ in to the world just before they do. Of the track, vocalist & bassist Charlie explains: “The song is about how fucked the planet is and how we all know we need to do something about it, but things need to get serious right now or it’ll be too late”. We’re definitely aware of the climate change epidemic, and we’re glad we have the riotous sounds of NLL to motivate us in to action. (KC)

Zilla With Her Eyes Shut – ‘Cut Me Boy’
‘Cut Me Boy’ is the latest single from Zilla, who now goes by the name Zilla With Her Eyes Shut. This track was created using samples of unconventional objects such as a Stanley knife, liquid iron, rocks, elastic bands and an eye mask. The results are a thick mixture of unusual beats and warped vocals. I love it. (TW)

Elsa Hewitt – ‘Invisible Threads’
I saw Elsa Hewitt at The Great Escape Festival in May and her ambient, altruistic electronics have been floating around my head ever since. This is her latest stand-alone single, and it’s full of intricate loops and hushed vocals. She’ll be playing for us alongside Alyss at our next Notting Hill Arts Club on December 1st, so grab a ticket on DICE now and come along to appreciate her talent in all its live glory (RSVP here). (KC)

CHINAH – ‘Real Thing?’
Oh-so-many sultry beats which carry the promise of more to come. ‘Real Thing?’ comes from Copenhagen’s CHINAH, and their debut LP Anyone is out now. You can read more about them in our GIHEs interview with them here. (TW)

 

Track Of The Day: The Orielles – ‘Bobbi’s Second World’

As regular readers/listeners will know, Halifax trio The Orielles have been a favourite of ours for a few years now; they’ve wowed us live numerous times with their immense, vibrant energy – including at their sold out show at The Garage earlier this year (I watched like a proud parent) – and continue to blow us away with their distinctive amalgamation of uplifting sounds. Now, with the addition of fourth member Alex Stephens on keys, they’ve shared not-one-but-two brand new tracks.

The story of a cat named Bobbi, first track ‘Bobbi’s Second World’ flows with an onslaught of scuzzy, funk-fuelled hooks and groove-laden, disco-reminiscent vibes, as it juxtaposes Esmé’s honey-sweet vocals and Sid’s immense, racing beats with a swirling, psychedelic haze. And, with underlying eerie undertones and some playful cat-like squeals thrown in, you can almost imagine it being the theme song to some late ’80s spooky Duckula-esque cartoon (a compliment of the highest – Duckula was the best cartoon ever).

With the noticeable addition of keys, ‘Bobbi’s Second World’ initially sounds a lot less ‘indie’ than previous releases – focusing on creating a poppy danceability -, but it is certainly no less innovative. It remains distinctly The Orielles; an instantly infectious anthem filled with a buoyant energy and oozing a colourful spirit, that’ll leave you ready to dance your cares away. Of the track, the band explain:

“… (it) exhibits an explosion of new sounds and ideas that came to fruition after a long summer of playing festivals and taking inspiration from music that made us dance. It centres around the story of a cat named Bobbi who, in order to become a lady, has to experience the extremities of two complex and differing realities- situated in her front and back gardens respectively.”

This latest offering showcases The Orielles at their best, and only cements our admiration of Sid, Esmé, Henry, and now Alex. Whilst the band have continued to develop and alter their sound, they remain utterly unique, completely distinctive in their ability to fuse together jangly hooks with a frenzied vibrant groove, unlike any other band around, all the while exuding their trademark quirky charm and shimmering sonic delights.

Listen to ‘Bobbi’s Second World’ below. And make sure you check out accompanying track ‘Makes You Forget (Itgehane)’ (a Peggy Gou cover), here.

 

And you can catch The Orielles live (highly recommended) at the following dates:

29th November – Heaven, London
7th December – Invisible Wind Factory, Liverpool
13th December – Winter Camp Festival, Paris
15th December – Trades Club, Hebden Bridge Christmas show – SOLD OUT

Mari Lane
@marimindles