Track Of The Day: BRUTUS – ‘Victoria’

Raw vocals, charged percussion and rapturous riffs punctuate ‘Victoria’, the latest single from Belgian heavy trio Brutus. Taken from their upcoming third album Unison Life, which is set for release on 21st October via Hassle Records/Sargent House, the track is a cathartic reflection on teenage angst, inevitable growth, and the solidarity that comes from facing up to these parts of life together.

“‘Victoria’ is about getting older,” explains vocalist and drummer Stefanie Mannaerts. “You know grown-up life is lurking around the corner, but you’re not afraid of what’s coming, because we’re all going to go down together.” This heavy comradery permeates ‘Victoria’, from the way Mannaerts joyfully exclaims “wake me up inside / when the light strikes again” in the chorus, right the way through to the lyric that inspired the title for the band’s new album: “This is our unison life, my friend / this is the end,”

Dissecting the darker, more desperate parts of the emotional spectrum was the focus for the songs that form Brutus’ upcoming album, Unison Life. “I wanted every song to feel like the last song we’ll ever write,” Mannaerts comments about its conception. “It killed me inside because it’s almost an impossibly high standard, but that was my personal goal for this album. It was a two-year quest of trying to do better.” This version of “better” has manifested itself in Brutus’ recent singles ‘Dust’ and ‘Liar’, with latest cut ‘Victoria’ once again hitting the “impossibly high standard” that the band originally set for themselves.

Bassist Peter Mulders adds that the new track is a nostalgic moment for the band, going “back to the old Brutus days.” This is reflected in the accompanying video, directed by Jonas Hollevoet. The visuals show the band in different locations around Belgium, trying to find the balance between being young and old, isolated and connected, still and transitory.

Watch the video for ‘Victoria’ below.

Pre-order your copy of Brutus’ new album Unison Life here

Follow Brutus on bandcamp, Spotify, Twitter, Facebook & Instagram

BRUTUS UK Tour Dates 2022
16th Nov – Bristol, The Fleece
17th Nov – Manchester, Rebellion
18th Nov – Glasgow, Audio
19th Nov – Leeds, Lending Room
21st Nov – Brighton, Patterns
22nd Nov – London, The Garage

Photo Credit: Kemizz

Kate Crudgington
@KCBobCut

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Track Of The Day: AGAAMA – ‘Blackbox Oracle’

An intoxicating blend of enigmatic vocals, heady electronic beats and jazz-inspired instrumentation, Birmingham-based artist, composer, vocalist and producer AGAAMA has shared her latest single ‘Blackbox Oracle’. Taken from her upcoming EP Wandering Worlds, which is set for release on 15th September via The state51 Conspiracy, the track explores our complex relationship with Artificial Intelligence, questioning whether we can live in harmony with the machines we have created.

“‘Blackbox Oracle’ is about our relationship with technology and how humankind draws closer to the singularity – the moment in time where the capabilities of AI will overtake the abilities of the human brain,” AGAAMA explains. The track’s title is the name of an imagined ‘AI’ lover, who AGAAMA toys with via her majestic instrumentation and seductive beats. “My body craves control” she confesses, resisting the urge to become “addicted to your code”, trapped in a push-and-pull scenario that has no concrete solution.

AGAAMA’s eclectic sounds stem from a childhood rich with varied musical experiences. Growing up in a British-Jamaican household, she was influenced by the contemporary classical tastes of her parent’s record collection, she sang in Church on Sundays, studied classical trombone as a teenager, but also spent her weekends raving to UK bass music and writhing in the mosh pit at metal gigs. This glorious array of musical experiences have all informed her work as AGAAMA, making her sounds as vast and altruistic as her collective memories.

Her upcoming EP, Wandering Worlds, reflects this kaleidoscopic musical vision perfectly, whilst also tapping into something darker. “I grew up listening to a lot of angsty, heavy music – metal, dubstep, prog rock and bass music. I wanted to make something where you could explore angst and frustration,” AGAAMA explains. “I found that having a space to release angst within music was healthy and helpful on my path toward healing. I really wanted to incorporate this brooding, meditative, almost primal thing that hooked me into music.”

AGGAMA has explored these instincts on her recent singles ‘Which Way’, ‘Sarehole Mill’ and on her latest cut ‘Blackbox Oracle’, which you can watch the captivating video for below.

Follow AGAAMA on Spotify, Twitter, Instagram & Facebook

AGAAMA UK Tour Dates 2022
22nd September – London, Hootenanny (with Jack Tyson Charles)
29th September – (EP Launch) London, state51 Factory
3rd October – Birmingham, The Night Owl

Photo Credit: Myah Jeffers

Kate Crudgington
@KCBobCut

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Track Of The Day: th’sheridans – ‘Luka’

Following last year’s career-spanning compilation, featuring tracks from over a decade on the scene, indie-pop faves th’sheridans have now returned with a delightful brand new release.

A cover of Suzanne Vega’s 1987 poignant country-pop classic, ‘Luka‘ is propelled by spangly, strummed hooks and an immersive scuzzy whirr. Whilst maintaining all the heartfelt twinkling emotion of the original as it tackles the song’s affecting theme of child abuse, th’sheridans have managed to add their own unique fuzzy musicality and a delicately melancholic sense of reflection. With a shimmering sense of nostalgia, they have created a wonderfully effervescent rendition; oozing a beautifully lilting grace and captivating charm.

‘Luka’ is accompanied by an original b-side, ‘Proving Yr Humanity‘. Fuelled by a raw, impassioned emotion and stark, stripped-back musicality, it’s a short, sharp blast of folk-infused, stirring and socially aware “critical pop for radical purposes”.

The artwork for this release is by beloved cult comics artist and illustrator Vanesa R. Del Rey.

‘Luka’ / ‘Proving Yr Humanity’ is out now via Eatery Records.

Mari Lane
@marimindles

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Track Of The Day: Ghost Car – ‘Conch Pearl’

With a chaotically wonderful feminist energy, London-based international punk quartet Ghost Car debut their latest spunky single ‘Conch Pearl‘. Continuing on their garage-pop path, Ghost Car come out eager with an undeniably grungy, racing drive that is sure to have you head-banging on first listen.

Reminiscent of The Runaways as well as LA based social-pop band LavaLove, ‘Conch Pearl’ feels both old and new when it comes to the track’s disposition. Whimsical, swinging vocals give Ghost Car a vintage ’60s energy, draped over overdriven, explosive rock guitar that oozes a fierce, raw emotion. And what is baked out of these juxtaposing influences feels glamorous and cathartic.

‘Conch Pearl’ is captivating and quick-witted from its start with a riff-driven intro that sets the rest of the track off to the races. Rolling drums stop for nobody, fuelling the track with a frenzied urgency. Ghost Car ask “What do you see?” as a repetitive, punk refrain that feels intimidating in the best way possible. Of the track, the band explain:

“It’s a feminist commentary on women/queer community being ‘shrunk down’ to fit a mould. The idea of a conch shell closing up, closing yourself off to the world vs opening up. We wanted to use the obsession with the pearl to represent the possession that is sometimes manifested towards women, something all of us have experienced first-hand at some point in our lives”.

This latest offering from Ghost Car is tough, empowered and dainty all at once. As ‘Conch Pearl’ oscillates, the song’s build never loses motivation – adding in more guitar, increasingly energized drums and layers of niche vocal yelling sounds to bring the track to a roaring climax. It does not let go of you – and keeps you utterly immersed for its whole ride. A short, sweet blast of glistening post-punk energy.

Truly Trash, the debut album from Ghost Car, is set for release on 28th October via One Little Independent Records.

Jill Goyeau
@jillybean

Photo Credit: Patrick Smith

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