Track Of The Day: Tanya Tagaq – ‘Colonizer’

A powerful statement against centuries of colonisation aimed directly at the perpetrators, Canadian avant-garde artist Tanya Tagaq has shared her latest single ‘Colonizer’. Taken from her recent album Tongues, on which she explored themes of social and political exploitation with distinctive flair, the track is a commanding, brutal listen that reduces five hundred years of colonising history into four words: “Oh. You’re. Guilty. Colonizer.”

An award-winning improvisational singer, composer and best-selling author from Ikaluktutiak, Tagaq’s work has been recognised by the Order of Canada, Polaris Music Prize and the JUNO Awards. Described as “an original disruptor,” she confronts the horrors of inequality on a global and personal scale, seeking to erode the foundations of unjust systems through her pulverizing soundscapes, elastic vocals and spoken word. Her latest track ‘Colonizer’ epitomises these talents. Punctuated by Tagaq’s gasps for breath and the lyrical mantra “Oh. You’re. Guilty. Colonizer,” it ripples with righteous anger and defiance.

“Everyone is responsible for the system that is in place right now; those who benefit from the genocide of Indigenous people are still guilty,” Tagaq told The Line of Best Fit in a recent interview. She’s enhanced her message further in the potent accompanying video for ‘Colonizer’. Directed by Leah Fay Goldstein and Peter Dreimanis, the footage shows the destruction of the symbols and the perpetrators of the residential school system. You can donate to the Indian Residential School Survivors Society featured in the visuals here.

Watch the video for ‘Colonizer’ below.

Follow Tanya Tagaq on bandcamp, Spotify, Twitter, Instagram & Facebook

Kate Crudgington
@KCBobCut

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Track Of The Day: Maya Lakhani – ‘Nightfall’

An invigorating haunt makes for a sonic thunderstorm in the latest from British-Indian artist, Maya Lakhani. In her highly anticipated third single, ‘Nightfall‘, Maya leads us through a forest of dark sounds at the guidance of her dynamic voice. Displaying an explosive level of capability in bedroom studio production, Lakhani makes her impressive mark.

With instrumentals reminiscent of PJ Harvey and Garbage, ‘Nightfall’ pairs grunge influences with Maya’s captivating and bewitching vocals, channelling inspiration from modern rock vocalists like Evanescence’s Amy Lee or Spiritbox’s Courtney LaPlante. Guitar tracks topped with modest layers of reverb elongate the soundscape and foster a thick, overdriven mix felt in the chest. Energetic yet washy drums perpetuate the urgency of the track and support Maya’s guitar leads in just the right way.

Inspired by bad habits and unexpected dark thoughts, Maya captures her vulnerability by embodying emotional experiences in her lyrics – “I am holding on when night falls, for my life.” With a commitment to endure even the darkest of ventures, ‘Nightfall’ creates its own city of hopeful lights, all from a single bedroom.

Jill Goyeau
@jillybxxn

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Track Of The Day: Ex-Vöid – ‘Churchyard’

A catchy, jaded slice of garage-pop inspired by an unusual past-time, UK power-pop punks Ex-Vöid have shared their latest single ‘Churchyard’. Taken from their debut album Bigger Than Before, which is set for release on 25th March via Prefect Records/Rough Trade, the track is a buoyant blend of melodic guitars, soft dual vocals and frustrated lyrics.

Formed by ex-Joanna Gruesome vocalists Lan McArdle and Owen Williams, along with Laurie Foster (bass) and Jonny Coddington (drums), Ex-Vöid are inspired by the sounds of The Byrds, Big Star and Teenage Fanclub. Whilst on the surface their music is infectiously upbeat, the band retain a sardonic, strung out wit through their lyrics, with ‘Churchyard’ being a prime example of this blend.

“I wrote ‘Churchyard’ when I was like 24 and living in Brighton,” guitarist Owen Williams explains. “My friend and I were unemployed and we used to spend a lot of time drinking cans of lager and taking legal highs in a pet graveyard. It was boring so at the end we sing ‘I get so bored’ over and over etc.”

This humourous apathy underscores the band’s debut record, Bigger Than Before. The album was recorded in just over an hour in a studio in Hackney, with minimal overdubs and no breaks. Bassist Laurie Foster was reported to have “kept on playing even though his belt came loose and his trousers fell down” – if that’s not incentive to listen, what is?

Listen to ‘Churchyard’ below.

Follow Ex-Vöid on bandcamp, Spotify, Twitter & Facebook

Photo Credit: Max Warren

Kate Crudgington
@KCBobCut

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Track Of The Day: Bas Jan – ‘Sex Cult’

Having released their new album, Baby You Know, today, London experimental collective Bas Jan (founded by Serafina Steer and featuring members of Jenny Moore’s Mystic Business and Jarv Is) have previously received acclaim from the likes of Marc Riley at BBC 6Music and Mojo Magazine, and charmed crowds at festivals such as Green Man and Doune The Rabbit Hole.

To celebrate the new album’s release, the band have shared a striking new video for lead single ‘Sex Cult‘. Reflecting on society’s attitude towards polygamy and dating apps, the track offers a glistening cacophony propelled by a quirky energy and captivating allure. Flowing with jangling hooks and flourishing harmonies, it radiates a celestial joy as crystalline voices come together in unity to create a soundscape that sparkles with a vibrant euphoria.

Directed by Jack Barraclough, and with costumes/collages by Andrew Kerr, you can watch the colourful new video here:

Baby You Know, the new album from Bas Jan, is out now via Lost Map Records.

Mari Lane
@marimindles

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