MUST WATCH: ‘Fanny: The Right To Rock’

Celebrating its eighth year running, this year’s Doc ‘N’ Roll Film Festival is the UK’s annual celebration of the best in music documentaries. Currently running until this Sunday 14th November, it’s screening a total of 34 feature-length documentaries and 8 short films at a number of London cinemas, as well as at a selection of cinemas across the country. And, as part of this year’s celebrations, the festival is promoting a large number of films showcasing female trailblazers in the industry throughout the years.

An example of these is ‘Fanny: The Right To Rock’ – telling the story of legendary, yet often overlooked, ’70s rockers Fanny, who have since often been hailed as the first all women rock ‘n’ roll band. Having formed in the early ’70s with a predominantly Filipino-American line-up, with queer members in the band, they represented a break from the norm at a time when rock was dominated by cis het white men; an innovative breath of fresh air from a group of women willing to take a risk and stand out from the crowd.  

Originally founded by guitarist June Millington and her sister, bassist Jean, who had been playing music together since they moved from the Philippines to California in the early 1960s, Fanny exploded onto the scene with their distinctive style of blues-rock with catchy, energy-fuelled, and musically intricate offerings such as ‘Ain’t That Peculiar’ and ‘Badge’. All now in their sixties, they have since reformed to release a new album and tour; once again going against the grain to overcome health issues and ageist, sexist attitudes to explode into our ears with their raging authenticity – inspiring others to fight back against the patriarchy and do things their own way.

Directed and edited by women, the film ‘Fanny: The Right To Rock’ will be screened on Sunday 14th November at Curzon Soho at 3pm, as the closing film for the Doc ‘N’ Roll Film Festival. Afterwards, Estella – from GIHE faves Big Joanie and Charmpit – will be hosting a Q&A with director Bobbi Jo Hart and band members June Millington, Brie Darling and Patti Quatro. And she”ll be playing a short DJ set in the bar for the closing party. It all sounds like a perfect way to spend a Sunday afternoon! Full details here.

So, here’s to Fanny for being such innovative trailblazers for women in music of all races and ages! We’re forever grateful to women such as them, who have come before us and paved the way.

Get In Her Ears Live @ The Victoria w/ Currls, 05.11.2021

Last Friday we were back for our first gig since February 2020 and what a glorious night it was! Huge thanks to the three incredible bands who played for each putting on a fantastic show, and to everyone who came out to support them and us in this first venture into hosting live music for over eighteen months…. We’re still feeling all the feels, and are extremely grateful to everyone who made it such a lovely night.

First up is the totally dreamy, shoegaze-tinged sounds of Schande. Treating us to a set of shimmering sonic delights old and new, they delive a perfectly head-bopping, heart-bursting set to start the evening.

Next up, The Other Ones blast onto the stage with their infectious riotous energy. With a playful charisma, they deliver their vibrant punk-pop with a swirling, gritty power as the crowd bounce and sing along in joyous unity (especially to a surprise cover of Natalie Imbruglia’s ‘Torn’)…

Drawing the night to a euphoric close, headliners – Brighton’s Currls – treat us to their sweeping, empowering brand of garage rock. Propelled by an immense rhythm section, front woman Holly delivers soaring soulful vocals with an effortless grace and sparkling witty rapport with the crowd. A band to watch for sure, it’s an honour to host their first London headline show.



Massive thanks again to all the wonderful bands, and to everyone who joined us in our joyous return to live music on Friday! Hope to see you all next month for our next gig, our first ever at The Shacklewell Arms, on 3rd December with Belfast punks Problem Patterns, and support from pink suits and GUTTS.


Photo Credit: Keira-Anee Photography

Track Of The Day: KIN – ‘The Runaways’

Having previously charmed our ears with the sounds of ‘L.O.V.E’ and ‘Sharing Light’, and with over 310,000k streams of their songs on Spotify, London trio Grace, Ritu and Adam – aka KIN – have now shared another ambient new single.

Oozing a glistening, emotion-strewn splendour, ‘The Runaways‘ reflects on the mixed feelings of leaving a settled life and started afresh somewhere new. As the distinctive celestial allure of Grace’s vocals flows alongside chiming hooks and a shimmering energy, it’ll gently tug at the heartstrings with its poignant lyricism and a heartfelt ethereal majesty. Taking the listener on a mystical adventure, it’ll immerse you in a sparkling sense of romanticism, creating a stirring ode to finding a sense of belonging – a feeling of being home, not necessarily in a place, but in a person who you feel a deep connection with; a sentiment depicted beautifully in the accompanying self-directed video. With an exquisite emotive charm and captivating musicality with shades of The XX, ‘The Runaways’ is a perfect slice of blissful alt-pop that’ll cast you under its sparkling spell on first listen.

Produced by Josh Tyrell (Lana Del Rey, Mark Ronson), ‘The Runaways’ is out now via 3tone Music.

Mari Lane
@marimindles

Track Of The Day: Christine Sako – ‘Coda’

Inviting with a breezy-pop disposition, Christine Sako brings us another infectious ear-worm with her latest release ‘Coda‘. Following her recent track ‘Seasoned’ and the shimmering sound of ‘Sediments‘, the Minneapolis musician proves that her artistic identity still has space to unfold as she brings us into another sonic undertaking that is uniquely her own. 

Beat driven melodies and dense layers of synth create cool, crisp layers for the bed of ‘Coda’ to dance upon. It is here where we see the benefits of Sako’s production abilities – sounds concentrated and filled with attention to tonal detail. This track showcases Sako’s use of captivating aspects of electronic soundscapes, juxtaposing them perfectly with the melodies of an energetic-pop anthem. 

‘Coda’ is wholesome in meaning, embodying both the relatable struggle of running into burnout, whilst also providing a feel-good song that captures the empowering feeling of letting go of negativity. Draped in Sako’s glistening, powerful vocals, its chorus is an undeniable hook that is clear and confident with cathartic emotion. 

Christine Sako holds her own with power-pop assertiveness and enticement, as ‘Coda’ holds our attention with its blissful energy.

Jill Goyeau
@jillybxxn