Introducing Interview: 45ACIDBABIES

Having blasted into our ears with the quirky, fizzing sounds of ‘Mommy’s Favorite 1‘ and recent single ‘Only Class6 From Now On’, Dutch garage pop-punks 45ACIDBABIES have previously wowed crowds sharing stages with the likes of Sleigh Bells and Blood Red Shoes. And today they share brand new release ‘Don’t 4get To Smile‘ – a wonderfully obscure cacophony propelled by a swirling energy and vibrant, honey-sweet allure.

We caught up with the band to find out more…

Hi 45ACIDBABIES, welcome to Get In Her Ears! Can you tell us a bit about yourselves?
Thanks! So happy to be a part of this! We’re a four-piece. We make pop songs with a raw edge. We love to look for that thin line between sweetness and creepy, and try to follow that line with everything we make. The colour pink is our star of Bethlehem and one day we would love to paint this world pink. We want to create an environment to make you forget about the normal standards for a second so you can look at the world with the eyes of a newborn and be who you want to be!

How did you initially all get together and start creating music?
We went to a pop music school together. Herman Brood Academy it’s called. One of the subjects gave us space and time to create a set and perform it on stage at the end of a term. The teachers thought of the four of us as an interesting combination and they weren’t wrong. We stood out and that resulted in us joining the school tour where we played various venues with some of our schoolmates’ bands. At the last show of that tour we said yes to this rollercoaster of creative excesses and we were born.

You’re about to release your quirky new single ‘Don’t 4get To Smile’ – can you tell us a bit about this? Is it focused on any particular themes? 
With ‘Don’t 4get To Smile’ we enter a Black Mirror kind of world, where happiness and validation can only be found on the internet. Everyone shows their best side on social media, while in real life, no one is special and we’re all glued to our phone screens 24/7. We know something is grim about this way of living. We could do something about it, but we choose to be ignorant and go with the flow, because we’re way too small to turn things around. We can’t all be Neo, the one from the Matrix, right? EVERYTHING IS FINE.

We love your vibrant, fizzing obscure pop sounds, but who would you say are your main musical influences?
It’s different for every band member. That makes us the interesting match we are today! I think I can safely say that the movie Scott Pilgrim vs. The World is a good overall influence. For the visuals, as well as the music.

You’ve previously shared stages with the likes of Sleigh Bells and Blood Red Shoes, but has there been a particular gig you’ve played that stands out as a highlight for you? 
We loved playing with Sleigh Bells and the Blood Red Shoes. We also have very good memories of our tour with the Staat, one of the most important presences in the Dutch music landscape, our first real tour abroad. But I think our favourite gig ever was this very unexpected gig in the middle of nowhere. In a tiny DIY coliseum made out of pallets. It was filled with wasted people who were dancing like crazy and flinging with branches and making the coliseum quake by stomping on the beat. It was awesome. Big shout out to Piet Naus Memorial Festival. Always.

Being based in Holland, how do you find the scene is for new bands and artists there? Would you say it’s difficult to get noticed? 
We have this really cool event called Popronde. It’s a tour where 45 towns anticipate to give young bands a stage. Stages vary from real venues to the pub around the corner. We did Popronde at the beginning of our career. Performed a lot. Drove a lot. Slept very little. Shook a lot of glasses out of the pub’s cutlery cabinets by playing very loud. It’s not very difficult to get noticed, but it is difficult to hold on to the buzz. People’s concentration span is quite short and there are loads of cool bands running around in the Netherlands. Perseverance is key.

How have you been connecting with your audience and other musicians during the pandemic?
In the beginning I started riding my bike to deliver merchandise contactless to fans. Bands started playlists to support one another. Venues and organisations came up with live stream plans and creative ways to give artists a stage and the people at home gigs. We all became very creative with it. But I must say it has been exhausting. I really hope there will come an end to this soon because people are starting to lose hope and fun in what they do; you have no idea what a live audience and some interaction can do – it’s so so so important to do this together.

And has there been anything/anyone specific that has been inspiring you, or helping to motivate you, throughout these strange times? 
The time we had on our hands by not performing gave us space to develop as a concept and as individuals. Our concept is a lot stronger now than it was before.

As we’re a new music focused site, are there any other upcoming bands that you’d recommend we check out?
There’s this new Dutch band from Nijmegen called 4B2M – short for 4 brothers 2 mothers (you guessed it, the foursome consist of brothers from two different families). They all played or are playing in other Dutch bands and last summer they stormed the scene with this new collective and a couple of great singles like ‘This Is Happening’ and ‘Get It Done’. GO check ‘em out!  

Finally, what does the rest of 2021 have in store for 45ACIDBABIES?
We have two more singles coming up and the latest single release will be all the singles of 2021 bundled in an EP with some more goodies included, which we’ll keep a secret for now. Keep in touch and you’ll find out soon enough!

Massive thanks to 45ACIDBABIES for answering our questions!


‘Don’t 4get To Smile’ is out now. Listen on Spotify.

Comic Review: ARXX – ‘Not Alone But Not With You’

The latest in our ‘Comic Reviews’ feature – where illustrator Sally-Anne responds to a new release with her wonderfully unique drawings – we check out the brand new single from total faves, Brighton duo ARXX. Following acclaim from the likes of John Kennedy, BBC Radio 1’s Jack Saunders and BBC 6Music’s Steve Lamacq for latest catchy alt-pop anthem ‘Deep’, they have now shared another gritty, yet reflective, and unapologetically honest offering – ‘Not Alone But Not With You‘.

Arxx

Of the track, vocalist/guitarist Hanni explains:

You know that sadness or guilt you feel when you’re surrounded by people you love but you are just missing that other person? Maybe it’s a loved one you’ve lost, maybe it’s a friend, maybe it’s a partner. This last year has been different for everyone but we’ve all had people we’ve missed.” 

‘Not Alone But Not With You’ is out now. Catch ARXX on their upcoming UK tour – tickets here.

Sally-Anne Hickman
@sallyshinystars

Photo Credit: Bridie Florence

LISTEN: Teah Lewis – ‘Magnolia’

Sheffield-based singer-songwriter Teah Lewis has released ‘Magnolia‘ – a stunning new single, which blooms as beautifully as the flower it is named after. A perfect addition to your summer playlists, the music is bright and sensuous, blending modern folk styles with hints of electronica. 

Depicting the walk home on the morning after a night out, ‘Magnolia’ combines both the fresh brightness of spring and the hazy warmth of summer as Teah’s vocals flow with a soulful ease. Her music always feels effortlessly graceful and manages to capture something incredibly honest, and this track is no different. Led by her gorgeous vocal melodies and lilting guitar, ‘Magnolia’ builds steadily guiding you with ease along a musical journey. The understated bass and restrained percussion work to guide the journey. Before you know it, you realise you’ve been lifted into some otherworldly place. It’s utter bliss as the banjo, guitar, and harp weave around you, vocal and trumpets shine, hints of synthesisers and synth strings add a sprinkling of electronic ambiance, creating a magical atmosphere. It’s a truly ethereal experience.

The track comes together with the collaboration of Sheffield musicians, each bringing their own flair to the track: folk power-duo Kate Griffin (Mishra) and Manon McCoy (Shivelights) provide luscious banjo and harp accompaniment that flourishes in the spaces between the vocals, and Teah’s long-term collaborator, the composer Emily Compton, plays poignant trumpet melodies which add to the euphoria of the tracks’ crescendo. In addition to these musicians, Philippe Clegg (Oh Papa) plays bass, Josh Knight (I Set the Sea on Fire) appears on drums, and Ben Allen (Life Aquatic Band) features on the synthesizer and slide guitar. 

You can hear shades of legendary artists such as Joni Mitchell and Laura Marling in how ‘Magnolia’ is driven by infectious melodies and reflective lyrics, as well as harmonies as mellifluous as The Staves. If you are in need of a warm hug, ‘Magnolia’ will be able to provide the musical equivalent. It’s a beautifully crafted song that is sure to lift your mood.

Jaz Kelly
@surfjaz

WATCH: She Drew The Gun – ‘Class War (How Much)’

Liverpool’s She Drew The Gun continue to storm out the blocks with the announcement of their upcoming new album Behave Myself, set for release in September. And now they have treated us to a poetic middle finger to the Tory government, seething with corruption, on the second single to be taken from the album – ‘Class War (How Much)’. 

The track gets rolling with a catchy bassline before the languid rhetorical refrain of “how much did you get paid for that?” kicks in – questioning the ethics of high-level nepotism in military contracts and PPE deals. Shiny synths cut through perfectly, pairing well with the accompanying animated ’80s arcade music video and humorously contrasting ‘Class War’s morose subject matter. She Drew The Gun’s singular half-spoken half-sung vocals are centre stage here alongside some playful electric guitar licks, boosting the witty wordplay of lyrics like “I’m a weapon of mass distraction”.

The Merseyside-based musician explains of the track:

It’s about how much we let corruption go in plain sight and accept a politician’s answer when these people are at the front of a ruthless class war being waged against those of us who live on the wrong side of Capital.” 

‘Class War (How Much)’ joins the excellent ‘Cut Me Down’ as fiery, politically-minded tasters of She Drew The Gun’s increasingly exciting upcoming album – Behave Myself – set for release on 24th September via Submarine Cat Records. Pre-order here.

Leonie Bellini
@teenpeachmovie