Interview: FemRock

Here at GIHE HQ we’re currently counting down the days to FemRock‘s DIY not-for-profit gig night in Brighton on 30th June. Kindred spirits of ours, they are all about putting girls to the front and promoting women in music. We caught up with FemRock to get the low down on what to expect this year, the meaning behind their manifesto and the artists they’re loving right now.

Hi FemRock!  Congratulations on your second annual female-fronted festival! FemRock is a PR company, so can you tell us a bit about how you began?  What inspired you to setup FemRock?
Thank you so much! So, FemRock began in February 2013 in response to a lack of women’s representation in the music scene. I’d grown up with a passion for going to live shows and eventually noticed a real lack of line ups that involved women, let alone bands that were fronted by women and especially bands fronted by women being higher on the line-up than an opening slot. I was sick and tired, and questioned why there was such a lack of diversity in these line-ups. At first I thought that maybe women weren’t as involved in music as men were, due to the sexist nature of the music industry, but soon discovered that it went deeper than that; women were involved in music but all male and male-fronted bands were prioritised. So, when I moved to Brighton I decided to create what I believed the music scene’s I had been involved in before were lacking. Thus FemRock was born!

And what kicked things off for the FemRock Fest last year?
By the time we decided to create FemRock Fest we had been running for 4 years. It was around this time that the lack of diversity in festival line-ups was in the spotlight, and I’d built up a strong team around me to run FemRock together. So rather than waiting for existing festivals to correct this problem, we decided to create our own festival with a line-up that showed just how many amazing bands had women members and frontwomen!

As part of the FemRock Manifesto you make an emphasis on being feminist, d.i.y. and unapologetically political – can you expand on these for us and what they mean to you?
Feminism runs through everything we do, as individuals and as a team running FemRock. It felt important to state that explicitly in our manifesto – not only are we creating spaces for women to make and share music, we’re also placing that within the broader world of activism and the significance of lifting up the voices of women and other oppressed groups. We invite feminist groups to display flyers and petitions at our events, and work alongside local campaigns whenever possible. At our festival we always fundraise for relevant causes and provide spaces for organisations to display their information and talk to attendees. We don’t shy away from our politics, and we work hard to ensure that an accepting and loving culture is created at FemRock for people of all identities while recognising that we are all learning and growing. We don’t tolerate hatred and harassment, and we hope that our girls to the front ethos helps to create a night where everyone feels safe, heard and can have a great time too.

Here at GIHE we have massive respect for all those D.I.Y. artists out there, so it’s great to see an organisation supporting them by putting so many of them on your line up!  A couple of our favs are on there – in particular Charmpit, Militant Girlfriend and The Baby Seals – how did you go about picking the bands for the final line up?
It was a combination of us approaching bands we’ve watched and admired from afar and inviting back bands who are FemRock favourites that we’ve worked with in the past. A festival is a great way of bringing together all those bands together to create one stellar line-up and we’re so excited to have them all on one line-up – we feel so spoiled to have them all!

How do you all feel about the general lack of female headliners at a lot of big festivals at the moment?  
I don’t think there’s any excuse for the lack of diversity or lack of adequate representation on big festival line-ups and I don’t think it’s good enough to make a promise of correcting this by 2020, as many festivals have pledged, when there are so many talented bands involving women out there right now and who have been there for a long time, and simply gone unnoticed. We have a long way to go, but hopefully we’ll get there soon.

The festival is not just about music either is it?  You’ve got 2 vegan food stalls and a feminist marketplace – can you tell us a bit more about that? 
We’re very fortunate to have Cactus Kitchen Gals and Vegasmic catering our festival! Cactus Kitchen Gals do super tasty vegan junk food which is the perfect festival-fuel! Vegasmic will be selling delicious vegan sweets and treats! Our feminist marketplace was a huge hit last year so we decided to do it all over again! The marketplace is held in the courtyard of the venue and is made up of stallholders selling artwork, illustrations and creations and community organisations and activist groups. We also have DJ sets outside throughout the day to give a real festival vibe.

Finally, as we’re a new music focused site, are there any particular new bands or artists you’d recommend we check out?
Some of our favourite bands that you’ve not already mentioned include Sit Down (YES! We LOVE them!), who are a Brighton-based garage-punk two piece whose frontwoman is also their drummer, she is a force to be reckoned with! We’re also HUGE fans of The Nyx, The Menstrual Cramps, Bloom, Jellie Rolls, The Great Malarkey and CLT DRP among SO many more. We could keep going forever…

Huge thanks to FemRock for answering our questions! 

Femrock’s second annual female-fronted festival returns to Brighton on Saturday 30th June at The Green Door Store. There’ll 10 female-fronted bands, 2 vegan food stalls, a Feminist Marketplace full of creatives and activists and outdoor DJ sets throughout the day. Ticket info here.

Full FemRock line-up:

The Baby Seals
Sit Down
Militant Girlfriend
Bitch Theme
Hussy
Charmpit
Hexmaze
Suburban Death Twitch
Gullsband
Quim Smashers

 

LIVE: Hilary Woods – St Pancras Old Church, London 11.06.18

Bitter sweet and deeply affecting, Irish multi-instrumentalist Hilary Woods‘ performance at St. Pancras Old Church provided a startling insight into her darkly ethereal debut album Colt, released via Sacred Bones on 8th June.

Stood behind her keyboard, Woods performed solo for most of her set with only projected visuals and a violinist to accompany her on a handful of tracks. Her achingly pure voice floated gently across the heads of her congregation, who sat listening in attentive, respectful silence.

Woods’ solo work is far removed from the alternative 90s sounds she helped to create as a member of JJ72. She’s clearly invested a painstaking amount of time and energy in assembling her new album, and the two EPs – Night (2014) and Heartbox (2016) – that preceded it. Perhaps that’s why she was so nervous performing, something she didn’t admit until the penultimate track, but she had no legitimate grounds to be on edge. Her recent singles ‘Inhaler’, ‘Prodigal Dog’ and ‘Black Rainbow’ were all mesmerising, even in their stripped back states.

Footage from her recent videos played out across the back wall of the Church, as Woods performed beautiful renditions of ‘Take Him In’, ‘Kith’ and ‘Limbs’, the latter standing out due to Woods’ clear, measured vocal delivery. Switching between keys and guitar with eas, Woods’ performance style was quiet and introspective, but its impact was one of powerful, all encompassing melancholy.

Whilst Colt is an album about grief, loss and abandonment, we left St Pancras Old Church awash with raw and unexpected emotion, feeling like we’d gained rather than lost something from Woods’ performance.

Photo Credit: Joshua Wright

Kate Crudgington
@KCBobCut

Track Of The Day: Gurr – ‘Hot Summer’

Contrary to its title, Gurr‘s latest single ‘Hot Summer’ was conceived on a grey day in London town. The Berlin duo tried to capture “that feeling of despair when everyone around you is happy, but somehow you just don’t feel it,” and the result is a frustratingly catchy “anti-summer” anthem.

Produced by Richard X (Roisin Murphy, Goldfrapp, Kelis,) ‘Hot Summer’ is the first taste of new material from the band since the release of their debut album In My Head, which won the IMPALA European Album of the Year Award in 2016. Gurr – comprised of Laura Lee & Andreya Casablanca – wanted to explore the idea that as the temperature rises, so does the pressure to enjoy and partake in all things summer related.

“Summer is such an iconic time of year and something we long for so often, but it ends up having very little to do with reality,” the band explain. “We wanted to write a song that sounds like you want to get fucking crazy to it, but also shout: Shit, maybe the condom did break? Or shit, did I forget to take the pill? Or shit, why is everyone around me doing ok and I feel like I need therapy? It’s a celebration of the imperfect summer, and everyday neurosis.”

The duo are gearing up for their Hot Summer Festival Tour which will see them grace the stages of over 20 European festivals this year, including performances at Rock Am Ring, Melt and Lollapalooza Berlin. They can also exclusively announce a headline show at The Garage on November 29th, their biggest show in the UK capital to date.

Listen to ‘Hot Summer’ below and follow Gurr on Facebook for more updates.

Photo Credit: Rowan Allen

Kate Crudgington
@KCBobCut

ALBUM: Dott – ‘Heart Swell’

A shimmering blend of optimism and adrenaline, Galway band Dott‘s sophomore record Heart Swell lives up to its name. Released via Grave Face Records, from start to finish the album make your garage-pop loving heart palpitate with glee.

Upbeat single ‘Bleached Blonde’ opens the record, and it’s the perfect soundtrack for those who love sunshine, surfing and intensely singable choruses. If you’ve ever tried to surf on an ironing board (watch the video below, you’ll understand), you’ll sympathise with guitarist & vocalist Anna’s struggle when it comes to catching waves.

Activism and garage-pop collide in anthemic style on second track ‘Like A Girl’. The band released the song ahead of Ireland’s vote to Repeal the 8th Amendment on May 25th, but it rings out with truer intensity now the “yes” result has been confirmed. The song features an impressive guest appearance from Sadie Dupuis of Speedy Ortiz on guitar too.

The unapologetic, carefree ‘Not Sorry’ transitions gently into the restless bass lines and riffs on ‘Floating Arrows’, whic will keep your feet twitching and heads bopping. ‘Swim’ paints an enviable picture of losing yourself by the seaside, with Anna’s clear vocals as bright as the sun she sings of here. The eponymous ‘Heart Swell’ is a wonderful ode to finding love, a genuinely satisfying aural head-rush. It flows into the gentle sounding ‘Self-Help’ which shimmers with sensitivity. “I try to live my life without forgetting anyone,” sings Anna, a poignant and admirable sentiment.

‘How Do I Feel?’ is another joyous offering of buoyant guitar and feel-good lyrics, before listeners are urged to reject the “double standards” that girls are subject too on ‘You Don’t Have To’. The age of independence and ambition is reminisced about on ’18’, which fades effortlessly into penultimate track ‘Do Ya?”. The beautiful ‘Wedding Song’ closes the record on a reassuring note. Anna’s lyrics systematically strip away the traditions and expectations that come with wedding ceremonies, revealing the only thing that truly matters when you consider spending the rest of your life with someone: Love.

If you’re searching for the soundtrack to Summer 2018, invest in Dott’s second album Heart Swell now. Download it here.

Follow Dott on Facebook for more updates.

Photo Credit: Alison MW

Kate Crudgington
@KCBobCut