Tag: women in music

The Get In Her Ears team have put together another eclectic mix of alternative anthems, grunge & shoegaze tunes, electronic sounds and indie & folk musings for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Whitelands – ‘Cheer’
GIHE fave London shoegazers Whitelands came into the Soho Radio studio earlier this month to chat to us about their debut album, Night-bound Eyes Are Blind To The Day, and I have been listening to the record on a loop since its release. I saw them live supporting Slowdive at Hammersmith Apollo, and it was wonderful to hear their magnetic sounds ring out around the walls of such a prestigious venue. The GIHE team are so excited to see them again at their London album launch gig at Rough Trade on 5th March.
(Features Editor -Kate Crudgington)

Hypsoline – ‘Disposable Girl’
Firm favourites who we’ve been lucky enough to have play for us a couple of times now, Brighton’s Hypsoline have now shared new single ‘Disposable Girl’. Written from the viewpoint of a heartbroken teenage girl, the track oozes the band’s scuzzy power and versatility of front person Trilby’s rich vocals. Building with a hazy allure, it showcases the band’s ability to create instantly catchy rock anthems, and I can’t wait to hear more from them this year. (Managing Editor – Mari Lane)

HAVVK – ‘Take It From Me’
We’re extremely excited to have Irish trio HAVVK return to play live for us at our next gig on 28th March at Shacklewell Arms. Having headlined the first ever gig we hosted back in 2016, it feels pretty special to be hosting them again, and – with support from lovely bands like Athabaska and Rats-Tails – it promises to be a dreamy night! This latest single showcases all the gritty, grunge-fuelled energy and celestial splendour we’ve come to know and love from the band. To Fall Asleep, the new album from HAVVK, is set for release on 15th March. Come and celebrate its release with us at The Shacklewell Arms! Tickets here. (ML)

Projector – ‘Don’t Give Anything Up For Love’
Congratulations to Brighton trio Projector on the release of their debut album, Now When We Talk It’s Violence. Unsurprisingly, it’s a superb record that showcases the band’s evolution in sound, full of grinding riffs, intense vocals and propulsive beats. This is my favourite track from the record. (KC)

Wisp – ‘Once Then We’ll Be Free’
19 year-old San Francisco-based musician Wisp has been on my radar for a while now. I’ve been soaking up her lush shoegaze sounds, and this single ‘Once Then We’ll Be Free’ is another potent blend of her hushed vocals, swirling riffs and driving beats. (KC)

Nightbus – ‘Average Boy’
Released via So Young Records, ‘Average Boy’ is the dreamy new release from Northern trio Nightbus. Speaking about the track, the band explain: “‘Average Boy’ is a narrative I’m sure many of us can relate to. The feeling of inadequacy, dysphoria, a longing for something that might never materialise. Those small moments that feel like destiny are reduced to bittersweet memories. We all search for something, we get caught in cycles, we lose our way, half the time we don’t even know what we’re looking for. Gender, perspective, culture, we are all in some way the average boy.” (KC)

Brimheim – ‘Normies’
I’m a big fan of Danish-Faroese artist Brimheim, and this single has been swirling around my head all month. Taken from her upcoming second album, RATKING, which is set for release on 22nd March, her new record explores shame, self-deception and tragic love. I adored her debut album, can’t hate myself into a different shape, and think her new offering will be equally as excellent. She’ll be playing The Lexington on Weds 22nd May. (KC)

Baby In Vain – ‘Afterlife’
This is the title track from Danish trio and longtime GIHE favourites Baby In Vain’s latest album. The record showcases a softer, more shoegazey approach to the band’s songwriting, compared to earlier heavier releases, but it still retains the slow-burning tenderness that makes all of their music so compelling. (KC)

total tommy – ‘microdose’
This is the debut single from Australian songwriter total tommy, who has recently singed to [PIAS] Recordings. A lovely hit of lo-fi indie-grunge, ‘microdose’ was written in total tommy’s bedroom studio in Sydney on a stormy night, and reflects on an addictive, all-consuming crush. (KC)

Tusks – ‘Strangers’
Another affecting, evocative offering from London-based electronic artist Tusks here. ‘Strangers’ is lifted from her upcoming album, Gold, which is set for release on 12th April via One Little Independent Records. She will be playing at Rough Trade East on 13th April to celebrate the release of the album. (KC)

Tolü Makay – ‘Mind & Body’
Nigerian-Irish artist Tolü Makay has returned with this wonderful new single about the importance of being present in the moment, with her emotive voice guiding listeners through this process. Speaking about the track, Tolü explains: “’Mind & Body’ explores the anxiety we feel when our body is numb to the moment while our mind is drowning in senses, screaming for us to be present in the here and now. It’s about allowing ourselves to breathe, about taking care of our bodies, about being present even when everything is moving so rapidly. In this cultural moment we are so concerned and cornered by our thoughts, our appearance, our voices and narratives that we tell ourselves. It is so hard to simply just be. ‘Mind & Body’ is a reminder to be present. To come together. Not just with yourself, but with each other. In Mind and Body.” (KC)

Elsa Hewitt – ‘Citrinitas’
I saw Elsa Hewitt play live again recently at Loki in Brixton, and I was hypnotised by her lo-fi, but very intricate synth loops and vocal improvisations. This wonderful soundscape ‘Citrinitas’, is taken from her upcoming eighth album, Chaos Emeralds, which is set for release on 12th April. Chaos Emeralds is the result of an intense few years of personal change and growth for the artist, full of field recordings and poetry extracts, all underscored by her trademark magnetic electronica. (KC)

Sheherazaad – ‘Dhund Lo Mujhe’
Following last year’s completely spellbinding debut single, ‘Mashoor’, Brooklyn-based composer and vocalist Sheherazaad has now shared the second taste of her upcoming album. As stirring waves of sound intertwine with a somewhat buoyant energy, ‘Dhund Lo Mujhe’s celebratory tone is at once juxtaposed with a disconcerting undercurrent. Building to a swirling rich cacophony, it offers a stark reminder to embrace our own unique joy in the face of damaging stereotypes. Qasr, the upcoming debut album from Sheherazaad, is set for release on 1st March via Erased Tapes. (ML)

M(h)aol – ‘Pursuit’
Irish post punks M(h)aol have returned as a four piece with this cutting new single ‘Pursuit’. Drummer and vocalist Constance Keane explains more about the pent up frustration and fear that underscored the track’s conception: “’Pursuit’ is about the experience of being followed home. Sadly, I think it’s something most women have experienced, and something that makes you change your behaviour on a very practical level. It first happened to me when I was 12, and it stayed with me for a long time. The experience of choosing your outfit based on how quickly it could help you get out of a dangerous situation is something I don’t even notice I’m doing sometimes, and that in itself scares me. What am I doing choosing shoes I know I can run fast in, rather than the ones that would go better with my outfit? As a whole, the song is built out of frustration that has accumulated over the past 30 years of being a woman in public.” (KC)

Lambrini Girls – ‘God’s Country’
Currently taking the world by storm, Lambrini Girls are not afraid to call out the government and those complicit in the deterioration of society. Offering a brutal condemnation of ‘Great’ Britain, latest single ‘God’s Country’ seethes with an immense energy and angst-driven power, emanating a raging sense of urgency throughout, cementing Lambrini Girls once again as a truly formidable force that we need now more than ever. Of the track, the band clarify: ““God’s Country is our long, overdue call-out of the government and rise of the far right… Great Britain. Think colonial, shit-hole, chunk of land. Thriving off unhinged nationalism, fed to us by the right red hand of unelected prime ministers… We could deep dive into inspirations and influences- but the song’s about politics, not us. We hope the song speaks for itself. Rishi, Cameron, Cummings, Starmer – you’re all on our shit list.” (ML)

CLT DRP – ‘Until You Showed Me’
Described as a “gender-fluid love sing”, this is the first new material from Brighton-based art punks CLT DRP since they released their second album, Nothing Clever, Just Feelings, via Venn records last year. Speaking about the track, powerhouse vocalist Annie Dorrett explains: “Femininity is a word that has haunted me my whole life, whereas Masculinity is something that I’ve longed for. ‘Until You Showed Me’ is a love song to my current partner for making my gender fluidity something that they nourish and make room for rather than dismiss or ignore. It’s no secret that a lot of people feel the need to lean into a gender role in order to gain respect or normalcy and if they mess with anything outside the binary it can seem threatening. Funnily enough I’ve found myself playing with my femininity a lot more now that I’ve found comfort in my skin again. This song is a little ode to the queers and anyone who strays from the binary in any way small or large. Break the wall from either side, that’s how we get ‘em to listen.” (KC)

Loose Articles – ‘I’d Rather Have A Beer’
Having recently announced the release of their debut album later this year, Manchester’s Loose Articles bring all the racing, roaring energy in latest single ‘I’d Rather Have A Beer’. Offering a warning about those toxic people who won’t make the same effort for you that they expect from you, it’s a perfect, post-punk ode to prioritising your own self worth, having fun with with your pals (over a nice pint) and moving on with your life. (ML)

Bridget. – ‘Take Me Down’
Taken from her debut EP, Damage Reversal, ‘Take Me Down’ is an anthemic offering from Essex-based grunge punk artist Bridget. She will be playing a gig at Luna in Leytonstone on 16th March as part of her EP tour, so if you like what you hear, make sure you grab a ticket to go and see her. (KC)

SPIDER – ‘an object of desire’
‘object of desire’ is the title track from Irish-born, London-based alt-pop artist SPIDER’s brand new EP. The record is a gritty, candid offering, exploring “the unholy trinity of young adulthood” and the web of sex, objectification and self-worth. We interviewed SPIDER on our Soho Radio show for our Great Escape Festival special last year, and she was a breath of fresh air. We’re so excited to see her getting the attention she deserves. SPIDER will play her first ever London headline show at London’s Camden Assembly on March 20th. (KC)

Gouge Away – ‘Dallas’
I was hooked on ‘Stuck In A Dream’, the powerhouse previous single from Florida-based alternative five piece Gouge Away. ‘Dallas’ marks a gear change in sound for the band, but it’s still a heady, corrosive sonic dive into what it feels like to hit rock bottom. It’s taken from Gouge Away’s upcoming third album, Deep Sage, which is set for release on 15th March via Deathwish Inc. (KC)

Heave Blood & Die – ‘Men Like You’
I love this intense offering from Norwegian post-punk collective Heave Blood & Die. It’s lifted from their fourth album, Burnout Codes, which they released back in January. Dedicated to bassist Eivind Imingen, who decided to end his life just following the recordings of the album, Burnout Codes shows the Norwegian collective offering their most textured and innovative album to date, acting as a tender tribute to the talent of their bandmate. (KC)

Dissolved Girl – ‘Silt’
This London-based four piece are named after one of my favourite Massive Attack songs. Dissolved Girl have been meticulously crafting their debut album over the past four years, and this track ‘Silt’ is the second hint at what’s to come. Brooding riffs, trip-hop style beats and a potent vocal all blend together to create a captivating, grunge-infused soundscape. (KC)

CHERYM – ‘Alpha Beta Sigma’
Having just released their debut album, Take It Or Leave It, this month via Alcopop! Records, Northern Irish trio Cherym have been big faves of ours since I first fell in love with them playing Paper Dress Vintage back in 2021. And I was lucky enough to re-live this experience last Saturday as they returned to the venue, delivering an even more wonderful set to an even bigger and adoring crowd. Fizzing with all the colourful punk-pop energy we’ve come to know and love, ‘Alpha Beta Stigma’ offers a fierce reflection on the immense gender inequality and violence against women that still permeates Irish society. One of the most exciting bands around at the moment, I fully expect to be seeing and hearing lots more of Cherym throughout 2024. (ML)

Laura Jane Grace – ‘Birds Talk Too’
Having just released their new album, Hole In My Head, earlier this month, legendary Against Me! Front-person, author and transgender activist Laura Jane Grace offers an uptempo ode to the city of Amsterdam in latest single ‘Birds Talk Too’. I love how its fuzzy punk energy propels the distinctive resonant power of Laura’s vocals, creating a fiercely fun-filled anthem. (ML)

The Empty Page – ‘Cock Of The Fifth Year’
The new single from Manchester’s The Empty Page, ‘Cock Of The Fifth Year’ offers a raging reflection on those ‘jock-type’ guys who often use their size and gender as a means of intimidating others. Of the track, front person Kel explains: “Unfortunately, there are still a lot of blokes like that I encounter when walking around my home city of Manchester. Swaggering, mouthy bellends who can be pretty intimidating when you’re a woman just trying to get from a to b.” I love its gritty energy and the raw power of Kel’s vocals, and can’t wait for the release of The Empty Page’s new album, Imploding, on 24th May. (ML)

Bleach Brain – ‘Crack’
Bleach Brain are a Liverpool-based punk/grunge trio who create anthems filled with heavy riffs and distorted vocals. This track ‘Crack’ is lifted from their excellently named EP, EAT SHIT, which they released at the beginning of the month. The band describe their new record as “a rebellious, angry, energetic EP with songs about violence, abuse, and capitalism.” (KC)

Charley Stone – ‘A Scream’
If you live in London and go to gigs, you probably already know Charley Stone. With a musical CV too long to list, and currently a gigging guitarist in bands such as Sleeper and Desperate Journalist, she has now announced the release of her debut solo album. The first song that Stone ever wrote on electric guitar (back in the last century!), it offers an insight into her creative process and artistic license. With scuzzy hooks that ripple alongside distinctive vocals oozing luscious delayed tones, it builds with a whirring energy to a colourful cacophony. Here Comes The Actual Band, the debut album from Charley Stone, is set for release on 29th May. (ML)

NEXT TO NADA – ‘Whine, Lips’
This track is lifted from London-based noise makers NEXT TO NADA’s upcoming EP, WHINE // MOTHS, which they will be self-releasing on the 15th March. It’s a grinding, punk-infused reflection on pent up frustrations, which vocalist, guitarist and lyricist Georgie explains further: “‘Whine, Lips’ is a self-lament/piss-take that I wrote whilst in a particularly lengthy period of self-destructive behaviour. Dissociation, jealousy, unease, apprehension and defeatism were all running amok in the closed quarters of a brain – leading to (what feels like) a tiresome, vicious circle of poor coping mechanisms and pessimism.” NEXT TO NADA will be playing live at the Dublin Castle on 30th May. (KC)

Um Jennifer? – ‘Glamour Girl’
Having first fallen in love with New York trans duo Um Jennifer last year when I couldn’t get enough of their single ‘Girl Class’, I’m now equally obsessed with latest offering ‘Glamour Girl’. With its playful energy and catchy hooks, it reflects on the pros and cons of recurring patterns in relationships. It’s a fuzzy lo-fi slice of punk-pop perfection that leaves me excited to hear the entirety of Um Jennifer’s new EP, The Girl Class EP, which will be out on my birthday (5th April, for those who don’t know). (ML)

Parsnip – ‘The Light’
A new discovery for me, Melbourne band Parsnip have just announced details of their upcoming album, Behold, which will be released on 26th April via Upset The Rhythm. New single ‘The Light’ fizzes with jangly hooks and an uptempo Raincoats-esque energy; the perfect uplifting antidote to our dreary British weather. (ML)

Lilith Ai ft. Kimya Dawson – ‘Fawn’
Taken from her upcoming album, Serial Killers Prefer Blondes, which is set for release on 13th September via Cruisin Records, this track from London-based indie-rock artist Lilith Ai is an affecting blend of confessional lyrics, atmospheric guitars and rousing beats. (KC)

Emily Magpie – ‘Sunflowers’
Long time favourite, Bristol’s Emily Magpie, has announced that her new album, There Are Other Forms Of Strength, will be released on 19th April. Our first taster of the album comes in the form of glistening new single, ‘Sunflowers’. Flowing with a shimmering energy as Emily’s soulful vocals ripple alongside an uptempo funk-fused allure. (ML)

KIN – ‘Party Anthem’
The new single from London’s KIN, ‘Party Anthem’ offers a poignant reflection on women’s safety. Written back in 2020, inspired by the Reclaim The Streets movement, it oozes a captivating dark allure. Flowing with Grace Strickland De Souza’s crystalline vocals and a swirling instrumentation, a stirring melancholic soundscape is created. (ML)