ALBUM: Camp Cope – ‘How To Socialise & Make Friends’

A deeply personal record channeling frustration, disappointment & fear into a creative, cathartic force for change, Aussie rockers Camp Cope have released their highly anticipated second album How To Socialise & Make Friends via Run For Cover.

The album was recorded over two days at Holes and Corners in South Melbourne with Sam Johnson in October 2017 and has been met with as much excitement and acclaim as their self-titled debut, which was shortlisted for the Australian Music Prize. They sold out two shows at Sydney Opera House, headlined Melbourne’s Weekender Fest 2017 and toured the US for the first time in  2017 with Worriers. Now, they’re back with How To Socialise & Make Friendss, nine tracks that prove Georgia Maq (vocals/guitar), Kelly-Dawn Hellmrich’s (bass) and Sarah Thompson’s (drums) songwriting has been strengthened through experience and sounds as fresh, observant and witty as ever.

‘The Opener’ is a sarcastic, spot-on aural record of the pervasive misogyny female bands encounter in the music industry. “It’s another man telling us to book a smaller venue,” sings Georgia – daring her antagonist with the line “Tell me again how there just aren’t that many girls in the music scene” – before her aggressive Aussie intonation shows man-splainers exactly where they can take their opinions.

It breezes into the eponymous ‘How To Socialise & Make Friends’, which ruminates on personal lessons, unnecessary apologies and making more room for yourself, with Georgia’a image of riding a bike whilst “waving goodbye” resonating throughout. ‘The Face Of God’ is a raw account of sexual assault and the shame and isolation that follows such a traumatic experience. Lyrics like “I had to say ‘no’ and ‘stop’ more than once” and “I slept in the middle of the bed / in the comfort of my own choices” ring out with a simultaneous sadness and strength. The band have turned a sharp and unfair lesson into a brave, independent statement here.

Following track ‘Anna’ is a tune about sisterhood and female friendship and an excuse to “get it all out, put it in a song”, whilst ‘Sagan-Indiana’ is an ode to the peace you find in your interactions with kind strangers. ‘The Omen’ is a mature vow not to hurt the people we need the most, with the reflective and guilty line “we’ve all made our Mother cry,” whilst ‘Animal & Real’ is another tune about much needed self-acceptance.

The retrospective ‘UFO Lighter’ is apologetic – “I said I was sorry about that line / I only wrote it ‘cos it rhymed,” but defiant, “he expected that I was gonna fail and run back / well, fuck that” and precedes the emotional, stripped back album closer, ‘I’ve Got You’. Georgia sings of her late father’s battle with cancer here and how their separation has ultimately strengthened the bond between them.

Listening to Camp Cope’s How To Socialise & Make Friends is a rewarding, entertaining experience that’ll have you manically fluctuating between laughter, rage, grief and joy. It’s a record that feels entirely authentic and most importantly, one that shows all girls that you can break free from whatever, or whoever is holding you back.

How To Socialise & Make Friends here. Follow Camp Cope on Facebook for more updates.

Kate Crudgington
@KCBobCut

ALBUM: Divide & Dissolve – ‘Abomination’

A sonic force to be reckoned with, Melbourne-based duo Divide & Dissolve‘s second album Abomination, released via Dero Arcade is a collection of heavy-instrumentals designed to “decolonize, dismantle white supremacy and empower people of colour & Indigenous people.”

Together, Takiaya Reed (saxophone, guitar, live effects) and Sylvie Nehill (drums, live effects) seek to undermine the forces that oppress them. The duo have been receiving praise and support since the release of their debut Basic in March 2017, which earned them the accolade of ‘Best Heavy Album’ at The Age Music Victoria Awards. This year they’ve been granted a support slot with Poliça on their forthcoming US tour, and after listening to Abomination, it’s easy to see why Divide & Dissolve are currently in demand.

Opening the album is the eponymous ‘Abomination’. It’s five minutes and fifty seconds of unnerving riffs and ceaseless cymbals, crashing together to form a desolate but powerful soundscape. It paves the way for eerie second track ‘Assimilation’, poised between chaos and calm from the moment it starts. There’s an intense power in the lack of lyrical content on these songs, which feels reflective of the repressed minorities the pair seek to support with their music. ‘Cultural Extermination’ is another shining example of this.

The spoken word from Minori Sanchiz-Fung on ‘Reversal’ is incredibly poignant. “By using English, I have let out many violent spirits. Words that I trust would in English, fling themselves against the wall,” speaks Minori from her “Immigrant Mind” in a composed, but visceral manner. Subtle, reverb-heavy guitar scores her incredible poetry, making this collaboration an intriguing and important listen. ‘Resistance’ follows with its manic sax sounds that ring out like defiant sirens in the face of adversity, resisting all notions of conformity.

The brief but bold ‘Re-appropriation’ demands immediate attention with more of the Divide & Dissolve’s crashing cymbals and abrasive riffs, before the penultimate ‘Reparations’ seeks to musically right the wrongs that white supremacy and patriarchy have inflicted on indigenous communities. Its slow-building, atmospheric nature seethes and soothes in equal measure, before ‘Indigenous Sovereignty’ closes this exploration of the unheard.

The eight tracks on Abomination are a platform on which Divide & Dissolve “transform the experience of space and time” and draw on the experiences of their ancestors and surroundings to create their unique and extraordinary sounds. It’s instrumentalist activism that seeks to disrupt the norm – and we love it.

Abomination is available to stream  & download now. Follow Divide & Dissolve on Facebook for more updates.

Photo Credit: @annasnowsill

Kate Crudgington
@KCBobCut

WATCH: Dream Nails – ‘Vagina Police’

“Your body is not your own, you are public property…”

Dream Nails front-woman Janey rages in the refrain of our favourite Feminist Punk Witches’ new song, appropriately entitled ‘Vagina Police’. Accompanied by an all-female produced new video (Guen Murroni, Kay Czuba, Georgina Orpin), it’s a witty but poignant representation of the song’s message; that women are not allowed to have autonomy over their own bodies. As we see the band dressed as police swooping in to prevent women buying condoms, taking contraceptives or visiting the gynaecologist, you can’t help but notice the truth in it – women’s reproductive rights are still being controlled and restricted (sometimes completely), in various ways, across the world today. However, the video has a happy ending, as the police are lured into a van, following a trail of doughnuts, and taken away. Phew!

Racing with the band’s trademark punk-fuelled energy, ‘Vagina Police’ packs a punch with its riotous, fist-clenching power as infectious riffs provide a driving force alongside Janey’s seething, impassioned vocals. It’s another formidable offering that proves once again just why we need Dream Nails in our lives; at times like this, we need bands like them more than ever – a group willing to combine activism and music to form a unifying force against the patriarchy. A group who create sparkling, energy-filled tracks that succeed in inspiring and motivating girls everywhere to get to the front and make our voices heard.

Watch the new video for ‘Vagina Police’ here:

‘Vagina Police’ is just one half of the new double A-side 7″ from Janey, Anya, Lucy and Mimi, with the equally powerful ‘Fascism Is Coming’ on the other side. Of the tracks, Janey explains:

“They’re on two sides of the same vinyl because they’re two sides of the
same coin. On a political level, fascism promotes nationalism and population control; on a personal level this manifests in restrictions on bodily autonomy via systemic sexism, homophobia, transphobia, ableism, racism, classism and xenophobia. Two powerful songs with a “rough and ready DIY punk sound, because that’s who we are”

Along with the 7” (or available separately), the band have also produced
a fantastic and informative accompanying 40-page curated zine (‘Your Body is Not Your Own – Articles About Reproductive Justice’) with twenty one different contributors about reproductive justice – “Intersectional feminism is a lifelong journey of listening and solidarity, so we wanted to use our platform as a band to give space for different voices.”

100% of the proceeds from this release go to raise funds for Abortion Support Network (ASN), which provides accommodation and financial assistance to women forced to travel from Ireland to England to have an abortion. An incredibly worthy cause.

‘Vagina Police’/’Fascism Is Coming’ is out now and available to order from Bandcamp.

Mari Lane
@marimindles 

Photo Credit: Poppy Marriott