LIVE: PINS – The Garage, London 08.11.17

“Iggy Pop couldn’t make it tonight, so you’ll have to make do with me instead” joked PINS‘ bassist Anna at the band’s headline London show last night. She was introducing ‘Aggrophobe’, the collaborative track which catapulted PINS in to public consciousness earlier this year. Needless to say, she aced Iggy’s spoken word parts and along with band-mates Faith, Lois, Sophie & Kyoko, proved that PINS are a band with sparkling talent.

Fresh off the back of supporting The Breeders on their European tour, PINS were glammed up and ready to give the crowds plenty of their thunderous post-punk sounds. Opening their set with the hypnotising ‘Trouble’, the crowd were swaying in time to the snaking bass lines and devious guitar ruffs, before they were treated to several new tracks that full of stomping percussion and plenty of PINS’ trademark commanding lyrics. 2012 single ‘LUVU4LYF’ sounded as sharp and vital as their new offerings, as did iconic Wild Nights track ‘Young Girls’ which the band closed their set with.

The glorious ‘Bad Thing’ – the title track of their most recent EP – bled perfectly into latest single ‘Serve The Rich’, which is laced with rallying cries and bold bass lines. Vocalist Faith delivered her lyrics with effortless confidence and charisma and became the human catalyst for dancing when she moved from stage to barrier to interact with fans. ‘Girls Like Us’ gave her the perfect opportunity to do this and members of support band Madonnatron didn’t hesitate to scale the barriers and join her for a dance on stage.

PINS’ gigs are always polished, fist-pumpingly good affairs that prove these Manchester post-punks are the coolest girls in town, with a sound that’s equal parts fierce and fun. Make sure you get involved next time.

Follow PINS on Facebook for more updates.

Photo Credit: Andrew Benge

Kate Crudgington
@KCBobCut

Track Of The Day: Anteros – ‘Bonnie’

A staple of their live set from their very first shows, ‘Bonnie’ has proven to be an instant crowd-pleaser among Anteros’ loyal following. The track is a call to arms for women and girls, asking them to stop competing against each other and unite in the face of adversity and intense media scrutiny.

“We wrote ‘Bonnie’ about the pressures of being a girl in a world of people who never seem to be happy with what they have,” explains Anteros’ frontwoman Laura Hayden. “It’s time to break away from that, to love and accept ourselves. To stop comparing ourselves to each other and work together. ‘Bonnie’ is our tribute to girls.” Produced by Charlie Andrew (Alt-J, Marika Hackman, Bloc Party), the band’s new track is a polished, defiant effort to unite the girls that Laura speaks about.

Listen to the track below.

Follow Anteros on Facebook for more updates.

Kate Crudgington
@KCBobCut

Guest Blog: Dream Nails’ Janey – “What It Means To Be A Punk Witch”

From the very beginnings of Dream Nails in the summer of 2015, we identified as witches more than musicians. It was a special summer of sisterhood, feminism and direct action where the power of women and non-binary people coming together in spaces without men felt radical and insurmountable. 

Throughout history, the label “witch” was branded on a person (usually women) who transgressed gender or sexual norms, or who challenged traditional power and knowledge structures. But it’s not necessarily our queerness or curiosity in herbalism and natural healing that makes us embrace the identity of “witch” – it’s our ability to channel the instinctive, magic energy of womanhood together. 

To say that Dream Nails is more than the sum of its parts is an understatement. We are four women with instruments, but there’s something else: the magical, invisible power of combining four women’s anger, joy, trauma and love through the medium of music. Not only that, but using that music to build and hold spaces that welcome all the women in our audiences to bring their rage, joy, pain and emotion, and collectively pool it into a dancing, sweating tidal wave of release. The amount of women who come up to us after shows and thank us is testament to this. 

Our rehearsal room is a sacred space. When women come together in spaces to be vulnerable and to make something together, there’s a collective energy that you can almost taste. And we drink it with an unquenchable thirst. It’s thrilling. It bristles with potential and it’s addictive. It’s the liberating rush of knowing you are safe to be yourself, make mistakes, explore and be free from shame, competition and judgment. Maybe that’s the true definition of confidence? What’s more, it gives you a space to produce and create something honest and whole together that you’re proud of; to access this place as a woman is to be reborn. 

To scream about rape, the crushing weight of navigating violence and the confusion around coming out is only something that we could do in a safe space. Forget the instruments, this is an act that can only collectively be done with the full spiritual participation and shared vulnerability of people who have lived on the vicious side of patriarchy. 

And this is why we term our music “witch punk”. We’re on the periphery of two genres, in our self-defined space: too femme to fit into punk, too raw to be indie pop. Witch punk is as much about the final product as it is the process of creation and the feeling of the live performance – it’s about the shared energy that’s created when we give voice to our collective fears and traumas in safe spaces. It’s also about redefining punk and resisting against the traditional toxic masculinity that is synonymous with the genre. It’s to subvert not only gender norms but genre norms. This is something our second EP, Dare to Care, celebrates.


Two years and two EPs later, we now identify primarily as musicians, but being witches is integral to how and what we create as a band. With every musical release, we create a zine together which involves careful curation, planning and sitting in circles cutting and sticking. We share our thoughts, our advice, our humanity. It’s a thoughtful and introspective process – the flipside to the intuitive and immediate rage that fuels our live shows. But just as essential to our identity. 

Our stories are important and our voices need to be heard. If you need release, come together with your sisters and channel the ancient power of witches – it will unravel something within you and bind you together with something that can only be described as supernatural.

Huge thanks to Janey from Dream Nails! You can buy the band’s new Dare To Care EP here. 

ALBUM: REWS – ‘Pyro’

Like the phoenix that rises from the ashes of its own flames, rock duo REWS take the remnants of loves old and new and turn them into tunes that blaze with fun and furious style. Their debut album Pyro, released via Marshall Records, brims with an incredibly dark an delightful energy and it’s setting our cells alight in all the right ways.

The record opens with a rockier reversion of the joyful ‘Let It Roll’, showcasing guitarist Shauna & drummer Collette’s divine dual vocals against a backdrop if gritty guitar. It bleeds perfectly in to ‘Rip Up My Heart’, a heavy lament to the heartache caused by a failed relationship – and a musical remedy for it too.

‘Violins’ is an apathetic but energetic track with a chorus which demonstrates Shauna’s ability to hit the higher notes as well as unleashing hair-raising screams with her powerful lungs. It precedes recent single ‘Shine’, which is glittery and gloriously heavy (like the accompanying music video) and a clear highlight on the record. ‘Death Yawn’ – written about a weird guy who kept staring at Shauna at a hostel during breakfast – is a poppier offering, but it’s drenched in REWS’ trademark infectious melodies and dancing beats.

‘Miss You In The Dark’ is the anthem every girl should listen to post-breakup, with standout percussion from Collette and more of Shauna’s powerhouse vocals which dominate the record. ‘Your Tears’ is a superb follow-up, and it’s a track that refuses to acknowledge “the boy who cried wolf” with it’s swaggering guitar and thrashing drums.

‘We Explode’ leaves its mark, with it’s scorching chorus and lyrics that drip with desire, whilst penultimate track ‘Shake Shake’ will have you shimmying away the bad memories. ‘Running Up Against The Wall’ closes the record, with melodic keys and a sense of uncertainty that listeners will easily relate to. Pyro is proof that the REWS girls take everything in their stride, and they should take great pride in this record which perfectly showcases their musical potential.

Kate Crudgington
@KCBobCut