PLAYLIST: January 2024

The Get In Her Ears team have put together another eclectic mix of post punk anthems, grunge & shoegaze musings, indie & alternative tunes and electronic sounds for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

HAVVK – ‘You Say You Won’t’
Ahead of the release of their upcoming new album in March, GIHE faves HAVVK have shared another spellbinding taste of what’s to come. As front person Julie’s celestial vocals emanate throughout, ‘You Say You Won’t’ showcases the Dublin trio’s ability to create a shimmering immersive grace whilst touching on poignant subject matter. I really can’t wait for them to come and headline for us at The Shacklewell Arms on 28th March, especially as they headlined the first ever gig we hosted back in 2016 – it’s going to be a pretty special evening, with support from Athabaska and Rats-Tails. Grab a ticket here! To Fall Asleep, the upcoming album from HAVVK, is out on 15th March via VETA Records.
(Mari Lane – Managing Editor)

Fraulein – ‘Wait and See’
Unsurprisingly, the GIHE team all love this latest single from Northern Irish/Dutch duo Fräulein. ‘Wait and See’ focuses on the contradictory nature of anxiety, and how we clench our teeth through it, rather than treating the issue underneath it. It’s another seamless blend of the band’s trademark gritty-yet-melodic riffs and considered, hard-hitting beats. I can’t wait to see Fräulein play live at Scala supporting art punks JOHN on 29th Feb.
(Kate Crudgington – Features Editor)

SPRINTS – ‘Heavy’
We’re big fans of SPRINTS here at GIHE, so watching their stellar debut album, Letter To Self, receive so much love and acclaim when it was released at the beginning of this month was a real joy. The Dublin-based band are a formidable force on the stage, and this track in particular showcases their intense, dynamic songwriting talents. (KC)

Gouge Away – ‘Stuck In A Dream’
This angst-ridden anthem from Florida-based five piece Gouge Away has been stuck in my head for an entire month. Visceral vocals, heavy riffs and relentless beats – I’m obsessed. ‘Stuck In A Dream’ is taken from Gouge Away’s upcoming third album, Deep Sage, which is set for release on 15th March via Deathwish. (KC)

The Baby Seals – ‘Mild Misogynist’
Cambridgeshire punk trio The Baby Seals are back, and I could not be happier about it. Following a little hiatus for life stuff, they have now announced the release of their debut full length album and shared a typically catchy, witty and gently raging tune that’ll lodge itself firmly in your ears on first listen. Reflecting on those men we all (sadly) come across on a daily basis who claim to be feminists because they happen to have a wife/daughter/mother, but are actually a huge part of the problem with their damaging micro-aggressions and embedded sexist views, with its gritty energy and danceable hooks, ‘Mild Misogynist’ is the perfect re-introduction to The Baby Seals’ ability to deliver their all-too-necessary message with a fizzing sense of fun. (ML)

Self Torque – ‘No Rest’
I’m so impressed that Brighton-based Self-Torque has managed to transform feelings of desperation and inadequacy into a frenzied, vibrant anthem on ‘No Rest’. Taken from their recent EP, No Rest For The Depressed, it’s a potent reminder that there are always better days on the horizon, and that you are more capable than you think you are. (KC)

Ski Lift – ‘Double Yellow’
Following last year’s catchy ‘Living The Dream’, London trio Ski Lift are back with a stirring new single. With bassist Lizzie Walsh taking the lead on vocals, ‘Double Yellow’ flows with a whirring splendour as lush harmonies intertwine with a sparkling energy. Inviting us all to take a step back and absorb the often overlooked beauty of our surroundings with a lilting warmth, it showcases songwriter Benji Tranter’s ability to turn even the most everyday of situations into genuinely heartfelt, and instantly catchy, indie-pop anthems. (ML)

The Menstrual Cramps – ‘Abortion’
“I’ve had an abortion, no I’ve had two / If you don’t like it, then fuck you!” Straight to the point, as always, Bristol faves The Menstrual Cramps have now shared this raging, honest and utterly necessary pro-choice anthem at a time when we need it more than ever. Written in response to archaic laws being imposed against women who seek abortions, both in the US and here in the UK, the track seethes with a fierce angst, whilst showcasing front person Emilia’s trademark stark wit and ferocious energy. With their return, The Menstrual Cramps continue to create a perfect balance of unifying joy and rage that has never felt more urgent. I can’t wait to hear more of their cathartic, empowering anthems over the next few months. Find out more here. (Also, some welcome slightly positive news regarding abortion in the UK here.) (ML)

pink suits – ‘C.O.F.F.E.E.’
Following last year’s riotous single ‘Refuse The Rules’, total faves pink suits have now shared another taster of their upcoming second album in the form of a new tongue-twisting punk anthem. Although seemingly less politically charged than some of the Margate duo’s previous offerings, ‘C.O.F.F.E.E.’ touches on themes of addiction and exhaustion but with a racing, fun-fuelled energy, oozing the band’s playful charisma. Whilst essentially Lennie and Ray’s soundcheck song, it showcases all there is to love about the immense formidable force that is pink suits. Watch the caffeinated new video for ‘C.O.F.F.E.E.’ here. Dystopian Hellscape, the upcoming second album from pink suits, is set for release on 1st April. (ML)

Dermabrasion – ‘Magic Missile’
Another brooding, ominous cacophony from Toronto-based duo Dermabrasion. The band have just shared their superb debut album, Pain Behaviour, via Hand Drawn Dracula and it is well worth your attention. Industrial-tinged post punk noise: 100% a bit of me. (KC)

GHLOW – ‘Big City’
Stockholm alternative duo GHLOW are back with a brand new album, Levitate, which is set for release on 8th March via PNK SLM. This track, ‘Big City’ is the first exciting, intense glimpse of what listeners can expect from the new record. (KC)

The Fauns – ‘Shake Your Hair’
Following a decade-long hiatus, Bristol based shoegaze ensemble The Fauns have now returned to charm our ears, releasing their new album this month. Showcasing the sweeping ethereal soundscapes that we’ve come to know and love from the band, whilst dipping into newer, electro-driven sounds, the album as a whole oozes a mystical allure as glistening instrumentals provide a backdrop for Alison Garner’s exquisite emotion-rich vocals. I’ve had it on repeat since first hearing it, immersed in its captivating blissful haze. Read about the five songs that have inspired Garner’s vocal style the most here. How Lost, the new album from The Fauns, is out now via Invada. (ML)

Heart Rot – ‘Anchors To Elsa’
Inspired by the quiet-loud dynamics of the ‘90s grunge scene, New York band Heart Rot deliver their ethereal yet gritty creations with a fierce allure. A completely DIY project, the band draw influence from their experience as girls and connection to the natural world in their songwriting, and pride themselves as artists honing their craft; not just in creating their music, but in their merch too, hand-making it all from second-hand clothes. With just two songs out so far, they’re a new favourite for sure; I can’t wait to hear more of their raw, bewitching soundscapes. (ML)

Tusks – ‘Adore’
I love this evocative single from London-based electronic artist Tusks. It’s lifted from her her upcoming album, Gold, which is set for release on 12th April via One Little Independent Records. Inspired by a variety of contrasting experiences and emotions, the album is a dynamic, intricate musing on the shifting nature of love, time and change. I look forward to hearing it in full. (KC)

Fears – ‘4th of the 1st’
I’m so glad that Dublin-born, London-based interdisciplinary artist Constance Keane aka Fears is back! Taken from her upcoming second album, affinity, which is set for release on 22nd March via TULLE, this single ‘4th of the 1st’ delicately dismantles the duplicitous and intrusive thoughts that follow in the aftermath of a complicated breakup. It’s a poignant reflection on emotional resilience and self-soothing. Watch the accompanying video for it here. (KC)

Birthday Problem ft. Ailbhe Reddy – ‘E.L.E’
‘E.L.E’ is the atmospheric debut release from Birthday Problem, a collaborative electronica project between Irish musicians and producers Matt Harris (HAVVK) and Rocky O’Reilly. Released via VETA Records, ‘E.L.E’ – which stands for ‘Extinction Level Event’ – follows the narrative of a fictional character who is in an underground post-apocalyptic world. The track also features vocals from GIHE fave Ailbhe Reddy. (KC)

KÁRYYN – ‘Anthem For Those Who Know’
Marking her first new music release in four years, ‘Anthem For Those Who Know’ is a defiant return to form for Armenian-American songwriter, composer & producer KÁRYYN. It’s a poignant statement about self autonomy and the significance of advocating for yourself and others in the face of adversity. Co-produced with Hudson Mohawke and released via Mute, ‘Anthem For Those Who Know’ is a rumination on the importance of protest in all its forms. (KC)

Schande – ‘Relevant Campaigns’
I can’t seem to stop listening to this song and crying. A thing of pure beauty. Its twinkling grace. The whirring to-ing and fro-ing, like the constant rippling of the tide that keeps going even when everything else seems like it’s stopped. The shimmering hooks that rise and fall. Jen’s whispering vocals fading in and out with an understated melancholy. Written while her mother was terminally ill, it’s an exquisite rumination on the fragility of life and the strength of love. Watch the beautiful accompanying video here, and keep you eyes peeled for Schande’s upcoming new album, Once Around, set for release this year via Thurston Moore’s The Daydream Library Series. (ML)

Moor Mother – ‘Guilty’
Following critical acclaim for her 2021 album Black Encyclopedia Of The Air, innovative artist Camae Ayewa – aka Moor Mother – has now announced the release of her 9th studio album. Our first taste of the album comes in the form of ‘Guilty‘, a collaboration with Lonnie Holley, Mary Lattimore and Raia Was. Oozing a mystical energy, it encapsulates the sentiment of the album – a poignant and necessary message, bringing to our attention crimes committed by our ‘fair isle’. As the glistening musicality provides a backdrop to lists of ‘great’ Britain’s injustices against humanity and the harsh realities of colonialism, the juxtaposition of the horror of ‘Guilty’s message with the beauty of its musicality is stark. A hauntingly beautiful offering; an urgent message encased in an evocative sonic grace. The Great Bailout, the ninth album from Moor Mother, is set for release on 8th March via ANTI-. (ML)

Allison Lorenzen – ‘Words’ (Low Cover)
Taken from the upcoming album, Your Voice Is Not Enough – a tribute to the band Low – Allison Lorenzen’s cover of ‘Words’ made the hairs on the back of my neck stand up when I first listened to it. The album was born from a conversation between Planning For Burial’s Thom Wasluck and record label The Flenser, who were inspired by the “nuanced beauty” of Low’s discography. Whether you’re a fan of Low or not, Allison’s cover and the renditions on the record are well worth your attention. The album features contributions from Midwife, Amulets, Planning for Burial and more. (KC)

Katy Kirby – ‘Hand To Hand’
Flowing with lilting melodies and rich, sumptuous vocals, Brooklyn artist Katy Kirby’s new single reflects on what she calls ‘heteropessimism’ and the gory collapse of several relationships, with a twinkling, yet gritty, allure. The single comes ahead of the release of Kirby’s second album, Blue Raspberry, later this month, which sees her delving into her sexuality and the ways we present ourselves during the quest for love. The album’s out on 26th January via ANTI, and I can’t wait to hear more of Kirby’s beautifully honest creations. (ML)

bedbug – ‘halo on the interstate’
Originally a solo project from non-binary artist Dylan Gamez Citron, LA-based bedbug has now expanded its lineup to include Owen Harrelson, Minerva Rodriguez, Meilyn Huq and Drew Cunningham. Together, the band are preparing to release their fourth album, pack your bags, the sun is growing, on 15th March via Boston’s Disposable America label. This single ‘halo on the interstate’ showcases their fully fleshed out new sound perfectly. (KC)

Grace Petrie – ‘Start Again’
Having been a big fan of Grace Petrie for a number of years now, and being lucky enough to interview her back in 2021, I’m super excited to hear that she’ll be releasing her third album in March. With its chiming piano alongside Petrie’s heartfelt vocals, new single ‘Start Again’ offers a stirring first taste of the album; a rousing ode to the power of solidarity. Building with a gentle emotive spirit, it showcases her ability to create beautifully catchy folk-strewn anthems that ripple with an undercurrent of politically-charged urgency. Build Something Better, the upcoming album from Grace Petrie, is out on 8th March on The Robot Needs Home Collective. (ML)

Waxahatchee ft. MJ Lenderman – ‘Right Back To It’
Kansas based artist Katie Crutchfield aka Waxahatchee’s been one of my most played artists of the last few years – her heartfelt Americana-tinged ballads just get me every time. And latest single ‘Right Back To It’, is no different. Featuring MJ Lenderman on backing vocals, their voices intertwine to create blissful heartfelt harmonies alongside lilting banjo melodies; my favourite combination of sounds. It’s just exquisite and I can’t wait to hear more on the upcoming new album, Tiger’s Blood, set for release on 22nd March via ANTI-. (ML)

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PLAYLIST: November 2023

The Get In Her Ears team have put together another eclectic mix of pure punk anthems, indie & alternative tunes, grunge & shoegaze musings and alt-pop and electronic sounds for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

 

Problem Patterns – ‘Terfs Out’
Hosting Problem Patterns’ sold out London gig at Sebright Arms last Friday was a total dream. The second time they’ve played for us, and with support from total faves Fightmilk and band-on-the-rise Dogviolet, it was a wonderful night, topped off with an epic headline set from the Belfast punks – uniting the crowd in solidarity with both their swirling righteous anger and vibrant, joyous sense of fun. ‘Terfs Out’ is always a particularly powerful song to witness live, and one whose message in support of our Trans siblings is more poignant now than ever: “LGB is nothing if not for the T / so show up with some real solidarity.” Problem Patterns remain one of the most exciting bands around and deserve every success to come their way; having recently won a Northern Irish Music prize for best video, released their incredible debut album, Blouse Club, and shared a stage with total legends Le Tigre. I cannot wait to see what they have in store for us next.
(Mari Lane – Managing Editor)

pink suits – ‘Refuse The Rules’
Having blown us away with their immense live show on more than one occasion, Margate queer punk duo pink suits have become firm favourites at GIHE. We couldn’t be happier to hear that they’ll be releasing their second album in Spring 2024. Our first taster from the record comes in the form of perfectly raging new single, ‘Refuse The Rules’. Just over a minute and a half of pure empowered rage, it’s a scream for space – a refusal of the rules that have been historically created to limit people’s lives and freedoms. As Ray’s fierce growl and driving beats seethe alongside Lennie’s frenzied raw hooks, it offers a perfect raging catharsis; a short and sharp rallying cry, inciting us to stand up and make our voices heard in the face of suppression and aggression. Dystopian Hellscape, the upcoming second album from pink suits, is set for release in Spring 2024. (ML)

The Menstrual Cramps – ‘Body Politics’
I’ve been waiting a long time for new music from Bristol-based punk legends The Menstrual Cramps, and now it’s finally here! Released via the loveliest of labels, Alcopop! Records and sounding as vital as ever, ‘Body Politics’ is based around American philosopher Judith Butler’s idea of gender performativity (from her book ‘Gender Trouble’), and rallies against the ways in which gender constructs are forced upon us all under capitalism to benefit the patriarchal structure. Seething with their trademark ferocious energy, and building to a fierce RATM-esque climax, it’s a perfectly empowering and cathartic explosion of necessary rage. (ML)

Touch Excellent – ‘Overtone’
This is the latest single from Dublin punks Touch Excellent, who have described it as a “Trans Rights Anthem”. The track reflects on the band’s own experiences of the years-long waiting lists they’ve faced when trying to access trans health care in Ireland. They explain that the “heart of the song” is the personified “long wait”, where lead singer Lenny holds a 21 second wailing note, demonstrating the extended frustrations of those who are still waiting to be treated. (Kate Crudgington – Features Editor)

Jock – ‘Moving’
Belfast based queer punk band Jock have recently joined the VETA Records roster, and released this new anthem titled ‘Moving’. It’s inspired by the housing crisis in Northern Ireland and further afield, rumbling with a raw and righteous discontent. (KC)

HAVVK – ‘City Creep’
The latest single from total faves, Irish band HAVVK, ‘City Creep’ offers a stirring reflection on the impact that Dublin’s housing crisis is having on cultural spaces in the city. Propelled by a fierce energy as celestial vocals and scuzzy hooks seethe with an unrelenting sense of urgency, it showcases the band’s ability to exquisitely create a shimmering immersive grace whilst emanating a raw, politically-charged rage. ‘City Creep’ is out now via VETA Records, and we cannot wait for HAVVK to return to the Get In Her Ears stage, headlining for us on 28th March next year at Shacklewell Arms. Tickets are cheaper in advance. Get yours here. (ML)

SPRINTS – ‘Shadow Of A Doubt’
Described as their “most vulnerable moment to date”, Dublin punks SPRINTS have shared this cathartic anthem, which deals with the experience of “trauma, depression and the aftermath.” Vocalist and guitarist Karla Chubb’s clear, cutting lyrics reveal the intensity and range of emotions that underscored the track’s conception, which tentatively builds to a swell of all-encompassing noise. ‘Shadow Of A Doubt’ is taken from SPRINTS upcoming debut album, Letter To Self, which is set for release on 5th January 2024 via City Slang. (KC)

Schande – ‘52 Hz’
I’ve been a big fan of Schande for some time now, especially since they charmed our socks off at our first gig post-covid in November 2021. Their new single ‘52 Hz’ offers a soaring slice of shimmering shoegaze-tinged indie-pop; inspired by a whale whose calls resonate at a different frequency than other whales, it flutters with fizzing hooks and Jen Chochinov’s distinctive brooding vocals. A truly dreamy sonic experience. ‘52 Hz’ is out now via The Daydream Library Series, the house record label of Thurston Moore & Eva Prinz’ Ecstatic Peace Library. (ML)

Dermabrasion – ‘Goblin Dance’
This is only the second track I’ve heard from Dermabrasion, but the Toronto-based duo are fast becoming firm favourites of mine. Such a banger! ‘Goblin Dance’ is taken from the band’s upcoming debut album, Pain Behaviour, which is set for release on 26th January via Hand Drawn Dracula. (KC)

Meg Elsier – ‘iznotreal’
I love this new single from Nashville-based artist Meg Elsier. Punishingly heavy riffs and soft, sultry vocals – strong #GloomyGirl vibes, which we all know, are the best type of vibes. Check out the excellent accompanying video for it here. (KC)

Wisp – ‘Once then we’ll be free’
19 year old San Francisco-based artist WISP makes music inspired by the likes of Deftones, My Bloody Valentine and Whirr. This is her latest single and it’s full of brooding bass lines, hushed vocals and heavy reverb. I’m looking forward to hearing more from her in the near future. (KC)

Softcult – ‘Haunt You Still’
Toronto-based duo Softcult’s latest single is a shimmering reflection on the mark we leave on others in the extended aftermath of a breakup. Full of their trademark shadowy, swirling riffs and soft dual vocals, the band explore accountability and atonement on this bittersweet offering. (KC)

body / negative ft. Midwife – ‘sleepy’
This delicate lullaby by body / negative is a tender, moving ode to their late parents, accompanied by a deeply nostalgic video. I’ve loved everything that body / negative has released this year, and I’m looking forward to hearing their new record, everett, in full when it’s out on 8th December. (KC)

House Of Women – ‘Hypocrite’
London-based newcomers House Of Women released their debut EP, People Printing, via their own label earlier this month, and this track ‘Hypocrite’ is a standout listen. They will be headlining London’s Omeara on 5th December, so grab a ticket if you like what you hear. (KC)

Felicette – ‘Go To Hell’
Named after the first cat in space, Felicette are your new favourite DIY indie-pop band, formed of members of faves like Cheerbleederz, Supermilk and Doe. Set to release their debut EP next month, they’ve now shared the title track – a wonderfully scuzzy ode to the catharsis that comes with being honest about your feelings after being hurt. I love its grunge-tinged hooks and gritty energy, and can’t wait to hear more from this lot! Go To Hell, the debut EP from Felicette, is out on 5th December via Everything Sucks Music. (ML)

King Isis – ‘Make It Up’
“I wrote the first version of this song at home, going through lows in love and life,” explains Oakland-born artist King Isis about their latest single. Full of angsty lyrics and their smooth vocals, ‘Make It Up’ is a taste of what’s to come from the artist in the near future. The track is also accompanied by a brooding, vampire themed video, which you can watch here. (KC)

ARXX – ‘Baby Uh Huh’
As if a single from ARXX wasn’t exciting enough, the new one features a whole chorus of favourites! Including familiar voices from the likes of CLT DRP, Cherym, Soft Lad, Ailbhe Reddy, and DIY legend Beth White, this rendition of ‘Baby Uh Huh’ is a beautifully uplifting and empowering anthem, released to raise funds for We Exist – whose work is invaluable in supporting trans and queer communities. ARXX explain: “We were looking at the world around us, at all the attacks on Queer lives and in particular Trans lives, and we wanted to do something to show our support with our Queer community. ‘Baby Uh Huh’ is about finding the right people to surround yourself with to make you a better version of yourself, which is a very Queer experience.” Once again establishing themselves as master creators of the freshest, most addictive and most euphoric anthems, ARXX continue to make me fall more and more in love with them with each release. I can’t wait to see them live again on 7th December at The Lexington! Tickets still available here. (ML)

Personnel – ‘Her City I Was After’
Taken from their forthcoming album set for release next year, ‘Her City I Was After’ by Personnel was released via queer record label Staying Out Records. It’s a kind of unrequited love song to Soho. The song draws on places and characters finding queer life in London from the 30s to the 70s, with the video bringing it alive in the 90s, using archival footage by film maker Mark Harriott of direct action queer activist group OUTRAGE! Check it out now. The more I listen to that song the more I love it. (Tash Walker – Digital Editor)

ALYSS – ‘Hydra’
I am SO into this track from Alyss, who played live for us back in 2018 at Notting Hill Arts Club – which was such a great show! Talking about the track, ALYSS explains: “She is one. A singular point that has roamed between the shadow & ether of every cell for the past 7 years”. (TW)

Catherine Moan – ‘Undo Undo’
Another heady dose of synth-pop from Catherine Moan here. Released via Born Losers Records, the track is an intoxicating blend of Catherine’s honeyed vocals, 80s-esque electronics and catchy beats. (KC)

Seraphina Simone – ‘Liverpool’
This was my Track Of the Show on November’s Soho Radio show, we are LOVING it at Get In Her Ears! Seraphina wrote this while on tour with Self Esteem in Liverpool, and it’s all about love, loss and memory. Close your eyes and allow yourselves to dive deep into the sounds of Seraphina Simone. (TW)

Stainwasher – ‘Circle Trails’
Stockholm-based musician Stainwasher has released this “slowcore/dreampop gem” that explores how counterproductive infatuation and obsession can be. Released via Oh Sister Records, it’s a bittersweet, shoegazey rumination on wasted time. (KC)

Holysseus Fly – ‘Bloom’
Such a mesmerising track from Holysseus Fly, taken from her debut solo EP, Birthpool, released earlier this month. You may recognise Holly’s vocals from Ishmael Ensemble, where she is the vocalist and songwriter, but this is her solo iteration! She’s going to be headlining three UK shows this month, the first in Bristol at The exchange on the 23rd, Corsica Studio in London on 24th November, and the Carlton club on 28th. (TW)

Montañera – ‘Santa Mar’
London-based Columbian artist Montañera creates innovative immersive soundscapes fusing together traditional South American musical influences with contemporary ambient electronics. Featuring marimba player Cankita (from the band Bejuco) and the expressive voices of Las Cantadoras de Yerba Buena, a group of traditional singers from Tumaco, latest single ‘Santa Mar’ is poignant reflection on on peace, specifically for afro pacific women, and shimmers with a sweeping twinkling splendour and captivating raw emotion. A Flor de Piel, the new album from Montañera, is out now via Western Vinyl. (ML)

Ratboys – ‘The Window’
I’d been desperate to see Chicago’s Ratboys for some time (especially as this year’s album, The Window, is in my personal top five of 2023 for sure), so it was a real treat to finally catch them live at Omeara last Sunday, along with Norwich faves SUDS. Delivering a set even more dreamy than I could have hoped for, each lilting hook oozed fuzzy surf-pop perfection as front person Julia Steiner’s vocals exuded a shimmering raw emotion throughout. As the crowd sand and swayed along in blissful unity, it was captivating and comforting in equal measure; a much-needed ray of sunlight in an increasingly dark time. Thank you Ratboys! (ML)

Teens In Trouble – ‘Sharon’
With a collaborative split EP with LA based Desert Mambas out now, Teens In Trouble (the indie creative project of writer, guitarist, and vocalist Lizzie Killian) create perfect emo-tinged pop-punk with a quirky, playful energy and fuzzy allure. Offering emotive yet upbeat songs about being present in the moment and mental health, based on true stories/experiences of Killian, the EP provides a must-have soundtrack for anyone experiencing existential crises right now. Teens In Trouble / Desert Mambas, the split EP, is out now via Kill Rock Stars and Asian Man Records. (ML)

¡Ay Carmela! – ‘Rear View’
Bristol-based trio ¡Ay Carmela! have just released their much awaited second album, Tokens. Reflecting on themes around cherished memories and inevitable change, it showcases the band’s gritty ‘90s-inspired indie-rock sounds, interweaving their distinctive catchy hooks with a sparkling emotion. Tokens is out now. ¡Ay Carmela! will be playing for us at The Shacklewell Arms on 2nd February 2024, supporting German dream-pop band Roller Derby with Panic Pocket. Tickets are cheaper in advance and are available here. (ML)

Ida Kudo – ‘The Power That Is Woman’
With her upcoming new EP set for release in Spring next year, Danish-Japanese alt-pop artist Ida Kudo has recently shared anthemic single. Her first material in four years, ‘The Power That Is Woman’ is propelled by a fierce empowering energy and alluring soulful grace as Kudo urges us to fight for a new kind of leadership, putting people before profit.
‘The Power That Is Woman’ is produced by Andrew Hunt. (ML)

NESS NOST – ‘The Regular’
This is the second release from NESS NOST’s EP called ‘The Regular’. The song’s narrative centers around the protagonist working in a restaurant, this time being confronted by a regular customer, that ends with a decision between making a living, or standing up for herself to this overbearing man. Boundaries crossed, where in many places of work women have to choose between dignity or money. (TW)

 

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PLAYLIST: September 2023

The Get In Her Ears team have put together another eclectic mix of indie & alternative tunes, grunge and shoegaze anthems, post punk and Riot Grrrl bangers, alt-pop and R&B gems and experimental electronic sounds for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

 

Whitelands – ‘The Prophet & I’
The latest single from London band Whitelands, ‘The Prophet and I’ is based around the philosophical book, The Prophet, by Lebanese-American author Kahlil Gibran. A beautifully woozy soundscape, it flows with fuzzy hooks and shimmering harmonies; oozing all the dreamy, shoegaze-inspired vibes. (Mari Lane – Managing Editor)

NewDad – ‘Angel’
Taken from their upcoming debut album, Madra, which is set for release on 26th January 2024 via Fair Youth/Atlantic Records, this track from Galway alt-rock four piece NewDad is inspired by the destructive relationship between characters Rue and Jules in hit TV show Euphoria. It’s a magnetic, heady guitar tune that’s been swirling around my skull since I first heard it. (Kate Crudgington – Features Editor)

Coolgirl – ‘High Altar’
Taken from her upcoming EP, Failed Reboot, which is set for release on 8th November via VETA Records, this Coolgirl track is a hypnotic blend of synths, intriguing samples and atmospheric beats. GIHE fans will recognise Coolgirl aka Lizzie Fitzpatrick as the front person of grunge trio Bitch Falcon, but under her new solo moniker she uses electronics to create vivid, sometimes ambient, sometimes upbeat soundscapes. (KC)

Maria Uzor – ‘Sometimes They Look At You’
Maria Uzor consistently delivers with her amazing electronic soundscapes, and ‘Sometimes They Look At You’ is no exception. It’s taken from her upcoming debut album, SOFT CUTS, which is set for release on 13th October via Castles In space. Come to her album launch at The Windmill in Brixton on the 18th October, we’ll all be there!
(Tash Walker – Digital Editor)

Tirzah – ‘F22’
‘F22’ is taken from Tirzah’s recently released new album, trip9love…???, produced by Micah Levi. It’s a stripped back sonic sound-bath of distortion, off-key haunting piano and drum machines. Get listening. (TW)

1000 Beasts & Tomike – ‘Cherry Delight’
The latest release from Cork-based producer 1000 Beasts and London-based Irish artist Tomike! Some low-key neo soul, filled with rich jazz harmony – just lovely. (TW)

DEBBY FRIDAY – ‘let u in’
Polaris Music Prize-winning artist DEBBY FRIDAY has dropped this drum & bass-tinged pop banger. It follows on from her acclaimed debut album, GOOD LUCK, which she released via Sub Pop earlier this year. DEBBY FRIDAY will be touring the UK in November, playing a show at Thirdman Records in London on Friday 10th November, and she’ll be performing at The Roundhouse for Pitchfork Music Festival on Saturday 11th November. (KC)

Amaroun – ‘Pussy Whine’
London-based alt-R&B artist Amaroun releases her new EP, Dopamine, today (29th Sept), and this track is a definite highlight. Speaking about ‘Pussy Whine’, Amaroun explains: “I want to fly the flag for sexual freedom, especially for black and queer people that have heavily felt the impact of oppression forcing you to repress your instinctual self. I find the word an empowering way of claiming my right to pleasure and sexual expression. Lyrically, it’s about that moment when you meet someone that you then can’t stop thinking about, and the thrill of the chase! ” (KC)

Rainy Miller and Space Afrika ft. Mica Levi – ‘Maybe Time To Lay Down The Arms’
This track is absolutely mesmerising. ‘Maybe Time To Lay Down The Arms’ is the first single I’ve heard coming out of this amazing collaboration, with more set to be released on 16th November. I can’t wait. (TW)

Gabriel Gifford ft. Aphty Khéa – ‘Voice From The Wind’
I love this collaboration between Berlin-based producer Gabriel Gifford and Greek-born artist Aphty Khéa. Featured on Gifford’s upcoming concept mini-album, Hailstone King, which explores themes of grief, masculinity, mental health, identity and legacy through the story of a mythical king, this track is described as an experimental anthem that tackles queerphobic attitudes. Sung in their native Greek language, Aphty Khéa’s potent voice compliments Gifford’s deconstructed club beats so well. (KC)

Hinako Omori – ‘ember’
This is the latest single from London-based artist and composer Hinako Omori. Taken from her upcoming album, stillness, softness…, which is set for release via Houndstooth on 27th October, ’ember’ is an uplifting sonic delight that encourages listeners to let go of the past and relinquish feelings of doubt. I’m looking forward to hearing it live when Hinako plays at London’s ICA on 2nd December. (KC)

AVR – ‘A Closer Touch, A Plan Of Art’
Berlin-based artist AVR (formerly known as ANNA VR) played live for us at Notting Hill Arts Club a few years ago and she was wonderful. ‘A Closer Touch, A Plan Of Art’ is her latest single, and she’s preparing to release more new music later this year, so keep an eye out for announcements from her in the near future. (KC)

Clementine Valentine – ‘Selenelion’
Formally known as Purple Pilgrims, but now going by their birth names, New Zealand duo Clementine Valentine have just released a beautiful new album. Taken from the album, ‘Selenelion’ glistens with an enchanting folk-strewn majesty as its swirling, other-worldly grace immerses you completely. The Coin That Broke The Fountain Floor, the new album from Clementine Valentine, is out now via Flying Nun. (ML)

Bas Jan – ‘No More Swamp’
The latest single from London collective Bas Jan, ‘No More Swamp’ reflects on how the band’s lives have changed over the years, with shifting priorities and responsibilities. Showcasing the band’s trademark quirky energy and perceptive songwriting ability, it interweaves shimmering instrumentation to create a wonderfully danceable cacophony. (ML)

tall child – ‘Damaged’
tall child, formerly known as ZHA Gandhi and previously associated with projects like Buggs and Luce Rushton (fka TV Room), has now released their debut single ‘Damaged’. An “introspective exploration of a turbulent parent-child relationship”, it’s propelled by a stirring emotion, showcasing their soulful vocals with a captivating allure. With a shimmering ethereal musicality, it’s a beautifully cathartic ballad. (ML)

Touch Excellent – ‘Couch Song’
This is a very cute tune from Dublin pop punks Touch Excellent. Full of dreamy vocals, relatable lyrics and melodic riffs, ‘Couch Song’ is a buoyant musing on introversion and attraction at house parties, and how these dueling states play out in a crowded room. (KC)

Becca Mancari ft. Julien Baker – ‘Over and Over’
Having received acclaim from the likes of the New York Times and queer publication them, and collaborated with big names such as Hayley Williams (Paramore) and Julien Baker (boygenius), Nashville artist Becca Mancari has just released their latest album, Left Hand. Rippling throughout with a beautifully heartfelt emotion and twinkling musicality, it offers a dreamy and gently empowering reflection on queer identities and our relation to the natural world; a shimmering and relatable ode to being your true self. Read our recent interview with Becca Mancari here. (ML)

Small Crush – ‘Rumblin Tummy’
The latest single from Californian band Small Crush, ‘Rumblin Tummy’ offers a fresh perspective on 2019’s similarly named ‘Tummy Rumblin’. Oozing luscious scuzzy vibes and a twinkling uplifting energy, it’s a shimmering slice of dreamy surf-pop, reflecting on “staying in love and getting butterflies in your stomach no matter how long it’s been.”
I’m a big fan of Small Crush’s cute sounds and have been really enjoying their new album, Penelope, which is out now via Asian Man Records. (ML)

dethcaps – ‘Nightstand’
This is the debut single from non-binary indie grunge band dethcaps (great name). It’s inspired by the feeling of pure infatuation when you first start falling in love with someone, underscored by a buoyant melody and heartfelt lyrics. (KC)

Brenda – ‘Pigs’
It was so fun to chat to Litty from Brenda on our recent Soho Radio show. I love this track which is full of rage, taken from their self-titled debut album which is epic! You can listen back to my conversation with Litty on our GIHE takeover of the Morning Glory Show on Soho Radio here. (TW)

Problem Patterns – ‘Lesbo 3000 / Poverty Tourist’
What a TREAT we have for you here – a double dose of pure punk bangers from GIHE faves, Belfast Riot Grrrls Problem Patterns. On ‘Lesbo 3000’, drummer Beth takes the lead on vocals, shouting back at homophobes and screaming her lungs out. On ‘Poverty Tourist’, bassist/vocalist Ciara and vocalist/guitarist Alanah take turns to call out the appropriation of working class culture in the music industry and further afield. Both tracks are taken from Problem Patterns’ upcoming debut album, Blouse Club, which is set for release on 27th October via Alcopop Records. The band will be headlining for us at Sebright Arms on 17th November – tickets are on DICE now. (KC)

SPRINTS – ‘Up And Comer’
This riotous single from Dublin rockers SPRINTS is taken from their debut album, Letter To Self, set for release on 5th Jan 2024 via City Slang. The band have been going from strength to strength since Mari & I saw them them live at the Women’s Work Showcase in Belfast last year. If you like what you hear, you can catch them playing at The Dome in Tuffnell Park here in London on 4th October. (KC)

Projector – ‘And Now The End’
Brighton trio Projector continue to evolve their sound with this latest single ‘And Now The End’. Written as a response to a breakup scenario, but also inspired by the general state of chaos that we currently live in, the track ricochets between spite, apathy and a need for resolution. ‘And Now The End’ is accompanied by a beautifully shot video that you can watch here. (KC)

HotWax – ‘Phone Machine’
Hastings trio HotWax are fast becoming firm favourites here at GIHE. Full of their trademark riotous vocals and tenacious riffs, this single is taken from their upcoming EP, Invite, Me Kindly, which is set for release on 18th October. (KC)

Venus Grrrls – ‘Liar Liar’
The latest single from Leeds rockers Venus Grrrls, ‘Liar Liar’ incites the listener to reclaim their autonomy and rediscover their worth. Propelled by a seething energy and fierce, impassioned drive, it’s a perfectly riotous anthem proving this band to be a true force to be reckoned with. (ML)

Comic Sans – ‘Winter in Sokcho’
Written and inspired through tarot readings, queer experience and healing, and quest to be your true queer self, ‘Winter In Sokcho’ is the latest single from London band Comic Sans. Building with an eerie splendour and gritty allure to a dark rock anthem, it offers fierce hooks and tension-building beats, as the sweeping power of the majestic vocals takes hold. (ML)

The Vanity Project – ‘Eureka’
London-based self described “queer-freak-pop” Flora Jackson and Rob Paterson aka The Vanity Project, pride themselves on creating swirling chaotic soundscapes, interweaving multiple genres and techniques. Latest single ‘Eureka!‘ reflects on the daily grind of the 9 to 5, and the dangers of capitalism in a wonderfully wacky blast of empowering riotous energy and sparkling musicality. The Vanity Project’s debut album, We Should Never Have Come Here, is released today (29th Sept), and you can catch them live tonight at The Cavendish Arms in Stockwell to celebrate! (ML)

NESS NÖST – ‘MAID 4 U’
I love this lead single taken from NESS NÖST’s debut EP, Working Hours, which is out now. It delves into the challenges women in the service industry face, battling misogyny, self-sabotage and pursuit of dreams all wrapped up in an acoustic-pop sound. (TW)

Charlotte Carpenter – ‘You’re My Reason Why’
Described as a “dystopian gay love story’, this latest single from Midlands artist Charlotte Carpenter reflects on her fond memories of spending time with her wife in a tiny cottage during lockdown: “I can honestly say, they were some of my favourite times together. It put so much into perspective for me. I had stripped away all of those routines and expectations, and I found what I truly valued in life, which is love and time.” I just love the track’s lilting musicality, with its heartfelt twinkling emotion, it oozes a stirring grace and comforting warmth. Charlotte Carpenter’s debut album, A Modern Rage, is out on 6th October. (ML)

Anna Pancaldi – ‘Stay This Way’
Exploring the complexities of loss when it’s entangled with childhood, this latest single from London artist Anna Pancaldi offers a beautifully poignant ode to nostalgia. Shimmering with Pancaldi’s soaring rich vocals and an emotion-strewn splendour. Catch Anna Pancaldi live at The Waiting Room on 20th October. (ML)

Maria BC – ‘Still’
Newly signed to Sacred Bones, this track from Maria BC is a gentle, evocative blend of their poetic lyrics and clear vocals, accompanied by a piano motif that they composed at the tender age of sixteen. ‘Still’ is lifted from Maria BC’s upcoming album, Spike Field, which is set for release on 20th October. (KC)

Chelsea Wolfe – ‘Dusk’
Freshly signed to Loma Vista Records, this is the latest offering from the marvelously macabre Chelsea Wolfe. ‘Dusk’ is a smouldering, gritty “mythical love song” that effortlessly showcases her potent vocals. I can’t wait to hear more of her new music in the near future. (KC)

Gazelle Twin – ‘Black Dog’
New to the INVADA Records roster, this is the latest single from GIHE favourite Elizabeth Bernholz aka Gazelle Twin. Alicia from NYX Drone choir described ‘Black Dog’ as “the soundtrack to my insomnia” when we interviewed them on our recent Soho Radio show, and I couldn’t agree more. Full of Bernholz’s trademark eerie electronics and shadowy sounds, it’s a cell-tingling exploration of what haunts us in life’s darker moments. I can’t wait to hear Gazelle Twin’s new album, also titled Black Dog, when it’s released on 27th October. It’s going to sound superb when it’s ricocheting off the walls of majestic London venue Bush Hall when she performs it live on 10th November. (KC)

Hilary Woods – ‘Where The Bough Has Broken’
A hypnotic instrumental inspired by a deep love for Dublin City, I’m fascinated by this new release from Irish artist Hilary Woods. Lifted from her upcoming album, Acts Of Light, which is due on 3rd November via one of my favourite record labels Sacred Bones, ‘Where The Bough Has Broken’ is an atmospheric ode to communal growth and memory, with an accompanying video that pays homage to the seemingly minor moments that play a role in creating these things. (KC)

Yay Maria – ‘L’Appel Du Vide’
The latest single from trangender artist Yay Maria, ‘L’Appel Du Vide’ marks the upcoming release of her new EP, Suburbia, which is out on 20th October via I’m Not From London. Self-described as “queer pop music for feelz and boogying”, the new EP offers a celebration of trans joy, with the mission of combating the all-too-frequent negative narrative the media presents us with. I just love the twinkling energy and swirling, ethereal grace of the soundscapes Yay Maria creates. This single ‘L’Appel Du Vide’ is accompanied by a “fully animated extravaganza” of a new video – check it out here. (ML)

 

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PLAYLIST: August 2023

The Get In Her Ears team have put together another eclectic mix of indie & alternative tunes, guitar anthems, alt-pop gems and electronic sounds for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Human Interest – ‘Step On’
Following the success of previous singles ‘Mixing Paint’ and ‘Cool Cats’, and with recent acclaim from the likes of Steve LaMacq on BBC 6Music, East-London band Human Interest have now announced the release of an upcoming EP later this year. Combining a fierce post-punk drive with a fuzzy, lilting energy, lead single ‘Step On’ reflects on “appreciating the duality of yourself and your friends” and builds with an anthemic power to a swirling slice of infectious indie-pop. ‘Step On’ is out now via Nice Swan records.
(Mari Lane)

CLT DRP – ‘I See My Body Through You’
Following on from their incendiary anthems ‘New Boy‘ and ‘Nothing Clever, Just Feelings‘, this is the latest banger from Brighton feminist electro-punks CLT DRP. Taken from their upcoming second album, Nothing Clever, Just Feelings, which is set for release on 8th September via Venn Records, the track is a dynamic, corrosive rumination on objectification and how it can affect our own identity and self worth. By combining quieter verses with a blistering chorus, CLT DRP reflect the tumultuous emotions and lack of control that can come from feeling exposed and viewed through a skewed and restricting lens.
(Kate Crudgington)

Chroma – ‘Don’t Wanna Go Out’
Having just announced the release of their debut album, and with news of an exciting support slot with (my most watched band in the world) Foo Fighters next year, Welsh band Chroma are definite ones to watch right now, and so we couldn’t be more thrilled that they’ll be headlining our night at Shacklewell Arms next Friday! (8th September). To celebrate the news, they’ve shared ‘Don’t Wanna Go Out’, a fierce new single reflecting on feelings of FOMO and propelled by the band’s distinctive raw, relentless energy. An instant earworm that I can’t wait for East London to mosh along to very soon! Ask For Angela, the debut album from Chroma, is set for release on 20th October via Alcopop! Records. Nab tickets to see them live on 8th September along with wormboys and UrgentSea here. (ML)

Duvet – ‘Girlcow’
‘Girlcow’ is the latest single from Manchester post punks Duvet, who are gearing up to to release their split 7″ ‘Girlcow/Sweaty Dog’ on 29th September via Fear of Missing Out Records. I love their sleazy, chaotic sound on this track, which the band say is “a bit of fictional story telling about a confident cowboy pursuing a play girl bunny type character,” explored from both perspectives. (KC)

Gender Chores – ‘Dysphurious’
A reflection on coming out as non-binary – a subject that’s very close to Northern Irish punks Gender Chores’ hearts – ‘Dysphurious’ offers a truly uplifting dose of punk-pop, oozing a fierce colourful spirit. Filled with scuzzy hooks and a refreshingly honest lyricism, it’s an empowering ode to freeing yourself from the constrictions of conventional gender ‘norms’; an energising boost of confidence to be your true self in the face of adversity. (ML)

Femegades – ‘Depleted’
Following their debut EP Pornsick and last year’s ironically entitled Not All Men, punk-rockers Femegades are back with a gloriously riotous new single. Reflecting on society’s expectation on women to be – and want to be – perfect, happy mothers, ‘Depleted’ rages with a snarling energy and fierce, raw power. (ML)

ALT BLK ERA – ‘Misfits: SOLAR’
Combining jagged electronics and racing beats with their raging lyrics, genre-defying sister duo ALT BLK ERA have created another alternative statement of self autonomy on ‘Misfits: SOLAR’. Taken from their upcoming EP, Freak Show, which is set for release on 1st September, the track is a frenzied anthem fuelled by their antagonistic, youthful spirit. (KC)

The Dead Zoo – ‘Hoover Damned’
Having recently wowed us live at our last gig at Shacklewell Arms in July, London-based The Dead Zoo have now shared an uplifting new single. Propelled by a scuzzy energy reminiscent of brit-pop bands of the ‘90s, ‘Hoover Damned’ oozes catchy hooks and swirling harmonies, accompanying the sultry allure of front woman Kaoru’s gritty vocals. Of the track, Kaoru explains: “I wanted to write about a world where women are as free to make mistakes and walk away as men traditionally have…” Produced by James Aparicio, ‘Hoover Damned’ is out now via Rock Noir Recordings. Watch the new video here. (ML)

Deerhoof – ‘My Lovely Cat!’
Following the release of their 19th album earlier this year, I was lucky enough to experience the utter magic of legendary avant-garde sound creators Deerhoof last week. And when I say ‘magic’, I’m not exaggerating… The pure immense cacophonies they’re able to create are a spectacle to behold; their frenzied colourful energy like nothing I’ve ever seen. ‘My Lovely Cat!’ is probably my favourite track taken from the latest album (which is sung entirely in Satomi’s native Japanese), not only because of its cute, relatable title, but I just love its swirling sonic brilliance and joyous drive. Miracle Level, the latest album from Deerhoof, is out now via Joyful Noise. (ML)

HAVVK – ‘Expiry’
The new single from Irish based trio, and GIHE faves, HAVVK, ‘Expiry’ channels a seething raging energy, ‘Expiry’ reflects on society’s expectations of women to ‘age gracefully’, whilst giving a middle finger to these restrictions on how you should dress or behave. I just love how its fierce sense of urgency is propelled by the raw power of lead singer Julie’s distinctive celestial vocals. (ML)

Shaene – ‘june’
This melancholy song from Leeds-based songwriter shaene is lifted from her self-produced debut album, time lost / time regained, which is set for release on 1st September. The track is a reflection on her fluctuating relationship with their Dad, which she is reminded of on Father’s Day each year during June. As with her previous single ‘sad’, shaene filters these conflicting feelings through a soft, shoegazey lens, which makes for sad-yet-sweet listening. (KC)

GENN – ‘Calypso’
GIHE favourites GENN are gearing up to release their debut album, unum, on the 6th October, and this track ‘Calypso’ is lifted from it. The track showcases the truly versatile sound of the Brighton-via-Malta art-punk quartet, who totally blew us away with their live performances at The Great Escape Festival earlier this year. (KC)

Ideal Host – ‘The Resolution’
A tender, synth-led rumination that showcases the evolving nature of their sound, this is the third single from Ideal Host. Led by Heather Perkins and Sean Hughes – who are both former members of the band Slowcoaches – Ideal Host are dedicated to making music on their own terms. ‘The Resolution’ acts as a bookend to the band’s previous single ‘The Conflict‘, exploring the softer side of their brooding, intuitive songwriting. Ideal Host are currently writing and recording their full length album, which they plan to release and tour next year. (KC)

O Hell – ‘hard times’
The chorus to this O Hell track hit me right in sternum. Her direct lyrics, clear vocals and evocative electronics make for captivating listening. Speaking about ‘hard times’, O Hell explains: “What I wanted to say in the chorus is: get back to what love really is, ‘cus it’s way bigger and better than the bullshit possessiveness we’re told it needs to centre around. It might change state, it might morph between romantic and platonic, or everything in between – but fuck all the drama off, if you love someone, let that love take its course. It was always bigger than the first label you smacked on it anyway.” (KC)

Hinako Omori – ‘cyanotype memories’
A mood-lifting soundscape that offers listeners a moment of respite in an uncertain world, I love this single from London-based artist and composer Hinako Omori. Taken from her upcoming album, stillness, softness…, which is set for release via Houndstooth on 27th October, the track is an ode to surrendering yourself to the unknown and finding peace within that process. (KC)

Mint Field – ‘El Suspiro Cambia Todo’
Having just announced the release of their upcoming new album, Mexican psych duo Mint Field have now shared a dreamy new single. Flowing with a whirring, hypnotic grace, ‘El Suspiro Cambia Todo’ (The Sigh Changes Everything) offers a spellbinding soundscape, enchanting the ears with its glistening splendour. Of the track, the band explain: “Sighing is the desire for melancholy. It denotes that something is happening. Sometimes we just need to sigh to let go. Sighing is something we do unconsciously but it says a lot about what is going on inside our mind.” Aprender a Ser, the upcoming new album from Mint Field, is set for release on 27th October via felte. (ML)

Amaroun – ‘Dopamine’
Taken from her upcoming EP of the same name, which is set for release on 29th September, ‘Dopamine’ is the latest single from ‘GIHE favourite Amaroun. Inspired by “the minuscule euphoric moments that keep her ADHD brain hooked throughout the day,” this track oozes with Amroun’s trademark alt-pop style. (KC)

CHIKA ft. Charlie Wilson – ‘Can’t Explain It’
I’m a bit late to the party, but recently loved watching ‘Ladies First’, a short (not long enough!) docu-series on Netflix about and by women in hip-hop. As well as featuring a number of artists I already know and love – such as the legendary Queen Latifah and contemporary rappers Rapsody and Tierrra Whack – it also introduced me to a few that I’d not come across before. One of these was Alabama-born MC/rapper CHIKA, who spoke at length about her position as a queer woman in the industry. I just love her driving energy, gritty allure and refreshingly honest lyricism, and urge you to check out this celebration of queer black love, as well as her epic recent album Samson. (ML)

Mykki Blanco – ‘Holidays In The Sun’
I can’t get enough of the funk-fuelled energy and infectious uplifting spirit of the new single from pioneering artist Mykki Blanco. “A feel good summer anthem about lazy summer days swimming in the sea, hopping from one music festival to the next, feeling good about life and living la dolce vita soaking up the sun.”, its only negative is that it does make me quite desperate for a holiday in the sun myself… Mykki Blanco’s upcoming new album, Postcards from Italia, is set for release on 22nd September via Transgressive, and keep your eyes peeled for an exclusive interview with them on our website very soon! (ML)

Aderyn – ‘Distraction’
Reflecting on the restlessness one can feel during the summer break, ‘Distraction’ is the latest single from South Wales artist Aderyn. Propelled by shimmering hooks and a driving punk-pop energy, it showcases Aderyn’s honey-sweet vocals and ability to create instantly catchy, emotion-rich singalong anthems. Aderyn’s debut EP, Sea Glass, is set for release on 14th September. (ML)

Catherine Moan – ‘Jawbreaker’
Angel Jefferson aka Catherine Moan is back with this new single which marks a “new era” of her electro-pop project. ‘Jawbreaker’ is written from the point of view of “someone who feels replaceable, hard to love, and ultimately feels damaged by another’s actions” – all underscored by buoyant 80s-inspired synths and Catherine’s bittersweet vocal. (KC)

SOFT LAD – ‘The Human Condition’
“This song came as a result of the worst hangover of my life!” explains Sophie Galpin aka SOFT LAD about this single – respect to her for telling it like it is! The multi-instrumentalist, who also plays in Self Esteem’s band, encourages her listeners to treat those closest to us with kindness; all underscored by her buoyant beats, melodic riffs and clear vocals. (KC)

Cutty – ‘Overdrive’
This is the latest single from Hull-based duo Cutty, who formed after meeting at their local dive bar. Amy and Kev explain that ‘Overdrive’ is a crowd-pleasing favourite when they play it live at local gigs, so it made sense to record it and share it for everyone else to hear too. (KC)

Sirene – ‘Don’t Let Me Fall (Out Your Mind)’
With acclaim from the likes of Deb Grant on BBC 6Music, Yorkshire-born, London-based artist Sirene released her debut album last year, and has now shared a poignant new single. Reflecting on the desire to consistently do your best for the ones you love, ‘Don’t Let Me Fall (Out Your Mind)’ is a beautifully stirring ballad, showcasing Sirene’s distinctive rich vocals and an exquisite twinkling emotion. (ML)

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