EP: Fistymuffs – ‘About Time’

If you’re still sitting back waiting for the return of the riot, you’ve been doing so with your ears covered. Scottish three-piece punk outfit Fistymuffs‘ upcoming EP, About Time, is a fantastic soundtrack to what they represent. What that is? “What we’re singing about is relatable to 90% of the audience,” answers bassist, Patty.

The original punk rock came off the back of a political climate that alienated youth. It doesn’t stand to question why, in the decades that followed Thatcher – before the banking crisis and the housing crisis and the flurry of food bank necessity for the working people – the privileged few said punk was dead.

About Time opens with ‘Innocent Contact’ and its jarring monologue; the kind that will undoubtedly spur choruses of cis white male journalists to utter the word patriarchy. While the EP does tackle the rejection of patriarchy, the lyrics are pulled from personal experience that touches on abuse regardless of gender.

“Get away, stay away, I don’t want your innocent contact” are the lyrics that make up the earworm chorus, making the opening track the most powerful on the record. It’s a track that harks to the legacy created by Kathleen Hanna and Donita Sparks, where screams are more valuable than words.

Third track, ‘Time’ introduces a more Mancunian sound, with echoes of Joy Division and New Order taking over. Drummer Nikki, in particular, being from Manchester, is massively influenced by both bands, and it shows – “Diverse influences are what give our sound an edge.”

Fistymuffs certainly have an edge, and anyone who wants the world to stop suffering in silence by speaking out will find an idyllic companion in About Time.

 

About Time will be released as a physical copy on 28th July at Leith Depot and on Bandcamp the following day. Follow Fistymuffs on Facebook and Twitter.

Em Burfitt
@fenderqueer

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INTERVIEW: White Ring

Cult followers of the “witch house” movement will be familiar with industrial outfit WHITE RING, who are set to release their new album Gate Of Grief via Rocket Girl Records on July 27th. After an eight year hiatus, the band have returned and are ready to bewitch their fans with more of their corrosive sounds. We caught up with Adina & Bryan to ask them about their recent gig in London and their upcoming album…

You recently played a free gig at The Shacklewell Arms. Did you enjoy the show? What did you get up to whilst you were in London, aside from supporting God Is An Astronaut?
We had a great time playing shows again. We were really busy doing press stuff between shows. We didn’t do much.

Your stage presence is pretty intense – do you have any pre-gig rituals that help you prepare for your set?
We usually do some meditation, stretch and pray to our ancestors for good luck, very important.

You formed on Myspace and helped to develop the “witch house” movement, which dedicated fans keep track of online. Do you think the internet is crucial when it comes to forming a band, nurturing a scene, and sharing your music?
It’s definitely a blessing not having to be physically connected to any particular city’s music scene, but the pendulum also swings the other way too, and can make some people really locked in on what others are doing, and I think it’s making them lonely.

Your new album, Gate Of Grief, probes at difficult and uncomfortable territory. What are you most proud of about this record?
I’m proud that it’s done and that we are all still alive.

Do you have a favourite track? If so, why?
I really do love how this album functions more like the albums I grew up listening to – where track selection and placement are kept in mind. If I had to pick one it would probably ‘Do U Love Me 2?’ just because I don’t remember writing it. I woke up after crashing from a 3 day bender in like 2012 and found this 11 minute song that I vaguely remember working on. I just made it a non-offensive length and released it as is. I feel like that one found me.

The image of the gate in the title refers to the real gate between Africa and Saudi Arabia, which is believed to be the place where the first humans migrated and went on to populate the rest of the world. How do you take a concept like that and turn it in to densely electronic music? Do you have a process that you follow, or do you create each song differently?
We came up with the concept when putting together our first EP, Black Earth That Made Me. The only idea we have for WHITE RING is to keep changing. We like too much shit to get weighed down with any one ideology. We kind of just want to tell a story that helps people realize they are not alone. Trying to tell a story about struggling to survive. We have had 6-8 different setups for recording. As soon as we get comfortable with something we get rid of it.

As we’re a new music blog, we always ask bands what other new bands or artists they’ve been listening too. Who can you recommend to us?
I’ve just been listening to a lot of The Soft Moon, John Maus and Korn lately.

What are your plans for the rest of 2018?
We just started recording our next EP, touring the album and we are working on launching a manufacturing company.

Finally, if you weren’t creating music as White Ring, what do you think you’d be doing instead?
I would be making music in my room doing a job that I don’t like as much!

Thanks to WHITE RING for answering our questions!
Pre-order Gate Of Grief here.
Follow the band on Facebook for more updates.

Photo Credit: Jason PD

Kate Crudgington
@KCBobCut

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Track Of The Day: Lala Lala – ‘Destroyer’

Originally from London, Chicago-based artist Lillie West – aka Lala Lala – initially starting the project as a means to process emotions and communicate things that she felt she could never say out loud. Now, following 2016’s debut Sleepyhead, she’s quit drinking, books her own DIY tours and has now announced her second album The Lamb. A reflection on finding strength in vulnerability, it addresses issues such as her fraught insecurity, struggles with addiction, and the loss of several people close to her.

Taken from the album, new single ‘Destroyer’ is a perfect slice of dreamy, lo-fi scuzz. Oozing West’s gritty, raw vocals and building to a sublime, twinkling chorus, it’s an infectious and affecting offering that leaves us longing for more of Lala Lala’s immersive creations.

Of the track, West explains:

“… (it’s) about retroactively realizing your feelings and trying to figure out what happened to get you where you are. Feeling out of control and like you’re stuck in a feedback loop.” 

Directed by West and Brielle Brilliant, the accompanying video finds Lillie protecting herself in an ongoing fight against destroyers. Watch it here:

The Lamb, the upcoming album from Lala Lala, is out 28th September via Hardly Art.

Mari Lane
@marimindles

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EP: Bad Sidekick – ‘Bad Sidekick’

Following the release of their previous singles ‘Circus’ and ‘Crook’, London/Bristol trio Bad Sidekick have shared their debut self-titled EP, and it’s a fistful of brooding indie noise.

“Everything I touch / it gets destroyed,” confesses vocalist Cooper Rose with her powerful Bristol intonation on opening track ‘Run Boy’. Guitarist Joe and drummer John create loops of fuzzy, furious sound as Cooper warns of the storm that’s coming. It bleeds into the snarling ‘I Ain’t Sick’ on which she oozes more enviably slick vocals, backed by a cacophony of guitar noise and thumping beats.

Bad Sidekick’s stellar song-writing skills are showcased on the gentler ‘Lost Cause’, which broods with quiet intensity before the drop-in. The spiralling ‘Romeo’ and penultimate track ‘Think About It’ are cut from the same cloth, full of visceral riffs and driving percussion that urge listeners to contemplate Cooper’s invitations.

A glitchy sampled recording opens final track ‘If I Were The Devil’, on which Cooper sings “I don’t wanna be like the others / trapped inside these dead eyes / waiting for the flames to turn me to ashes”. With her superb vocal delivery, there’s no danger of her burning out anytime soon, especially when paired with Joe’s razor sharp riffs and John’s knockout drumming. Together, Bad Sidekick have crafted a collection of infectious, gritty alternative anthems on their debut EP. We recommend you invest immediately.

Listen to Bad Sidekick’s debut EP on Spotify.
Follow Bad Sidekick on Facebook for more updates.

Kate Crudgington
@KCBobCut

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