VIDEO PREMIERE: Hana Piranha – ‘Waiting To Burn’

Bewitching vocals and moody monochrome visuals collide on Hana Piranha‘s new video for ‘Waiting To Burn’ premiering exclusively today on Get In Her Ears. Released via Fourglove Records on 17th May, the new song is a “carefully balanced mix of subtle strings, heavy guitar riffs” and compelling lyrics.

The single is the title track of the band’s latest album and the accompanying video was shot and directed by filmmaker and long-term collaborator Arron West. Frontwoman Hana Mari is the daughter of a Catholic priest who was born during a hurricane; so it’s no surprise her songwriting and the band’s aesthetic are turbulent and prophetic.

Formed of Jim Beck (guitar), Daniel Tompkins (bass), Andrew Lane (drums), and multi-instrumentalist Hana, the band work together to create a sound inspired by Bach, Nine Inch Nails and everything in between. They’ll be touring their new album in September, so keep your eyes peeled for updates on cities and venues.

Watch the video for ‘Waiting To Burn’ below and follow Hana Piranha on Facebook for more updates.

Kate Crudgington
@KCBobCut

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WATCH: Amaal – ‘Coming and Going’

Amaal is Somali-Canadian artist Amaal Nuux who has returned to music following much time spent on her activist work as the Goodwill Ambassador for Somalia Women and Children. In her music, she draws influence from both her personal life experiences and her travels.

We’re loving the video of her latest single ‘Coming and Going’. It is quite the silky lustrous number, taken from her upcoming debut EP set for release this summer. Speaking on the track’s inspiration, Amaal shared: “’Coming And Going’ was inspired by a relationship that had no defining status. I think a lot of us have been in situations where we should leave but it feels so good to stay.”

We cannot urge you enough to go check her out.

‘Coming and Going’ is out now. You can find more from Amaal on Instagram – Twitter – Facebook

Tash Walker
@maudeandtrevor

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Track Of The Day: The Paranoyds – ‘Hungry Sam’/’Trade Our Sins’

As they prepare to head out on a US tour with the awesome Tacocat, LA-based The Paranoyds are set to release their debut EP.

With this two-track, the band serves up a couple of slices of sleazy garage rock with a psychedelic pop edge thanks to the swirling, whirling keyboards, which sound like they’re straight out of a 1950s monster movie.

‘Hungry Sam’ is pure punk; effortlessly cool with a stomping opener that wedges itself in your brain after just a couple of listens. Meanwhile, ‘Trade Our Sins’ is slower, darker and sadder, but still sounds incredibly kick-ass.

Keen to make a name for themselves with their live shows and records rather than through social media (they don’t have a Facebook page), The Paranoyds’ debut release really speaks for itself. And with such an exciting support slot lined up, they’ll undoubtedly get more and more people listening.

 

Hungry Sam/Trade Our Sins is out now digitally, and will be released on 7-inch vinyl on July 12th via Suicide Squeeze. This will be a one-time pressing of 750, 650 on Orange Crush colour vinyl, and 100 on Neon Yellow colour vinyl – pre-order here. 

Vic Conway

Get In Her EarsLeave a comment

Track Of The Day: Montauk Hotel – ‘White Billboards’

A luscious shimmering soundscape with a poignant context; Montauk Hotel have shared their new single ‘White Billboards’. Released via Reckless Records, the Dublin-based band say their new track is a “reflection on the power of advertising in our society and how models and [industry] standards influence our choices, happiness, and feelings of adequacy”.

Montauk Hotel’s music is influenced by the glimmer of early 80s indie-pop, full of glistening guitar sounds and shining melodies. The band released their self titled EP in March 2017, and have shared stages with the likes of Goat Girl, PINS and Beauty Sleep. Across Ireland, they’ve played venues such as Whelans, The Workman’s Club and Roisin Dubh, and they’ve performed at Electric Picnic too.

Their new single ‘White Billboards’ is sure to take them back to these stages. Speaking more about the track, the band explain: “The song pictures an imaginary future where as an result of over-saturation, people have become indifferent to commercial models. Advertisers and brands have run out of slogans and have lost their impact on people and society. There is a question left open, which whether a society with empty billboards would indeed set us free to be happy or whether it would leave us lost and unable to regain a personal identity”.

Listen to ‘White Billboards’ below and follow Montauk Hotel on Facebook for more updates.

Kate Crudgington
@KCBobCut

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