Guest Playlist: Temples Of Youth

Covid 19 and the necessary restrictions surrounding it have brought about a number of cancellations of music events, including what would have been Get In Her Ears’ very first festival. It would have taken place on Saturday, 18th July, and was set to be a pretty special day, filled with some of our favourite female and non binary artists. Fingers crossed we can finally make it happen next year.

One of the bands set to play was total faves Temples Of Youth. Captivating us with their hypnotic, musically rich neo-pop and majestic, emotion-strewn splendour, the Winchester duo have charmed us live at The Finsbury more than once and we were very much looking forward to hosting them again.

In the absence of our festival, and any gigs, at the moment, Jo from the band has put together a playlist of songs that have shaped her songwriting, and written a few words about the inspirations behind Temples Of Youth. Have a read, and listen, below!

Inspiration…

As I sit to write this a few days after my 30th birthday, I can’t quite get my head around the fact that Temples of Youth is already five years old. I don’t know where that time has gone – it’s the longest relationship I’ve ever had.

So often in life, we are reaching for the next achievement, trying to make each one bigger and better than the last. I find this is so prevalent in the music industry, with something you worked so hard on becoming “irrelevant” so quickly. It’s a tough place to be – overcrowded, competitive and at times, disheartening. It is important to take a step back, and to reflect on what you have already achieved, and take note of its value.

Paul and I came together with a shared interest in starting something new, and whilst our influences have grown and changed, our ethic has stayed the same. We write for us, we play for us, and we hope that people will find something to connect with.  Paul is very driven by sound and the feel of a track, where as I find myself drawn to the lyrics and the vocal melody – so we make a good team.

Our inspirations are hard to pinpoint – from ’80s dream-pop, to grungier sounds and modern US indie bands, plus art and film soundtracks. To give you an idea, we’ve curated a playlist of some of the tracks that have shaped the way we write, and we hope you enjoy listening to it.

We’re currently working on recording our third EP remotely, and I think it’s the best thing we’ve done so far. We always hope these things won’t be released to ‘disappear’; forgetting that they can’t.

Listen to Temples Of Youth’s playlist below, and also make sure you check out their spellbinding latest single ‘Silver Cross‘ now. 

Track Of The Day: REWS – ‘Today We’re Warriors’

A defiant guitar tune designed to empower and motivate listeners into action, REWS have shared their latest single ‘Today We’re Warriors’. Lifted from the band’s upcoming second album Warriors, which is set for release on 7th August via Marshall Records, the track mixes heavy riffs and catchy melodies to help spark the fires of personal revolution.

REWS front-woman and founder Shauna Tohill has been busy during the covid-19 lockdown period performing online gigs, and promoting her “Femme Focus” Sunday sessions where she speaks to other female musicians about their work (watch ep. 3 with Jen from False Advertising here). Now, she’s gearing up for the release of her second album, and ‘Today We’re Warriors’ is another shining example of her tenacity and passion as a songwriter.

Speaking about the track, she explains: “The song exclaims exactly what the name suggests! Every morning we wake up, we have a choice in what kind of journey we will lead. There are dark days where our path is unclear and blocked (some more than others) and that’s when I want to encourage everyone to keep fighting forward, to gather together in the spirit of music with those who are good in your life, to support and respect each other! Today, we got this, we will get through this and we will keep moving forward to see a better, positive, thriving and equal future for all women, men, children from all races and backgrounds. Today, we’re warriors!”

The track is accompanied by two music videos, an official video that shows Shauna running through the wilderness, and a fan video directed by GIHE photographer Jon Mo. The fan video also features one of the GIHE grrrls (spoiler: it’s Kate).

Watch both videos below and follow REWS on Facebook and Spotify for more updates.

You can pre-order REWS’ new album Warriors here.

Kate Crudgington
@KCBobCut

Guest (video) Blog: ARXX

Covid 19 and the necessary restrictions surrounding it have brought about a number of cancellations of music events, including what would have been Get In Her Ears’ very first festival. It would have taken place on Saturday, 18th July, and was set to be a pretty special day, filled with some of our favourite female and non binary artists. Fingers crossed we can finally make it happen next year…

One of the bands set to play was total faves ARXX. The Brighton duo have been wowing us for some time now and, with their raging ferocious energy and unmatched raw power, they’ve blown us away live at The Finsbury on more than one occasion. We just can’t get enough of their immense, empowering anthems, and had been really looking forward to hosting them again.

In the absence of our festival, and any gigs, at the moment, Hanni and Clara from ARXX have recorded a special video, just for us – all about their favourite albums and the music that’s been getting them through lockdown. Have a watch!

Guest Blog: Deux Furieuses

Covid 19 and the necessary restrictions surrounding it have brought about a number of cancellations of music events, including what would have been Get In Her Ears’ very first festival. Taking place tomorrow, Saturday 18th July, it was set to be a pretty special day, filled with some of our favourite female and non binary artists. Fingers crossed we can finally make it happen next year…

One of the bands set to play was post-punk duo Deux Furieuses. Having previously blown us away live at The Finsbury with their explosive gritty energy and raw emotion, they’ve become firm favourites of ours over the last few years and we were really looking forward to hosting them once again.

In the absence of our festival, and any gigs, at the moment, Ros from the band has written a poignant guest blog for us about changing priorities in the current situation, and the importance of having a quiet space to write. Have a read, and be reminded of the duo’s incredible power with the video for ‘Let It Burn’ at the end of the article!

A Room Of One’s Own… 

Deux Furieuses should have been playing Get In Her Ears Festival tomorrow. Instead, I have moved to the countryside in search of a place to breath and make music without thumps and texts from the flat above every time I strum my guitar.

I am writing this at night in a gatehouse lodge cottage designed in 1869 by Quaker architect Alfred Waterhouse, who also built the National History Museum and the red brick universities, for abolitionist MP Thomas Foxwell Buxton. I wonder who else has lived here over the past 150 years and what troubles they knew.

The neighbours on one side are a black and white horse in a field and a rabbit who munches grass outside the kitchen window every evening at the same time. There are red kites and buzzards swooping over head, nettles everywhere and a space where a shed used to be before it blew away. I can hear the sound of the London train which makes me smile every time it blows its horn, calling me back to London to rehearse with Vas.

Deux Furieuses were working on third album material before Covid 19, London lockdown and the death of someone close upended everything. It was Vas who found this cottage when I said I had to live some other way. No time in our living memory has been this uncertain. We have to do what we can to survive. For me it’s about being free to write music and having a ‘room of one’s own’. We intend to start demoing our third album as soon as I am settled.

Get In Her Ears’ first festival would have been a joyous celebration of female and non binary talent and is another missed gathering of our tribe. Playing live to an audience is a fading memory but we have to find our collective way back.