FIVE FAVOURITES: Phé

Inspired by the unpredictability of modern life and the captivating electronic sounds of La Roux and New Order, Yorkshire-born, South London-based songwriter & producer Phé has recently shared her new EP, Moodboard. Blending her lush vocals with catchy beats, she’s created a collection of alt-pop soundscapes that meander through themes of self-acceptance and personal growth.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Phé to ask her about her “Five Favourites” – five songs that have inspired the music on her new EP. Check out her choices below and scroll down to listen to her Moodboard at the end of this post.

1. The Strokes – ‘Soma’
It was difficult to pick a favourite Strokes song, most of their lyrics resonate with me, but this one stands out at the moment because I can’t seem to stop playing it. I appreciate songwriters who are aware that they are flawed, especially those who don’t sugar-coat it in their lyrics. Whether they aim to resolve their flaws or not isn’t necessarily what’s important, but it’s their desire to creatively articulate what their weaknesses are in a way that people can relate to that I find inspiring. There’s so much passion and anger in Julian Casablancas’ voice and for some reason whenever I hear it I feel so overwhelmed that I well up, no matter how many times I listen to it. It could be something to do with nostalgia because they narrated most of my childhood, or maybe it’s the fact you can tell there’s so much pain behind it, but the way Casablancas sings just feels incredibly authentic.

2. The Cure – ‘Just Like Heaven’
Love songs are wonderful things and I find it so interesting how timeless they can become through people’s personal experiences of them. This is one of my favourites of all time and I always tend to re-visit it when I’m busy romanticizing my own life in short bursts. Writing songs is such a personal experience, and it’s difficult to not recoil in despair when you listen back to what you’ve made sometimes, usually because you know you’re listening to how you actually feel rather than distracting yourself at all costs. ‘Just Like Heaven’ reminds me that it’s nothing to be ashamed of to express how you feel in your lyrics. It’s easy to get in your own head when you’re working on a project and I often forget that when someone listens to my music they’ll be having their own completely unique emotional response and I find that pretty comforting.

3. La Roux – ‘Let Me Down Gently’
It would have felt like one big whopping lie if I didn’t add La Roux as one of the main influences for this EP. Her approach to song-writing has been a real inspiration since I stopped writing songs with a guitar and moved towards a more electronic sound. I found it quite difficult to establish the kind of music I wanted to create at first and always felt like I was restricting myself, and the fact I wasn’t great at guitar probably didn’t help. Once I started using synths and making beats it pushed me in the direction that I’d been trying to go in, and it finally started to sound like my lyrics were matching the instrumentation. I find her style effortless with how she manages to be completely raw and direct in her lyrics, at times verging on cynical, alongside these really catchy synth melodies that are so simple but so effective. She manages to paint a world that is colourfully futuristic whilst staying honest with herself and the people around her, and that’s is the kind of world I want to live in.

4. Orange Juice – ‘Rip It Up’
I think anyone who makes music finds it incredibly frustrating sometimes because it’s a challenge to articulate yourself when there’s so many different ways you could do it. I didn’t really have much of an idea where I was going to go stylistically with this EP at first, but I was listening to a lot of folk and 80’s music at the time I was writing it and I guess that guided me through. As frustrating as it is, I also love the trial and error process of song-writing, and I took on the whole ripping-it-up-and-starting-again concept quite seriously because that’s what I did half-way through, and I’m glad I did because once I started re-writing it that’s when my thoughts started to come together and I had more of an idea of what I needed to say and how I wanted to say it.

5. Sudan Archives – ‘Come Meh Way’
Sometime last year I was listening to Sudan Archives on a walk round the moors in Yorkshire and I thought “God, I would kill to be able to play like that.” I ran home and dusted off my Mum’s old violin that was hibernating in the attic and started to teach myself. I’ve never heard anyone play the violin like Brittney Denise Parks, something about it is so haunting and atmospheric and adds a dimension to her songs that makes them so unique, and every time I listen to her I feel so moved. I love how her lyrics and violin seem to speak to each-other, and in this track her lyrics are rounded and gentle compared to this piercing violin arrangement – together it just produces such a mesmerizing sound and it definitely influenced elements of Moodboard.

Thanks to Phé for sharing her favourites with us!
Listen to Phé’s Moodboard EP below.

Photo Credit: Anna Rakhvalova

Video Premiere: MALMØ – ‘No Words’

Following 2018’s critically acclaimed debut album We Come From The Stars, and with acclaim from the likes of BBC 6Music and KEXP, Danish artist Maria Malmoe, aka MALMØ, has now shared her new single, ahead of her upcoming second album this summer.

Propelled by glitchy beats and Maria’s (and her her sister Frida’s) sweeping ethereal vocals, ‘No Words’ reflects on the damage we do to the environment on a daily basis – how we’re too reliant on the artificial, at a great cost to the natural world, and to ourselves. With an exquisite, captivating majesty, a shimmering, spellbinding soundscape is created. A beautifully poignant, and delicately cathartic, rumination on the world today and how we all need to take action to save it.

‘No Words’ is accompanied by a sparkling, artfully created new video. Watch it for the first time here:

The Inevitable End, the upcoming new album from MALMØ, is out on 11th June (vinyl & digital) via Integrity Records.

Mari Lane
@marimindles

Track Of The Day: Slagheap – ‘Caffeine’

Following recent single ‘Peckish’ and 2019’s eponymous debut album, Slagheap have announced an upcoming new full-length album. Having been invited to support the likes of Billy Nomates, Beak and GIHE faves Big Joanie, the Bristol DIY band have now shared a brand new single.

Propelled by a whacky, racing energy, ‘Caffeine‘ does exactly what it says on the tin: giving a sonic depiction of the frenzied nerves incited by too much coffee, or the similarly fraught feelings induced by a first crush. As deep grunge-fuelled bass hooks are accompanied by jangling beats and raw, playful punk-inspired vocals, a shimmering cacophony is created, harking back to Riot Grrrl bands such as Bratmobile. Oozing an infectious, uplifting power, its sunny, scuzzy zest and vibrant, tongue-in-cheek lyricism is riotously refreshing; a quirky blast of energy leaving you ready to face the world, whether or not you’ve had your daily coffee-fix.

‘Caffeine’ is accompanied by homemade, zine-inspired (and super cute) new video. Watch here:

Mari Lane
@marimindles

 

 

ALBUM: The Other Ones – ‘The Other Ones’

London based pop-punk four-piece The Other Ones join Reckless Yes for the release of their self-reflective and self-titled debut album, following their two self-released extended plays: 2017’s Perfect Girl, Normal Boy and 2019’s Picking Up the Pieces. The result is an evolution of the infectious sound they have cultivated over the past five years; a fusion of punk-rock riffs and melancholic pop influences, from Buzzcocks and My Chemical Romance to The Smiths and Kate Bush.

Introducing The Other Ones with opening track ‘Drown You’, bassist Vicky and guitarist Nick whet the appetite for the rest of the record with their unrelenting energy; the power (pop) couple’s distorted riffs offset against front-woman Steph’s and Nick’s spellbinding vocal harmonisation. Next, the cathartic ‘On Top of Me’ reflects on mental health and the struggle that we have all experienced at some point in our lives: “I wake up every day / I wish I could run away / You say it’s getting better / Why do I feel the same?”

‘Forever Young’ is another self-reflective track, this time nostalgic for younger, care-free days; oozing fuzz and swooning vocalisation. Shimmering pop-punk that is the perfect addition to your next mixtape! Relationships are explored next in ‘Money’ (“We never kiss / We never touch / We only talk about money!”), a track that drenches the listener in distorted sound. Originally recorded for their first EP, The Other Ones instinctively let loose on this reimagining; particularly drummer Francis with a thrashing percussive soundscape reminiscent of Jord Samolesky’s latter work in Propagandhi.

Slowing everything down for ‘Out of My Head’, scuzzy guitar riffs define the track’s soft-loud-soft dynamic, transitioning into the acoustic track ‘I Wish I Was Your Boyfriend’, where gender identity is left ambiguous. Raw emotion (and a spacey bridge) dominates ‘Better Off Alone Again’, whilst ‘Wasted Youth’ sees The Other Ones picking up the pace with Vicky’s throbbing bass-lines and a punchy drum assault from Francis.

‘Sad Case’ is yet another reimagining from Perfect Girl, Normal Boy, further showcasing Nick and Steph’s overlapping vocal abilities, but it is the title track, ‘The Other Ones’ that truly defines their impressive debut. Propelled by the scuzziest of riffs, ‘The Other Ones’ is a fitting anthem for the misfits of society – the freaks who won’t conform to societal norms – firing on all cylinders with a fierce, impassioned performance from Steph. Fuck all societal expectations to be a certain way… Strive for complete self-expression: “We are the other ones / We are the other ones / We are the other ones / We are not alone!”

Closing The Other Ones’ self-titled LP is the ethereal acoustic soundscape ‘I Think Too Much’; an unexpected, but welcomed, departure from the preceding ten tracks of energetic DIY punk rock.

With their debut, The Other Ones have delivered infectious hooks, emotionally-driven melodies, and enough feverish feedback to reinforce their underlying message: Fuck you to anyone who has ever told you that you’re not enough just by being yourself. “We’re the freaks and we don’t belong.”

 

The Other Ones‘ is out now via Reckless Yes. Buy on bandcamp.

Ken Wynne
@Ken_Wynne

Photo Credit: Keira Anee Photography