Welcome to our first New Music Playlist of 2025! The Get In Her Ears team have put together an eclectic mix of alternative, grunge & shoegaze anthems, alt-pop tunes, punk bangers, immersive electronic soundscapes and indie musings for your listening pleasure. Take some time to scroll through our selections below and make sure you press play on the playlist at the end of this post.
Follow GIHE on Spotify to see all of our previous playlists too. As well as streaming these tunes, we encourage you to follow the artists we’ve featured on social media, sign up to their newsletters, buy their records and merch from bandcamp and attend their gigs if you’re able to!
THE NONE – ‘My People’
After naming THE NONE as Ones To Watch for 2025 earlier this month, it’s great to see that the Birmingham/London punk band are firing on all cylinders with their latest single. ‘My People’ is taken from their upcoming EP, CARE, which is set for release on 14th February, available exclusively on bandcamp. The four tracks that form it are a visceral statements of autonomy, shrouded in THE NONE’s trademark ear-splitting cacophonies. I can’t wait to catch them playing live again at Oslo in London on 29th March. Watch the accompanying video for ‘My People’ here.
(Kate Crudgington – Features Editor)
Scrounge – ‘Higher’
GIHE faves Scrounge are BACK! The South London duo have announced that they’ll be releasing their second album, Almost Like You Could, on 18th April via Ba Da Bing! Records. This track ‘Higher’ is the first taste of what’s to come. It’s a powerful, biting reminder that Scrounge are fuelled by the desire to create meaningful art that represents the voices of the allies and the communities that they are a vital part of when they’re offstage. We back that all the way. (KC)
The Pill – ‘Money Mullet’
I’m not quite sure how The Pill had passed me by until now, but I was lucky enough to see them at The Old Blue Last as part of DIY Magazine’s Ones To Watch evening a few weeks back, and was an instant fan! They ooze heaps of charisma and a wonderful tongue-in-cheek wit delivering their wildly energy-fuelled, gritty garage-rock anthems.
(Mari Lane – Managing Editor)
Pigeon Dog – ‘Wet Washing’
North London trio Pigeon Dog first came to my attention when they supported Dogviolet at their special single launch show at The Victoria last year. They instantly blew me away with their stark grunge-tinged post-punk and gritty energy, which showcased perfectly in this new single. With shades of the likes of Dry Cleaning, ‘Wet Washing’ ripples with scuzzy hooks and an immersive raw power. Of the track, the band explain: “’Wet Washing’ is about chaos; the extreme hyperactivity used to try and counteract being broke, depressed, existential and lethargic. Making yourself so busy that you lose all sense of who you are and why you’re doing the thing in the first place. Really hope you don’t relate.” (ML)
Slung – ‘Laughter’
I love the cathartic opening scream that Slung’s vocalist Katie Oldham unleashes on this track. The Brighton four piece, initially formed by bassist Vlad Matveikov, have announced that they’ll be releasing their debut album, In Ways, via Fat Dracula on 2nd May. ‘Laughter’ is inspired by difficult family dynamics and the resentment that builds up when they’re not addressed. (KC)
ALT BLK ERA -‘Come Fight Me For It’
I caught up with genre-defying sister duo ALT BLK ERA at the start of this month to talk about their debut album, Rave Immortal, which this banger of a track is taken from. Released via Earache Records, on their debut LP Nyrobi & Chaya battle their demons and bring the noise with a tenacious blend of jagged electronics and racing beats. We spoke about their inspirations, life experiences, collaborating with indie rock legends Wheatus and a shared respect for Radio 1 DJ Alyx Holcombe. You can read the full feature here. (KC)
Glixen – ‘all tied up’
A potent, swirling rumination on infatuation, this single from Phoenix shoegazers Glixen features on their upcoming EP, Quiet Pleasures. Set for release on 21st February via AWAL/Wichita Recordings, the EP is looks set to be a visceral headrush of drifting vocals, immense riffs and brooding basslines. I can’t wait to hear it in full. (KC)
Kills Birds – ‘Madison’
Whether she’s screaming or singing softly, I find the vocals of Kills Birds’ front person Nina Ljeti totally enrapturing. This single ‘Madison’ sees her seamlessly blend both of these skills over the band’s unpredictable volume shifts and blistering riffs. ‘Madison’ is lifted from Kills Birds’ upcoming EP, Crave, which will be released on 11th April via Lucky Number. (KC)
Grandmas House – ‘Slaughterhouse’
GIHE faves Grandmas House are back with this brooding new single, described as a raw “love song”. ‘Slaughterhouse’ is taken from the Bristol band’s upcoming EP, Anything For You, which is set for release on 11th April via Duchess Box Records. I’m looking forward to listening to the record in full. (KC)
Gender Chores – ‘January Blues’
Having shared stages with the likes of Problem Patterns, Strange New Places and Sister Ghost, Belfast’s Gender Chores first blasted into our ears with the seething energy of 2019’s Womansplain, and have since been continuing to impress us with their feminist punk-pop anthems. New single ‘January Blues’ is a powerful reflection on violence against women and victim blaming; combining a fierce fast-paced energy with the haunting poignancy of the lyrics, it offers a raging rallying cry to fight against the dangerous patriarchal society. All proceeds from the single on bandcamp will be going to Women’s Aid NI and Nexus NI. (ML)
Loose Articles – ‘Guitars, Cars, Knickers and Bras’
Having shared the stages with the likes of Foo Fighters and The Lovely Eggs, Manchester punks Loose Articles’ debut album, Scream If You Wanna Go Faster, was one of my faves of last year. Taken from the album, latest single ‘Guitars, Cars, Knickers and Bras’ bemoans workplace misogyny with a fierce raw energy and fuzzy allure. Of the track, they explain: “The track points to the collective issue of not being taken seriously as a female musician, which is something we as a band have all experienced… Disillusioned sexism channeled into an anthemic sardonic chant.” We’re super excited to see that Loose Articles will be playing Cro Cro Land in April. Grab a ticket here. (ML)
Touch Excellent – ‘Sober Mind’
“‘Sober Mind’ is an anthem for a new generation that likes to party hard and drink soft,” explain Dublin post punk band Touch Excellent. Through their witty lyricism, gritty riffs and unexpected party beats towards the end of the track, the band explore what it’s like to be the “the last sober person left at the gaff” on this latest introverted yet infectious offering. (KC)
Bria Salmena – ‘Stretch the Struggle’
This passionate new single from Sub Pop signee Bria Salmena is lifted from her upcoming debut album, Big Dog. Set for release on 28th March, the record “chronicles a story of transformation–a deeply personal exploration of resilience and a declaration of artistic independence forged through collaboration,” seamlessly linked together by Salmena’s defiant vocals. (KC)
Roller Derby – ‘Last Night’
Set to release their debut album next month, Hamburg dream-pop duo Roller Derby released a string of singles last year, garnering acclaim from the likes of Charlie Ashcroft on Amazing Radio, John Kennedy on Radio X, and being featured in Record Collector Magazine. A heartfelt insight into feelings of anticipation and desire, new single ‘Last Night’ whirrs with swirling atmospherics, showcasing the band’s ability to combine ‘80s-inspired electronic soundscapes with their own unique sparkling splendour. When The Night Comes, the debut album from Roller Derby, is out on 28th February. Pre-order it here and grab tickets to see them live while they’re in the UK in May here! (ML)
jasmine.4.t – ‘Guy Fawkes Tesco Dissociation’
I’ve made no secret of my immense love of Jasmine.4.t over recent months, having picked her as one of my Ones To Watch for this year. And I’m not alone; she’s been receiving tonnes of acclaim from publications such as Pitchfork, The Line Of Best Fit and BBC 6Music. Her exquisite debut album, You Are The Morning, was released via Phoebe Bridgers’ label, Saddest Factory Records, and reflects on both the camaraderie and isolation that can be a part of transfeminine life with a stirring glistening emotion. A heartfelt ode to queer friendship, it sparkles with a truly captivating majesty throughout. (ML)
Flora From Kansas – ‘The Ghost Is Me’
I love this single from 17 year old Flora Kay aka Flora From Kansas. Taken from her upcoming debut EP, Homesick, which is set for release on 14th March via Melodic, ‘The Ghost Is Me’ is inspired by the rage Flora says she continuously felt in middle school. The track simmers with a quiet angst, softened by the songwriters’ tender vocals and earnest lyrics. (KC)
Dayydream – ‘Fucked Up’
After self-releasing her debut EP, Bittersweet, back in 2022, Glasgow-based songwriter Chloe Trappes aka Dayydream has returned with this brand new single. Backed by her new band, Trappes’ vocals delicately unravel over tentative beats and melodic riffs, making ‘Fucked Up’ a melancholic rumination on love gone wrong. (KC)
Kathryn Mohr – ‘Take It’
Taken from her recent album, Waiting Room, I’m a big fan of this track from Oakland-based artist Kathryn Mohr. Released via eclectic label The Flenser, Mohr wrote and recorded the LP over the course of a month whilst staying in a disused fish factory in Iceland surrounded by remote nature. The result is an intense rumination on the human condition, tethered together through her veiled vocals, field recordings and affecting instrumentation. (KC)
Japanese Breakfast – ‘Orlando In Love’
Hearing that longtime faves Japanese Breakfast were releasing new music this month, it seemed like the stars had aligned as I’ve just been reading Michelle Zauner’s poignant reflection on grief, Crying In H Mart. One of the most heartbreaking, yet comforting and absolutely beautiful books I’ve ever read. Ahead of the release of new album, For Melacholy Brunettes (& Sad Women), ‘Orlando In Love’ offers a shimmering tale of desire, inspired by an unfinished epic by Renaissance poet Matteo Maria Boiardo and rippling with Zauner’s distinctive spellbinding allure. (ML)
Julien Baker and TORRES – ‘Sugar In The Tank’
Just when I thought I couldn’t love Julien Baker more, she starts the year by announcing the release of a debut album as part of a collaboration with fellow fave TORRES. In the works since they played their first show together back in 2016, the country-inspired album is due out in April, and I cannot wait. Ahead of the album announcement, at the end of last year, they shared a joyous video for this lead single featuring queer country dance party Stud Club. It’s the stuff of every queer country gal’s dreams, and I’m already obsessed. Send A Prayer My Way, the debut album from Baker and TORRES, is set for release on 18th April via Matador Records. (ML)
Florist – ‘Have Heaven’
Having been a big fan of New York quartet Florist since becoming quite obsessed with The Birds Outside Sang back in 2016, I was excited to hear that they’ll be releasing a new album in April. Ahead of the album, they’ve shared ‘Have Heaven’, a beautiful reflection on cosmic alchemy and the symbiosis of the worlds of magic and death – themes which they’ve said will run throughout the album. Rippling with the band’s trademark sparkling grace and a delicate lilting energy, it offers a heartfelt plea “for a peaceful place for our spirits to live and land”. Jellywish, the upcoming new album from Florist, is set for release on 4th April via Double Double Whammy. (ML)
Glorybox – ‘Shadows’
London-based trio Gloybox create their luscious synth-driven soundscapes as a means of connecting with and bringing visibility to their queer identity. Exploring issues around bi-erasure and cis/heteronormativity, their genre-defying music draws on ‘90s trip-hop and r’n’b with a fresh, energising power. Flowing with glistening hooks and a soulful impassioned splendour, ‘Shadows’ explores the painful experience of not being seen for who you truly are by the people you love with a stirring resonance. (ML)
Penelope Trappes – ‘Red Dove’
I’ve had this meditative but striking single from Brighton-based Australian producer and multi-instrumentalist Penelope Trappes on a loop since its release. It’s taken from her fifth album, A Requiem, which is set for release on 4th April via One Little Independent Records. ‘Red Dove’ is inspired by an apocalyptic dream that Trappes had and is accompanied by a beautiful video, shot and directed by Agnes Haus. Watch it here. (KC)
Birthday Problem ft. Party Fears – ‘Lines’
It’s been too long since I heard the wonderful voice of Maggie Devlin from Party Fears! Thank you to Irish electronica project Birthday Problem (formed of Matt Harris and Rocky O’Reilly) for bringing her clear, poetic intonation back into my ears. Maggie’s voice is serving a deeper purpose on this track though – ‘Lines’ tells the story of two people forced to leave their homes due to circumstances beyond their control. It’s a creative collaboration with Leila Boukarim & Asaf Luzon, the authors behind A Million Kites, a poignant collection of poetry and testimonies from children in Gaza. Compiled between October 2023 and March 2024, all profits from the sale of this book will be donated to organisations helping the people of Gaza. Buy your copy here. (KC)
Amulets & Midwife – ‘Lifelike’
This is such a beautiful collaboration from two of my favourite artists. ‘Lifelike’ seamlessly blends the mesmerising drones and ambient electronics of Asian-American artist Amulets with the ethereal vocals and hazy reverb of Colorado-based musician and producer Midwife. This track is taken from Amulets’ second album, Not Around But Through, which is set for release via Beacon Sound on 21st February. I can already tell it’s going to be one of my favourite records of the year. (KC)
NYX – ‘Daughters’
I’ve been a big fan of the NYX drone choir for several years now, so I was thrilled to read that they will be releasing their self-titled debut album via their own label NYX Collective Records on 28th March. ‘Daughters’ beautifully showcases their ability to immerse listeners into their instinctive and experimental soundscapes. Totally mesmerising. You can pre-order your copy of NYX here. (KC)
Maud The Moth – ‘Despeñaperros’
This latest single from Spanish-born, Scotland-based multi-instrumentalist Amaya Lopez-Carromero aka MAUD THE MOTH is lifted from her upcoming album, The Distaff. Set for release on 21st February 2025, the LP is an “ethereal but violent” amalgamation of autobiographical experiences, folklore, myth and poetry. “‘Despeñaperros is one of the cornerstones of The Distaff’s universe,” Lopez-Carromero explains. “A canyon and natural reserve with dramatic geology and very violent historical background, the Despeñaperros Pass is a gateway into the wilderness. Its name, which can be translated as ‘where dogs are thrown off the cliff’, has unclear origins and adds to the lore and mystery shrouding this area in the Spanish collective consciousness.” (KC)
ESKA – ‘Down Here’
ESKA’s been such an innovative creator for the last decade, having wowed listeners with her incredible eponymous debut album back in 2015, collaborated with legends such as Grace Jones and Baxter Dury and been a key part of a number of exciting projects including a Royal Opera House comission and Meltdown Festival. Now, she’s showcasing her exquisite musical prowess and songwriting ability with this epic new single. Propelled by an uplifting power, ‘Down Here’ flows with ESKA’s soaring, soulful vocals and a captivating majestic splendour. (ML)
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