GIHE: Personal Highlights of 2025

We’ve already shared our Albums & EPs Of 2025, Tracks Of 2025 and our final Soho Radio show of the year, but now the GIHE team have put together a round up of some of their music related highlights from the past twelve months.

From celebrating a decade of GIHE in various ways, to attending Cro Cro Land and Decolonise Fest, plus our first time hosting a stage at The Great Escape Festival; the GIHE team were grateful to feel connected to our friends and followers throughout 2025.

Huge love to everyone who has listened in to our radio shows, read our reviews & features on our website, or attended one of our gigs this year. Take care of yourselves and we’ll see you all in 2026!

Read below for a recap of some of our best bits of the year…

10 years of Get In Her Ears!

Kate: Although Get In Her Ears officially kicked off in 2015, I found the GIHE radio show a year later in 2016. I used to listen in every Thursday evening when Mari and Tash hosted their slot on Hoxton Radio, enjoying the new music tunes and smiling when they gave me a shout out on air. When Mari asked me to cover her when she was unable to make the show one week, I was chuffed. Tash and I met for the first time 20 minutes before we shared mics, but it felt like we’d known each other for ages. The show went really well and I had a blast, so I was overwhelmed with happiness when they invited me to be a permanent co-host with them. We’ve continued on as a three piece for nine whole years and in that time we’ve co-launched our website and monthly gig night, moved to Soho Radio, we’ve been featured in Clash, interviewed for The Guardian and The Independent, spoken on panel events at Southbank Centre and even been on Craig Charles’ Trunk Of Punk on BBC Radio 6!

I’m deeply proud of these accomplishments, but what I’m most proud of is nurturing my friendship with Mari and Tash over the past decade. Teenage me – an anxious girl from Essex – would be so happy to know that I’d meet two people who would not only teach me so much about new music and the importance of community, but also just two really decent, funny, open-minded friends who would support me in all my endeavours. That is the foundation of Get In Her Ears and that is why it’s been such a joy and a privilege to grow this platform together and meet so many wonderfully like-minded people who either make music, or feel as passionate a connection to it as we do. We gathered up some kind words in the form of voicenotes from some of our favourite artists for our special anniversary show on Soho Radio, which reflect all of these things and more.
(Kate Crudgington – Features Editor)

Mari: Hosting GIHE gigs really is my most favourite thing to do. As well as being able to platform fantastic new musicians of marginalised genders, being able to bring together like-minded people in a safe space where everyone feels free to be themselves, part of a chosen family, and able to unite in joy and rage feels like something that is needed now more than ever. Huge thanks to everyone – musicians and supporters alike – who’ve been a part of our little community over the last ten years. And biggest thanks of course to dream team, fellow parents of our precious baby, and the best friends a dweeb like me could ever need – Kate, Tash and Paul. Here’s to the next ten years!
(Mari Lane – Managing Editor)

GIHE 10th Birthday All-Dayer at The Cavendish Arms

Mari: I could gush for pages about how much it means to me that Get In Her Ears turned 10 this year. Being able to celebrate something that myself, Kate and Tash (and Paul!) have put so much love and work into over the last decade felt really important, and I wanted to ensure that any event organised represented the community we are so honoured to have been a part of. So, it felt fitting to host our all-dayer in September at The Cavendish Arms – a venue which, over the last couple of years, has done so much for us and whose gorgeous vibe and ethos aligns perfectly with the safe, inclusive space that is consistently my priority to provide, and whose staff are always the most helpful and welcoming.

It felt fitting, too, to be able to put together a line-up of bands and artists who have been a big part of the Get In Her Ears journey in some way over the years – the fact that Problem Patterns came all the way over from Belfast to headline, along with other favourites like Fightmilk, The Baby Seals, Jenny Moore, Jemma Freeman and the Cosmic Something, Schande, Dogviolet, and last minute recruits The Oozes, plus pillar of the scene Estella (Big Joanie) on the decks, really was the stuff that dreams are made of. Being able to fill the space with so many familiar faces, people who’ve supported us and who we couldn’t do all this without, was something that felt incredibly special, and will stay with me for many more decades. I now have a taste for organising all-dayers, keep your eyes peeled for more special events!

Kate: Get In Her Ears has enriched my life on so many levels and I felt that profoundly at our 10th Anniversary gig at The Cavendish Arms. The line-up that Mari put together was stacked with artists who we have followed since their early days of releasing music, so it felt like a real full circle moment for all of us. It was a joy to catch up with friends old and new throughout the day and share plenty of pints and plenty of memories. It all went by in a flash. I handmade 100+ friendship bracelets for the occasion, we had our very own GIHE tote bags on sale designed by our Art Director & Photographer Paul, plus, Paul’s Mum even made cupcakes. I wish we could do it all again.

Ella from Dogviolet: It was an honour to play at the Get In Her Ears anniversary show at The Cav. One of my favourite pubs (and where GIHE gave us our first ever gig!) and an opportunity to play alongside legends of the scene. Highlights included Jemma Freeman, who, as ever, delivered a high-octane set, ending up on the floor in the middle of the crowd with guitars screaming and wailing. A perfect contrast followed with an intimate set from Jenny Moore on piano and vocals; the room fell completely silent, you could hear a pin drop. She combined tongue-in-cheek humour with spine-tingling intimacy, even getting the whole room singing acappella at the end. The venue was packed throughout the day, and truthfully, the event could have filled a much bigger space, but the intimacy gave it a great buzz and atmosphere. The warmth, solidarity and joy in the room were a testament to the community spirit Get In Her Ears have built over the past ten years. Here’s to many more!

 

GIHE first showcase at The Great Escape

Kate: I’ve been attending The Great Escape Festival as a fan and then as a journalist since 2011, so I was over the moon when Get In Her Ears were given the opportunity to host a showcase on Brighton beach on the Soundwaves Stage in May this year. We booked South London post-punk duo Scrounge to headline our eclectic showcase, with Comic Sans, Rubie, Maria Uzor and afromerm as our supporting artists. We were blessed all weekend with sunny weather, which meant the turnout for or beach stage was beyond what we expected. We loved watching each artist perform their unique sets and appreciated every shout out that they gave us from the stage. It was a proper milestone moment for us all and I hope we can return to The Great Escape in the near future to share more of the vital and exciting music from new artists in our GIHE community. Our unofficial GIHE after-party at our favourite Brighton bar, The Bee’s Mouth, was also a blast.

Mari: Another fitting celebration of our 10th birthday this year was to have the honour of hosting a stage at The Great Escape. An event known for platforming upcoming new artists, it felt really special to be able to showcase an eclectic mix of some of our favourites over the weekend in Brighton – from the dreamy soundscapes of afromerm, the frenzied danceable allure of Maria Uzor and the poignant, empowering grace of Rubie, to the immense swirling energy of Comic Sans and fierce seething power of headliners Scrounge; our evening at the Beach Stage really did feel like a perfect representation of the exciting and talented new artists that we consistently support. As well as our showcase, the weekend as a whole was really special – the four of us being able to spend the whole weekend together, celebrating the last ten years with new music, tattoos, fun and sunshine.

GIHE tattoos at The Dollhouse

Kate: It may not have been my first tattoo (it’s my ninth!) but having the GIHE logo permanently etched on to my skin is definitely the most significant piece of ink I have on my body. The Dollhouse in Brighton was the perfect environment for the GIHE team to get our celebratory shared tattoos whilst we were in town for The Great Escape. Run by a team of ultra friendly female, non-binary and LGBTQ+ artists and staff, we were impressed by everything from the pink decor, to the kindness and curiosity of the folks who inked these important lines into our excited flesh. I chose to have my GIHE tattoo on the inside of my wrist, so that it looks like the entry stamp you receive at the door to one of our gigs. For me, it’s a wonderful visual reminder of all that the GIHE team have achieved so far and of our bond with each other.

Mari: At the age of 39, I got my first tattoo after years after debating whether I should, and it felt only right that this first permanent addition to my body should mark something so personal to me (and be designed by my partner in everything, Paul!); a beautiful, lifelong reminder of all the hard work and joy we’ve shared together over the last decade. I guess we’ll just have to keep doing this forever now! Huge thanks and love to Evie for taking such good care of me and making it such a nice experience, and to all the staff at The Dollhouse for being the loveliest; a tattoo place fully staffed by queer people (and with cute pink walls) it felt like the perfect place for us to do this together. I’ll definitely be back soon!

Decolonise Fest

Mari: A vital event promoting punks of colour and their community, Decolonise Fest is a non-profit DIY festival made up of activists, militant community organisers, musicians and artists that have been coming together to organise the weekend since 2017. This year, I was lucky enough to be be able to attend the Saturday, which started off with an incredibly inspiring and informative panel from YWMP, Good Night Out Campaign, Spark The Noise and Off Shoot Tours about creating safer spaces for marginalised groups to enjoy live music – an incredibly relevant and poignant topic for someone who organises gigs. The day and evening continued to be filled with so much incredible live music – including the playful, jazz-tinged energy of Coventry’s The Genes, post-punk legends Bona Rays and the driving frenzied indie anthems of Liverpool’s ones to watch, steel.

Comic Sans on Soho Radio 

Kate: We enjoyed the company of London-based queer punks Comic Sans so much that we invited them to be guests on our Soho Radio show twice this year. We interviewed vocalist Rachel and guitarist Lauren in March about their personal and political single ‘Mr President’ and the band’s origin story, and Rachel also joined us again in May to chat with us on our Great Escape special. What comes across in both interviews is Comic Sans’ collective wit and humour and like team GIHE, there is also a solid friendship underscoring all that they do. It was a joy to host them as part of our showcase at The Great Escape and I look forward to seeing them live again in 2026!

Cro Cro Land

Mari: Ten years ago, if you’d have asked me what I’d be doing on my 39th birthday, I don’t think DJing at awesome local festival Cro Cro Land alongside a line-up of incredible bands would have even occurred to me. But, a decade on, that’s what happened, and I can honestly say it was one of the most fun birthdays of my nearly 40 years. Spending the day providing tunes for so many familiar faces, as well as 100s of lovely local Croydon folk out to enjoy some fantastic live music felt like the perfect way to celebrate, and being able enjoy bands like Billy Nomates, Goat Girl, Benefits, Berries, Grandmas House, Phwoar, Bugeye and A Void throughout the day was the only present I needed. Huge thanks to organisers Angela and Julia for inviting me to be involved, and massive credit to them for creating such a brilliant and diverse showcase of new music within a community that so needs a bit of a boost right now.

Deer Shed Festival

Mari: My fourth time at the North Yorkshire festival, this year at Deer Shed felt as special as ever. Having fallen in love with its warm, family-focused energy and exciting, eclectic line-ups when first attending in 2022, it has not disappointed since. They manage to consistently create a space that feels comfortingly intimate; an inclusive safe haven for artists and fans of all genres, genders and ages. Amongst those performing, a fantastic amount of female, non binary and queer performers were represented this year, and I was lucky enough to catch lots of these over the weekend, with highlights including Kae Tempest, Moonchild Sanelly, Cowboy Hunters, The None and Jacob Alon. I also felt privileged to be asked to DJ a silent disco for the second year in a row; playing tunes to a huge tent that ended up being full of people provided a much-needed hit of dopamine. And watching the people of all ages, families and friends alike, enjoying the music – making up dances, and getting excited by certain songs (particularly Chappell Roan and Le Tigre!) – was a pretty euphoric experience. I’m mega grateful to have had the opportunity to do it; huge thanks and love to Deer Shed for letting me unleash my danceable queer tunes onto the crowd once again! I strongly suggest you investigate getting tickets for this year – the line-up’s looking pretty lovely, with the likes of Jasmine.4.t, Say She She, The New Eves and Sorry already announced.

Working with Trapped Animal Records

Mari: I just wanted to give a little shout out to perhaps the most positive thing that’s happened for me personally over the last year. Over the last decade of Get In Her Ears, there’s been certain independent record labels who we’ve worked with closely and whose values have consistently seemed to align with what we do. Trapped Animal Records has been one of these, with favourites like The Baby Seals, Jemma Freeman and the Cosmic Something, Grrrl Gang, Gabi Garbutt and Dear Pariah on their roster, and having continued to use their platform to support what we do. So, in Spring this year, when they asked if I’d like to help them out with press for some of their artists, it seemed like the stars had aligned and I jumped at the chance.

It’s been so lovely to be able to be part of a team of such like-minded folk, promoting hardworking DIY artists spread the word about their wonderful new music, and I’m super excited for what 2026 has in store, both with the main label and with their new, artist-focused sub-label We Go To 11, which was created to support independent artists in releasing their music without giving up control or rights. Working with a diverse range of bands and artists, such as Black Water County, Neev, Peter Cat, Jeremy Tuplin, Cormorant Tree Oh, That Old Quiet Lighthouse, Read The Room and Crying Loser has been such a pleasure – huge thanks to Joel, Kerry and the team for having me on board!

Keep your eyes peeled for our Ones To Watch in 2026 feature, which we’ll be publishing on our website very soon…

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GIHE: Albums & EPs of 2025

After sharing our Tracks Of 2025 last week, the Get In Her Ears team want to shine a light on some of the brilliant Albums & EPs that have been released during the past 12 months. These eclectic records resonated with us deeply and we hope they’ll do the same for all future listeners.

Huge thanks to all of the bands and artists who have submitted music to us this year. We appreciate how much love, determination, money and admin goes into creating your records and we feel privileged to have been able to share your art with our community.

So, in alphabetical order (and including multiple ‘Honourable Mentions’ at the end because we hate leaving people out) here are our top Albums & EPs of 2025…

 

ALBUMS

Blonde Maze – Second Sight

It wouldn’t really be an end of year round-up if I didn’t include New York artist Blonde Maze. Since immediately falling in love with her debut EP, Oceans, back in 2015, she’s consistently been my most listened to artist year on year for the last decade. I just find that their music brings such a blissful catharsis and soothing energy every time; whatever mood I’m in, however I’m feeling, it just helps me feel better. The sparkling uplifting splendour of this year’s Second Sight is no exception – it hits perfectly every time.
(Mari Lane – Managing Editor)

Blondshell – If You Asked For A Picture

Since seeing Blondshell live at Electric Brixton back in September, I think I’ve had her second album If You Asked For A Picture pretty much in constant rotation, seeking daily catharsis in the raw emotion and sparkling ‘90s-tinged musicality of each track. Offering honest and heartfelt reflections on both romantic and familial relationships, Sabrina Teitelbaum evokes a beautifully endearing vulnerability and all-too relatable insight into everyday anxieties. (ML)

Blue Loop – Cycles

Cycles is a deeply personal work from London-based electronic musician & producer Emma Hall aka Blue Loop; inspired by her experience of being diagnosed with breast cancer and undergoing chemotherapy treatment. Now in remission, Emma spoke candidly to us about the inspirations behind specific tracks when she was a guest on our Soho Radio show earlier this year. Whilst living through a life-altering diagnosis, Emma managed to create this moving, majestic record that fluctuates in mood, volume and tone in order to reflect her feelings during the different ‘cycles’ of her treatment. Whether she’s feeling rightfully resentful on shadowy single ‘The Knife’ or immersed in romanticism on ‘Luxury Chords’, Emma juxtaposes her emotions with precision and passion, reflected in her earnest lyricism and shape-shifting electronics. (Kate Crudgington – Features Editor)

Breakup Haircut – No Worries If Not!

London DIY legends Breakup Haircut formed at First Timers Fest and have been such huge favourites of ours ever since. I’ve lost count of the number of times they’ve played live for us since their first GIHE gig back in 2019. They’re just such a joy every time. Even at our gig with Strange New Places a couple of months back when Ishani was sadly unwell and couldn’t make it; Ripley, Delphine and Jordan still managed to put on an incredible show which I think perfectly epitomises their relentless DIY spirit. Their second album No Worries If Not! only came out last month, but it’s definitely in my top releases of the year. It fizzes with all the playful sardonic wit and scuzzy punk-pop energy we know and love throughout; whilst angst-driven undercurrents and fierce hooks indicate a more honed, sharper sound for Breakup Haircut. They may also win the prize for best song titles, with tracks including ‘The Algorithm’s Trying To Kill Me’ and ‘Two Spaghetti Meals’. (ML)

Daffo – Where The Earth Bends

The songwriting project of Brooklyn-based, Philly-raised Gabi Gamberg, Daffo has been a highlight of the year for me, with their debut album Where The Earth Bends pretty much on repeat since its release in September. Interweaving a scuzzy indie-pop musicality with a searing raw emotion and glistening heartfelt grace, it’s a deeply personal and beautifully resonant collection that showcases Gamberg’s unique gift for writing songs that really do feel like they reach out and gently caress how you’re feeling. The GIHE team also managed to catch Daffo live at The Great Escape in May this year, and watching such a gorgeous set alongside Hanni and Clara from ARXX and Rach from Comic Sans was a definite highlight of the weekend for me! (ML)

flinch. – misery olympian

Having played live for us twice this year – in June at The Cavendish Arms and recently at their special festive Flinchmas celebration at The Ivy House – Glasgow’s flinch. also spent 2025 releasing their second album. Building on the distinctive shimmering emo sound of 2021’s enough is enough, with misery olympian they cement themselves as complete favourites. From start to finish, the album oozes a scuzzy raw emotion and fizzing sense of honesty, with incredibly witty (and long!) song titles like ‘i wonder if colin from endoctrinology remembers me’. It’s one of my favourite albums, not just of this year, but probably from the last decade. (ML)

Floralis – Saboteur Club Anthems Vol. 1

Brighton-based artist Floralis makes dismantling fascism sound like a total BLAST on this eccentric and essential record. On the superbly titled Saboteur Club Anthems Vol. 1, the British born, Indo-Trinidadian transfeminine artist blends stomping dance-inspired rhythms and chant-worthy lyrics to create a collection of “anarchist electro punk” anthems that confront and reject capitalism, transphobia, misogyny and racism. From the bold opening beats of ‘black combat boots’ right the way through to the euphoric electronics of closing track ‘YOU’RE NOT DEAD’, Floralis is committed to sabotaging fascism in their own defiant style. She said that her “blood, sweat and tears” were poured into this record and that shines through on every track. (KC)

Jacob Alon – In Limerence

Although I was pretty late to the Jacob Alon party, from the moment I heard the Scottish artist speaking to Annie Macmanus and Nick Grimshaw on the BBC Sidetracked podcast earlier this year, I immediately felt drawn to their beautiful sensitivity. Then, on listening to their exquisite album, In Limerence, I found myself completely spellbound. I was lucky enough to catch them live at Deer Shed festival, where they delivered each of their strikingly stirring offerings with a shimmering heartfelt splendour against a poignant backdrop of the Trans Pride and Palestinian flags; filling me with a warm sense of hope that the young people in the crowd were able to absorb the uplifting sense of queer joy and subtle resistance that radiated from the stage. Both live and on record, I can feel the raw emotion of each and every word of the entirety of In Limerence, inspired by Cob’s insight and conviction. I’m excited to be charmed by more of their captivating creations next year. (ML)

jasmine.4.t – You Are The Morning

Having featured as one of my Ones To Watch for 2025, jasmine.4.t has certainly been worth watching this year. With the release of her debut album, You Are The Morning, back in January on Phoebe Bridgers’ label Saddest Factory Records, sold out tours across Europe, Australia and the US and numerous support slots with Lucy Dacus; it’s been such a fantastic year for jasmine and every success is so, so well deserved. The album has probably been my most-listened to of the year. It’s just an exceptionally beautiful reflection on trans identity and queer belonging and a truly necessary and heartfelt ode to community and solidarity. I’ve been lucky enough to catch jasmine live a few times over the last couple of years – each time has been such a wonderfully moving and empowering experience and I can’t wait to see her again at Deer Shed festival this summer. (ML)

Lōwli – Window In The Woods

A moving, introspective offering that sees her processes unsettling memories and emotions with true serenity; Window In The Woods is the beautiful debut album from Irish composer & songwriter Lowli. Released via VETA records in October, through her tender keys, crystalline vocals and atmospheric electronics, Lowli gracefully guides listeners through her magnetic musical ruminations. I’ve mentioned (multiple) times both on air and online that she is one of my favourite new music discoveries this year and my admiration only increases each time I revisit Window In The Woods. It’s a record that’s equally as laced with melancholy as it is with hope and love, which means something new is gained from every listen. (KC)

Mae Martin – I’m A TV

I’ve been such a huge fan of Mae Martin since watching Feel Good five years ago helped me discover things about myself that I don’t think I’d realised yet. And then, since last year, I’ve been completely addicted to the Handsome podcast which they host with Tig Notaro and Fortune Feimster. It’s one of the few things I’ve ever come across that literally makes me laugh out loud every time. It’s just so deeply comforting and relatable and so, so silly in the best possible way. So, when they shared that they were going to be announcing their debut album, it felt perfectly serendipitous and I was intrigued. A stirring collection of lilting alt-folk reflections on relationships and identity, with I’m A TV, Martin proves themselves to not only be a fantastic actor, screenwriter and comedian, but also an accomplished musician and beautifully reflective songwriter. (ML)

NYX – NYX

By harnessing the sublime power of the collective human voice, the NYX drone choir have crafted a unique form of “psychedelic rebellion” on their eponymous debut album. Released via their own label, the ensemble – led by New Zealand-born composer & director Sian O’Gorman and made up of multi-talented vocalists & musicians – use electronics to manipulate their vocals and create their own idiosyncratic sounds; expanding the realms of what a traditional choir is capable of. I have been fortunate enough to witness the immense musical alchemy of NYX’s live performances several times; something which they have now truly harnessed on this debut solo offering. Inspired by Sian’s holistic and deeply human approach to singing, NYX have developed a collection of sounds that enrapture, inspire and intrigue the more that you engage with them. This is a profoundly moving record, best appreciated when listened to in one full sitting with headphones on and eyes closed. Total bliss. (KC)

Pigeon Dog – Beaks

Pigeon Dog’s debut album Beaks channels ’90s grunge with raw, Brody Dalle–esque vocals that grab you from the first note. The London three-piece blend warm tones with gritty guitar riffs and playful, tongue-in-cheek lyrics; proving they know how to have fun. The band mix catchy riffs and ear-wormy vocal hooks with rich harmonies, layering in ’60s psych-inspired synths for added texture. Their songs balance grit and groove perfectly, resulting in tracks that are both sultry and irresistibly catchy. Pigeon Dog know how to craft bangers that stick in your head while keeping the spirit playful and engaging.
(Ella Patenall – Contributor)

Roller Derby – When The Night Comes

I was lucky enough to work with German dream-pop duo Roller Derby helping them to spread the word about their second album, When The Night Comes, earlier this year; a task which wasn’t hard to do, as the album is just completely exquisite and impossible not to like. Showcasing the duo’s ability to meticulously interweave the luscious celestial vocals of Meyer with glistening multi-layered soundscapes and raw textures, it offers a truly captivating listen throughout. One of my definite highlights of the year was hosting not one, but two sold out shows with Roller Derby back in May. It was such a joy to be able to facilitate them being able to share their immersive, spellbinding sounds with adoring crowds at The Lexington in London and The Rossi Bar in Brighton, with perfect support from other favourites CATBEAR. A completely dreamy weekend. (ML)

Scrounge – Almost Like You Could

The follow-up to their debut mini-album Sugar, Daddy (2022), Almost Like You Could is the first full-length offering from South London post punk duo Scrounge. Together, lead vocalist & guitarist Lucy Alexander and drummer & vocalist Luke Cartledge move through chaos and despondency towards hope and redemption on this biting, vital collection of tracks. Whether Lucy is reflecting on the never-ending process of “coming out” as an queer person on ‘UTG’, or Luke is lamenting about urban isolation on ‘Nothing Personal’, Scrounge manage to hit the right nerve every time. Released via Ba Da Bing! Records, Almost Like You Could is a potent reminder that Scrounge remain driven by the desire to create meaningful art that represents who they are, as well as the voices of the allies and DIY communities they’re part of – something that we back all the way at GIHE. (KC)

Snocaps – Snocaps

Being a huge fan of both Waxahatchee and Swearin’, I was pretty exited to hear about new supergroup Snocaps. Featuring Katie Crutchfield and her twin sister Allison, along with MJ Lenderman and Brad Cook, this collaboration really is the stuff actual dreams are made of. This debut album flows with such a gorgeous, fuzzy allure and gloriously twee folk-strewn musicality and I cannot get enough of its beautiful, lilting energy. (ML)

Strange New Places – Second Puberty

The debut record from Belfast queer punks Strange New Places, Second Puberty has definitely been one of my most listened to albums of 2025. Another band who I was lucky enough to be able to host in both London and Brighton back in October, live they brought a joyous queer energy and a really life-affirming sense of unity, whilst the album as a whole offers a fierce celebration of queerness and neurodivergence. From heartfelt odes to friendship in the form of ‘Coraline’ and ‘YATPYFL’ to ‘Sleep For Dinner’s scuzzy reflection on burnout and depression and the empowering self-love anthem ‘Full Of Myself’; it celebrates the power of community, offering a a reassuring voice of solidarity and unity at a time when we so desperately need it. (ML)

Wombo – Danger in Fives

Kentucky-based, art-rock trio Wombo blend prog, indie, experimental, and psych influences with intelligent musicianship and bold artistry. Their tracks range from accessible to delightfully challenging, with soft, airy vocals floating over unusual, wonky guitar parts and driving basslines. Nothing is straightforward or predictable, yet the band manages to keep even their most experimental moments melodic and earwormy – with the occasional touch of dissonance, keeping you on edge. Angular and gritty guitars and inventive melodies mark Wombo as a band unafraid to push boundaries while still creating music that sticks. Danger in Fives is a great portrayal of what they are capable of. (EP) 

EPs

Junk Whale – See you around, I guess?

Having been big fans of Oxford’s grunge-pop faves Junk Whale since first hearing their 2022 debut, the fantastically named Caught In The Act Of Looking Weird, I was super excited when they released a gorgeous new EP back in May. Since then, See you around, I guess? has been another collection I’ve found myself playing non-stop, unable to get enough of its scuzzy raw emotion and lilting indie-pop energy. Despite covering poignant themes such as grief and mental illness, the EP as a whole oozes an uplifting effervescent spirit, each track offering an instantly catchy jangly earworm (and not a repeating chorus in sight!) The band supported Strange New Places at their London gig for us and really are a true force to be reckoned with live – there was “hairography” and everything. (ML)

THE NONE – CARE

I chose Birmingham-based experimental punk supergroup THE NONE as one of my Ones To Watch for 2025 after hearing their abrasive, politically driven cacophonies in the flesh at Supersonic Festival the previous year. CARE is the follow up to their debut EP, MATTER, and it’s another ear-eroding collection of visceral vocals, hefty riffs and pulverizing percussion. Front person Kai Whyte has a formidable voice; paired with a talent for writing engaging lyrics that cut through the masterfully intense, frenetic sounds that their bandmates Gordon Moakes, Jim Beck and Chris Francombe create. From the rallying cry of opening track ‘My People’ to the relentless riffs of closer ‘On Automatic’, CARE is both an assault on the senses and a vital reminder to aggressively challenge the status quo. I urge you to go and see this band live. You will be blown away by their talent. (KC) 

Problem Patterns – Boring Songs For Boring People

Equally informed by their desire for provocation, self-deprecation and amplification; Boring Songs For Boring People is another urgent and essential offering from Belfast queer punks Problem Patterns. Released via Alcopop! Records, the EP sees the four-piece reflect on the trials and tribulations of being in a DIY band and their frustrations at the performative behaviour of industry officials and musicians in the spotlight. In true Problem Patterns style, they tackle these subjects with cathartic screams, witty lyrical refrains and relentless riffs; undermining the idea that Alanah, Beth, Bev and Ciara could ever be accused of living up to the EP’s title. Whether they’re overcoming burnout on the record’s title track or shouting back against noisy neighbours on ‘Classic Rock Has Become My Prison’, Problem Patterns transform the mundanity of everyday life into intensely catchy punk anthems that provide the necessary rage, joy and catharsis we’ve been craving. (KC) 

Sijya – Leather & Brass

An idiosyncratic blend of digital and analogue synth textures and drifting atmospheric vocals; Leather & Brass is the second EP from South Asian composer and producer Sijya. Released via One Little Independent Records, this collection of tracks is a testament to her artistic resilience and experimental energy. Across the EP, Sijya’s immersive electronics intuitively expand and contract, providing her with the much-needed emotional space she craves in her music. Her ambiguous lyrical motifs afford listeners the same catharsis, as they float seamlessly over shape-shifting soundscapes like ‘I only want to crash’ and ‘Why do you fight me’. Leather & Brass is an essential listen for anyone who is looking for escapism through eccentric, intriguing electronica. (KC)

TTSSFU – Blown

By opening her second EP with a track titled ‘Cat Piss Junkie’, Manchester-based artist Tasmin Stephens aka TTSSFU has cemented herself as a candid new icon of guitar music. Full of her lush vocals and dreamy, shoegaze-inspired sounds, Blown is an ode to Tasmin’s growing pains as both an artist and a young woman; full of her reflections on friendship, unrequited romances and messy nights out. She is adept at tackling shame, humour and vulnerability in her lyricism; underscoring this with hazy, reverb-strewn guitars and heady dream-pop melodies. From the lush sounds of ‘Forever’ and ‘Call U Back’ through to the sweet discordance of ‘Being Young’, she faithfully captures the indecisive and exciting energy of being in your 20s and navigating the uncertain world around you. She is also just really funny, which you’ll see if you read this conversation I had with her for The Line Of Best Fit earlier this year. (KC)

 

Honourable Mentions

adults – the seeds we sow are sprouting buds nonetheless
Agnes Haus – Inexorable Ascent
BACKXWASH – Only Dust Remains
Bonnie Trash – Mourning You
The Dead Zoo – Suspects
Eilis Frawley – Fall Forward
Ethel Cain – Willoughby Tucker, I’ll Always Love You
feeo – Goodness
Glixen – Quiet Pleasures
Hilary Woods – Night CRIÚ
Japanese Breakfast – for melancholy brunettes and sad women
Jessica Winter – My First Album
Julien Baker & Torres – Send A Prayer My Way
Kae Tempest – Self Titled
Kathryn Mohr – Waiting Room
Klein – Sleep With A Cane (Mixtape)
Lucy Dacus – Forever Is A Feeling
Mari Somerville – Luster
Nastazia Bazil – From Beirut To Anywhere
The New Eves – The New Eve Is Rising
Penelope Trappes – A Requiem
The Schla La Las – The Schla La Las Are Out To Have Fun
Slung – IN WAYS
Various Artists – vari/ations – Ode to Oram
WISP – If Not Winter

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GIHE: Tracks Of 2025

With another hard-going year behind us, we’ve continued to seek comfort in new music released by our favourite hard-working and talented artists. There’s been an immense amount of incredible new music released, so we want to shed some light on some of the tunes that got us through the hard times, accompanied the good times & generally saw us through 2025.

To start our annual end of year round-ups, we’re sharing our Tracks Of 2025 ahead of features on our Favourite Albums & EPs, Personal Highlights and Ones To Watch in 2026.

Have a read about some of the tunes we’ve been loving the most, and make sure you hit play on the accompanying Tidal playlist to hear just how fantastic they all are! Please do follow the artists you love on all platforms; download their music, buy their merch, go see them live and continue to spread the word about how wonderful they are!

The Baby Seals – ‘Tamoo Trance’
Having been super mega fans of Cambridgeshire feminist punks The Baby Seals since they first played live for us back in 2017, and having recently had them back to play at our joyous 10th birthday celebrations, we were very excited to have new music from them in the latter part of this year. A fierce take-down of consumer capitalism, combining the band’s trademark playful tongue-in-cheek wit with a gritty raging energy, ‘Tamoo Trance’ offers a seething anthem about getting stuck in a trance-like state in an (obviously completely fictitious) online shop. So, throughout 2026, instead of spending money on stuff that “will go directly in the bin”, perhaps consider supporting your fave DIY artists on bandcamp, or going along to a nice local gig. Rumour has it that The Baby Seals have a new album coming next year… We can’t wait!
(Mari Lane – Managing Editor)

Whitelands – ‘Glance’
London-based shoegaze band Whitelands are firm favourites here at GIHE, and the release of this track ‘Glance’ has only cemented that further. Lifted from their upcoming second album, Sunlight Echoes, due on 30th January 2026 via Sonic Cathedral, ‘Glance’ shimmers with the band’s trademark sensitivity, whilst simultaneously showcasing a lusher dream-pop influence on their songwriting. Vocalist and guitarist Etienne penned this track after moving through a period of both heartbreak and writer’s block. These frustrations and elations are mirrored in the romantic lyrics and the band’s blissful, captivating melodies.
(Kate Crudgington – Features Editor)

Sister Ghost – ‘Drain You’
Sister Ghost’s ‘Drain You’ leans hard into a ’90s grunge sound, channelling the spirit of Garbage and Hole with a gritty, playful edge. The video, shot dancing around Joshua Tree, worlds away from the band’s native Derry, adds to its sense of freedom. It’s driven by a big, instantly catchy chorus, wrapped in a thick wall of sound that hits with Shannon’s confident vocals.
(Ella Patenall – Contributor)

HAVVK – ‘Happening Again’
Having played our first ever GIHE gig back in 2016, we’ve been such huge fans of Irish duo HAVVK ever since and I was so excited to have them back in our ears with this swirling single. A gritty and cathartic reflection on destructive patterns of behaviour, ‘Happening Again’ showcases the band’s ability to combine a fierce seething energy with the soaring, captivating allure of Julie’s raw vocals. I can’t wait to hear more new music from them very soon. (ML)

PostLast – ‘Scavenge’ (Birthday Problem remix)
Irish indie label VETA Records have provided me with some of my favourite new music this year, including this superb collaboration from alt-pop duo Post Last and electronic duo Birthday Problem. I’ve been following both bands for a while, so I was thrilled to see them working together here on this eclectic remix. Soft vocals and intriguing electronic textures combine to make this version of ‘Scavenge’ a real sonic gem. (KC)

Jouska – ‘Season Of Dread’
Taken from her album, How Did I Wind Up Here?, released in October, Norwegian artist Jouska has a talent for transforming feelings of vulnerability into graceful musical ruminations. ‘Season Of Dread’ was inspired by a time when she felt like she was “stuck inside a winter that wouldn’t end – both emotionally and physically.” I always admire artists who are able to work through heavy emotions in their music and Jouska manages that adroitly here. (KC)

Dogviolet – ‘Dandelion’ 
The first of two singles released this year by ones to watch, and long time faves, Dogviolet, ‘Dandelion’ offers an empowering ode to resilience and resistance, to the power of community – likening people to the flower, under-valued but vital to the ecosystem. I just love the understated power of the repeated refrain “to exist is to resist”, and feel like this song perfectly encapsulates the captivating, gritty grunge-fuelled power of the band. I’ve loved the band a lot since they played their first ever gig for us a few years back, and was super happy that they were able to be a part of our 10th birthday celebrations in September. I’m really excited about what they have in store for us next year! (ML)

The Dead Zoo – ‘Bruise’
Having released their debut album back in July, and wowing us all with their fiercely joyous energy headlining a packed out launch show at New River Studios back in June, this year has been a big one for long-term faves The Dead Zoo. With the album’s release, they showcased their ability to create immersive, brooding soundscapes, reflecting on both the pain and triumph of transformation. Combining swirling atmospherics with ’80s-inspired dark basslines, and with the gritty power of front woman Kaoru Sato’s vocals resonating throughout, ‘Bruise’ offers a pulsating, multi-layered soundscape that will captivate the senses on first listen. (ML)

BACKXWASH – ‘Wake Up’
I love the raw power behind this shape-shifting offering from Zambian-Canadian rapper and producer BACKXWASH. ‘Wake Up’ is taken from her album, Only Dust Remains, which she released via her own label Ugly Hag (great name!) in March. ‘Wake Up’ permeated my consciousness, thanks to its direct lyricism and BACKWASH’s uncompromising vocal delivery. (KC)

After London – ‘Alive’
The track opens with an urgent, ravey synth line before dropping into pounding drums that drive it forward. Punchy spoken-word vocals ooze attitude, keeping the verses sparse and tense. When fat, fuzzy guitars hit, the energy lifts again. Sharp wordplay ties together spoken word, rave textures and a badass punk attitude. (EP)

Tiiva – ‘you and i’
‘you and i’ is the title track from electronic artist & producer Tiiva’s debut album, which they released via Moth Day Records in June this year. It deftly showcases Tiiva’s talent for blending euphoric pulsing beats with their soft vocals and ambient electronics to create a listening experience that’s joyful and all-encompassing. (KC)

Jessie Mac – ‘Trans Is Beautiful’
A powerful and incredibly catchy “sonic statement” from South East London trans DJ, producer and label owner Jessie Mac here. By sampling the words of American actress & LGBTQ activist Laverne Cox and combining them with her own shape-shifting club-inspired beats, Jessie has created an LGBTQIA anthem that is equal parts poignant, political and playful. She’s a firm new favourite here at GIHE and we’re looking forward to hearing more from her in the future. (KC)

Beauty Sleep – ‘Radical Happiness’
Having signed to Alcopop! Records for their second album The Whole Damn Cake back in October, Derry faves Beauty Sleep came over to London to celebrate its release last month, and we were lucky enough to have them headline for us at The Cavendish Arms. It was such a joyous night oozing all the colourful, queer energy we so need right now (and some very tasty actual vegan cake!); it felt really special to have them here with us, and with support from Dream Phone and Lein Sangster. Fizzing with a glitchy energy and swirling uplifting emotion, album “theme song” ‘Radical Happiness’ offers a twinkling, empowering ode to self care and embracing doing things that bring you joy. (ML)

Sacred Paws – ‘Turn Me Down’
After a five year hiatus, the return of Scottish duo Ray and Eidlih – aka Sacred Paws – this year was a big highlight for me. Taken from the latest album, Jump Into Life, ‘Turn Me Down’  reflects on the rawness of rejection; juxtaposing this poignant sentiment with the duo’s trademark jangly energy and colourful musicality. Ray Aggs from the band was actually due to play our 10th Birthday all-dayer in September, but sadly couldn’t make it due to illness, so we really hope to see them back in London again sometime in 2026 – their gig for us at The Shacklewell Arms last year was one of the most joyous and fun! (ML)

Cheerbleederz – ‘I deserved better’
With the release of their gorgeous EP (prove me wrong) via Alcopop! Recordsin September, indie-pop supergroup and long-time faves cheerbleederz have continued to cement themselves as one of my most favourite bands. An uplifting ode to knowing your self-worth, ‘i deserved better’ offers all the sparkling, jangly melodies and scuzzy emotion you could ever need, plus a perfect singalong chorus – as Kathryn from the band says, “The chorus doesn’t even have any real words, but sometimes you don’t need em!”. (ML)

Gay Skeleton Club – ‘Summertime (Free Palestine)’
We’ve made no secret of our love of Gay Skeleton Club since they formed at First Timers Fest a couple of years ago, and we feel super lucky to have had them play live for us numerous times – each time bringing such a cute queer joy, and unifying sparkling charm. Following wonderfully catchy singles like ‘2 cats’ and ‘w3t l3g’, the release of ‘Summertime (Free Palestine)’ this year showcased how the band have honed and developed their sound into something fuller both musically and lyrically, whilst still maintaining their playful witty charm that we’ve come to know and love so much. I’m really looking forward to seeing what Gay Skeleton Club have coming up in 2026! (ML)

Tamara & The Dreams – ‘Successful Bisexual’
When I received an email back in March about a track called ‘Successful Bisexual’, I had to open it immediately… It’s an energy I’m forever trying to channel, and this single from Australian artist Tamara & The Dreams offers a perfectly heartfelt ode to self-discovery and embracing who you truly are as you get older. I was lucky enough to catch her when she was over in the UK back in the summer, and their lilting jangly energy and catchy uplifting charm was everything I needed and affirmed her place as one of my favourite artists of the last year. (ML)

nazire – ‘junebug’
A woozy guitar tune from Istanbul-based shoegaze artist nazire here. I was immediately hooked on her lullaby-like vocals and all-encompassing use of reverb on ‘junebug’. She’s currently working on her debut album, Glitchfolk, which she will release at some point in the near future. I will be keeping my eyes and ears peeled for that. (KC)

Better Joy – ‘steamroller’
Taken from October’s EP, dusk, ‘steamroller’ offers a defiant anthem about reclaiming strength in the face of loss from Manchester-based Bria Keely, aka Better Joy. Whirring with fuzzy hooks as Keely’s sugar-sweet vocals flow with a sparkling emotion, it’s an instant, completely dreamy, earworm and has been one of my most-listened to tracks of the last year. (ML)

Marina Yozora – ‘Touché’
Described as a “love letter” to her friends and fans, ‘Touché’ is a gorgeous offering from Japanese-born, London-based songwriter Marina Yozora. It’s a tender dream-pop tune full of her delicate vocals, emotive lyrics and atmospheric guitar tones. (KC)

Ailsa Tully – ‘Self Soothing’
The first taste of her upcoming debut album, ‘Self Soothing’ marked a welcome return for Welsh artist and GIHE fave Ailsa Tully earlier this year. Offering a vulnerable sentimentality, a delicate musicality glistens as Tully’s distinctive crystalline vocals flow seamlessly. With its added immersive synth-driven layers and subtle sense of angst that ripples under its surface, a gritty edge is added to this innovative artist’s trademark heartfelt splendour. (ML)

False Idah – ‘Gaslight’
Having been big fans of the sultry beats and genre-defying heartfelt offerings of London-based songwriter and producer Jay Brown, under her previous guise as Amaroun, we’re now excited to hear that she’s back with a new project. False Idah takes all that we loved about Amaroun, but develops it into something more as Brown immerses herself in the vulnerability of stripped-back songwriting and the inspiration that can come with the freedom to express yourself in a true and honest way. I was lucky enough to catch an intimate live performance at Servant Jazz Quarters back in September, ahead of the release of this beautifully raw new single and an upcoming album next year. (ML)

Amulets ft. Midwife – ‘Lifelike’
This is a really beautiful collaboration from two of my favourite American musicians – electronic/drone artist & tape wizard Amulets and “heaven metal” pioneer & producer Midwife. ‘Lifelike’ is lifted from Amulets’ poignant second album, Not Around But Through, which was released in February via Beacon Sound. This track seamlessly blends together Midwife’s transient, hazy vocals and Amulets’ mesmeric digital and analogue synth textures to create a sound that is totally disarming and deeply soothing. (KC)

Grandmas House – ‘Slaughterhouse‘
Ebow, minor chords, harmonies – what’s not to love? This song, about pain, loss and obsessive devotion, grabbed me from the first listen with its creepiness and dark, blunt lyrics like “I’ll be the funeral home, I’d be the family morgue”. The striking video, featuring the band in suits covered in black paint around a dinner table, only heightens its impact. It’s an absolute earworm. (EP)

THWACK! – ‘Three Angels’
Another band who celebrated the release of their debut album, Buried But Blooming, with us at a sold-out show at New River Studios back in February, THWACK! are one of my favourite discoveries of 2025, and offer a necessary and empowering energy with each of their unique punk-folk anthems. Emanating a radiant celebration of trans joy, the sparkling charisma and fierce immersive power of their live shows (plus the giant Margaret Thatcher head) consistently mark them as a stand out part of the London DIY scene. (ML)

Hadda Be – ‘New To The Office’
A gloriously scuzzy new single from south London band Hadda Be, ‘New To The Office’ offers an all-too relatable reflection on the anxious hallucinations of a Sunday night fever dream. It was recorded by Andy Ramsay of Stereolab and offers a gritty taste of what to expect from their upcoming second album next year. We can’t wait for them to headline our first gig of 2026 on 16th January at The Waiting Room – tickets on Dice now, with support from Shallow Honey and Mannequin Flowers. (ML)

Witch Fever – ‘The Garden’
For fans of grunge-soaked, doomy, gothic music, Witch Fever deliver. This track from their latest album takes a more melodic, delicate approach while keeping its dark, doomy edge. Captivating melodies, a wall-of-sound chorus and strong, clear vocals dominate, leading into an atmospheric breakdown that creates striking contrast before the final chorus pulls you back under.(EP)

Klein – ‘rich dad poor dad’
I was glad to unearth this experimental gem from UK rapper Klein back in September. ‘rich dad poor dad’ is taken from her intriguing rap-inspired “ambient folklore mixtape” titled sleep with a cane, which she released via Roc Nation Distribution. I love her hypnotic layering of sounds and her mesmeric vocals. This track is also accompanied by a self-directed music video, featuring Klein in different locations in South London, including the iconic Windrush Square in Brixton. (KC)

Tusks – ‘adore’ (I. JORDAN remix)
I loved the evocative, melancholic original version of ‘Adore’ by London-based artist Tusks (featured on her 2024 album, Gold), but this re-imagining by London-based DJ I.JORDAN is something else! Fuelled by infectious dance-inspired beats, it retains the magnetic pull of Tusks’ original release, but it’s impossible not to move your feet to it. This track features on Tusks’ EP, Gold – The Remixes, which was released in October via One Little Independent Records. (KC)

Heartworms – ‘Smugglers Adventure’
Built around a killer guitar riff, this nearly six-and-a-half-minute epic takes its time, unfolding through a slow, confident build that pulls the listener in. Atmospheric and finely produced, subtle noises weave through the mix, adding a sultry edge. The vocals rise and fall with swelling dynamics, and the track culminates in a standout breakdown that makes the journey feel well-earned. (EP)

If we had lots more time, we’d include many more songs on this list. If you’re a band we love and not included here, you’re still fantastic and we have so much admiration for you creating wonderful music to keep us going!

Huge thanks to all the artists and bands creating the wonderful tunes that have got us through this year! Listen to our Tracks Of 2025 playlist now and please be check out and support the artists’ work n places other than Spotify!

Keep an eye out for our Albums & EPs Of 2025, Personal Highlights Of 2025 & Ones To Watch for 2026…

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PLAYLIST: November 2025

The Get In Her Ears team have put together another eclectic mix of indie gems, dream-pop and shoegaze tunes, punk bangers, electronic musings & idiosyncratic experimental soundscapes for your listening pleasure. Scroll through our recommendations below!

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we are moving away from using Spotify as our main playlisting platform. We have now set up an account on TIDAL, so feel free to follow us on there. You’ll see that we’ve now added all of our previous playlists to our account too!

We’ve also included YouTube/bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix. You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. Happy listening!

The Baby Seals – ‘Tamoo Trance’
Having been super mega fans of Cambridgeshire feminist punks The Baby Seals since they first played live for us back in 2017, and having recently had them back to play at our joyous 10th birthday celebrations, we’re very excited to have new music from them. A fierce take-down of consumer capitalism, combining the band’s trademark playful tongue-in-cheek wit with a gritty raging energy, ‘Tamoo Trance’ offers a seething anthem about getting stuck in a trance-like state in an (obviously completely fictitious) online shop. So, this Black Friday, instead of spending money on stuff that “will go directly in the bin”, perhaps consider supporting your fave DIY artists on bandcamp, or going along to a nice local gig. (Mari Lane – Managing Editor)

VERO – ‘Calico’
Stockholm trio VERO are back with this cathartic guitar tune, their first piece of new music since they released their excellent debut album Unsoothing Interior back in 2022. The band say that ‘Calico’ is a song about “tiring of someone else’s shit” – which they explore through breathy vocals, brooding basslines and acerbic riffs. VERO are set to release their second album via PNKSLM Recordings in 2026, which I am am eagerly anticipating. (Kate Crudgington – Features Editor)

GENN – ‘Reverberations’
Anglo-Maltese four piece GENN have returned with this intensely moody new offering. The band teamed up with producer Johnny Hostile – who has worked with Savages & Jehnny Beth – to bring ‘Reverberations’ to life, marking another development in their already dynamic sound. GENN’s talent is definitely best appreciated live. They’ll be touring the UK in early 2026, with a London headline date at The Shacklewell Arms in Dalston on 26th February. (KC)

nazire – ‘junebug’
When I discovered ‘junebug’ by Istanbul-based artist nazire in my GIHE inbox, I was immediately hooked on her shoegaze inspired sounds. We all know I love the Gloomy Grrrl songs and ‘junebug’ definitely falls into that category! She’s set to release her debut album, Glitchfolk, at some point in the near future. I’ll be keeping my eyes and ears peeled for that. (KC)

Whitelands – ‘Songbird (Forever)’
We are such big fans of London-based shoegazers Whitelands here at GIHE, and that fandom increases each time they share new music. ‘Songbird (Forever)’ is the third track from the band’s upcoming second album, Sunlight Echoes, which is due to be released on 30th January 2026 via Sonic Cathedral. Full of lush riffs, disarming melodies, earnest lyrics and emotive string work by Iskra Strings, the track is an ode to vocalist & guitarist Etienne’s enduring spirit and his appreciation for all those who loved and cared for him. “It’s about my friends, the important people in my life, and my spirit,” he shares. “I was going through a very dark time, but love is a great thing. I’m loved by many incredible people, so I pushed myself with everything I had. Every day was a fight, but I wanted to win.” His lyrics reference both the title of Whitelands’ new album and the Seven Sisters cliffs in East Sussex, where Etienne and bassist Vanessa shot the endearing accompanying video for the track. (KC)

Mannequin Flowers – ‘Collision Course’
Following dreamy last single ‘Six Words’, London’s Mannequin Flowers are back with another ethereal soundscape. Flowing with sparkling hooks and luscious crystalline vocals, ‘Collision Course’ offers a heartfelt confession about falling for your best friend but being too afraid to tell them. (ML)

Hater – ‘This Guy?’
I remember hearing Scandinavian indie band Hater’s single ‘Cry Later’ back in 2017 and thinking they had a great name and a great sound – 8 years and I still think the same! The band are gearing up to release their new album, Mosquito, on 6th January via Fire Records, with single ‘This Guy?’ offering listeners the first taste of what’s to come. A captivating slice of dream-pop, the track is fuelled by a mysterious lyrical narrative about a “confused interloper, unidentified and unidentifiable”. (KC)

The Empty Page – ‘When We Gonna Run?’
It’s great to have Manchester trio The Empty Page back in our ears after being mega fans for pretty much the entirety of Get In Her Ears’ decade long existence! A stirring reflection on preparing to escape an apocalyptic hellscape, ‘When We Gonna Run?’ offers all the gritty grunge-fuelled energy we’ve come to know and love from the band, with an added sparkling shoegaze-tinged allure. Propelled by an anxiety-ridden sense of urgency, its sentiment seems particularly poignant right now. (ML)

HAVVK – ‘Happening Again’
Having played our first ever GIHE gig back in 2016, we’ve been such huge fans of Irish duo HAVVK ever since and I’m so excited to have them back in our ears with this swirling new single. A gritty and cathartic reflection on destructive patterns of behaviour, ‘Happening Again’ showcases the band’s ability to combine a fierce seething energy with the soaring, captivating allure of Julie’s raw vocals. I can’t wait to hear more new music from them very soon. (ML)

Queen Of Nothing – ‘Heaven Is Hurting’
London-based musician Abi Crisp aka Queen Of Nothing has consistently impressed me with all of her offerings, and this track is no exception. ‘Heaven Is Hurting’ is lifted from her recent EP, All the Love That’s Left, a record that explores the complexities of love and grief, and Abi’s personal reflections on both. (KC)

Shy New World – ‘Bridget Jones’
Initially meeting at a séance when the spirit of a popular chocolate brand told them under no uncertain terms to work together, Yel and Ross – aka Shy New World – follow previous punk-pop singles with the release of a perfectly timed festive number. A gloriously fuzzy ode to friendship with a big sound and a big heart, ‘Bridget Jones’ offers a perfectly lo-fi, perfectly catchy and perfectly cute accompaniment to any December gathering. (ML)

Um, Jennifer? – ‘Stunning’
Having first won me over with the playful energy of 2023 single ‘Girl Class’, New York trans duo Um, Jennifer? continue to be total faves with their latest scuzzy punk-pop ode to lust and obsession in the form of new single ‘Stunning’. Their band bio says “Fig and Eli met at a party in Brooklyn. Eli wanted to hook up with Fig’s friend. Now they make music together for nobody except the vengeful god, Jennifer. Jennifer thinks their music sucks.” I’d have to disagree with Jennifer. (ML)

Twat Union – ‘Tiny Shorts’
The latest single from theatrical feminist six piece punk outfit Twat Union, ‘Tiny Shorts’ offers a fiercely empowering anthem, showcasing the band’s trademark ability to combine their playful witty charm with a raging angst-fuelled drive. The band explain: “(it’s a) middle finger to all the cat-calling and demeaning behaviour we receive… it’s a call to treat women with respect no matter what they are wearing.” (ML)

Softcult – ‘She Said, He Said’
Another vital anthem from Ontario-based alternative sibling duo Softcult here. ‘She Said, He Said’ is a seething guitar tune about believing survivors of sexual assault, fuelled by the pairs visceral riffs, propulsive beats and call-and-response vocals. The track will feature on the band’s debut album, When A Flower Doesn’t Grow, which is due on 30th January 2026 via Easy Life Records. Softcult are currently touring the UK, and will play a headline show at The Dome in North London on 2nd December! (KC)

DELILAH BON – ‘Evil, Hate Filled Female’
Seamlessly combining honey-sweet pop with relentless metal-inspired hooks and a raging energy, DELILAH BON has been building a devoted fanbase over the last few years with her relatable, empowering messages. Receiving acclaim for last year’s Evil, Hate Filled Female album, and selling out a UK tour earlier this month, I’m excited to hear more of her visceral, bold, anti-patriarchy anthems. (ML)

Yakkie – ‘Kill The Cop Inside Your Head’
Having been privileged enough to attend Yakkie’s first ever gig back in 2023, and since witnessing their immense live presence on more than one occasion, it feels like it’s been a long wait for this debut single from the incredible supergroup. Fronted by interminable force of nature Janey Starling (formerly of Dream Nails) and featuring Robin Gatt (Personal Best, Petrol Girls), Laura Ankles (Colour Me Wednesday, The Dumb Blondes) and Maeve Westall (Jasmine.4.t, itoldyouiwouldeatyou), it’s been amazing to see this absolute epic collective of faves come together in all their seething punk-rock glory, offering the rage, joy and unity we all so desperately need.

A fierce rallying cry against self-defeat, ‘Kill The Cop Inside Your Head’ is propelled by relentless riffs and a swirling empowering energy – in Janey’s words: “If we want a better world, we must first be able to imagine one. To do that, we have to kill the cop inside our head. Go to the protest! Join your union!” It’s more important than ever to have bands like Yakkie, not afraid to speak up for what’s right and use their platform as a real force for change, and I’m extremely grateful they exist. (ML)

Black Water County – ‘Wreckless’
The latest single from Dorset folk-punks Black Water County, ‘Wreckless’ offers a frenzied, empowering anthem exploring the tensions between self-consciousness and self-liberation. Showcasing the band’s ability to channel defiance, camaraderie and catharsis into a perfect fusion of punk passion and folk heart, it’s an instantly infectious ode to endurance and the resilience of everyday life. Having previously shared stages with the likes of Less Than Jake and Flogging Molly, Black Water County are currently out on tour – I can’t wait to catch their fierce energy live at The Grace tonight! (ML)

Annabelle Chairlegs – ‘Concrete Trees’
Based in Austin, Texas, Lindsey Mackin aka Annabelle Chairlegs is set to release her new, Ty Segall-produced, album in January next year. Ahead of the album’s release, latest single ‘Concrete Trees’ offers a poignant ode to a late friend, propelled by surf-tinged memories and a sparkling uplifting energy. Of the track, Mackin adds: “This song is for friends who have passed that you wish you could have one more hang with. I often find myself asking those who have passed if they are here with us now.” Waking Up, the new album from Annabelle Chairlegs, is due for release on 30th January 2026 via TODO. (ML)

Tanzana – ‘Covet’
A band I’m very excited to have only recently come across, Glasgow’s Tanzana blend elements of sultry trip-hop with a soaring rock energy to create a sound which is uniquely theirs. Debut single ‘Covet’ represents feelings of obsession, building to a sweeping climax as fierce swirling vocals are accompanied by slick riffs. Already selected as part of The Great Escape’s First Fifty, these Scottish newcomers are definite ones to watch in 2026. (ML)

The Dead Zoo – ‘In The End 2025’
Genre-defying post-punks The Dead Zoo return with an exhilarating and unrecognizable revision of their 2021 release ‘In the End’. Revamped and reimagined, it offers a shimmering and jubilant ode to transformation; a powerful validation of trans identity propelled by pulsating, multi-layered soundscapes. Kaoru from the band explains: “The lyrical theme is founded on my gender transition experience. The sense of keeping faith in an envisioned future and using that goal to overcome difficulties and stay on course; though I think it carries a more universal message of hope and optimism we all need in these dreadful times, where those commodities are scant for many minority voices.” (ML)

MIRI – ‘Freedom Is The Purpose’
The latest single from London-based innovative songwriter and longtime GIHE fave MIRI, ‘Freedom Is The Purpose’ offers a soulful call to unite, rally against those in power and support those communities who need us most. Interweaving the trademark gritty emotion of her vocals with uptempo reggae-inspired beats, the single is available to buy on bandcamp and encourages listeners to support fundraisers for four Palestinian families’ fundraisers. (ML)

Sheherazaad – ‘Gulukara’
A huge fan of Brooklyn-based artist Sheherazaad since first falling in love with 2023’s debut single ‘Mashoor’, I’ve been lucky enough to immerse myself in her captivating live presence twice and now find myself (unsurprisingly) utterly entranced by new single. Translating as ‘songstress’, ‘Gulukara’ features childhood friend and Kodaikanal-bred rapper Irfana and offers an exquisite nocturnal hymn, highlighting the historical confluence of sex work and female artistry. (ML)

Penelope Trappes – ‘Bleed’
Another shadowy, moving offering from GIHE favourite Penelope Trappes. After sharing her poignant album, A Requiem via One Little Independent Records earlier this year, the Brighton-based Australian artist has now shared a companion LP titled Æternum, featuring this track ‘Bleed’. Penelope has also shared a stunning accompanying video for the track, directed by her long-time visual partner Agnes Haus (who is also featured on this playlist), shot inside the walls of a mysterious cave. Penelope will be playing a headline show at St Matthias Church in East London on 29th November. (KC)

Agnes Haus – ‘Faust’
A spinetingling experimental soundscape from Brighton-based non-binary sound artist Agnes Haus here. ‘Faust’ is lifted from their upcoming album, Inexorable Ascent, set for release on 5th December via Penelope Trappes’ label Nite Hive. Described as “a hallucinatory polyphonic study of external perceptions of what it means to live in a perpetual liminal state,” Agnes locked themselves in an attic studio every night between the hours of 12 and 4am to create these idiosyncratic sounds. I am deeply intrigued by this artistic process and look forward to hearing Agnes’ new record in full. (KC)

PostLast – ‘Scavenge’ (Birthday Problem remix)
This is a superb collaboration between Irish alt-pop duo Post Last and Irish alternative electronic duo Birthday Problem. We’ve been following both bands for a while here at GIHE and we’re always excited when they share new music with us, and this remix of ‘Scavenge’ is certainly one of my favourites to date. (KC)

Twin Rains – ‘Creation’
Another iridescent, shape-shifting tune from Toronto dream-pop act Twin Rains here. Vocalist Christine Stoesser was inspired to write ‘Creation’ after reading J.R.R. Tolkien’s The Silmarilion. “I didn’t expect to be so moved by the creation myth of the Elves,” she shares, “It’s some of the most beautiful writing I’ve ever read”. The band have translated Christine’s reflections on the book into upbeat, shimmering electronic sounds. (KC)

Death Hags – ‘Space x Time’
It’s been a while since I’ve heard from independent LA musician and multimedia artist Death Hags, but I’m glad she’s back with this eclectic piece of electronica. Taken from her album Big Grey Sun #5 – the fifth volume of her ongoing seven album project! – ‘Space x Time’ enraptures with its seamless blend of atmospheric synths, dance-inspired beats and ethereal vocals. The whole album is a sonic TRIP. (KC)

Floralis – ‘black combat boots’
‘black combat boots’ is the opening track to British born, Indo-Trinidadian antifascist transfeminine artist Floralis’ superbly named album, Saboteur Club Anthems Vol. 1. With its stomping dance-inspired beats and chant-worthy lyrics, it’s an infectious slice of “anarchist electro punk” that kicks off a truly eccentric and essential record that aims to dismantle fascism in all its forms. (KC)

Kloyd ft. Circe – ‘Girl’
I’m already a big fan of dark-pop artist Circe, but Yorkshire-born, London-based producer Kloyd is new to me. I love this collaboration between the two of them, featuring Circe’s seraphic vocals and Kloyd’s lilting electronics. Speaking about the origins of the track, Kloyd explains: “I had a session with Alexa (Circe) and she came up with this really beautiful vocal line and I couldn’t stop listening to it. It channels the sentiment of this new work truly. I imagined when making the track someone seeing a woman they felt so beautiful they fall head over heals in love with her, before realising what they were getting themselves in for. A love so captivating it feels like magic and turmoil at the same time.” ‘Girl’ is taken for a larger project that Kloyd will be announcing soon. (KC)

SESTRICA – ‘Intuition’
“A Way to Ananda is my experience of coming back to life and bliss after going through divorce,” explains Barcelona-based artist SESTRICA about her upcoming EP release. Due on 5th December, her new EP features this single ‘Intuition’, which was inspired by her decision to trust her instincts and move to a new country to pursue her musical dreams. Propelled by intense beats and layers of eclectic synth sounds; the track provides listeners with a blissful, heady moment of electronic catharsis. (KC)

False Idah – ‘Gaslight’
Having been big fans of the sultry beats and genre-defying heartfelt offerings of London-based songwriter and producer Jay Brown, under her previous guise as Amaroun, we’re now excited to hear that she’s back with a new project. False Idah takes all that we loved about Amaroun, but develops it into something more as Brown immerses herself in the vulnerability of stripped-back songwriting and the inspiration that can come with the freedom to express yourself in a true and honest way. I was lucky enough to catch an intimate live performance at Servant Jazz Quarters back in September, ahead of the release of this beautifully raw new single. (ML)

Perfume Genius – ‘Me & Angel’
I first fell in love with Perfume Genius on hearing ‘Queen’ when it was released back in 2014 – it seemed to offer something completely unique, something beautifully queer that I sought a great deal of comfort in. Since then, I’ve followed his career with each new album, as well as becoming quite obsessed with the raw vulnerability of earlier releases Learning and Put Ur Back Into It, but every time he’s played in London something’s cropped up which has meant I’ve not been able to go. That was until earlier this month, when I finally got to immerse myself in the utterly compelling, truly cathartic experience of seeing him live at The Roundhouse. Treating us to older favourites, as well as the majestic grandeur of newer songs like this one from his recent album Glory, it was a memorable evening that left me feeling soothed and hopeful. (ML)

Lowli – ‘Window In The Woods’
‘Window In The Woods’ is the title track from Irish composer & songwriter Lowli’s debut album, which she released via VETA records in October. It’s a beautiful, introspective record which sees Lowli process unsettling memories and emotions through her tender keys, crystalline vocals and atmospheric electronics. (KC)

Ailbhe Reddy – ‘So Quickly, Baby’
This is the second single from Dublin-born songwriter Ailbhe Reddy’s upcoming second album, KISS BIG, which is set for release on 30th January 2026 via Don Giovanni Records. ‘So Quickly, Baby’ is described by the artist as “the meltdown song, the album’s neurotic heartbeat,” which is why it packs such an emotional punch. Inspired by the tumultuous aftermath of a big breakup, Ailbhe’s new record promises to be just as raw and relatable as her previous efforts. (KC)

Jasmine.4.t & Jacob Alon – ‘Find Ur Ppl’
A completely dream collaboration between two total faves, ‘Find Ur Ppl’ was written by Jasmine early in her transition and offers a truly beautiful ode to the queer community; a heartfelt message of hope about finding people you love who you can be yourself around. It’s taken from charity compilation, All Things Go: 10 Years, a collection featuring loads of other artists from ATG Records including Kesha and Joy Oladokun, with all proceeds going to The Ally Coalition. (ML)

Snocaps – ‘Coast’
Being a huge fan of both Waxahatchee and Swearin’, I’m pretty excited by new supergroup Snocaps; featuring Katie Crutchfield and her twin sister Allison, along with MJ Lenderman and Brad Cook. The stuff dreams are made of, basically. Taken from their recently released self-titled album, ‘Coast’ showcases the gorgeous, fuzzy allure of this new collaboration perfectly. (ML)

Tenderness – ‘Database Blues’
As someone who had Deep Throat Choir soundtrack me walking down the aisle, hearing the voice of anyone from that incredible collective always feels pretty special. And so the news that Katy Beth Young (also of Peggy Sue) is sharing more new music from her solo project Tenderness is very welcome to my ears. Following previous single ‘We’ll Always Have Paris 1919’ a recent tour with Willy Mason, latest offering ‘Database Blues’ offers a gorgeously country-tinged reflection on a world of streaming algorithms as Young’s rich vocals create a soothing, immersive warmth. Of the track, she explains: “Sending a song to a crush is obviously one of life’s purest joys but what does it mean when the algorithm plays it back to you later? Can you still call it a sign? I was an MSN Messenger teenager so there have always been screens in my romances – screens as a connector and amplifier as well as a barrier.” (ML)

SASAMI – ‘Just Be Friends’ (Soccer Mommy Version)
Genre-bending artist SASAMI has shared a collaborative version of her track ‘Just Be Friends’, featuring indie artist Soccer Mommy. Originally featuring on SASAMI’s album, Blood On The Silver Screen, this new version encapsulates the artist’s pure love for modern country music, as she explains further: “Country songs have to be some of the most effective and cutting examples of peak pop songwriting- wit, drama, humour, sadness, and the most human of all – horniness. My song ‘Just Be Friends,’ was definitely inspired by modern country, but I knew if I wanted it to be truly authentic I would need to enlist an actual southern princess. This new version featuring Soccer Mommy, pedal steel and all, delivers on the country magic that I had always wished could be in that song. That’s the best part about collaboration, all hat all cattle.” (KC)

Lucy Leave – ‘Go To The Show (I Just Wanna)’
Ahead of the release of their upcoming album, Feelings Explorer I & II, in spring next year, Oxford indie-pop trio Lucy Leave have now shared a new triple (!) A-side single. Accompanying the scuzzy hooks of ‘Steve Lamacq Wants To Know’ and ‘The Letter P and The Number 7’, ‘Go To The Show (I Just Wanna)’ reflects on singer Mike’s experience as someone with cerebral palsy, and the reality that attending and playing gigs post pandemic is pretty much impossible for the covid-vulnerable. (ML)

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