PLAYLIST: February 2026

The Get In Her Ears team have put together another eclectic mix of new music for your listening pleasure. Our February Playlist features riff-heavy anthems, shoegaze & dream-pop tunes, indie and alt-pop bangers, electronic musings and experimental sounds. Scroll through our recommendations below!

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we’ve moved away from using Spotify. We now have an account on TIDAL, so please follow us on there! You’ll also see that we’ve copied all of our previous GIHE playlists over to TIDAL as well. We’ve included YouTube/bandcamp links for all of the tracks below too, so there’s plenty of ways for you to get your new music fix.

You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. Happy listening!

CLICK HERE TO LISTEN ON TIDAL

 

The Echograms – ‘Lovesick’
Having played live for us last year at The Cavendish Arms, Margate based Claire Pitt-Wigmore and her band The Echograms deliver swirling ‘bluegaze’ soundscapes with a gritty raw emotion. Taken from their debut EP, ‘Lovesick’ glistens with a fizzing atmospheric allure and fierce riffs, offering an immersive reflection on limerance and the realisation that people often don’t live up to our expectations of them. With its intricate and captivating musicality, this debut signals The Echograms as definite ones to watch.
(Mari Lane – Managing Editor)

VERO – ‘Dead Train’
Another month, another excellent single from Stockholm trio VERO. ‘Dead Train’ is the third track to be lifted from the band’s upcoming second album, Razor Tongue, set for release on 20th March via PNKSLM. Their new record is inspired by their restless, urgent spirit and I think that translates perfectly through their brooding, grunge-inspired riffs and angst-ridden vocals. VERO will be playing a London headline show at The Shacklewell Arms on 26th March. I can’t wait to hear these tracks in the flesh! (Kate Crudgington – Features Editor)

Pixie Cut Rhythm Orchestra – ‘I’ve Been Here Before’
I’ve been a big fan of Dublin’s Pixie Cut Rhythm Orchestra since Irish musician Fears recommended them to us on our Soho Radio show in 2021. I’m thrilled that they’re back with new single ‘I’ve Been Here Before’, which is a gritty reflection on the “performative lifestyles and the instability of modern city living”. As always, Sarah Deegan’s witty and cutting lyricism shines through, thanks to her distinctive vocals and the grinding riffs that underscore them. (KC)

Blackwater Holylight – ‘Bodies’
Having recently released their fourth album, Not Here Not Gone, LA based Blackwater Holylight combine dreamy psych-tinged soundscapes with a fierce power to create a sound that is entirely their own. Taken from the album, latest single ‘Bodies’ showcases the band’s ability to interweave immense, doom-laden soundscapes with an immersive transcendental majesty. Read about some of the albums that inspire drummer Eliese Dorsay the most in our recent Five Favourites feature. (ML)

Kathryn Mohr – ‘Property’
Oakland-based artist Kathryn Mohr is adept at capturing a heavy mood in her music and her latest single ‘Property’ is no exception. Lifted from her upcoming second album, Carve, which is set for release on 17th April via The Flenser, it’s an “amalgamation of dream images and visions” that Kathryn had throughout 2025, drenched in reverb and full of her potent vocals. Her upcoming record is a poignant reflection on love, grief, intimacy and isolation and how these things inform our understanding of ourselves over time. (KC)

Topsy Turvy – ‘Five Guitars’
Galvanized by their frustrations at the behaviour of a male touring musician in their hometown music scene, Vienna-based DIY rock trio Topsy Turvy penned their new album, the excellently titled Fighting the Ginormous Macho Nacho, in righteous retaliation. Set for release on 23rd May via Siluh Records, the album blends their garage-punk, psych-rock influences with upfront lyricism and direct vocals, with single ‘Five Guitars’ perfectly showcasing their new-found anarchic attitude. (KC)

Charley Stone – ‘Forever Your Love’
With February traditionally being a time to celebrate romance, GIHE fave Charley Stone has decided to share a lilting ode to unrequited love. As shimmering hooks fizz alongside Stone’s distinctive honey-sweet vocals and playful tongue-in-cheek lyricism, ‘Forever Your Love’ reflects on feelings of longing from a hopeless romantic for something unattainable. (ML)

Top Shortage – ‘Susan Stryker’
Having become a leading figure in Oxford’s queer community and DIY scene before even officially releasing any music, Top Shortage have now shared their first proper single. Oozing a fierce raw emotion with a driving post-punk energy, ‘Susan Stryker’ draws on an excerpt from transfeminist theorist Susan Stryker’s 1994 essay, My Words to Victor Frankenstein Above the Village of Chamonix, with a striking, impassioned drive. Pushing against the notion of bodies, sex and gender as natural and immutable, the track offers a timely and cathartic anthem calling for trans liberation. Vocalist Noa expands: “Trans people are so often seen as monstrous by a bigoted society – the essay, and this song, reclaims that monstrosity and makes it a rallying cry.’ (ML)

Lemonade Sin – ‘Murmurs and Creaks’
Consisting of members you may recognise from other bands over the years, London-via-Devon quintet Lemonade Sin create catchy slices of indie-pop based around the songwriting partnership of Lee Friese-Greene (Sidi Bou Said, Soup, Short-Haired Domestic) and Simon Aldous (Umbrella Heaven). With the addition of Jennifer Denitto (BCOS RSNS, Linus), Charlotte Beale (Joan, Soup) and Robin Morgan (Umbrella Heaven, Joan) to complete the line-up, they’re now set to release their third album this Spring. Our first taste of the album comes in the form of latest single ‘Murmurs and Creaks’. Inspired by the fictional pairing of Jane Eyre and Edward Rochester, it interweaves motorik rhythms with swirling synth patterns and distinctive vocal harmonies to create a driving, Stereolab-reminiscent indie-pop anthem. (ML)

WIDGET – ‘Chamois Leather’
Following on from their self-titled debut EP in 2024, East London post-punk supergroup (featuring members of Big Joanie, all cats are beautiful, Junodef and Zahra Haji Fath Ali Tehrani) WIDGET have now shared a genre-bending new single. Fusing together funk-fuelled hooks with a fierce groove and Ky’s stark spoken word vocals, the track cements this awesome collective as definite ones to watch, and we cannot wait for them to headline for us at New River Studios on 13th March, with support from Coventry jazz-punk band The Genes and DIY newcomers Lunar Riot. Tickets are on Dice now and as always, they are cheaper in advance – it’s going to be a lot of fun, hope to see you there! (ML)

Gemas – ‘Hola’
This joyful slice of grunge-tinged dream-pop comes courtesy of Costa Rica-based DIY band Gemas. Taken from the band’s recent EP, Miedo a perder (which roughly translates as “Fear Of Losing”), this track ‘Hola’ deftly captures their self-defined “soft but restless, intimate but charged” energy. (KC)

Lauren Auder – ‘Praxis’
I’m still hammering London-based composer and producer Lauren Auder’s track ‘the ripple’ (my favourite from her 2023 debut album, the infinite spine) but I’m ultra pleased to see that she’s back releasing brand new music. ‘Praxis’ is lifted from her upcoming second album, Whole World As Vigil, which is set for release on 27th March via untitled. I love her rich, sensual voice and her innovative layering of synths, vocals and samples here – including the sound of a power drill cutting through metal! (KC)

Miss Grit – ‘Stranger’
This shape-shifting alt-pop tune from New York-based, Korean-American musician Miss Grit is taken from their upcoming new album, Under My Umbrella, which is set for release on 24th April via Mute. ‘Stranger’ is Miss Grit’s attempt to escape feelings of betrayal, underscored by contrasting synth textures, compelling beat changes and their translucent vocals. (KC)

ESYA – ‘Heaven’
I was so happy to see new music from ESYA – the solo project of Ayse Hassan (Savages, Kite Base, 180db) – in my GIHE inbox! This single ‘Heaven’ is lifted from her upcoming debut album, Chasing Desire, which is set for release on 10th April via AOK records. It’s an industrial-tinged soundscape, blending ESYA’s yearning vocals with atmospheric synths and propulsive rhythms. Her previous EP releases were captivating collections of eclectic sound and I expect that her debut full length offering will be equally as impressive. (KC)

TEll A ViSiON – ‘IDLU’
Propelled by terse tribal beats and a fierce driving energy, ‘IDLU’ is the latest single from genre-defying Berlin-based artist TEll A ViSiON. A play on words, with the title being an acronym for ‘I Don’t Like You’, the track offers a visceral statement of empowerment and freedom, emanating a raw emotion and gritty sense of urgency. (ML)

Maria BC – ‘Rare’
Another ambient shoegaze gem from American artist Maria BC here. Taken from their upcoming third album, Marathon, which is set for release on 27th February via Sacred Bones, ‘Rare’ is Maria’s sonic rumination on insomnia and romantic infatuation. “This is a song about being in love with someone who never sleeps,” they comment. “I’m proud of the chaotic arrangement – the skittering percussion, the discordant twang of my ancient zither.” Maria has expanded their sonic palette even further on their upcoming release, and I’m looking forward to listening to it in full. (KC)

Laura Misch – ‘Echoes’
I first became aware of saxophonist and composer Laura Misch when London-based artist afromerm recommended her to us on our Soho Radio show back in 2023. Since then, she has consistently impressed me with all that she’s released, and her latest single ‘Echoes’ is no exception. Described as a “transportive saxophone and voice-led meditation,” the track is lifted from her second album, Lithic, which is set for release on 5th June via iconic label One Little Independent Records. ‘Echoes’ was inspired by Laura’s equally profound reactions to observing both the ancient Paleolithic figurines of the mythic Venus, and the instinctive sense of “wonder” she also felt watching her friend’s baby crawling across the floor. To celebrate the release of her new album, Laura will play her biggest headline show to date at London’s Barbican on 3rd July. (KC)

Lauren Von Bülow – ‘Black Beach’
Inspired by a deep connection to her natural surroundings on the South coast of England, ‘Black Beach’ is the debut single from Hastings-based songwriter Lauren Von Bülow. It’s an atmospheric, emotionally charged offering that sees her blend introspective lyrics with shadowy electronics and brooding vocals. ‘Black Beach’ is also accompanied by a music video that Lauren filmed locally, which you can watch below. (KC)

Monday’s Child – ‘Over Again’
A bittersweet declaration of pure love, ‘Over Again’ is the latest single from Belfast-based band Monday’s Child. It’s their first piece of new music since the release of their debut EP, Modern Affair (2025), full of dramatic fluctuations in rhythm in volume, reflecting the emotional turbulence that underpinned the track’s conception. Speaking about ‘Over Again’, lead vocalist Jen says: “This song was as difficult to write as it is to describe – it is a deeply introspective and personal look at my doubts and fears in the face of a pure love, and trying to decipher whether or not these thoughts are worth paying heed to or are just a normal part of relationships”. (KC)

Misty Coast – ‘Hallucinating’
I love this warm, hazy new track from Norwegian psych-pop duo Misty Coast. Formed of Linn Frøkedal and Richard Myklebust (from noise-rock outfit The Megaphonic Thrift), together they blend soft vocals with breezy synths and riffs to create their melodic musings. “‘Hallucinating’ is about trying to filter out what’s real in a chaos of noise and dopamine factories competing for your attention,” the band explain, “When the unrest and distractions become so overwhelming that you can no longer think your own thoughts, it’s time to hit the brakes.” (KC)

Dayydream – ‘Proximity’
Glasgow-based independent artist Chloe Trappes aka dayydream is gearing up to release her new EP, Trace, on 13th March. The follow up to her 2022 debut Bittersweet, the five track EP traces Chloe’s development as a songwriter and as a young adult, informed by a strong sense of nostalgia. This single ‘Proximity’ is a fitting introduction to her softer sound. Backed by a full band, she articulates sentiments about coming-of-age beautifully. (KC)

Leonor Arnaut – ‘Avé, Raposa’
Following her hypnotic debut single ‘Vida Cega’, Portuguese artist Leonor Arnaut has now returned to grace our ears with a stirring new offering. Made in LA under the mentorship and production assistance of Julia Holter and exploring themes of choice and desire, drawing on the possible symbolism of the fox in Phoebe Waller-Bridge’s series ‘Fleabag’, ‘Avé, Raposa’ ripples with an effervescent swirling majesty as Arnaut’s beautifully rich, celestial vocals soar. An exquisite insight into what to expect from this innovative new artist. (ML)

Montauk Hotel – ‘Never Quiet’
A melodic exploration of sensory overload in a chaotic world, ‘Never Quiet’ is the latest single from Dublin-based band Montauk Hotel. Through their considered lyricism and buoyant dream-pop riffs, the band extrapolate on the feelings of alienation that come from “living in a loud world where technology and political agendas distract from empathy and truth.” Recorded by the band in their home studio and mixed by Ryan McGroarty from Beauty Sleep, ‘Never Quiet’ gently distracts listeners from these overwhelming thoughts. (KC)

Sister Ghost – ‘Not Your Toy’
Having been a big fan of Northern Irish DIY rocker Shannon Delores O’Neill – aka Sister Ghost – for a number of years now, we’re super excited that she’s set to release a brand new EP this Spring. Taken from the EP, recorded in LA alongside producer Brad Wood (Liz Phair, Veruca Salt, Smashing Pumpkins, Placebo) and drummer Jeff Friedl (A Perfect Circle, DEVO), new single ‘Not Your Toy’ offers an empowering ode to survivors of coercive control whilst showcasing O’Neill’s seething, soaring power. Reflecting on the track, she explains: “Whilst it’s sadly very likely to be the case that many listeners will also identify with the subject matter, it’s my sincere hope that by being vocal about it we can help call out these coercive behaviours and reclaim our collective power.” (ML)

No Drama – ‘Doorstep’
This cathartic track from Toulouse-based indie punks No Drama is inspired by the brevity and in-continuity of relationships. It’s taken from their new EP, Isolated Areas, which is set for release on 6th March via Hidden Bay Records. Together, Christèle Gaye (drums), Manon Raupp (guitars, vocals, bass) and Daniel Selig (guitars, vocals) create loud, commanding alt-anthems that help to relieve the pressure of the grind of everyday life. (KC)

 

Shallow Honey – ‘The Bear’
Recently blowing us away with their fierce charisma and playful charm when playing live at The Waiting Room last month, Sussex band Shallow Honey have now released a raging new single. Released as an ‘anti-valentines’ anthem, ‘The Bear’ offers a gritty reflection on those men who became inexplicably furious and defensive over the conversation meant to highlight the safety issues faced by women and girls. An incredibly resonant and necessary subject right now, the track showcases the band’s ability to combine their trademark tongue-in-cheek wit with a ferocious riot grrrl-inspired energy. (ML)

Pondlife – ‘Cello’
Having just announced the release of a new EP later this year, London slacker rockers Pondlife have now shared title track ‘Cello’. Propelled by scuzzy hooks and swirling atmospherics, it’ll draw you in with a wistful allure, offering a hazy insight into the band’s shoegaze tinged soundscapes. (ML)

K Maybe – ‘Skin Hungry’
The latest single from Surrey band K Maybe, ‘Skin Hungry’ reflects on feelings of loneliness and that longing for human touch with a driving, relentless energy. As screaming guitars are juxtaposed with the delicate sense of melancholy that oozes through the lyrics, it offers an instantly catchy slice of stirring alt-rock. (ML)

Frances Murray – ‘Adults’
Essex-born, Brighton-based musician and producer Frances Murray – who used to go by the name BLAB – is back with brand new music! This single ‘Adults’ is taken from her upcoming debut solo album, Dreamer, which she’ll be self-releasing on 10th April. It’s a witty take on her “quarter life crisis” – something anyone over the age of 25 can definitely relate to. (KC)

 

CLICK HERE TO LISTEN ON TIDAL

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PLAYLIST: January 2026

It’s our first Playlist of 2026! We’ve put together another eclectic mix of new music for your listening pleasure; featuring punk anthems, indie bangers, electronic musings, experimental sounds & shoegazey, dream-pop tunes. Scroll through our recommendations below!

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we’ve moved away from using Spotify as our main playlist platform. We now have an account on TIDAL, so please follow us on there! You’ll see that we’ve copied all of our previous GIHE playlists over to TIDAL too. We’ve also included YouTube/bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix.

You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. Happy listening!

 

CLICK HERE TO LISTEN ON TIDAL

 

YAKKIE – ‘He Sleeps Alone’
One of my Ones To Watch for 2026, mega super-group of faves Yakkie are set to release their debut album, Kill The Cop Inside Your Head, next month and I couldn’t be happier. I don’t think I’ve been this excited for a release for a long time. I just feel like it’s now more important than ever to have bands like them, not afraid to speak up for what’s right and use their platform as a real force for change, and since first seeing them live back in 2023, I’ve been desperate for more of all the rage, joy and unity that they offer. Ahead of the album’s release on 13th February, the band have shared an epic “anti fuck boy anthem” in the form of ‘He Sleeps Alone’ and I just cannot get enough of its fierce, seething energy and immense Pearl Jam reminiscent grunge-fuelled hooks.
(Mari Lane – Managing Editor)

congratulations – ‘Dr. Doctor’
Brighton art-punks congratulations blend chaotic tempos, intensely danceable beats and a foghorn sample on their latest single ‘Dr. Doctor’. Described as a song for “everyone trapped inside their own head, spiralling and catastrophising,” the track is a cacophonous, cathartic reflection on neurotic thought processes. It’s taken from congratulations’ upcoming debut album, Join Hands, which is set for release on 13th February via Bella Union.
(Kate Crudgington – Features Editor)

The Empty Page – ‘Death On Our Side’
A band who’ve played live for us more than once and continue to impress with their dark, shoegaze-tinged offerings, Manchester’s The Empty Page have previously covered topics ranging from climate emergency to house cats. Now, with their latest single that follows from their 2024 album, Imploding, they lament the woes of a generation of people with no pension plan other than to die before they need to rely on one. As ‘Death On Our Side’ ripples with a swirling reverb-strewn splendour, it offers a timely impassioned reflection on the stark reality of life in present day Britain. (ML)

Whitelands – ‘Blank Space’
It was such a bright start to the year having London-based shoegazers Whitelands in the studio with us on our January Soho Radio show (listen back here). Etienne, Jagun and Vanessa spoke to us about the deeply personal nature of the songwriting on their second record, Sunlight Echoes, set for release on 30th January via Sonic Cathedral. This track ‘Blank Space’ is a poignant reflection on grief and memory, buoyed by a seamless blend of soaring and melodic riffs. It’s further proof that Whitelands have expanded and developed their already distinctive sound on this new record. I can’t wait to have the vinyl in my collection. (KC)

deary – ‘Seabird’
I saw London-based deary perform at Sonic Cathedral’s 20th anniversary gig back in 2024, alongside fellow shoegaze icons Whitelands and Slowdive. I was really impressed by guitarist & vocalist Dottie’s diaphanous voice and the band’s lush, fluctuating melodies; both of which permeate their latest single ‘Seabird’. It’s lifted from deary’s upcoming debut album, Birding, which is set for release on 3rd April via Bella Union. (KC)

VERO – ‘100 Calls’
I am SO happy that Stockholm trio VERO are back with new music! ‘100 Calls’ is the follow up to their previous single ‘Calico’, both of which feature on the band’s upcoming second album, Razor Tongue, set for release on 20th March via PNKSLM Recordings. Their brooding, grunge-inspired riffs and sardonic vocals remind me a little bit of Sonic Youth and I feel like they’ve really lent into that influence on these new tracks. The band say that ‘100 Calls’ is the “saddest” song on the album, but it still has VERO’s trademark grit and defiance rumbling beneath the surface. (KC)

YELF. – ‘loud’
British-Swedish artist YELF. is a loyal follower of GIHE and involved in multiple musical outfits, including Aether Speaker and Pets and Doom and Gloom – so she’s a prolific talent! This track ‘loud’ is her debut solo offering; a shoegazey tune about “the electric, maddening feeling of liking someone, but being unsure whether they like you back.” Through her grunge infused guitars and yearning vocals, she personifies the feeling of being in romantic limbo perfectly. I’m really looking forward to hearing more from YELF. over the next 12 months. (KC)

Maria BC – ‘Marathon’
‘Marathon’ is the title track from Maria BC’s upcoming third album, which is set for release on 27th February via Sacred Bones – one of my favourite labels. The American artist dissects the spectrum of human emotion and how we endure and persevere through shifting moods throughout the LP, expanding their own sonic palette in the process. Maria’s distorted guitars and serene vocals on ‘Marathon’ help to communicate this experience, making it both a soothing and unsettling listen. I’m looking forward to hearing their new record in full. (KC)

Mi.el – ‘Grains Of Sand’
‘Grains Of Sand’ from London-based dream-pop band Mi.el is a lovely leftover from my December 2025 inbox. Full of atmospheric riffs and brooding vocals, the band say the track is about “positive nihilism, a reflection on finding freedom in insignificance” which hopefully provides listeners with a sense of liberation – an apt sentiment for the new year. (KC)

Alice Sloan – ‘Return The Ghost’
A brooding alt-folk contemplation on identity and people pleasing, ‘Return The Ghost’ is the debut single from Belfast queer singer-songwriter Alice Sloan. Her rich vocals and grungy ’90s inspired guitar sounds mesh together to make her first solo offering a moody and memorable affair. “‘Return The Ghost’ is trying to find yourself within the noise, when you stop trying to please everyone and realise you don’t know who you are beneath that,” she shares. “Dig deeper, you may discover the parts of yourself you tried to bury.” (KC)

Softcult – ‘Queen Of Nothing’
Since I began following Softcult in 2020, I’ve been consistently impressed with everything that the Toronto-based shoegaze sibling duo have released. They’ve shared multiple EPs over the past six years, but now they are gearing up to release their debut album, When A Flower Doesn’t Grow, on 30th January via Easy Life Records. When I interviewed guitarist and vocalist Mercedes Arn-Horn back in 2024, she hinted that Softcult had pushed their sonic boundaries whilst writing and recording their album, and this single ‘Queen Of Nothing’ beautifully showcases this development. Sharply produced and deeply resonant, the track tackles patriarchal double standards and feelings of inadequacy via dreamy vocals and hazy riffs. (KC)

Thee Soreheards – ‘I’m Not Your Fucking Sex Doll’
‘I’m Not Your Fucking Sex Doll’ is the title track from Montréal punks Thee Soreheads’ debut EP, which they released last year via Outhouse Records. It’s both a visceral and gleeful rejection of objectification and misogyny, fuelled by grinding riffs, intense beats and singer Maria’s Kathleen-Hanna-esque vocals. (KC)

HAWXX – ‘Resistance Is Justified’
Having been big fans of HAWXX since they played live for us back in 2018, I’m excited to hear that they’ve got a new album coming out this Spring. Ahead of the album, they’ve shared an immense and poignant tribute to their friend Jordan, who’s one of the ‘Filton 24’ and has been in prison for over a year without trial for allegedly destroying weapons in the Elbit Factory that were due to be sent to Israel. As they scream “Free, free Palestine!” with a fiercely impassioned grit and a raging energy that builds throughout, their message seems more necessary than ever. This song is a tapestry of collaborations from Ahmed Muin Abu Amsha, a talented music teacher in Gaza whose singing with children over drones circling above have gone viral on social media, members of the Greek Flotilla mission to Gaza (including my cousin Ploutarxos), Petrol Girls, Jasmine 4.t., Bekor, members of Choir Noir, Soren Bryce, Millie Manders, Orchestrated Discontent, Ruby Wednesday and more artists in support of the cause. There is also a sample of Jordan’s sister Brogan, giving a speech in the song. (ML)

Fightmilk – ‘Sounds Like A You Problem’
What’s been described as their heaviest song to date, Fightmilk’s new one is an absolutely perfect return to from one of my most favourite bands. As Lily’s gravelly vocals soar with a rich, sweeping power alongside Alex and Healey’s racing gritty hooks, and Nick’s thrashing beats blast consistently throughout, ‘Sounds Like A You Problem’ offers a proper “big angry song”. Reflecting on Lily’s own experiences with an abusive ex partner with a refreshing honesty, the all-too relatable and recognisable feelings of terror and frustration emanate through the song’s fierce energy, whilst a cathartic sense of empowerment comes at realising it was never your fault. A welcome new direction from a band continuing to hone their sound and show that they’re not afraid to address sensitive topics head on. (ML)

Junk Whale – ‘Lime n Soda’
Responsible for one of my favourite EPs of last year, Junk Whale have started 2026 by releasing more gorgeous new music. One half of their new double single, ‘Lime n Soda’ reflects on the contrasting feelings of being at a gig: “It can be an overwhelming sensory experience for me. It’s dark, it’s loud, it’s cramped with sweaty bodies…but as soon as the music starts, there’s nowhere else I’d rather be,” vocalist Josie explains. Offering all the gloriously scuzzy hooks and lilting indie-pop energy that we know and love from the band, I can’t get enough of its sparkling raw emotion and cannot wait to have Junk Whale headline for us at The Cavendish Arms on 19th February, along with twee queercore supergroup Tomboy Grandpa (featuring members of Fightmilk and adults) and First Timers alumni Pink Bucky. Tickets are on DICE now and cheaper in advance. (ML)

Me Rex – ‘Angel Hammer’
Another band who’ve played live for us and I’ve been very much in love with for a long time, Me Rex have continued to charm us with their previous five EPs and two albums, and have now shared the first new single to be released on their own label Pterodactyl Limited. Reflecting on vocalist Myles’ chaotic experiences that lead to him getting sober when he was 20, ‘Angel Hammer’ fizzes with an impassioned sense of vulnerability and raw immersive emotion, as the band’s trademark twinkling hooks and introspective lyricism are intertwined with a cathartic driving energy. (ML)

Scarebears – ‘Scapegoat’
“Brand new, fresh-out-of-the-oven, aggressive post-punk” is how Bristol trio Scarebears describe themselves, and I’m a big fan already. With debut single ‘Scapegoat’ they seethe against the rise of far-right rhetoric in the UK media and mainstream politics with a riotous sense of urgency, reflecting on the hypocrisy and danger of ignorant false narratives that are used to incite violence and discrimination. A fiercely defiant, brutally honest and instantly addictive slice of empowering punk, it’s the first taste from Scarebears’ upcoming EP, Worse for Everyone, which will be released in Spring 2026. I cannot wait to hear more! (ML)

 

Kim Gordon – ‘NOT TODAY’
I probably don’t need to write an intro for this exceptional new Kim Gordon track – but in case you missed it – the acclaimed Girl In A Band author is releasing her third solo album, PLAY ME, on 13th March via Matador Records. ‘NOT TODAY’ embodies the same potent conviction and self assurance that all of the former Sonic Youth bassist & vocalist’s solo offerings have radiated – only here it sounds fuller and more fluid. (KC)

Midori Jaeger – ‘exasperate’
Another of my Ones To Watch for this year, cellist and songwriter Midori Jaeger has now announced the release of her EP, (Un)planted, on 9th March. Having instantly caught my attention with their unique style of playing the cello and the soothing allure of her vocals while playing in Tanita Tikaram’s band back in October, the Japanese London-based artist creates immersive soundscapes that are truly her own, with latest single ‘exasperate’ being no exception. Swirling with angular yet beautifully smooth finger-picked hooks and Jaeger’s sumptuous vocals, it soars with an invigorating energy and I can’t wait to hear the full EP very soon. (ML)

TTSSFU – ‘Upstairs’
This stand alone single from Wigan-born, Manchester-based artist TTSSFU was released late last year, but it’s been swirling around my head ever since. Based on an unhealthy romantic infatuation, it’s a tender rumination on the disconnection and isolation that can fester with this kind of obsession. TTSSFU released one of my favourite EPs of 2025, titled Blown, so I’ll be keeping a keen eye on the new music she shares over the next 12 months. (KC)

Ailbhe Reddy – ‘That Girl’
Existing in the emotional ether of a breakup, Dublin-born artist Ailbhe Reddy’s upcoming third album, KISS BIG, is a wholehearted affair that continues to spotlight her talent for empathetic songwriting. Set for release on 30th January via Don Giovanni Records, ‘That Girl’ features on the record and is described by Ailbhe as the “emotional anchor” of her upcoming offering, full of her tender vocals and observational lyricism. She’ll be playing a London headline show at The Lexington on 21st April to celebrate her new album. Tickets are on sale now! (KC)

Tenderness – ‘The Salt Flats’
As someone who had Deep Throat Choir soundtrack me walking down the aisle, hearing the voice of anyone from that incredible collective always feels pretty special. And so the news that Katy Beth Young (also of Peggy Sue) is sharing more new music from her solo project Tenderness is very welcome to my ears. Ahead of the release of her debut album, True, on 13th March, ‘Salt Flats’ showcases Young’s gorgeously rich vocals as twinkling Americana-tinged hooks ripple throughout, reflecting with a stirring gentle melancholy on the fleeting nature of joy. I can’t wait to witness Tenderness’ beautiful offerings in the perfect setting of St Pancras Old Church on 18th March. (ML)

Charlotte Cornfield – ‘Hurts Like Hell’
Ahead of the release of her sixth album in March, Charlotte Cornfield has now shared the beautiful title track. A poignant rumination on addressing insecurities and putting yourself out there, ‘Hurts Like Hell’ flows with warm Americana-infused melodies alongside Cornfield’s distinctive rich vocals. Showcasing Cornfield’s ability for heartfelt lyrical storytelling and exposing an endearing vulnerability, its delicate grace shimmers throughout as we’re introduced to what promises to be an exquisite album. (ML)

Special Friend – ‘Breakfast’
Set to release their new album, Clipping, on 30th March, French-American Paris based duo Special Friend may be new to me but I’m already pretty obsessed with their fuzzy uptempo hooks, lilting energy and rich syrupy harmonies. A perfectly short but extremely sweet slice of sunny dream-pop, ‘Breakfast’ is our first taste of the upcoming album, and if that’s what’s on the menu, I can’t wait for lunch and dinner…(sorry) (ML)

Radhika ft. Gerard Love & Mitch Mitchell – ‘Starry Eyes’
A supergroup of sorts, featuring Gerard Love (Lightships, Ex Teenage Fanclub) and Mitch Mitchell (The Pastels) alongside vocalist Radhika Meera Dade, Radhika have started the year with an effervescent taste of their upcoming new album, Cine Pop. Interweaving a range of influences, from the films of David Lynch to her own Indian heritage, Radhika creates utterly dreamy, shimmering soundscapes rippling with a spellbinding allure. Reflecting on intergenerational connections and the passing of souls into the next realm, ‘Starry Eyes’ demands multiple listens and will draw you into the cosmic world of Radhika on first listen. (ML)

Hater – ‘Angel Cupid’
Malmö-based indie-pop band Hater said they weren’t expecting to write a bunch of love songs for their upcoming album, Mosquito – set for release on 6th March via Fire Records – but that’s what flowed from their fingertips after a long hiatus. This reluctant feeling is epitomised on the band’s latest single ‘Angel Cupid’, which sees them tenderly, yet disdainfully reject the omnipresent notion of traditional love and the archetype of Cupid, by seamlessly combining explicit lyrics and lush melodies together. (KC)

Sunflower Thieves – ‘Already Taken’
Leeds alt-folk duo Sunflower Thieves have returned with their new single ‘Already Taken’ – a poignant reflection on the emotional resilience that’s earned after enduring a difficult breakup. Full of their lush dual vocals and gentle acoustic riffs, Amy and Lily provide listeners with a calm resolution to a troubling period of time. The band will be touring the UK this year, including a London headline show at The Grace in Islington on 28th April. (KC)

Flip Top Head – ‘Porcelain Plugs’
Brighton art-rockers Flip Top Head draw inspiration from acclaimed poet Sylvia Plath on their latest offering ‘Porcelain Plugs’. Taken from their recent EP, Trilateral Machine, the track alludes to the restorative qualities of a hot bath, something which Plath notably mentioned in her 1963 novel, The Bell Jar. Flip Top Head are currently on tour across the UK in support of Independent Venue Week and they’ll be returning to London on 7th March to play one of their biggest headline shows to date at The Lexington. (KC)

Hannah Schneider – ‘In This Room’
Another artist who we’ve been fans of for a number of years now (and having played live for us as one half of the electronic duo AyOwA), Danish artist Hannah Schneider returns to grace our ears with a new album set for release on 7th February. Title track ‘In This Room’ swirls with a shimmering melancholy, reminiscent of the stirring grace of Beth Gibbons, as it offers a heartfelt meditation on the stories we tell and the memories we cherish. The upcoming album focuses on acoustic instrumentation and craftsmanship and was created in collaboration with a number of different musicians at a residency at Thorvaldsens Museum in Copenhagen. (ML)

Kee Avil – ‘itch’
Since the release of her debut album, Crease, in 2022, I have been intrigued by the glitchy, distinctive sounds of Montréal-based experimental artist and producer Vicky Mettler aka Kee Avil. Her appetite for exploring the human condition through her cell-tingling soundscapes seems to know no bounds, and these ambitions have been amplified by her upcoming project. Starting with this evocative offering ‘itch’, Kee Avil has teamed up with NNA Tapes and plans to write and record her new album, Vapor, in real time – releasing the songs in chronological order over the next 12 months. “My hope is that at the end, a natural cohesion appears, a concept reflecting a frozen moment in time, a process from start to finish,” she explains. I can’t wait to see what she comes up with. (KC)

Isabel Pine – ‘A Flickering Light’
This beautifully soothing piece of music is lifted from Fables, the upcoming debut album from British Columbia-based, classically trained musician Isabel Pine. Set for release on 20th February via kranky, Isabel recorded her new LP in a remote cabin, playing her instruments outside amongst the sounds of nature, which gives Fables a truly pensive, peaceful quality. This intuitive collaboration is deftly captured on ‘A Flickering Light’. (KC)

Sarah Pagé – ‘Spring Is Here’
This beautiful soundscape from Montreal-based harpist Sarah Pagé features on grassroots benefit compilation album, Gaza Is The Moral Compass, released digitally & on cassette via Beacon Sound and launched publicly on Radio AlHara (Bethlehem). It is one of sixteen altruistic and eclectic tracks on the record, which features contributions from Amulets, Efrim Menuck (Godspeed You! Black Emperor) and Kareem Samara. Sales of the album will benefit two Palestinian-led mutual aid groups on the ground in Gaza: Seeds Of Hope and Reviving Gaza. This is the first in a series of compilations that Beacon Sound have planned to help provide relief to the long suffering people of Palestine. You can purchase a copy of Gaza Is The Moral Compass from bandcamp here. (KC)

 

 

Noémi Büchi – ‘I was almost there’
Inspired by everything from “the dislocated bodies of Francis Bacon” to the transience of memory, physical touch and intimacy; this experimental soundscape from Swiss/French artist Noémi Büchi is deeply intriguing. It’s lifted from her upcoming album Exuvie – derived from the Latin word ‘exuviae’ meaning ‘what has been shed’ – which is due on 27th February. Through her genre-blending, idiosyncratic instrumentation, Noémi manages to truly get under the skin and conjure up a potent, emotional response to her sounds. (KC)

Hannya White – ‘Slow my mind’
Released as part of a compilation album by Metamorphika – an artist-led community-driven arts space, commercial gallery & music label – this industrial-tinged track from London-based artist Hannya White slipped into my GIHE inbox at the end of 2025. It’s an unnerving, visceral offering with its piston-like beats and breathy voicework. Definitely check out the whole compilation, Metamorphika Vol. 1, if you like what you hear from Hannya – it’s an intense amalgamation of noise, industrial textures and genre-bending sounds from an array of unusual artists. (KC)

Tanya Tagaq – ‘Foxtrot’
Having been a big fan of innovative vocalist and composer Tanya Tagaq at Get In Her Ears for a number of years now, we’re excited to hear that she’s releasing her new album, Saputjiji, on 6th March. Weaponising the military alphabet into a protest callsign, latest single ‘Foxtrot’ offers us an insight into the starkly compelling power of the upcoming album. Venturing between beautifully ambient and fiercely abrasive soundscapes, Saputjiji offers a potent counter-strike against billionaires, genocide, abuse and colonial systems, and I cannot wait to immerse myself in it fully. (ML)

 

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GIHE: Ones To Watch 2026

It’s fair to say that 2025 was another tough year, but one positive we’re taking away from it is the immense amount of incredible new music that was released and the hope of more wonderful offerings from new bands and artists in 2026.

Following on from our features about our favourite Tracks, Albums & EPs and Personal Highlights of 2025, it’s now time for us to share our Ones To Watch for 2026 – naming a handful of bands and artists who we predict will be reaching ears far and wide this year. Have a read of our choices and make sure you give them all a follow on social media to keep track of their achievements over the next 12 months.

We’ve also added tunes from our favourite albums and from the bands included in this feature to our Tracks Of 2025 Playlist, to provide the best soundtrack to the start of your 2026! Have a listen on Tidal and be sure to download songs by the artists you love from bandcamp, go and see them live, buy their merch, and spread the word. They need your support now more than ever!

Here are a few of the bands and artists we’re most excited about going into 2026…

Cowboy Hunters
Having been building a reputation in the Glasgow scene for their memorable live shows, Scottish punks Cowboy Hunters create immense riotous anthems and I was very excited when I was first introduced to their seething single ‘Mating Calls’ back in March last year. Since then, I had the complete pleasure of seeing them at Deer Shed Festival in the summer and the fiercely engaging charisma and stark dry wit that they exuded throughout their immense instrument-swapping set exceeded all expectations. Strictly not adhering to the festival’s suggested reduced swearing policy, they raged about transphobes and needing money for drugs before ending the set by getting the whole crowd to join in doing ‘The Macarena’ with them. It really was the most surreal and perfect way to kick off a Saturday morning! And, with a full EP promised in the spring, I cannot wait to see / hear what wonderfully riotous offerings they have in store for us this year. (Mari Lane – Managing Editor)


Jessie Mac
South East London DJ, producer & label owner Jessie Mac is still a bit of an enigma to the GIHE team, but we all know that we’re obsessed with her track ‘Trans Is Beautiful’ – a total gem that I unearthed in my GIHE inbox last year. It’s a powerful and incredibly catchy “sonic statement” that is equal parts poignant, political and playful, featuring the vital words of American actress & activist Laverne Cox. Jessie’s blend of club-inspired beats and shape-shifting electronics have been ricocheting between my ears for the past twelve months. We know that she’s working on new projects and music for 2026 and we’re excited to hear more of her essential LGBTQIA anthems. (Kate Crudgington – Features Editor)


Lōwli
On both our Soho Radio show and in our monthly playlist features, I consistently coined Irish composer & songwriter Lowli as one of my favourite new music discoveries of 2025. Her debut album, Window In The Woods, is a moving rumination on unsettling memories and emotions, explored through her tender keys, crystalline vocals and beautiful instrumentation. Released via VETA Records, the album provides a safe haven from the stresses of everyday life, as Lowli is adept at crafting a serene, yet melancholic world for you to immerse yourself in. I look forward to hearing Window In The Woods live one day soon. (KC)

Midori Jaeger
An artist I discovered by accident when seeing Tanita Tikaram at Royal Festival Hall in November, Midori Jaeger instantly caught my attention with their unique style of playing the cello and the soothing allure of her vocals while playing in Tikaram’s band. Originally from Japan, Jaeger has recorded three EPs and played alongside the likes of Daughter and Courtney Pine, as well as Tanita Tikaram. But, kicking off this year with the rich sparkling splendour of her new single ‘Dark Green’, I have a feeling she’ll be commanding plenty of stages in her own right throughout 2026, with her immersive, genre-defying sounds. I for one can’t wait to immerse myself in more of her captivating folk-strewn musicality and shimmering heartfelt emotion. (ML)


Pinkshift
With the release of their second album, Earthkeeper, last summer, Maryland punk-rockers Pinkshift cemented their ability to create perfectly honed, refreshingly honest modern day rock anthems. As a fierce sense of urgency and relentless grunge-tinged energy rage throughout the album alongside the gritty raw emotion of front-person Ashrita Kumar’s vocals, it offers a welcoming hit of early noughties nostalgia whilst rippling with the band’s own unique groove. Apparently the aim of the record is to inspire us to “give a fuck”, and I certainly do – about the world, but also about this exciting band who I can’t wait to see on tour with Grandson in March – the UK is in for a treat! (ML)


Sijya
South Asian composer and producer Sijya crafted one of my favourite EPs of 2025, Leather & Brass, so it will come as no surprise that I have chosen her for our Ones To Watch feature too. Signed to the prestigious One Little Independent Records, Sijya’s experimental spirit is reflected in her music, which is an idiosyncratic blend of digital and analogue synths, drifting vocals and atmospheric beats. I was sad to miss her performance at the Tate Modern last year, where she played her EP live in the iconic turbine hall as part of their Tate Lates series, but I’m hoping to hear her expansive electronica in the flesh at some point in the near future. (KC)


Um, Jennifer?
Having first won me over with the playful energy of 2023 single ‘Girl Class’, New York trans duo Um, Jennifer? continued to be total faves last year with the release of their new album, Um Comma Jennifer Question Mark. Oozing so many deliciously scuzzy lo-fi pop-punk vibes, the album reflects on trans identity, lust and obsession, whilst offering a wonderfully empowering ode to defying expectations and not fitting into the moulds that society often places on us. Their band bio says “Fig and Eli met at a party in Brooklyn. Eli wanted to hook up with Fig’s friend. Now they make music together for nobody except the vengeful god, Jennifer. Jennifer thinks their music sucks.” I’d have to disagree with Jennifer, and have a feeling many other people will throughout 2026. (ML)


Yakkie  
Having been privileged enough to attend Yakkie’s first ever gig back in 2023, and since witnessing their immense live presence on more than one occasion, it had felt like a long wait for the debut single from the incredible supergroup back in October. Fronted by interminable force of nature Janey Starling (formerly of Dream Nails) and featuring Robin Gatt (Personal Best, Petrol Girls), Laura Ankles (Colour Me Wednesday, The Dumb Blondes) and Maeve Westall (Jasmine.4.t, itoldyouiwouldeatyou), it was amazing to see this absolutely epic collective of faves come together in all their seething punk-rock glory last year, offering the rage, joy and unity we all so desperately need. And now, with their debut album set for release in February, I cannot wait to be treated to plenty more of their relentless riffs and swirling empowering energy. Entitled Kill The Cop Inside Your Head, of the album Janey explains: “If we want a better world, we must first be able to imagine one. To do that, we have to kill the cop inside our head. Go to the protest! Join your union!” Offering a fierce, rallying cry for unity and rebellion, it’s now more important than ever to have bands like Yakkie, not afraid to speak up for what’s right and use their platform as a real force for change. I’m extremely grateful they exist and look forward to having them see us through 2026. (ML)

Despite our apprehensions about 2026, at least we’re heading into the new year with some fantastic music to accompany it. Huge love and thanks to all the bands and artists who continue to soundtrack our lives and offer hope that we can resist those seeking to oppress marginalised groups and continue to create powerful communities that bring joy, strength and comfort. And massive thanks to all who supported GIHE throughout 2025 and for the last ten years (!) – it really means the world.

Throughout 2026, if possible, please support your favourite artists by downloading their music from bandcamp, following them on social media and nabbing tickets to see them live! For a taste of who to follow next, listen to our playlist of 2025 favourites here.

A great way to discover your new favourite band is to come along to our GIHE gigs! Next up, we’re at The Waiting Room on 16th January with South London post-punk faves Hadda Be, plus support from Sussex alt-rockers Shallow Honey and upcoming shoegaze dreamers Mannequin Flowers. Tickets are on DICE now and they are always cheaper in advance!

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GIHE: Personal Highlights of 2025

We’ve already shared our Albums & EPs Of 2025, Tracks Of 2025 and our final Soho Radio show of the year, but now the GIHE team have put together a round up of some of their music related highlights from the past twelve months.

From celebrating a decade of GIHE in various ways, to attending Cro Cro Land and Decolonise Fest, plus our first time hosting a stage at The Great Escape Festival; the GIHE team were grateful to feel connected to our friends and followers throughout 2025.

Huge love to everyone who has listened in to our radio shows, read our reviews & features on our website, or attended one of our gigs this year. Take care of yourselves and we’ll see you all in 2026!

Read below for a recap of some of our best bits of the year…

10 years of Get In Her Ears!

Kate: Although Get In Her Ears officially kicked off in 2015, I found the GIHE radio show a year later in 2016. I used to listen in every Thursday evening when Mari and Tash hosted their slot on Hoxton Radio, enjoying the new music tunes and smiling when they gave me a shout out on air. When Mari asked me to cover her when she was unable to make the show one week, I was chuffed. Tash and I met for the first time 20 minutes before we shared mics, but it felt like we’d known each other for ages. The show went really well and I had a blast, so I was overwhelmed with happiness when they invited me to be a permanent co-host with them. We’ve continued on as a three piece for nine whole years and in that time we’ve co-launched our website and monthly gig night, moved to Soho Radio, we’ve been featured in Clash, interviewed for The Guardian and The Independent, spoken on panel events at Southbank Centre and even been on Craig Charles’ Trunk Of Punk on BBC Radio 6!

I’m deeply proud of these accomplishments, but what I’m most proud of is nurturing my friendship with Mari and Tash over the past decade. Teenage me – an anxious girl from Essex – would be so happy to know that I’d meet two people who would not only teach me so much about new music and the importance of community, but also just two really decent, funny, open-minded friends who would support me in all my endeavours. That is the foundation of Get In Her Ears and that is why it’s been such a joy and a privilege to grow this platform together and meet so many wonderfully like-minded people who either make music, or feel as passionate a connection to it as we do. We gathered up some kind words in the form of voicenotes from some of our favourite artists for our special anniversary show on Soho Radio, which reflect all of these things and more.
(Kate Crudgington – Features Editor)

Mari: Hosting GIHE gigs really is my most favourite thing to do. As well as being able to platform fantastic new musicians of marginalised genders, being able to bring together like-minded people in a safe space where everyone feels free to be themselves, part of a chosen family, and able to unite in joy and rage feels like something that is needed now more than ever. Huge thanks to everyone – musicians and supporters alike – who’ve been a part of our little community over the last ten years. And biggest thanks of course to dream team, fellow parents of our precious baby, and the best friends a dweeb like me could ever need – Kate, Tash and Paul. Here’s to the next ten years!
(Mari Lane – Managing Editor)

GIHE 10th Birthday All-Dayer at The Cavendish Arms

Mari: I could gush for pages about how much it means to me that Get In Her Ears turned 10 this year. Being able to celebrate something that myself, Kate and Tash (and Paul!) have put so much love and work into over the last decade felt really important, and I wanted to ensure that any event organised represented the community we are so honoured to have been a part of. So, it felt fitting to host our all-dayer in September at The Cavendish Arms – a venue which, over the last couple of years, has done so much for us and whose gorgeous vibe and ethos aligns perfectly with the safe, inclusive space that is consistently my priority to provide, and whose staff are always the most helpful and welcoming.

It felt fitting, too, to be able to put together a line-up of bands and artists who have been a big part of the Get In Her Ears journey in some way over the years – the fact that Problem Patterns came all the way over from Belfast to headline, along with other favourites like Fightmilk, The Baby Seals, Jenny Moore, Jemma Freeman and the Cosmic Something, Schande, Dogviolet, and last minute recruits The Oozes, plus pillar of the scene Estella (Big Joanie) on the decks, really was the stuff that dreams are made of. Being able to fill the space with so many familiar faces, people who’ve supported us and who we couldn’t do all this without, was something that felt incredibly special, and will stay with me for many more decades. I now have a taste for organising all-dayers, keep your eyes peeled for more special events!

Kate: Get In Her Ears has enriched my life on so many levels and I felt that profoundly at our 10th Anniversary gig at The Cavendish Arms. The line-up that Mari put together was stacked with artists who we have followed since their early days of releasing music, so it felt like a real full circle moment for all of us. It was a joy to catch up with friends old and new throughout the day and share plenty of pints and plenty of memories. It all went by in a flash. I handmade 100+ friendship bracelets for the occasion, we had our very own GIHE tote bags on sale designed by our Art Director & Photographer Paul, plus, Paul’s Mum even made cupcakes. I wish we could do it all again.

Ella from Dogviolet: It was an honour to play at the Get In Her Ears anniversary show at The Cav. One of my favourite pubs (and where GIHE gave us our first ever gig!) and an opportunity to play alongside legends of the scene. Highlights included Jemma Freeman, who, as ever, delivered a high-octane set, ending up on the floor in the middle of the crowd with guitars screaming and wailing. A perfect contrast followed with an intimate set from Jenny Moore on piano and vocals; the room fell completely silent, you could hear a pin drop. She combined tongue-in-cheek humour with spine-tingling intimacy, even getting the whole room singing acappella at the end. The venue was packed throughout the day, and truthfully, the event could have filled a much bigger space, but the intimacy gave it a great buzz and atmosphere. The warmth, solidarity and joy in the room were a testament to the community spirit Get In Her Ears have built over the past ten years. Here’s to many more!

 

GIHE first showcase at The Great Escape

Kate: I’ve been attending The Great Escape Festival as a fan and then as a journalist since 2011, so I was over the moon when Get In Her Ears were given the opportunity to host a showcase on Brighton beach on the Soundwaves Stage in May this year. We booked South London post-punk duo Scrounge to headline our eclectic showcase, with Comic Sans, Rubie, Maria Uzor and afromerm as our supporting artists. We were blessed all weekend with sunny weather, which meant the turnout for or beach stage was beyond what we expected. We loved watching each artist perform their unique sets and appreciated every shout out that they gave us from the stage. It was a proper milestone moment for us all and I hope we can return to The Great Escape in the near future to share more of the vital and exciting music from new artists in our GIHE community. Our unofficial GIHE after-party at our favourite Brighton bar, The Bee’s Mouth, was also a blast.

Mari: Another fitting celebration of our 10th birthday this year was to have the honour of hosting a stage at The Great Escape. An event known for platforming upcoming new artists, it felt really special to be able to showcase an eclectic mix of some of our favourites over the weekend in Brighton – from the dreamy soundscapes of afromerm, the frenzied danceable allure of Maria Uzor and the poignant, empowering grace of Rubie, to the immense swirling energy of Comic Sans and fierce seething power of headliners Scrounge; our evening at the Beach Stage really did feel like a perfect representation of the exciting and talented new artists that we consistently support. As well as our showcase, the weekend as a whole was really special – the four of us being able to spend the whole weekend together, celebrating the last ten years with new music, tattoos, fun and sunshine.

GIHE tattoos at The Dollhouse

Kate: It may not have been my first tattoo (it’s my ninth!) but having the GIHE logo permanently etched on to my skin is definitely the most significant piece of ink I have on my body. The Dollhouse in Brighton was the perfect environment for the GIHE team to get our celebratory shared tattoos whilst we were in town for The Great Escape. Run by a team of ultra friendly female, non-binary and LGBTQ+ artists and staff, we were impressed by everything from the pink decor, to the kindness and curiosity of the folks who inked these important lines into our excited flesh. I chose to have my GIHE tattoo on the inside of my wrist, so that it looks like the entry stamp you receive at the door to one of our gigs. For me, it’s a wonderful visual reminder of all that the GIHE team have achieved so far and of our bond with each other.

Mari: At the age of 39, I got my first tattoo after years after debating whether I should, and it felt only right that this first permanent addition to my body should mark something so personal to me (and be designed by my partner in everything, Paul!); a beautiful, lifelong reminder of all the hard work and joy we’ve shared together over the last decade. I guess we’ll just have to keep doing this forever now! Huge thanks and love to Evie for taking such good care of me and making it such a nice experience, and to all the staff at The Dollhouse for being the loveliest; a tattoo place fully staffed by queer people (and with cute pink walls) it felt like the perfect place for us to do this together. I’ll definitely be back soon!

Decolonise Fest

Mari: A vital event promoting punks of colour and their community, Decolonise Fest is a non-profit DIY festival made up of activists, militant community organisers, musicians and artists that have been coming together to organise the weekend since 2017. This year, I was lucky enough to be be able to attend the Saturday, which started off with an incredibly inspiring and informative panel from YWMP, Good Night Out Campaign, Spark The Noise and Off Shoot Tours about creating safer spaces for marginalised groups to enjoy live music – an incredibly relevant and poignant topic for someone who organises gigs. The day and evening continued to be filled with so much incredible live music – including the playful, jazz-tinged energy of Coventry’s The Genes, post-punk legends Bona Rays and the driving frenzied indie anthems of Liverpool’s ones to watch, steel.

Comic Sans on Soho Radio 

Kate: We enjoyed the company of London-based queer punks Comic Sans so much that we invited them to be guests on our Soho Radio show twice this year. We interviewed vocalist Rachel and guitarist Lauren in March about their personal and political single ‘Mr President’ and the band’s origin story, and Rachel also joined us again in May to chat with us on our Great Escape special. What comes across in both interviews is Comic Sans’ collective wit and humour and like team GIHE, there is also a solid friendship underscoring all that they do. It was a joy to host them as part of our showcase at The Great Escape and I look forward to seeing them live again in 2026!

Cro Cro Land

Mari: Ten years ago, if you’d have asked me what I’d be doing on my 39th birthday, I don’t think DJing at awesome local festival Cro Cro Land alongside a line-up of incredible bands would have even occurred to me. But, a decade on, that’s what happened, and I can honestly say it was one of the most fun birthdays of my nearly 40 years. Spending the day providing tunes for so many familiar faces, as well as 100s of lovely local Croydon folk out to enjoy some fantastic live music felt like the perfect way to celebrate, and being able enjoy bands like Billy Nomates, Goat Girl, Benefits, Berries, Grandmas House, Phwoar, Bugeye and A Void throughout the day was the only present I needed. Huge thanks to organisers Angela and Julia for inviting me to be involved, and massive credit to them for creating such a brilliant and diverse showcase of new music within a community that so needs a bit of a boost right now.

Deer Shed Festival

Mari: My fourth time at the North Yorkshire festival, this year at Deer Shed felt as special as ever. Having fallen in love with its warm, family-focused energy and exciting, eclectic line-ups when first attending in 2022, it has not disappointed since. They manage to consistently create a space that feels comfortingly intimate; an inclusive safe haven for artists and fans of all genres, genders and ages. Amongst those performing, a fantastic amount of female, non binary and queer performers were represented this year, and I was lucky enough to catch lots of these over the weekend, with highlights including Kae Tempest, Moonchild Sanelly, Cowboy Hunters, The None and Jacob Alon. I also felt privileged to be asked to DJ a silent disco for the second year in a row; playing tunes to a huge tent that ended up being full of people provided a much-needed hit of dopamine. And watching the people of all ages, families and friends alike, enjoying the music – making up dances, and getting excited by certain songs (particularly Chappell Roan and Le Tigre!) – was a pretty euphoric experience. I’m mega grateful to have had the opportunity to do it; huge thanks and love to Deer Shed for letting me unleash my danceable queer tunes onto the crowd once again! I strongly suggest you investigate getting tickets for this year – the line-up’s looking pretty lovely, with the likes of Jasmine.4.t, Say She She, The New Eves and Sorry already announced.

Working with Trapped Animal Records

Mari: I just wanted to give a little shout out to perhaps the most positive thing that’s happened for me personally over the last year. Over the last decade of Get In Her Ears, there’s been certain independent record labels who we’ve worked with closely and whose values have consistently seemed to align with what we do. Trapped Animal Records has been one of these, with favourites like The Baby Seals, Jemma Freeman and the Cosmic Something, Grrrl Gang, Gabi Garbutt and Dear Pariah on their roster, and having continued to use their platform to support what we do. So, in Spring this year, when they asked if I’d like to help them out with press for some of their artists, it seemed like the stars had aligned and I jumped at the chance.

It’s been so lovely to be able to be part of a team of such like-minded folk, promoting hardworking DIY artists spread the word about their wonderful new music, and I’m super excited for what 2026 has in store, both with the main label and with their new, artist-focused sub-label We Go To 11, which was created to support independent artists in releasing their music without giving up control or rights. Working with a diverse range of bands and artists, such as Black Water County, Neev, Peter Cat, Jeremy Tuplin, Cormorant Tree Oh, That Old Quiet Lighthouse, Read The Room and Crying Loser has been such a pleasure – huge thanks to Joel, Kerry and the team for having me on board!

Keep your eyes peeled for our Ones To Watch in 2026 feature, which we’ll be publishing on our website very soon…

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