Track Of The Day: Aisha Badru – ‘Splintered’

Following the lush, enveloping sound of previous single ‘Bridges’, New York’s Aisha Badru returns to charm our ears with a sparkling new offering, ‘Splintered’.

A call for people to take control of their lives‘Splintered’ flows with the beautiful, sweeping splendour of Badru’s delicately emotion-strewn vocals. Oozing a majestic grace, alongside twinkling melodies and a soaring musicality, it’s filled with a raw emotion that’ll send shivers down the spine on first listen. With shades of the twinkling fragility of Daughter, it’s another simply spellbinding creation from this innovative artist.

Of the track, Badru explains:

We often find someone else to blame. We are afraid to take responsibility, reclaim our power, and heal ourselves. Splintered encourages people to face the dark spots within us in order to find the light.”

Pendulum, the latest album from Aisha Badru, is out now. Catch her live at her first UK appearance on 18th September at Oslo, Hackney.

Mari Lane
@marimindles

Introducing Interview: Belako

Having wowed us with their immersive live show at Finsbury Park supporting Queens Of The Stone Age in the summer, Basque Country band Belako are now about to embark on a UK tour.

Spending the year touring a dozen countries, 3 continents and gathering a host of new fans along the way, the band also released latest album Render Me Numb, Trivial Violence – a collection of poignant, genre-pushing offerings executed with gritty passion, marking themselves out as a definite band on the rise.

We caught up with Belako to find out more…

Hi Belako! Can you tell us a bit about yourselves and what you do?
Hi! We think of ourselves as a band that mixes different influences and turns them into eclectic songs in constant transformation. We do punk, noise, rock, synth pop, new wave, no wave. We’re still trying different sounds on our recordings but our live shows are much more organic, visceral and the best presentation card we have so far.

How did you initially get together and start creating music?
Cris and Josu met at the university of Fine Arts. Because of their shared passion for almost all the same bands, they went to rehearse some covers (Massive Attack, Pixies…) with Lore, Josu’s sister, in an old abandoned factory in the suburb named “Belako”. A few months later Lander joined them and the team was made. We started creating our own music since the very beginning, it all happened pretty naturally.

Your fantastic album Render Me Numb, Trivial Violence is out now, can you tell us a bit about it? Are there any themes running throughout it?
We think its title sums up pretty well all of the lyrics in one sentence, as all of them are about different violent situations we observe from the lucky side of the planet in the media (trivial violence = T.V.), while we keep a passive attitude about them. We feel very proud of this album, it has a lot of different musical arrangements but all of the songs are connected in a certain logical order.

We’ve heard about the track ‘Over The Edge’ as being “against gender violence” – do you feel it’s important to address this issue in music?
It is crucial to address this issue in every field – we are musicians, so we do it in our music, in our gigs and whenever we are asked. We understood at some point how lucky we were because of the chance we have had with the band to raise our voice and be heard. This should matter always to everyone – women are being murdered, raped, beaten, humiliated in many different ways all over the world.

We love your gritty, post-punk sound, but who would you say are your main musical influences?
We are inspired by Gorillaz, Talking Heads, Flaming Lips, Grimes, MGMT, The Voidz because of their unlimited creativity, and Savages, Dream Wife, Empress Of, Surfbort, Idles, because of their attitude and live performances. We also take strong influence from bands from our home, the Basque Country, because of their sound and use of the Basque language in music which we try to conserve – they are from the ’80s, Itoiz and Hertzainak.

We were blown away seeing you live at Finsbury Park with Queens Of The Stone Age this summer, but is there a particular concert you’ve played so far that stands out as a highlight?
Fortunately, there are a lot of special concerts in our minds when we’re asked about this and it is hard to choose just one or two. Thinking about the first time we came to the UK, we fell in love with Scotland – playing at Sneaky Pete’s in Edinburgh with the magnificent Scottish duo Nice Church (after whom we named a song on our last album) was a gift. Small dark noisy venue, the best.

How is your local music scene? Do you go to see much live music?
The Basque Country has a lot of interesting bands and we try to catch as many gigs as we can. There is a huge tradition of punk-rock but nowadays you get to see alternative projects that should be touring abroad as well!

As we’re a new music focused site, are there any other new Spanish bands/artists who you’d recommend we check out?
From the Basque Country there’s Lukiek, Vulk, Cecilia Payne, Toc, LesteryEliza, Yellow Big Machine… From Catalunya there’s Mourn, from Madrid, Favx, and from Valencia, La Plata.

And how do you feel the industry is for new bands at the moment – would you say it’s difficult to get noticed?
It is a very hostile world, ruled by social networks, the amount of followers you have… Basically we live in the image era and both mainstream and alternative bands play the same game. Usually the profiles people get to see on the internet are detached from the artists or bands’ realities. All that might recall success or fame doesn’t mean an easy and solved life, follows and likes aren’t money on your account, but they are the vehicle to get bigger audiences, and live shows are what most musicians make a living out of nowadays.

Finally, what does the rest of 2018 have in store for Belako?
We will play London, Manchester, Glasgow, Birmingham (17th to 20th of September), then off to Hamburg for the Reeperbahn Festival, Bime Festival in Bilbao, and several dates in Spain including big venues in Madrid and Barcelona.

Huge thanks to Belako for answering our questions!
Thanks for asking 😉

Catch Belako live in the UK at the following dates. Tickets here.

17th September – The Lexington, London
18th September – Gullivers, Manchester
19th September – Stereo, Glasgow
20th September – The Flapper, Birmingham

 

Get In Her Ears Live @ The Finsbury w/ Wendy Rae Fowler, 14.09.18

Following a host of super amazing bands playing for us recently – including LIINES, Witch Fever, The Magnettes, H.Grimace, The Menstrual Cramps and Thunder On The Left  – we were back at The Finsbury on Friday for another jam-packed night of the best new music.

Kicking things off, the absolutely stunning Caswell returns to play for us – full band in tow – after captivating us all last year. As her silky smooth, luscious vocals soar alongside deep pulsating beats and twinkling soundscapes, she charms the crowd with the uplifting, sparkling splendour of her catchy creations.

Next up, utterly immense duo Belle Scar take to the stage. Delivering her sweeping, majestic offerings, Geeta casts her spell over us all an instant. As the intense power of her spectacular vocals ooze a beguiling grandeur alongside innovative, mind blowing hooks, she shimmers and shines with a unique grace.

Penultimate band of the night, the many members of After London, treat the jam-packed venue to their anthemic alt-rock with an infectious, uninhibited energy. As front woman Francesca’s gritty, soulful vocals cascade over swirling riffs, the band draw us all into their high-octane creations, cementing themselves as definite ones to watch.

Finally, Wendy Rae Fowler and her band (including GIHE fave Jemma Freeman) take to the stage, immediately capturing our attention with a completely immersive presence and innovative soundscape. As Fowler’s deep, resonant vocals soar with a spellbinding power, whirring hooks and tribal beats create a captivating, cinematic atmosphere, filling the room with a sense of wonder; a soul-grabbing, breath-taking set that I’m truly honoured to have hosted.

Massive thanks to all the artist who played for us on Friday – it really was an amazing night of live music, and we’re so grateful to have you all play for us!

Catch us next month at The Finsbury for our Blogtober event on 12th October with Peach Club! It will also be our website’s first birthday, so make sure you come and join in the celebrations!

Words: Mari Lane / @marimindles
Photos: Jon Mo / @jonmophoto

 

LIVE: Skating Polly @ Sebright Arms, 10.09.18

As a rule, especially now I’m fast approaching mid-thirties-dom, I generally try to avoid Monday night gigs – they tend to set a precedent of low energy and enhanced apathy for the rest of the week. But last Monday, I decided to make an exception for my favourite sibling punk-rock trio, Skating Polly. And I’m extremely glad I did.

Kicking off the two-band line up at Bethnal Green’s Sebright Arms are GIHE faves The Menstrual Cramps. Delivering their topical tongue-in-cheek wit and immense, politically-charged force, they succeed in astounding the crowd. With their refreshingly uncensored, genuine passion, they seem to have refined their seething set even since I last saw them play for us a couple of months back; they’re a band who are now more relevant and necessary than ever before, continuing to refine their musical prowess to blast their message into our ears.

Marking themselves out as favourites when we caught them a couple of years back, putting on an immense live set at The Lock Tavern, Skating Polly‘s Kelli and Peyton have since recruited brother Kurtis on drums, to create an even bigger, high-octane sound. Delivering their trademark combination of honey-sweet melodies with gritty, whirring hooks, 2016’s ‘Pretective Boy’ starts the set. And immediately they draw in the packed out venue with their immense buoyant energy and understated subtle power.

Although I had been blown away seeing Kelli and Peyton as a duo, with the added volume of one extra person, they’re able to blast into the eardrums with a fuller, all-encompassing sound that hits you with a sublime force from the start. And it doesn’t make it any less impressive or immersive either; the two front women continue to swap vocal responsibilities and instruments throughout the set, with Peyton and Kurtis swapping roles for one song too. Skating Polly are a band who continue to keep us on our toes, showcasing their exciting, multi-faceted sound and unique, impassioned stage presence.

Treating us to an eclectic mix of songs new and old, each and every moment of this jam-packed set is full of raw emotion, with this band’s intense snarling energy and ferocious vocal delivery blowing me away throughout. From new tracks such as ‘Free Will At Ease’ (inspired by a “shitty ex boyfriend”) and the seething grunge-fuelled power of ‘Camelot’, to 2016’s ‘Perfume For Now’ (about a guy who accused Kelli of being a creep when she was just 13) and the immense grit of ‘Stop Digging’, each and every offering is an exciting, intoxicating sonic delight.

Fiercely staring into the crowd and shouting “throw your mother-fucking hands up!”, Kelli tops things off by launching into the sweaty (and incredibly smelly!) sea of fans for an epic surf, bass and all. A glorious end to a glorious night of live music. Once again marking themselves out as going against the grain, Skating Polly deliver an empowering sentiment, uniting anyone who doesn’t want to coincide with the confines of society’s limitations.

Definitely worth venturing out on a Monday for; far from apathetic and energy-less, the night leaves me feeling motivated and refreshed, having been in the presence of such formidable women in music.

Mari Lane
@marimindles