PLAYLIST: August 2025

We’re publishing our August Playlist slightly later than planned, but we hope our eclectic mix of punk anthems; indie and alt-folk gems, evocative beats, emotive electronic soundscapes & instrumentals will still provide the perfect soundtrack for your eager ears! Make sure you take some time to scroll through our recommendations below.

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we are moving away from using Spotify as our main playlisting platform, so we have included YouTube and/or bandcamp links for all of the tracks on this playlist. You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we are in the process of choosing a different platform to share new music with you.

As always, we encourage you to follow the artists below on their social media, sign up to their mailing lists, go to their gigs and buy their records from bandcamp.

 

Breakup Haircut – ‘The Algorithm’s Trying To Kill Me’
We’re so so excited to see the return of DIY faves and First Timers alumni Breakup Haircut! Following 2022’s fantastic debut, Punk Dancing For Self Defence, they’ve now released the first in a string of new singles ahead of a second album – due for release this autumn via INH Records. A deeply relatable anti-capitalist anthem, ‘The Algorithm’s Trying To Kill Me’ showcases the band’s trademark playful sardonic wit and scuzzy punk-pop energy whilst angst-driven undercurrents and fierce hooks indicate a more honed, sharper sound for Breakup Haircut. I’m very much looking forward to hearing more from them soon, which we all can when they join us at New River Studios on 10th October, supporting Strange New Places with Junk Whale. Nab tickets on DICE now! (Mari Lane – Managing Editor)


Problem Patterns – ‘Classic Rock Has Become My Prison’
Ahead of their upcoming new EP, Boring Songs For Boring People, due via Alcopop! Records on 12th September, and following recent release ‘I’m Fine and I’m Doing Great’ (which was on the BBC 6Music playlist for four weeks!) Belfast queer punk pals Problem Patterns have now shared this immense new single. Offering a wonderful parody on the sexist ideals of many classic rock heroes, ‘Classic Rock Has Become My Prison’ was initially inspired by Bev feeling imprisoned by her neighbour’s daily blasting out of certain bands at an obnoxiously loud volume, and has developed into a fiercely raging ‘cock-rock’ anthem.

Of the track, Bev explains: “the more I thought about classic rock tunes, the more I thought about the sexism and misogyny rampant in the lyrics of even the most popular songs. Musically, we took on classic rock alter-egos, ripping solos, chugging riffs, hitting the drum fills just right, before letting loose that patented PP anger.” Prizes for anyone who can identify any of the twenty five cocky lyrical references patchworked into the song – I think I can name a few, which I might run by the band when THEY HEADLINE OUR 10TH BIRTHDAY ALL DAYER ON 27TH SEPTEMBER! We cannot wait. Tickets are now officially sold out, but feel free to join the waiting list on DICE in case anyone has to return theirs. If you have a ticket, we’ll see you at The Cavendish Arms on the 27th, along with so many other faves like Fightmilk, The Baby Seals, Ray Aggs, Jemma Freeman and The Cosmic Something and more!
(ML)

Madame So – ‘Sick Of It All’
Indie art-punk artist Madame So is back with an aptly named new single ‘Sick Of It All’, a cathartic anthem inspired by the need to stand in solidarity with oppressed nations and victims of war crimes. It was originally written in 2024, but Madame So’s anger and lyricism remain just as relevant a year on. She wants to be clear that the song is not about exploiting suffering, but about “using music as a tool to open eyes and spark conversations that matter.” (Kate Crudgington – Features Editor)

CARNE – ‘VAST’
This is the second single from Brighton-based grunge four-piece CARNE, who are fronted by vocalist and guitarist Carmen Mellino. ‘VAST’ is both a “tribute” to a niche band of the same name that Carmen admires, as well as an exploration of the complexities of human connection and how this can be affected by the intensity of touring as a band. It’s full of crushing riffs and lush melodic vocals, inspired by iconic ’90s grunge icons like The Smashing Pumpkins and Hole. (KC)

Yuppie Supper – ‘Neocanine’
A new favourite band for sure, Leeds based DIY trio Yuppie Supper are set to release their second EP, The Mondegreen, on 10th October, and our first taste of that comes in the form of recent single ‘Neocanine’. Voicing their frustration at being forced to choose between the far right and more of the neoliberalism of the last 40 years, the band offer trans-lead, grunge-fuelled anthems, and I can’t get enough of their fiercely angst-driven energy. (ML)

Vanelle – ‘Blue Curls’
‘Blue Curls’ is an angst-ridden reflection on adolescence from Berlin-based trio Vanelle. Released via Beans On Toast Records, the newly launched sub-label of Duchess Box Records, the track is taken from the band’s upcoming self-titled EP, which is set for release on 3rd October. Through heartfelt lyrics and brooding guitar riffs, the band explore what it’s like to feel left out and like you don’t fit in when you’re growing up. (KC)

steel. – ‘DFTTM’
I was lucky enough to attend a day of Decolonise Fest at Signature Brew – a fantastic event promoting punks of colour and their community. Starting off with an incredibly inspiring and informative panel from YWMP, Good Night Out Campaign, Spark The Noise and Off Shoot Tours about creating safer spaces for marginalised groups to enjoy live music, the day and evening was filled with so much incredible live music, including the playful, jazz-tinged energy of Coventry’s The Genes, post-punk legends Bona Rays and the driving frenzied indie anthems of Liverpool’s ones to watch, steel. (ML)

adults – ‘patterns’
Set to release their second full-length album next month, South London indie-punks adults have now shared the first taste of what to expect. A nostalgic ode to London’s DIY scene, offering a wistful reflection on how the city’s changed and the deep sense of loss that has come with this, ‘patterns’ flows with the band’s trademark jangly energy and fuzzy hooks. As twinkling harmonies ripple with a gentle raw emotion, it builds with an anthemic sense of hope as sparkling synths conjure memories of dancing into the night at beloved venues like Moth Club and Power Lunches. I can’t wait to hear more of the band’s beautifully heartstring-tugging, head-bopping creations when they play the Divine Schism all-dayer at New River Studios next Saturday 13th September. the seeds we sow are sprouting buds nonetheless, the upcoming new album from adults, is set for release on 31st October via Fika Records. (ML)

Jessie Mac – ‘Trans Is Beautiful’
This is a powerful (and incredibly catchy) “sonic statement” from South East London trans DJ, producer and label owner Jessie Mac. By sampling the words of American actress and LGBTQ advocate Laverne Cox and combining them with her own shape-shifting club beats and electronics, Jessie has created an LGBTQIA anthem that is equal parts poignant, political and playful. (KC)

Tusks – ‘Adore’ remix by I.JORDAN
I loved the evocative, original version of ‘Adore’ by London-based artist Tusks (released back in 2024), lifted from her third album, Gold. This re-imagining by Doncaster-born, London-based DJ I.JORDAN is completely different – fueled by an infectious dance beat – but it still retains the emotive pull of Tusks’ original release. This track will feature on Tusks’ upcoming EP, Gold – The Remixes, due on 1st October via One Little Independent Records. (KC)

Stealing Sheep – ‘Take Me Back’
The latest single from Liverpool’s Stealing Sheep, ‘Take Me Back’ is propelled by glitchy immersive beats as euphoric, swirling synth-driven hooks create a “rave-drenched fever dream”. A playful, ‘80s-inspired ode to surrealist art-pop and the joyous glow of nights spent on dancefloors into the early hours. ‘Take Me Back’ is our first taste of GLO, the band’s upcoming new album. (ML)

Ho99o9 ft. Nova Twins, Pink Siifu, Yung Skrrt – ‘Incline’
A DREAM collaboration here from two personal favourites: rap-punk duo Ho99o9 and alt-heavy icons Nova Twins. The girls’ incendiary riffs perfectly underscore Ho99o9’s visceral verses. The track features on the Ho99o9’s upcoming album, Tomorrow We Escape, which is set for release on 9th September. The record will also feature a contribution from Chelsea Wolfe – I can’t wait to listen to it in full. (KC)

Pets and Doom and Gloom – ‘Mina’
This track from London-based dark electronic duo Pets and Doom and Gloom is peak “Gloomy Grrrl” territory. ‘Mina’ is lifted from the band’s debut EP, Lone and Level, which was released on 5th August to coincide with oil giant BP’s quarterly earnings announcement. The band’s apocalyptic sounds and haunting vocals are their way of pushing back against a damaged world; something that’s epitomised on ‘Mina’ which they describe as “a trip hop tale of vengeance.” (KC)

Tyler Holmes – ‘Copy’
Having first fallen in love with innovative artist Tyler Holmes’ poignant electronic soundscapes back in 2021 when they released their album, Nightmare In Paradise, I was excited to see their name crop up in my inbox again last week. Set to release an experimental new album at the end of the month, over the last few years Holmes has experienced a great deal of change in their life – including the death of a parent and heartbreak – though the new record focuses more on the theme of the natural world and how we accept our place in it. Beautifully interweaving stark reflections into textured soundscapes that evoke both the serene and brutal side of nature, the album is built on the bones of ‘The Southern Reach Trilogy’ by Jeff Vandermeer and ‘No.44, The Mysterious Stranger’ by Mark Twain. Patience, the upcoming new album from Tyler Holmes, is set for release on 26th September via Ratskin Records. (ML)

Sijya – ‘I Only Want To Crash’
Another idiosyncratic, atmospheric soundscape here from South Asian composer, producer and graphic artist Sijya. ‘I Only Want To Crash’ is lifted from Sijya’s upcoming EP, Leather & Brass, which is set for release via One Little Independent Records on 12th September. The track evolved from an instrumental to include her ambiguous lyrical motifs, affording Sijya the emotional release she craves. (KC)

feeo – ‘The Mountain’
London experimental artist feeo is new to me, but I was transfixed by her calm voice and ambient drone sounds on this single ‘The Mountain’. Released via label AD 93, the track is inspired by the “dualities of the natural world” and how it can be both brutal and beautiful. (KC)

VERA SACRA – ‘Burning’
I found listening to this soundscape from experimental cellist, vocalist and producer VERA SACRA strangely soothing. Lifted from her debut EP, sacred spring, released via EMI North & Launchpad+, ‘Burning’ is a beautiful reflection on the artist’s “fractured yet vivid inner world.” She wrote and recorded her EP whilst travelling between Latvia, Estonia, London, & Sheffield, whilst also struggling with psychosis at the time. The result is a glitchy but captivating collection of tracks that showcase her immense talent. (KC)

The New Eves – ‘Astrolabe’
Congratulations to Brighton-based four-piece The New Eves who released their debut album, The New Eve Is Rising, earlier this month! The band blew us away with their unique live performance of what they have coined as “Hagstone Rock” when we saw them at The Great Escape Festival earlier this year and we can’t wait to catch them again at their headline show at London’s Hoxton Hall on 7th October. (KC)

Daffo – ‘Dagger Song’
Set to release their debut album later this month, Gabi Gamberg – aka Daffo – has shared stirring new single ‘Dagger Song’. I’m such a big fan of the LA based artist and the sparkling, heartfelt emotion that seeps through all they create; even more so since seeing them live at The Great Escape this year. Watching them alongside Hanni and Clara from ARXX and Rach from Comic Sans was a big highlight of the weekend for me! Their debut album, Where The Earth Bends, is out on 26th September via Concord Records, and they will be playing a few dates in the UK in October, including The Lower Third in London on 31st October – a nice Halloween gig. (ML)

The Cords – ‘I’m Not Sad’
The latest single from Scottish duo The Cords, ‘I’m Not Sad’ offers a perfectly upbeat, short and sweet blast of joyous energy. Propelled by a lilting surf-pop energy and singalong refrains, it’s a gloriously glistening slice of indie-pop with shades of the likes of fellow Scots Camera Obscura or Belle and Sebastian. I can’t wait for the release of their debut album on 26th September via Skep Wax Records. (ML)

The Schla La Las – ‘1234’
A supergroup of sorts, lead by Piney Gir, The Schla La Las built up a reputation for their joyous live shows within the indie-rock scene of the early noughties. Now, after being away from our ears for eighteen years, they have returned with a wonderfully uplifting new single. Showcasing their punky, poppy energy and sugar-sweet allure perfectly, ‘1234’ is accompanied by a super cute, strangely empowering, lego-stop motion video for the song. Find out more on our premiere feature here. You can witness the sparkling allure of The Schla La Las live at Dream Bags Jaguar Shows on 15th November. (ML)

jasmine.4.t – ‘Woman’
GIHE favourite jasmine.4.t has recently shared a heartfelt fan film to accompany her song ‘Woman’. Of the song and video, she explains: “We wanted to show the world this queer love and solidarity, to show the world that trans people are loved, to show the world all of the beautiful responses we have to trans art. So we put out a call for video clips from fans of them responding to ‘Woman’, singing, playing, dancing. We edited the clips into this, a fan video for the song and I can’t believe how beautifully it has turned out.”

Watch the incredibly beautiful video and please have a look at the information shared by Not A Phase about the recent EHRC proposals for the mandatory exclusion of trans people from gendered spaces, the terrifying consequences this could have and next steps that we can take to stop it being put into effect. You could also donate to The Good Law Project who run loads of great campaigns and are challenging the Supreme Court’s ruling to overturn the Equality Act, as it seeks to take away further rights of trans people – breaking actual Human Rights Laws. (ML)

Ailsa Tully – ‘Choosing’
Following recent releases ‘Self Soothing’ and ‘Womb Room’, Welsh artist Ailsa Tully has now shared stirring new single ‘Choosing’. Written shortly after her father passed away, it offers a poignant reflection on moving and feeling unsettled; a plea for some stability. As a dark ethereal splendour shimmers alongside its lilting folk-strewn musicality, the heartfelt grace and twinkling delicate emotion of Ailsa’s celestial vocals shines throughout. A truly beautiful new offering, that I’m pleased to say is being shared with the world at a time when Ailsa is feeling more settled and has found somewhere – with someone she loves – that she feels able to call home. (ML)

Madison Cunningham – ‘My Full Name’
Ahead of the release of her new album next month, LA songwriter Madison Cunningham has shared ‘My Full Name’. A vulnerable reflection on heartbreak and loss, her sweeping crystalline vocals float alongside twinkling keys with a soaring delicate emotion. Ace, the upcoming album from Madison Cunningham, is set for release on 10th October. (ML)

Hand Habits – ‘Bluebird Of Happiness’
Having recently released their poignant new album, Meg Duffy – aka Hand Habits’ – latest single ‘Bluebird Of Happiness’ interweaves their distinctive rich vocals with fuzzy layers of sound amidst a shimmering subtle optimism. Of the track, they comment: “One day my partner asked what birdsong we were hearing through the window and I was like, ‘well that’s the bluebird of happiness obviously,’ and it became a joke song I would sing around the house, but then it grew wings… I also got curious about the history of the bluebird of happiness, and found that it has mythological significance.” Blue Reminder, the new album from Hand Habits, is out now via Fat Possum. (ML)

Kate Stables, Jesca Hoop, Lail Arad – ‘Raised On Robbery’
Having been lucky enough to attend a special Songs Of Joni Mitchell event at The Roundhouse last year, I was excited to hear that organiser Lail Arad, along with fellow artists Kate Stables (This Is The Kit) and Jesca Hoop, are set to release an EP of Joni covers this week to accompany their tour this autumn, continuing their heartwarming ode to the music of one of the world’s most inspirational artists. As a life-long fan of Joni, and a many-years-fan of these three artists, it’s such a joy to hear them celebrating her work, and creating their own sparkling renditions of some of my most favourite songs. They will be playing Shepherd’s Bush Empire on 13th November, along with a big run of UK dates throughout the autumn. The Songs Of Joni Mitchell Vol 1, the upcoming EP, is out on Friday 12th September. (ML)

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LISTEN: GIHE on Soho Radio with Fightmilk (21.08.25)

For this month’s GIHE show, Mari was joined in the studio by Lily from punk-pop favourites Fightmilk, bringing listeners an eclectic mix of new music tunes from some of their favourite female, non-binary and LGBTQIA+ bands and artists.

They talked about Get In Her Ears’ upcoming 10th Birthday celebration at The Cavendish Arms, the secrets of being in a DIY band, horror films, favourite famous dogs, The Macarena and lots more! The playlist included tunes from Cheerbleederz, Problem Patterns, Pink Shift, Jasmine 4t and more.

Listen back below:


We’ll be back on Soho Radio on Thursday 18th September from 4-6pm (BST)
 Make sure you tune in via DAB or the new Soho Radio app!
You can also listen at www.sohoradiolondon.com

Tracklist
Dolly Parton – Dumb Blonde
Fightmilk – Summer Bodies
Cheerbleederz – I Deserved Better
The Schla La Las – 1234
Problem Patterns – Sad Old Woman
Problem Patterns – Terfs Out
Efemel – Resuscitate
Cowboy Hunters – Breathe (and then you die)
The None – Pigs Need Feeding
adults – discipline
Wiince – Specific Rim
Lande Hekt – Impending Dooming
The Cords – I’m Not Sad
Flinch – I wonder if colin from endocrinology remembers me
Soot Sprite – Wield Your Hope Like A Weapon
Wench! – Yeti Legs
Pinkshift – Vacant
Strange New Places – YATPYFL
Tugboat Captain – Pest Control
Yuppie Supper – Neocanine
Ducks LTD (with Lunar Vacation) – Lloyd, I’m Ready To Be Heartbroken
Jasmine 4t – Woman

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PLAYLIST: July 2025

We’re publishing our July Playlist slightly later than planned…but our eclectic mix of Riot Grrrl anthems, indie and alt-folk tunes, punk bangers, evocative electronics & instrumentals, alt-pop gems and grungy riffs should still see you through the summer! Make sure you take some time to scroll through our recommendations below.

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we will be moving away from using Spotify as a streaming platform in the near future, so we’ve included YouTube or bandcamp links for all of the tracks in this feature. You can still access the playlist via our GIHE profile on Spotify – but we are in the process of choosing a different platform to share new music with you.

As always, we encourage you to follow the artists below on social media, sign up to their mailing lists, go to their gigs and buy their records from bandcamp.

WENCH! – ‘Yeti Legs’
I love it when an email lands my inbox with something as exciting as this from Hull’s queer riot grrrls WENCH! Taken from their new (and wonderfully titled) EP, Relaxing Rain Sounds For Baby Sleep, ‘Yeti Legs’ offers an immense retaliation against everything that marginalized genders are constantly told to tolerate. Building the tension with a hauntingly dark, Kyuss-reminiscent bassline, the track blasts into the ears with a fierce, raging energy, racing riffs and a relentless, impassioned power. The band explain – “WENCH are done with pretending all is OK & determined to not be complicit in their own discomfort.” New faves for sure. (Mari Lane – Managing Editor)

UPCHUCK – ‘Forgotten Token’
This track from Atlanta-based punks UPCHUCK is particularly poignant for vocalist KT, as it addresses the sudden loss of her sister during the time that the band were recording their new album, I’m Nice Now (due on 3rd October via Domino.) ‘Forgotten Token’ is a reminder to not undervalue those closest to you. “You can lose things easily and not care, thinking you’ll just get another one. But people aren’t objects,” KT shares – a valid point and one we should all take note of. (Kate Crudgington – Features Editor)

Hot Wife – ‘No You No Problem’
The latest single from South London grunge-rockers Hot Wife, ‘No You No Problem’ offers a raging revenge anthem, propelled by racing fuzzy hooks and a raw angst-driven power. Of the track, the band explain – “The track tears into a toxic relationship marked by ghosting, gaslighting, and emotional no-shows… CIA missions, alien abductions, or maybe they’re just an asshole? It’s a reclamation of power; you can disappear but it’s no problem at all. We’re better off without you.” (ML)

Sprints – ‘Rage’
‘Rage’ is part of a double single release from GIHE faves SPRINTS, alongside track ‘Beg’. The Dublin four-piece’s potent new offering is taken from their second album, All That Is Over, which is set for release on 26th September via City Slang and Sub Pop. Speaking about the inspiration behind ‘Rage’, vocalist & guitarist Karla Chubb shares: “I think in the world today, it’s a lot easier to be angry than it is to help facilitate change. People are fatigued, disillusioned – it’s understandable, but we shouldn’t be pointing the finger at those already marginalised and making them shoulder the blame. The world is full of false prophets and false promises; it’s time we call them out. Don’t let the rage bait fuel the fire and burn us all in the process.” (KC)

PROJECTOR – ‘It Surely Has Been Hell’
Described as one of their most “hateful” songs to date, this urgent new track from Brighton trio PROJECTOR is catharsis incarnate. It’s taken from the band’s upcoming second album, Contempt, which is set for release on 3rd October 2025 via Alcopop! Records. Speaking about PROJECTOR’s new record, bassist Lucy Sheehan explains: “In some ways, Contempt is us consolidating and accepting what we are: aggressive and stupid and weird, as well as carefully devoted to melody and harmony. We’ve always been aware of the dissonance in us and our music. Probably like most cynical musicians we love beautiful things but can’t really enjoy them without tearing them apart.” (KC)

LOBSTERBOMB – ‘Nightbird’
‘Nightbird’ is the latest single from Berlin−based post−punk outfit Lobsterbomb – who our Digital Editor Tash first introduced me to. The band describe the track as their “nocturnal anthem – a call to the sleepless, the restless, and the creatively haunted.” It’s a deliciously gloomy offering from these exciting newcomers. (KC)

TTSSFU – ‘Call U Back’
I’m such a big fan of Manchester-based indie artist Tasmin Stephens aka TTSSFU! Taken from her New EP, Blown, set for release on 29th August via Partisan Records, this track ‘Call U Back’ is about having an intense crush on someone, chasing them too intensely and ultimately making a fool of yourself. Tasmin says “When you listen to it, imagine you’re drunk on a night out at the point that things slowly start to just feel awful.” – we’ve all been there. (KC)

Cowboy Hunters – ‘Perfect (Exceeder)’
Having finally got to witness their immense, instrument-swapping live show at Deer Shed festival last weekend (read more in our review of the weekend), I can’t get enough of the raw gritty power of Scottish punk duo Cowboy Hunters. Their latest offering, a riotous rendition of Princess Superstar’s ‘Perfect (Exceeder)’ showcases all there is to love about the band: their fiercely seething energy and playful charisma will immerse the ears instantly and leave you wanting more. (ML)

Pinkshift – ‘Vacant’
Ahead of the release of a new album later this month, Maryland punk-rockers ‘Pinkshift’ have recently shared fierce new single ‘Vacant’. Propelled by an immense sense of urgency and fuzzy grunge-tinged hooks, the track showcases the raw gritty emotion of front-person Ashrita Kumar’s vocals and the band’s ability to create modern day rock anthems. Earthkeeper, Pinkshift’s second album, is set for release on 29th August via Hopeless. (ML)

Fortitude Valley – ‘Oceans Apart’
With their new album, Part Of The Problem, released last Friday, Fortitude Valley continue to warm my heart with their gloriously scuzzy, beautifully heartfelt indie-pop anthems. Reflecting on the feelings that accompany “growing up, moving away across oceans and trying to be happy and successful off your own back”, ‘Oceans Apart’ pays homage to an album of the same name by Aussie legends The Go-Betweens as front-person Laura Kovic’s honey-sweet vocals flow alongside the band’s perfectly catchy jangly melodies. Catch Fortitude Valley live this Autumn, tickets here. (ML)

Jessica Winter – ‘Big Star’
It was such a joy to catch up with alt-pop sensation Jessica Winter on our Soho Radio show in July! This track is taken from her debut LP, My First Album, released via Lucky Number. We’ve been following her musical journey since 2020, so to see her take such pride and feel such confidence in the eclectic collection of pop sounds she’s crafted so meticulously was a real privilege. Listen to her new album here. (KC)

sugarglaze – ‘wishing’
I was intrigued by this hyper-pop tune from London based musician and kawaii/alt-artist sugarglaze when it dropped into my inbox earlier this month. I particularly liked the context she provided for her artist name, explaining that as a “serial people pleaser” who constantly feels like she’s failing to do just that, sugarglaze personifies the feeling of needing to sugarcoat yourself and your feelings – but the sickly sweet nature of it can also rot your teeth! This duality is explored on her upcoming album, wishing megamix, which she will be releasing in the near future. (KC)

CMAT – ‘EURO-COUNTRY’
When I interviewed CMAT for GIHE back in 2020, I knew she was a pop legend in the making. She was so funny and her single at the time ‘I Wanna Be a Cowboy, Baby!’ was rightfully gaining her a loyal and adoring fan base. Fast forward five years, and the Irish songwriter is now gearing up to release her third highly-anticipated album, EURO-COUNTRY, on 29th August vial AWAL Recordings. This is the title track and as expected, it’s full of CMAT’s trademark wit and charm. Speaking about the concept of her new record, she explains: “I have certain phrases that reverberate around my head over and over again – and EURO-COUNTRY was one of them…and it means three things to me: It’s the kind of country music I make; the fact that Ireland is a European country run by the euro; and that capitalism is one of the worst things to ever happen to us.” (KC)

BERTY – ‘Jelly Fish’
A bewitching blend of folk and alt-pop, this new single from independent songwriter BERTY is a reflection on life, growth and the intuitive power of the natural world. Based in The Forest Of Dean, BERTY filmed the accompanying music video at Woorgreens Nature Reserve with the help of collaborators Rosie Redwood and Lewis Sayce. The visuals feature the artist clothed in an impressive hand-made jelly fish costume, which was lovingly stitched together by her own Mum! (KC)

Sijya – ‘Do I Know’
South Asian composer, producer and graphic artist Sijya is new to me, but I’m very glad to have discovered her in my GIHE inbox earlier this month. I love the idiosyncratic blend of atmospheric and gritty synth textures alongside her drifting vocals on this track. ‘Do I Know’ is lifted from Sijya’s upcoming EP, Leather & Brass, which is set for release via One Little Independent Records on 12th September 12th. I can’t wait to hear it in full. (KC)

Blue Loop – ‘Cycles’
‘Cycles’ is the follow-up to London-based electronic artist Emma Hall aka Blue Loop’s recent shadowy single ‘The Knife’, and the title track from her upcoming debut album. Set for release on 7th November, Emma describes the record as “a miniature-epic song cycle about resilience, grief and defiant joy,” inspired by her experience of breast cancer and her journey through recovery and into remission. This track ‘Cycles’ ripples with vulnerability and a soft sensuality, showcasing Emma’s ability to create captivating and intuitive electronic soundscapes. (KC)

WOOM – ‘Slow You’
This is such a beautiful offering from South London vocal ensemble WOOM. Born from “hours of looping and experimentation,” ‘Slow You’ is a tender lament to facing your fears, letting go of the things that haunt you and finding your own pace in an ever-changing, demanding world. The track is taken from their new EP, To Slow You, which is set for release on August 28th via House Anxiety. WOOM will also be playing a headline show London’s ICA on 26th September. (KC)

Lōwli – ‘Woven’
This lilting piano instrumental from Irish composer Lōwli is beautiful. I’ve mentioned before that she’s one of my favourite new music discoveries this year, and this single only impresses that upon me further. ‘Woven’ will feature on her debut album which will be released later this year. Speaking about her new single, Lōwli explains: “For me, this piece is all about connection and is inspired by the natural world and seasonal change. I wanted to evoke that hopeful feeling we experience when the longer, lighter days of spring and summer return once again; representing those moments in our lives when we feel things are changing for the better.” (KC)

Hockeysmith – ‘Butterflies’
This is the final release from Falmouth-based electronic artist Hockeysmith before she moves on to a new musical project. ‘Butterflies’ is a quirky blend of her off-kilter beats, experimental synths and playful vocals, all of which are a fitting ode to her time as Hockeysmith. Catch her live one last time this summer at Rock Oyster festival in the South West of England. (KC)

Wyldest – ‘All It Would Take Is A Phonecall’
‘All It Would Take Is A Phonecall’ is a vulnerable and emotive reflection on familial estrangement from London-based songwriter Wyldest. Her raw but earnest offering soothes the sting of losing touch with a family member, eased by her gentle vocals and soft guitar sounds. Speaking about the track, Wyldest explains: “This song is about the loss of communication in relationships – particularly with reference to family ties…I think it’s important to put this idea of ‘blood ties’ aside within our society and open ourselves up to love and care for people whether we were assigned to at birth or not.” (KC)

Folk Bitch Trio – ‘Hotel TV’
Having just released their debut album, Melbourne band Folk Bitch Trio have been charming us with their lilting folk-strewn musicality, dreamy harmonies and playful charm over the last year. Their latest single ‘Hotel TV’ showcases their ability to tell vivid stories with a raw, honest emotion through their beautifully crafted songwriting. Now Would Be A Good Time, the debut album from Folk Bitch Trio, is out now via Jagjaguwar. (ML)

Bonniesongs – ‘Strangest Feeling’
Having just released her second album, Australian songwriter and multi-instrumentalist Bonniesongs combines fuzzy ‘90s-inspired Americana hooks with a lush, lilting musicality and emotion-rich crystalline vocals. The album offers an eclectic collection, showcasing her ability to interweave dreamy soundscapes with a shimmering, playful energy. Strangest Feeling, the album from Bonniesongs, is out now via Impressed Recordings. (ML)

Ren Harvieu – ‘The Becoming Of You’
The latest single from Manchester alt-folk artist Ren Harvieu, ‘The Becoming Of You’ offers a twinkling ballad, soaked in an emotion-rich musicality and sweeping cinematic splendour. A captivating offering from this innovative artist, it oozes shades of Kate Bush and a quirky mystical charm. I’m looking forward to catching Ren Harvieu live at Folk In The Park on Saturday 16th August in Sutton, alongside the likes of The Tom Robinson Band, Ashley Campbell (Glen Campbell’s daughter!), Eddi Reader and Richard Thompson. Tickets still available here. (ML)

Tamara & The Dreams – ‘Fleetwood Mac’
Having been a fan of Australian artist Tamara & The Dreams since becoming pretty obsessed with her perfectly named single ‘Successful Bisexual’, my fandom continues to grow with latest release ‘Fleetwood Mac’. Showcasing her playful energy and catchy uplifting charm, it offers a glistening, tongue-in-cheek reflection on “…the bubbling and broiling emotions and relationships and roller coasters of disappointment and obsession and triumph that go on in studios and bandrooms and bedrooms.” (ML)

cheerbleederz – ‘i deserved better’
Ahead of the release of a new EP in September, indie-pop supergroup and long-time faves cheerbleederz have shared a catchy new single. An uplifting ode to knowing your self-worth, ‘i deserved better’ offers all the sparkling, jangly melodies and scuzzy emotion you could ever need, plus a perfect singalong chorus – as Kathryn from the band says, “The chorus doesn’t even have any real words, but sometimes you don’t need em!”. prove me wrong, the upcoming new EP from cheerbleederz, is set for release on 5th September via Alcopop! Records. (ML)

Superchunk – ‘Stuck In A Dream’
Originally formed back in 1989, North Carolina legends Superchunk are now making a triumphant return to our ears. Now, with touring drummer Laura King joining Mac McCaughan, Jim Wilbur and Laura Ballance, the band are gearing up for the release of their new album later this month, and continue to maintain all the fuzzy hooks, catchy refrains and swirling, visceral energy we’ve come to know and love, with a revived raw punk spirit. Songs In the Key Of Yikes, the upcoming new album from Superchunk, is set for release on 22nd August via Merge Records. (ML)

Ruby Doomsday – ‘Blood and Thunder’
Formed of Joey Julliard (Picture Parlour) and Courtney McMahon (Rats-Tails), South London duo Ruby Doomsday describe themselves as “the house band at the Last Chance Saloon.” In their minds, their debut single ‘Blood and Thunder’ should be the score to “a rainy apocalyptic fairy tail, observed through the night bus window on a journey home through central London.” Their theatricality is infectious and I’m excited to hear more from them in the near future. (KC)

Ducks Ltd. ft. Lunar Vacation – ‘Lloyd, I’m Ready To Be Heartbroken’
Joining Toronto duo Ducks Ltd, Gep Repasky from faves Lunar Vacation offers their distinctive luscious vocals on this gorgeous rendition of the Camera Obscura classic, ‘Lloyd, I’m Ready To Be Heartbroken’. A jangle-pop fan’s dream. Catch Ducks Ltd live in the UK over the next month – more info here. (ML)

Beauty Sleep – ‘Big + Bad’
Ahead of the release of their upcoming second album, Derry duo alt-pop duo Beauty Sleep have recently shared a string of sparkling new singles. Encapsulating the defiant and proud ethos of the album, partners in music and in life Cheylene and Ryan assert that “We’re not the cherry on top – we’re the whole damn cake.”, and this seems to perfectly sum up the effervescent spirit and empowering energy that flows through their colourful offerings – each one an ode to self-worth; a blissful celebration of being too loud, too queer, too much. The Whole Damn Cake, the upcoming album from Beauty Sleep, is set for release in October via Alcopop! Records. (ML)

Charlies Flat – ‘Bayfront’
Having just released their debut EP via Cry No More Recordings, Kellie Bennett and collaborator Clayton Chipper aka Charlies Flat create old-school sound system inspired soundscapes, layering glistening atmospheric textures whilst reflecting on introspective themes. A simmering slice of euphoric trip-hop, EP track ‘Bayfront’ fuses together a rippling funk-inspired lilting musicality and dubwise beats with hazy sugar-sweet vocals, creating the perfect summer anthem. Here’s hoping the British weather picks up to match its glorious sun-drenched spirit. The Charlies Flat EP is available on bandcamp now. (ML)

Tanita Tikaram – ‘I See A Morning’
With 1988’s Ancient Heart being one of the first albums I remember being completely obsessed with – listening to it over and over, both singing along with my dad in the car and stealing the CD to immerse myself in the unique deep rich vocals and intense musicality – I was very excited to hear that Tanita Tikaram is releasing a new album, Liar (Love Isn’t A Right), in October. Not only that, but she will be donating proceeds from a limited edition rainbow disc to the LGBTQIA+ support line Switchboard (where I volunteer). It seems she’s lost none of her coolness over the years, evidenced too by latest poignant single ‘I See A Morning’ offering a moving sense of hope in the these turbulent times. Of the track, she explains: “We are living in a time when fundamental freedoms are under threat all over the world, characterised by a frightening normalisation of violence, extreme inequality and authoritarian government.” Liar (Love Isn’t A Right), the new album from Tanita Tikaram, is out on 10th October. Pre-order here. (ML)

Baileigh Jane – ‘We Change’
The latest single from Brooklyn-based queer artist and community builder Baileigh Jane, ‘We Change’ offers an uplifting reflection on the bittersweet feelings that can follow the end of a relationship. Rippling with sparkling hooks, soulful vocals and blissful danceable beats, it’s a colourful testament to Baileigh Jane’s ability to create colourful electro-pop anthems. (ML)

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PLAYLIST: June 2025

The Get In Her Ears team have put together another eclectic mix of indie musings, alt-folk tunes, punk bangers, immersive electronics and some grunge & shoegaze anthems for your listening pleasure. Take some time to scroll through our recommendations below.

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we will be moving away from using Spotify as a streaming platform in the near future. You’ll see that we’ve included YouTube or bandcamp links for all of the tracks in this feature. We have included the link to our GIHE profile on Spotify this time too – but next month, we’ll be using a different platform to share new music with you.

As always, we encourage you to follow the artists below on social media, sign up to their mailing lists, go to their gigs and buy their records from bandcamp.

Whitelands – ‘Heat Of The Summer’
Despite its buoyant, dream-pop sound, this single from London-based shoegazers & GIHE faves Whitelands is inspired by a range of unsettling pieces of media that vocalist Etienne was affected by last year; including Trump coming back into power, the shooting of a CEO by Luigi Mangione and Spike Lee’s film, Do The Right Thing. ‘Heat Of The Summer’ is his reflection on rising tensions and how community and coming together can help to overthrow tyrants. Whitelands will be playing a headline show at London’s Corsica Studios on 20th November – tickets are on sale now.
(Kate Crudgington – Features Editor)

Starling – ‘I Can Be Convinced’
Having recently released their new EP, Forgive Me, Los Angeles based Starling’s latest single offers a fizzing ode to all-consuming love. As Kasha Souter Willett’s sugar-sweet sumptuous vocals flow alongside fuzzy hook, ‘I Can Be Convinced’ builds with an anthemic energy and twinkling allure. Watch the ballerina-filled new video for ‘I Can Be Convinced’ here and make sure you treat your ears to a listen of the full EP.
(Mari Lane – Managing Editor)

Daffo – ‘Habit’
I’ve been a fan of Daffo since their 2023 EP Pest, and was so pleased to be able to catch the beautiful energy of their live set at The Great Escape last month – standing in the crowd alongside faves like ARXX and Comic Sans was a definite highlight of the festival. Now, I’m super excited to hear that the LA based artist will be releasing their debut album in September, and has released a new single to celebrate. Propelled by scuzzy reverb-soaked hooks, ‘Habit’ reflects on songwriter Gabi Gamberg’s struggle with Obsessive Compulsive Disorder with a sparkling heartfelt emotion. Where The Earth Bends, the upcoming debut album from Daffo, is set for release on 26th September via Concord Records.
(ML)

Lipstick Teef – ‘Sink Or Swim’
Not only do I love the name of Liverpool-bred, London-based alt-rock band Lipstick Teef, I also love the angst-ridden sound of their debut single ‘Sink Or Swim’. Formed in 2021 by vocalist Lucy Pengelly and guitarist Jennifer Hall, Lipstick Teef are “on a mission to deliver surf inspired grunge from across the cosmos, straight to your eardrums.” Inspired by the Riot Grrrl movement and their love of psych-punk, the band have now fleshed out their own fuzz-fuelled sound on their debut offering. (KC)

The Dead Zoo – ‘Bruise’
Ahead of releasing their debut album next month, post-punk faves (and guests on our latest radio show) have shared a blistering new single. Reflecting on both the pain and triumph of transformation, ‘Bruise’ combines swirling atmospherics with ‘80s-inspired dark basslines to create the sonic equivalent of a nocturnal drive through a Lynchian landscape. As the resonant fierce power of front woman Kaoru Sato’s vocals glistens throughout, it showcases The Dead Zoo’s ability to create pulsating, multi-layered soundscapes that will immerse your senses on first listen. We’re super excited to be hosting The Dead Zoo’s album launch this Friday, 4th July, at New River Studios with support from shoegaze supergroup Water Deer and mother-daughter punk duo (coming all the way from Texas!), The Mothermold – tickets on Dice now and cheaper in advance. (ML)


SPRINTS – ‘Descartes’
Dublin four-piece SPRINTS are back with a BANG with new single ‘Descartes’. Along with this incendiary new track, the band have shared the news that they’ll be releasing their second album, All That Is Over, on 26th September via City Slang and Sub Pop – the first Irish band to be signed to the iconic American label! ‘Descartes’ is inspired by the ideas of the French philosopher of the same name. I was lucky enough to attend SPRINTS’ album-listening party a few weeks ago, where I heard this track and others from their upcoming record for the first time. No spoilers – but you’re in for an absolute treat. (KC)

Problem Patterns – ‘I’m Fine and I’m Doing Great’
It’s always an exciting time for us here at GIHE when Belfast punks and total faves Problem Patterns release new music. So, to hear that a new EP is on the way later this year, is very welcome news, and a angst-driven new single is just what we need right now. A seething reflection on burnout, ‘I’m Fine and I’m Doing Great’ races with a fierce, fizzing energy, oozing the band’s trademark perfect fusion of righteous impassioned energy with a searing tongue-in-cheek wit. Of the track, bassist Ciara King explains: “This song is an ode to every single burnout episode that any creative has ever had… I wanted to contrast that with how grateful we are for all of our achievements. I do feel like I’m well and truly living the dream… This song is addressing that feeling of the love/hate relationship involved in doing music full time and still working full time. This one goes out to all our burnt out pals. Keep going.”

Boring Songs For Boring People, the upcoming new EP from Problem Patterns, is set for release on 12th September via Alcopop! Records and we CANNOT WAIT to celebrate the new release with them when they headline our special 10th birthday all-dayer event at The Cavendish Arms on 27th September, along with other faves Fightmilk, The Baby Seals, Ray Aggs, Jemma Freeman and The Cosmic Something and more! Very limited tickets left here.
(ML)

Shallow Honey – ‘What You Made Me Do’
Having been lucky enough to catch Brighton-based Shallow Honey’s immersive set at Cro Cro Land earlier this year, I was very happy to hear that they’ve been releasing new music. Reflecting on the frustration around not being heard, ‘What You Made Me Do’ seethes with a fierce energy as the impassioned vocals of front woman Rai blast out alongside gritty, grunge-inspired hooks. (ML)

Porcelain Doll – ‘Self Destruct’
Another Brighton-based band, Porcelain Doll blew us away playing live for us at The Cavendish Arms earlier this year, and since been busy releasing new music. Recent single ‘Self Destruct’ showcases the band’s ability to create swirling rock anthems with a raw emotion. Speaking about the track, front woman Freja explains: “I wrote the song while struggling with chronic pain and depression, it’s about feeling as if my body and mind are both working against me.” (ML)

STRANGE WOMAN – ‘FAKE VALENTINE’
‘FAKE VALENTINE’ is the raucous debut single from Scottish-born, Manchester-based queer hard rock artist STRANGE WOMAN. Described as “an ode to failed love” and “an expression of frustration in trying to navigate romance as a queer, gender non-conforming, young person,” STRANGE WOMAN’s sound is inspired by the fiery sounds of Måneskin, Yungblud and Cassyette. (KC)

Your Heterosexual Violence – ‘House Outside The World’
‘80s cult punks Your Heterosexual Violence are back – after imploding in 1988, they reformed just before the pandemic, with the addition of GIHE fave, Jemma Freeman, on bass and vocals. Marking their re-entry into the world, they’ve announced a new album and have shared a catchy new single. Propelled by a driving punk energy, ‘House Outside The World’ reflects on themes of loneliness, alienation alongside the sparkling power-chords and a singalong chorus; an instant earworm set to cement this established band as firm favourites once more. Some People Have Too Much To Say, the upcoming new album from Your Heterosexual Violence, is set for release on 26th September via Trapped Animal / Ferocious Doge records. (ML)

Twin Rains – ‘Magic Mountain’
I was thrilled to see another email from Toronto dream-pop duo Twin Rains in my GIHE inbox earlier this month. I’ve really enjoyed listening to the band’s heady electronic creations and this new single is no exception. Described as “their most pop and dance orientated song yet” ‘Magic Mountain’ is full of intoxicating riffs, dreamy vocals and driving beats. (KC)

Tiiva – ‘you and i’
‘you and i’ is the title track from Tiiva’s debut album, which they released via Moth Day Records last month. We’re big fans of Tiiva’s idiosyncratic electronica here at GIHE and this track showcases Tiiva’s talent for seamlessly blending pulsing beats, soft vocals and ambient electronics to create their immersive and emotive sonics. Congratulations on crafting such a superb album Tiiva! (KC)

Aether Speaker – ‘That’s For The Nosebleed’
This is the dreamy second single from London-based four piece Aether Speaker. Recorded on the Summer Solstice last year at Strongroom Studios – where the Spice Girls recorded their iconic single ‘Wannabe’ – ‘That’s For The Nosebleed’ is about “going after what you want, even if it’s bad for you”. I love the band’s blend of lush vocals, ambient riffs and gentle percussion on this track. (KC)

Bleach Lab – ‘Close To The Flame’
“I was heavily inspired by bands like slowdive and my bloody valentine when writing the lyrics and melody for ‘Close To The Flame’,” shares Bleach Lab’s vocalist Jenna Kyle. “I wanted it to feel like the end scene of a coming-of-age romance film…it’s about an all consuming relationship, where you’re so obsessed with someone you almost want to merge into one and become them.” Full of Kyle’s lush vocals and the band’s fuzzy, dream-pop riffs, ‘Close To The Flame’ is the title track from Bleach Lab’s upcoming EP, which is set for release on Friday 18th July. (KC)

Midwife – ‘Signs’
Another gauzy piece of ambient shoegaze here from GIHE fave Colorado-based multi-instrumentalist & producer Midwife. ‘Signs’ was a b-side from her album No Depression In Heaven, which I’ve had on repeat since it was released in 2024. (KC)

SOFIA ISELLA – ‘DOG’S DINNER’
The music of 20-year-old violinist, songwriter, producer and poet Sofia Isella is inspired by a myriad of dystopian influences. The L.A-based artist cites Trent Reznor, Ethel Cain and Beck, as well as Sylvia Plath, Margaret Atwood, Mona Awad and Anne Sexton as her inspirations. The result is an eclectic, beguiling sound steeped in theatricality. This track ‘DOG’S DINNER’ is lifted from her recent EP, I’m camera., which she released in May. SOFIA will be playing live in the UK this summer, including a show at Camden’s Electric Ballroom on 26th August, as well as slots at Reading and Leeds Festivals. (KC)

Lydia Night – ‘Gutter’
Having founded LA punk-rockers The Regrettes at the age of fifteen, Lydia Night is now branching out on her own. Ahead of the release of her debut solo album in August, she has now shared a brand new single. Fizzing with a sultry allure with shades of the electro-clash energy of Peaches, ‘Gutter’ offers a playful, synth-driven slice of art-pop reflecting on feelings of lust and longing. Parody Of Pleasure, the debut solo album from Lydia Night, is set for release on 8th August via Warner Records. (ML)

The Noisy – ‘Twos’
Founded by award-winning poet Sara Mae, Philadelphia-based synth-poppers The Noisy have shared a sparkling new single. Flowing with a glistening, cinematic soundscape, ‘Twos’ offers a perfect fusion of honey-sweet pop sentiment with scuzzy grunge-inspired hooks. The track is accompanied by a wonderfully queer, silent movie-esque new video – Sara Mae explains: “The music video literalizes the too much-ness of the story, Buffy the Vampire Slayer meets Grey Gardens meets two dates to the prom.” (ML)

Automatic – ‘Is It Now?’
Returning to our ears after forming nine years ago, LA trio Automatic have announced the release of a brand new album, which is due for release this autumn, and have now shared the lead title track. Shimmering with synth-driven hooks and a glitchy energy, the playful call-and-response refrains ooze shades of the party-punk vibes of Le Tigre whilst maintaining a unique celestial splendour. Drawing on the conflict between being rebellious and engaging in mass culture, the track raises the question: “how do you have a sense of joy while the world seems to be collapsing, and you feel so powerless?” (ML)

Little Simz – ‘Venom’
I was lucky enough to catch the legend Little Simz live at Royal Festival Hall last week in the closing performance of the annual Meltdown Festival that she had curated. Accompanied by the Chineke Orchestra, it seemed to be a beautiful culmination of not only the past week’s events, but of her career’s achievements so far. With the orchestra’s sweeping majestic splendour accompanying the innovative artist’s gritty energy and stirring narrative, it was a pretty epic experience to be a part of. And a particular highlight of the set was the immense introduction of ‘Venom’ – Little Simz conducting the orchestra before turning to the crowd as she rapped with stoic conviction: “Never givin’ credit where it’s due ’cause you don’t like pussy in power. Venom.” Read our full review of the night here. (ML)

Blue Loop – ‘The Knife’
I’m so pleased that I unearthed this shape-shifting gem of a track from London-based electronic producer Emma Hall aka Blue Loop in my GIHE inbox. Emma has recently recovered from breast cancer (and is now thankfully in remission) and she’s ready to share new music with her loyal followers. She describes her shadowy single ‘The Knife’ as “an imagined letter to my surgeon written in the lead-up to my mastectomy. It’s a visceral scream from an impossible situation and has a darkness to it in the vein of Massive Attack/Warpaint.” The track is lifted from her upcoming debut album, Cycles, which she describes as “a miniature-epic song cycle about resilience, grief and defiant joy, weaving together unflinching, intimate vocals, analogue synth-scapes and diverse musical collaborations” including guitarist Karin Grönkvist (Junodef), bassist Alex Malseed (About Bunny) and strings composer Amy Chalmers (Bill Ryder-Jones). (KC)

Sontag Shogun x Lau Nau – ‘Tropic Movements’ (Amulets Rework)
I’m so glad I found this collaboration between Finnish musician Lau Nau and Brooklyn-based trio Sontag Shogun buried in my GIHE inbox! It’s taken from their recent album, Päiväkahvit, which is a follow-up to their critically-acclaimed record, Valo Siroutuu (2022). The new project includes 9 tracks that the artists worked on during their sessions together in Finland back in 2019, as well as four interpretive reworks including this one by Amulets – who I am a big fan of! Incorporating field recordings, tape, as well as acoustic and electronic instruments, ‘Tropic Movements’ is just one captivating example of the immersive body of work these talented collaborators have managed to create. (KC)

The New Eves – ‘Cow Song’
The GIHE team have been waxing lyrical about Brighton folk-punk four piece The New Eves since we caught them at The Great Escape Festival in May. Their dynamic blend of classical instrumentation and punk spirit is a fascinating live phenomenon. This track ‘Cow Song’ features on their debut album, The New Eve Is Rising, which is set for release on 1st August via Transgressive Records. We’ll definitely be at their London headline show at Hoxton Hall on 7th October. (KC)

Goat Girl – ‘Sleep Talk’ (chamber ensemble)
Another band I was lucky enough to catch at this year’s Cro Cro Land, longtime South London faves Goat Girl are now sharing something quite different from what we may be used to. A year on from the release of their latest album, Below The Waste, they are now sharing four reimagined renditions of its tracks. Scored and arranged by the band, these classical compositions were played live in the room with a DIY chamber ensemble made up of rising young musicians and artists in their own right, Aga Ujma & Slow Cooked. Flowing with sweeping strings, ‘Sleep Talk (chamber ensemble)’ showcases Goat Girl’s beautifully resplendent harmonies in a newly majestic light. (ML)

Jacob Alon – ‘Fairy In A Bottle’
I’ve actually been pretty late to discover Jacob Alon, or ‘Cob’ as I think they prefer to be known. I’d been hearing the name for a while, but recently listened to an episode of the Sidetracked podcast with Annie Macmanus and Nick Grimshaw where they spoke to them, and Cob just seemed like such a thoughtful, sensitive soul and wonderful creator. So, I immediately listened to their album In Limerence and was completely spellbound. And since then I’ve not stopped listening, the whole collection is just exquisite – really beautiful. Having recently supported Yeah Yeah Yeahs at Royal Albert Hall, and played Glasto this weekend, I  can’t wait to finally see them live at Deer Shed festival next month! (ML)

Kathryn Williams – ‘Personal Paradise’
Set to release her fifteenth (!) album in September, Kathryn Williams has now shared the first taste from the collection. Inspired by a poet-led writing session, ‘Personal Paradise’ twinkles with delicate, folk-strewn melodies and Williams’ distinctive luscious vocals, offering a heartfelt reflection on her old dog and its perceptions of what might constitute heaven. A beautiful insight into the vulnerability and personal reflection that shimmers throughout the upcoming album, Mystery Park, which is set for release on 26th September via One Little Independent Records. (ML)

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