WATCH: Gaptooth (feat. Sisters Uncut) – ‘They Cut We Bleed’

Following last year’s Pillow Fort EP and an Everett True endorsed debut back in 2013, East London artist Gaptooth (aka Hannah Lucy) is now back with the second single to be taken from her upcoming second album.

A tribute to Feminist direct action group Sisters Uncut – a charity who protest the life-threatening cuts to services for domestic violence – ‘They Cut We Bleed’ rages against the government with a frenzied, impassioned energy and empowering force. With shades of the likes of Le Tigre or MEN, it oozes whirring beats, glitchy electronic melodies and colourful uplifting vibes; the perfect call to arms that we need now more than ever. As Gaptooth says: “All these sexist, racist cuts, we don’t need ’em”. Enough said.

Of the track, Hannah explains:

“In the UK, two women a week are killed by a partner or ex-partner, but the government is cutting funding for refuges, legal aid, social housing – all services that survivors rely on… Across the country, the first services to shut down have been those set up for women of colour and LGTBQ+ survivors, while many migrant survivors are denied the right to access refuges at all. This is a matter of life or death. Theresa May has made a show of being tough on domestic violence, but is taking away lifelines for people trying to escape it.”

Filled with powerful footage of Sisters Uncut in action at protests, the new video for ‘They Cut We Bleed’ premiered on Loud Women and is now available to watch here:

Buy ‘They Cut We Bleed’ from Gaptooth’s Bandcamp page now, and all proceeds will go to Sisters Uncut.

 

Mari Lane
@marimindles

 

Introducing Interview: Melissa Bel

With four recorded albums and numerous performances around the globe – including a BBC Introducing session – already under her belt, Toronto-born artist Melissa Bel has now shared her utterly infectious and gloriously uplifting new single, ‘Big Boys Don’t Cry’.

We caught up with Melissa to find out more…

Hi Melissa Bel, welcome to Get In Her Ears! Can you tell us a bit about yourself?
Hello! I’m a singer/songwriter originally from Toronto, but have been living in Devon since February 2016. I’ve been pursuing a music career for about ten years now and have released four albums over that time. My latest record, In the Light, was released in Nov. 2016.

How did you start creating music?
I started singing almost as soon as I could talk, and then I wrote my first song (which was actually more of a rap called ‘Believe In Yourself’…) when I was eight after seeing a TV show about songwriting. I basically wrote a bunch of words on pieces of paper, put them on the floor and rearranged them until I was happy with my lyrics. I started learning guitar when I was fourteen because I wanted to write more songs and be able to play along. My Dad is a bass player so I’d asked him to teach me the bass, but he suggested I learn guitar so that I could better accompany myself.

Your new video for ‘Big Boys Don’t Cry’ is out now – can you tell us what it’s all about?
‘Big Boys Don’t Cry’ is a break-up song with a sense of humour. It’s about the kind of break-up that sucks at the time, but you know is for the best. I wanted the video to have a light-hearted, upbeat vibe like the song, which is why we gave the ex-boyfriend character a very small role and focused on themes of positivity and self-confidence. We filmed it on a teeny tiny budget right in Exeter, and almost everyone you see in the video is one of my friends and/or bandmates!

You’ve been compared to the likes of Meghan Trainor and Taylor Swift, but who would you say are your main musical influences?
My influences range from The Beatles to John Mayer, to Joss Stone to Patsy Cline, and I think that’s why my music has never been one specific genre that’s easy to classify. I love pop and soul, which is the main direction we had in mind when making In the Light, but you still get bits of blues, like in the song ‘Sobered Up’, and a real singer/songwriter vibe in the the title track.

How is your local music scene? Do you go to see lots of live music?
Exeter is relatively small but has lots of gigs to offer, and like most music scenes it’s very close-knit and most of the musicians know each other. There really is a ton of talent here and I love the fact that I’ve met so many people who are making amazing, original music. It’s been very welcoming to me coming in as an outsider, and a great place to get my start in the UK. I probably don’t go see as much live music as I should (despite being a musician, I’m not much of a night owl), but I go to my friends’ gigs whenever I can.

And what can fans expect from your live shows?
I usually perform solo, so depending on the gig you’ll get just me and my guitar playing acoustic versions of my originals, covers, or a mix of both. Solo gigs are where my singer/songwriter side really comes out. I love shows where I get to tell the audience the stories behind the songs because I feel like sometimes you can connect as well in those moments as you can while singing. When I’m lucky, I get to play with a full band, which means a more upbeat show in general, and we can play the songs like they sound on the album.

As we’re a new music focused site, are there any new/upcoming bands or artists you’d recommend we check out?
Yes! Check out Brooke Palsson and Mike Todd – both Toronto-based – and Clara Bond who is also based here in Devon. All incredible singer/songwriters.

And how do you feel the music industry is for new artists at the moment – would you say it’s difficult to get noticed?
In my experience it has definitely been difficult to get noticed on a large scale. I think independent artists have a lot of useful resources at their disposal these days, but social media is a bit of a double-edged sword. It’s great because there is the potential to be seen and heard by tons of people, but there’s also so much content out there that’s it’s really hard to cut through the noise.

Finally, what does the rest of 2017 have in store for Melissa Bel?
The rest of the year will be spent playing live as well as getting the ball rolling for a small UK tour in early 2018. And I’m going back to Toronto for two sweet weeks off over Christmas! But I’ll be back in England for New Years Eve to perform at Lime Wood Hotel in Lyndhurst.

Huge thanks to Melissa for answering our questions! 

Track Of The Day: Anushka – ‘Mountains’

If you’re looking for something to funk up your Tuesday, Brighton duo Anushka are here to do just that. Together, Max Wheeler and Victoria Port combine elements of soul, house, jazz and hip hop to create a fresh, psychedelic, up-beat sound.

“It’s a song about how we are so often thrown into situations with people and they just aren’t ready to step up and be in the moment,” the band explain. “It’s about personal growth and how we move on from people, how we reconcile and forgive and about how we become our own strength.”

Anushka are preparing to share their new EP, which will feature artwork from artist and fashion designer Ryan Hawaii, in the next few months.

Listen to ‘Mountains’ below.

Follow Anushka on Facebook for more updates.

Kate Crudgington
@KCBobCut

Track Of The Day: MALKA – ‘No No No’

I was lucky enough to catch GIHE fave and past guest on the radio show, the glorious MALKA, live last week at The Lexington. A simply joyous experience, she dazzled in her lion head-dress and sparkling leotard; a shimmering delight to watch. And, despite confiding in us that she was losing her voice, her vocal performance succeeded in flowing perfectly alongside the infectious tribal beats and twinkling musicality of each offering.

A Lauren Laverne favourite, MALKA recently released her latest album Ratatatat – a rather more politically-inspired collection than her debut Marching To Another Beat; but no less vibrant.

An example of the album’s socially aware subject matter is ‘No No No’. Inspired by the current threat our NHS is under, and our fight to protect it, it’s a colourful offering oozing throbbing beats alongside bubbly hooks, brass melodies and MALKA’s playful chirps. With hints of the likes of MIA, it makes for a totally immersive and utterly uplifting sonic delight.

Of the track, MALKA explains:

“‘No No No’ was one of the first songs I wrote for the new album. It helped me to define the sound I wanted to go for. Lyrically the song is about the NHS. The fight to protect something of great importance to our country, but equally it could be about fighting for something you really believe in.”

 

Ratatatat is out now.

Mari Lane
@marimindles