Track Of The Day: Permahorn – ‘Into The Dreams (Slut)’

As songs go, it doesn’t get much more forbidding than this. London-based duo Permahorn – consisting of the Scottish-Serbian mix of Saint Pauly and Jexy Pesic – anticipate the release of debut My Blood Carries My Dreams Away with a track that’s just like a clear winter’s evening – as alluring as it is dark.  

The influence of Low pervades ‘Into the Dreams’s whirling guitar intro, never far from falling into a minor key, and its bleepy, glitchy ending. Perhaps that’s not too surprising, given the influence of its producer, Kramer, the “godfather of slowcore”, who worked on the Minnesotans’ second album Long Division.  

The vocals on this track are pure Nico deadpan with the hint of a snarl, but with the backing of the likes of Morphine or Galaxie 500. Listening to it and allowing yourself to soak up its gloomy sparkle leaves you with the same feelings as watching a David Lynch film: beguiled, bewildered and oddly sated.  


My Blood Carries My Dreams Away, 
the upcoming album from Permahorn, is out 1st December 2017 via Shimmy-500.

John McGovern
@etinsuburbiaego

Interview: Pale Honey

Gothenburg alternative duo Pale Honey returned to London on Tuesday night to play a free gig at Old Blue Last in celebration of the release of their second album, Devotion, and they disarmed the crowd with their modest, melodic sounds.

I had the pleasure of meeting Tuva (vocals/guitar) and Nelly (drums) backstage before the show, where we sat down to talk about devoted fans, their favourite tracks from their new record, and highlights from their current European tour…

How are you feeling about tonight’s gig?

Nelly: I think there’s going to be lots of people.

Tuva: Me too, I hope so.

Nelly: We have some friends coming and some people we’ve emailed with for a very long time who we’ll meet for the very first time – so that’s exciting!

Tuva: And a guy who came to see us in Malmo in Sweden last Friday, who actually lives here in London, but he didn’t know we were playing this gig so he flew all the way out to see us!

That’s true dedication. You’ve just played shows in Iceland & Sweden. What were the highlights from these gigs?

N: I liked all the drinks that we got – well – that I took…

‘Got’, ‘took’, ‘stole’ – I mean, what’s the difference?

N: Yeah, it doesn’t matter. ‘Tomato – Tomahto’ (laughs). I’m surprised that so many people came to the shows actually.

T: I think the highlights have been that people are singing along to the songs when we’re playing and some people even play air drums!

N: Yeah! here was one lady standing in the front row playing air drums and I was like “you go girl! I see you!”

That’s a genuine level of fandom! You recently released your second album Devotion. Can you tell us how it differs from your 2015 self-titled debut record?

N: Our debut album had songs on that we wrote when we’d just met, so there’s some really old songs and lyrics on them. We didn’t really have the courage back then to change anything. We didn’t want to change or touch anything.

T: We got signed on that album based on those songs, so we thought we couldn’t change them because this is what fans and our label like, you know?

N: So second time around, we just tried and re-tried things and we had a lot more courage, and we were a bit more spontaneous. I’d be like “Okay, I have an idea, it might be good, it might be bad – but lets try it anyway.”

Do you have a favourite track on the record? If so, why?

T: The fourth song ‘The Heaviest Of Storms’. It was very easy to write the song, it just came out…

N: Because you’re a genius…

T: It just felt so natural, and it’s also very fun to play live.

N: It’s not so good for my right arm when we play live though. I’m so small and fragile, I get tired easily. Mine is ‘Why Do I Always Feel This Way’. It’s quite an old release, but I remember listening to the demo and I could barely hear what Tuva was singing. I wasn’t sure if it was in Swedish or English, but I remember hearing it and thinking (sighs). My boyfriend was like “What song is that? Is it a famous song?” and I was like “Shut up! This is work!”

I also remember when we were recording it we tried to sing it in a different key and it changed the whole song. I was like “this is wrong, it sounds like a Disney song!” So we changed it back and I was happy again.

Great choices, my favourite is ‘Get These Things Out Of My Head’ by the way…

I’ve noticed there’s quite a lot of electronic/indie music coming out of Gothenburg and Sweden in general – including ShitKid. Would you say Gothenburg in particular is a hub for new music and musicians?

N: I think people are very welcome to play new music live there. Even as kids growing up, they were always like “If you want to play here when you turn 18, you can play at our place”. It’s always been a music city, lots of indie and metal kids.

It’s such a cool name for a city too, it sounds like it’s something out of a comic book. As a female-focused new music blog, we’re always keen to know what new music our favourite artists have been listening to. Any bands/artists you can recommend?

N: We always recommend Shitkid, so it’s good that you’ve already mentioned her. She’s very eccentric. She spilled blood on my drums, destroyed some things, but she was great to see live! Pink Milk are another Swedish band we like. They opened a couple of shows for us. They actually live near me, but I’ve never seen them out. I was like “What do you guys do?” and they were like “We just sit at home”…

Hibernating between shows?

T: Kind of like us really…

N: True. I just watch Netflix all day and pretend to be a musician sometimes.

If you had to describe your music in three words, what would they be?

N: Fun?

T: Minimalistic?

N: “Minimalistic”, really?

T: Yes…

N: There you go: Fun, Minimalistic, Yes! – actually, I would say we are more dynamic than minimalistic… so “Fun, Dynamic, Yes!”

Perfect choices. Finally, what does 2018 hold for Pale Honey?

T: Everything. We really hope for more recording and definitely some more shows here in the UK.

N: We’ve played here too many times to not have a full tour in the UK now!

Huge thanks to Tuva & Nelly for answering my questions. Follow Pale Honey on Facebook for more updates.

Kate Crudgington
@KCBobCut

Track Of The Day: Pip Blom – ‘School’

Following last year’s EP Are We There Yet?, Amsterdam-based Pip Blom has now shared the second single from her recent AA-side 7”.

Released alongside single ‘Babies Are A Lie’, ‘School’ is filled with all the scuzzy, whirring hooks and seductively lethargic vocals we have come to know and love from the young Dutch artist. A ‘90s-infused slice of infectious garage rock, Blom’s latest offering showcases her slick, lo-fi melodies and raw songwriting skills perfectly, marking her out as a definite one to watch in 2018.

‘School’ / ‘Babies Are A Lie’, the new AA-side 7” from Pip Blom, is out now on Nice Swan Records. Get your hands on it here. Catch Pip live in the UK:

29th Nov – Peer Hat, Manchester
30th Nov – The Shacklewell Arms, London
1st Dec – Sticky Mike’s Frog Bar, Brighton

LIVE: PINS – The Garage, London 08.11.17

“Iggy Pop couldn’t make it tonight, so you’ll have to make do with me instead” joked PINS‘ bassist Anna at the band’s headline London show last night. She was introducing ‘Aggrophobe’, the collaborative track which catapulted PINS in to public consciousness earlier this year. Needless to say, she aced Iggy’s spoken word parts and along with band-mates Faith, Lois, Sophie & Kyoko, proved that PINS are a band with sparkling talent.

Fresh off the back of supporting The Breeders on their European tour, PINS were glammed up and ready to give the crowds plenty of their thunderous post-punk sounds. Opening their set with the hypnotising ‘Trouble’, the crowd were swaying in time to the snaking bass lines and devious guitar ruffs, before they were treated to several new tracks that full of stomping percussion and plenty of PINS’ trademark commanding lyrics. 2012 single ‘LUVU4LYF’ sounded as sharp and vital as their new offerings, as did iconic Wild Nights track ‘Young Girls’ which the band closed their set with.

The glorious ‘Bad Thing’ – the title track of their most recent EP – bled perfectly into latest single ‘Serve The Rich’, which is laced with rallying cries and bold bass lines. Vocalist Faith delivered her lyrics with effortless confidence and charisma and became the human catalyst for dancing when she moved from stage to barrier to interact with fans. ‘Girls Like Us’ gave her the perfect opportunity to do this and members of support band Madonnatron didn’t hesitate to scale the barriers and join her for a dance on stage.

PINS’ gigs are always polished, fist-pumpingly good affairs that prove these Manchester post-punks are the coolest girls in town, with a sound that’s equal parts fierce and fun. Make sure you get involved next time.

Follow PINS on Facebook for more updates.

Photo Credit: Andrew Benge

Kate Crudgington
@KCBobCut