ALBUM: Bearcats – ‘No Friends’

Californian duo Bearcats have just released No Friends, their debut album of bass n drum sounds reflecting the ferociousness of their feminism and friendship in eight blistering tracks. It follows a couple of EP releases, split between US label Lost State and Frux Tapes in the UK, hearing them hone their sound and become a brilliant transatlantic addition to the growing movement of female-led punk-pop.

The album opens with ‘Sorry’, with hazy vocals over the sharp beat and warmly blended bass, the verse juxtaposes with the raw and over-lapped half-screamed half-shouted vocals of the breakneck chorus. This is a song weaving along the line of vulnerability and violence, circle pits to either side jostling the track between one state and the other.

The fuzzy loud-quiet dynamic, and layered vocals as opposed to harmonies, play throughout the album building a sound that comes across for the most part as being much bigger than a two-piece and nodding to others creating a full sound with a small line-up – the likes of Skinny Girl Diet, You Want Fox and Deap Vally.

Bearcats do bring in sparser moments across the record, gloriously so on ‘Okay’ where a simple drum line lets the bass hum through your veins, as the drawled vocal gives you the tough love of solidarity – “It’s hard to be a girl today, and it’s all okay” – as the melody blooms and backing vocals kick in and burn through you. A contender not just for album highlight, but as one of the tracks of the year too.


‘Sunday Boyfriend’
brings in the conversational-style call and response dance-floor bounce of The Shangri-Las and, as elsewhere, many of the lyrics reflect feminism, toxic masculinity and misogyny, as well as the phenomenal friendship at the heart of the band.

Mean Girls meets The Craft in ‘Girlcult’ as conforming for acceptance, and the rituals of female relationships bubble over surf punk rhythms. As “light as a feather, stiff as a board” is sung with increasing urgency, reflecting how thin the line between invite and threat can sometimes be, it implicitly brings to the fore the competition women are in with each other through the constructs around us.

The album closes with the deep buzz of the bass and the clashing of percussion of ‘Take Yr Time’, with more mixed vocals and loud-quiet fast-slow interplay. This track – and indeed the album – find strength in not being held together too tightly, nor too polished.

These songs have an urgency and immediacy about them which make for a self-assured debut of scuzzy garage pop bursting with the ethos of Riot Grrrl. If you’ve been digging Dream Wife, Skating Polly, Gurr or Dream Nails then Bearcats are a band you need to add to your playlist.

Bearcats’ No Friends is out now via Lost State Records and available now for download from Bandcamp.

Sarah Lay 
@sarahlay

Guest Blog: Dream Nails’ Janey – “What It Means To Be A Punk Witch”

From the very beginnings of Dream Nails in the summer of 2015, we identified as witches more than musicians. It was a special summer of sisterhood, feminism and direct action where the power of women and non-binary people coming together in spaces without men felt radical and insurmountable. 

Throughout history, the label “witch” was branded on a person (usually women) who transgressed gender or sexual norms, or who challenged traditional power and knowledge structures. But it’s not necessarily our queerness or curiosity in herbalism and natural healing that makes us embrace the identity of “witch” – it’s our ability to channel the instinctive, magic energy of womanhood together. 

To say that Dream Nails is more than the sum of its parts is an understatement. We are four women with instruments, but there’s something else: the magical, invisible power of combining four women’s anger, joy, trauma and love through the medium of music. Not only that, but using that music to build and hold spaces that welcome all the women in our audiences to bring their rage, joy, pain and emotion, and collectively pool it into a dancing, sweating tidal wave of release. The amount of women who come up to us after shows and thank us is testament to this. 

Our rehearsal room is a sacred space. When women come together in spaces to be vulnerable and to make something together, there’s a collective energy that you can almost taste. And we drink it with an unquenchable thirst. It’s thrilling. It bristles with potential and it’s addictive. It’s the liberating rush of knowing you are safe to be yourself, make mistakes, explore and be free from shame, competition and judgment. Maybe that’s the true definition of confidence? What’s more, it gives you a space to produce and create something honest and whole together that you’re proud of; to access this place as a woman is to be reborn. 

To scream about rape, the crushing weight of navigating violence and the confusion around coming out is only something that we could do in a safe space. Forget the instruments, this is an act that can only collectively be done with the full spiritual participation and shared vulnerability of people who have lived on the vicious side of patriarchy. 

And this is why we term our music “witch punk”. We’re on the periphery of two genres, in our self-defined space: too femme to fit into punk, too raw to be indie pop. Witch punk is as much about the final product as it is the process of creation and the feeling of the live performance – it’s about the shared energy that’s created when we give voice to our collective fears and traumas in safe spaces. It’s also about redefining punk and resisting against the traditional toxic masculinity that is synonymous with the genre. It’s to subvert not only gender norms but genre norms. This is something our second EP, Dare to Care, celebrates.


Two years and two EPs later, we now identify primarily as musicians, but being witches is integral to how and what we create as a band. With every musical release, we create a zine together which involves careful curation, planning and sitting in circles cutting and sticking. We share our thoughts, our advice, our humanity. It’s a thoughtful and introspective process – the flipside to the intuitive and immediate rage that fuels our live shows. But just as essential to our identity. 

Our stories are important and our voices need to be heard. If you need release, come together with your sisters and channel the ancient power of witches – it will unravel something within you and bind you together with something that can only be described as supernatural.

Huge thanks to Janey from Dream Nails! You can buy the band’s new Dare To Care EP here. 

Introducing Interview: Emily Magpie

Having wowed crowds at Green Man Festival and Sofar Sounds sessions, as well as us at Get In Her Ears when she came in – boombox in tow – to be the loveliest of guests on our radio show earlier this year, Bristol-based artist Emily Magpie is now set to release her sophomore EP.

Filled with all the dreamy, electro-folk sounds you could ever possibly need, The Witching Hour is a collection of utterly spellbinding offerings filled with sweeping soundscapes and a captivating ethereal splendour.

Having just shared sparkling new single ‘Leave It To Fate’, we caught up with Emily to find out more…

Hi Emily! Welcome to Get In Her Ears! Can you tell us a little bit about your new project?
I started this project a couple of years ago, just me and my ukulele, and knew I wanted to create a bigger sound and explore electronic elements, as in the eclectic array of music I listen to, as I’m very inspired by electronic music production. So, I started exploring, and my sound came from there.

What initially inspired you to start creating music?
I was travelling around quite a lot and had been writing poetry and singing previously, so started to form songs. It just felt like something I needed to do to express myself. I spend a lot of time day-dreaming and reflecting on the world and my life, so it’s a space for me to do that and see if other people connect with it.

We’re loving the new single ‘Leave It To Fate’ – what’s it all about?
Thank you! I wrote it when I went travelling solo in South America last year. I felt like I was walking away from a lot in my life that I liked – it was kind of weird timing and I thought “What the fuck am I doing?”, so I wanted to write a song to encourage myself to be brave and tread a path less trodden.

 

You’ve been compared to the likes of This Is The Kit, but who would you say are your main musical influences?
Thanks again, I love their music, it really connects with me. All sorts, hence why my sound is eclectic I guess! I love good songwriting – emotive beautiful stuff like Ibeyi, Bon Iver, Lykke Li, but then I’m a huge fan of electronic music too. At the moment I’m really into Tom Misch, Maggie Rogers, FKJ and Sylvan Esso.

How is your local music scene? Do you go to see lots of live music?
There’s a great scene in Bristol! It’s a hub, I see music most weeks. Being a musician, you get to meet and see lots of other people making great stuff at gigs you play at, but I regularly go to watch new bands too.

And what can fans expect from your live shows?
I’ve been working my arse off with a new live set up; got a loop pedal and launch pad, and it’s ready to go! So, I’ve been enjoying playing with that on stage now. I love playing live – I like connecting with the audience, which normally translates as me chatting shit in-between songs. I need to learn how to be cooler…

As we’re a new music focused site, are there any other new/upcoming bands or artists you’d suggest we check out?
Just went to see Nugget last week – she’s a brilliant dreamy Bristol artist. Also Jausme is awesome!

And how do you feel the music industry is for new artists at the moment – would you say it’s difficult to get noticed?
I feel I’ve been pretty lucky really, but then my focus isn’t really on that. I think just get your head down, create from your heart, be a good person and go with the flow.

Finally, what does the rest of 2017 have in store for Emily Magpie?
Now my live set up is sorted I’m booking up gigs to get it out there, and keen to get touring lots next year. And The Witching Hour EP is out later this month!

Huge thanks to Emily for answering our questions!

The Witching Hour, the upcoming EP from Emily Magpie, is out 24th November.

Track Of The Day: Ailbhe Reddy – ‘The Tube’

Glistening pop hooks and soft vocals characterise Ailbhe Reddy’s latest track ‘The Tube’. The folk-pop artist from Dublin shines with her enigmatic, syrupy lyrics and innovative style.

The track’s smooth chorus, centred around the lyrics “Nothing I can say or do/say to you” in a cyclical, cynical manner, carries a glorious hook sure to capture any listener’s ears. Ailbhe explains:

“The Tube is a song about having no explanation good enough for someone, so the only thing I had left to offer was the small gesture of walking them to the nearest tube station…It’s a song about struggling to express yourself properly to someone, which I think is probably pretty universal.”

Since the release of her Hollowed Out Sea EP in 2016, Ailbhe has signed a publishing deal with London-based BDi Music, and has just finished a UK tour. ‘The Tube’ is sure to cement her on the folk-pop scene with its subtle, emotion-strewn power. 

‘The Tube’ is out now.

Erin Bashford