Track Of The Day: LIINES – ‘Sorry’

Having received acclaim from the likes of Sleaford Mods, John Kennedy and BBC 6Music’s Steve Lamacq, as well as blowing us away headlining for us at The Finsbury, Manchester trio LIINES consistently impress with their distinctive, raw post-punk. And latest single ‘Sorry’ is no exception.

Oozing the band’s trademark dark, brooding power, ‘Sorry’ builds with deep, intense bass lines, the gritty, commanding growl of vocalist Zoe McVeigh and Leila O’Sullivan’s consistent pummelling beats. Propelled by a thrashing sense of urgency, an eerie swirling majesty encompasses the listener, captivating the ears with its punk-fuelled bewitching allure.

Of the track McVeigh explains:

“… it’s about whether somebody is present or absent, you’re trying to make someone feel sorry for you, but as the song speeds up it becomes a bit more of a manic notion and sort of bordering on obsessive. LIINES songs are more of a mental state than a specific event – they are an emotion, a feeling.”

 

Produced by Paul Tipler (Elastica, Placebo), ‘Sorry’ is out now (with B side ‘On and On’), with a limited number of black 7” vinyl editions available for direct mail order and through independent record shops, via Reckless Yes. Order via LIINES’ Bandcamp now. 

 

Mari Lane
@marimindles

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Premiere: Jelena Ćirić – ‘Lines’

Set to release her debut EP later this month, Reykjavík based singer songwriter Jelena Ćirić has now shared the first single from the collection.

Reflecting on our preoccupation with finding the meaning of life, ‘Lines’ offers a captivating ethereal soundscape. With shades of the other-worldly allure of Regina Spektor, it flows with twinkling keys and the impassioned majestic splendour of Ćirić’s vocals, creating a musically rich, lyrically poignant slice of spellbinding alt-pop.

Listen to ‘Lines’, for the first time, here. And read a little interview with Jelena all about the track and her upcoming EP below!

 

Hi Jelena, can you tell us about your new single ‘Lines’?
‘Lines’ is a song about the fetish we humans have for answers to life’s big questions. Whether we admit it or not, we love the idea that a conversation with a fortune tell could reveal the purpose of our life or that we’ll meet a new lover and suddenly everything will fall into place. I don’t think that happens to most of us. Changing ourselves is gradual and hard and not very romantic.

And can you tell us a little about the inspiration behind the the song?
The song is set in Toronto, where I grew up. Like all cities it’s got many layers, and stepping into one of its neighbourhoods can feel like stepping into an alternate reality. It’s been a few years since I’ve lived there but it’s where I grew up and grappled with the sorts of questions that the song’s protagonist wonders about: who am I, what should I do with my life, who should I love?

You’re Serbian born, grown up in Canada, but have lived in Iceland for several years, how has living there influenced your songwriting?
The Icelandic music scene has been incredibly supportive and encouraging to be a part of. I studied classical singing – although it was a good foundation in many ways, it also instilled a scathing self-criticism in me that I had to unlearn. What I love about Icelandic artists is that when they have an idea, they just go for it. I’ve been learning to just act on ideas rather than criticize them to death before I begin.

And what can we expect from your upcoming debut EP?
I named the EP Shelter One because for me each of the songs is a little temporary haven that I built to process something I was going through. That’s what songwriting has always been for me – a way to explore questions I had about myself or the world or give myself a sort of solace that I couldn’t find elsewhere. Personally, I’m drawn to music that isn’t overly produced, and I’m really proud of the team behind this EP for bringing out the best in me without ironing out the authenticity of the songs. From Pétur Þór Benediktsson who recorded the vocals so beautifully and Snorri Hallgrímsson who recorded piano, to Margrét Arnardóttir (accordion) and Karl James Pestka (viola and violin) whose playing brings depth to the songs, Albert Finnbogason who produced it with such care and respect, and then Sarah Register’s mastering that polished it like a gem. It’s really important to me to acknowledge the people whose names you may not see when you check out a song on a streaming platform. This EP was a team effort and it was truly crafted with care at every step.

Huge thanks to Jelena for answering our questions!

‘Lines’ is out now, taken from Jelena Ćirić’s upcoming debut EP Shelter One, set for release 27th November via Icelandic label Paradís Sessions.

Mari Lane
@marimindles

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Track Of The Day: Sister Ghost – ‘Season Of The Witch’

Previous winners of ‘Best Live Act’ at Northern Ireland’s Music Prize, and having previously wowed us with their contribution to The Fight Is Not Over – a live EP capturing the protest nature of many of Belfast’s bands, and addressing the need to continue pushing for more inclusive spaces – Sister Ghost last week shared a special Halloween Compilation EP, The Samhain Mixtape. Featuring covers from Shannon and Maeve, as well as special spooky tunes from a number of their favourite bands (including Party Fears, Alumna, Mom Fiend), it’s a perfect selection of seaonal treats!

Taken from the EP, Sister Ghost’s rendition of Donovan’s ‘Season Of the Witch’ provides the perfect Autumn soundtrack. As dark throbbing bass lines and jangling hooks create a playful sense of doom, it’s propelled by impassioned vocals and a seething energy, adding an underlying gritty power to the catchy spirit of the original.  

 

You can buy the The Samhain Mixtape for the suggested donation of £6.66 or Pay What You Can over on Sister Ghost’s Bandcamp. All proceeds will be going to Girls Rock School NI, the local Girls Rock chapter founded by Shannon from Sister Ghost. The organisation have been working online with young women and non-binary young people during lockdown to reduce isolation, create community and make music together.

 

Mari Lane
@marimindles

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Track Of The Day: Lizzy Laurance – ‘Famous’

Ahead of the release of her upcoming debut album, innovative sound artist Lizzy Laurance has now shared new single ‘Famous’.

Reflecting on themes of masculinity and power, ‘Famous’ offers an intriguing ethereal soundscape. Propelled by Laurance’s soaring rich vocals and a twinkling majesty, alongside a backdrop of unsettling found sounds and a whirring energy, it’s a magnificent cacophony. A poignant work of sound art that’ll captivate with its exquisite obscure allure. Of the track, Laurance explains:

“It’s written largely from the perspective of a man who stalked me while I was staying on the boat [in Copenhagen] last summer. He had this delusionthat I was hanging around public libraries with the sole aim of trying to seduce him. I wrote this song, in part, about the version of me that he had in his mind. It’s also about other things as well though, like … what perpetuates toxic masculinity when it’s so obvious that no one benefits? Or, why, as a society, do we keep falling in love with bad men?”

 

‘Famous’ is out now, taken from Lizzy Laurance’s upcoming debut album, Rocketman.

Mari Lane
@marimindles

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