Five Favourites: RAHH

Having previously provided backing vocals for Liam Gallagher and shared stages with the likes of Nile Rogers, Emili Sande and Beverley Knight, Manchester born London-based artist RAHH has now shared a euphoric new single.

A blissful slice of soul-strewn alt-pop, ‘Overkill’ showcases the impassioned soaring splendour of Rahh’s vocals alongside a house-inspired enraptured groove.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with RAHH to ask about her ‘Five Favourites’– five albums that have inspired her songwriting techniques. Check out her choices below, and scroll down to watch the video for her latest single ‘Overkill at the end of this post.

TLC – Crazy Sexy Cool
This was my first album, bought for me by my big brother. I think it just opened up my eyes to what was possible as a music artist. I was a little mixed-race girl in a white area and the media and charts reflected that massively. All of a sudden I was introduced to TLC, the coolest girls I’d ever seen in my life and they kinda looked like me. It was massive! Plus I adored the music, I loved that Lisa Left-Eye Lopez rapped and that T-Boz sang so incredibly low – it was totally unusual. I remember learning every word of the rap from ‘Waterfalls’, playing it on repeat in my room and having to turn the volume down when she said “my only bleeding hope..” because I thought my Dad would go mad at me for swearing!

Michael Jackson – History
A different big brother moved out to go travelling in Australia and left me with this album and the VHS to go with it. It was pretty life changing for me. I fell head over heels in love with Michael Jackson’s genius, I was completely captivated. I think his influence can be heard in most music that came after him. The way he created a feel, a groove, and the infectious need to dance is magic. It’s something I think we all aspire towards as songwriters.  

Simon and Garfunkel – Bookends
I think before I’d heard this album I was big on RnB and soul, I was focused on the sound and technique of the vocal and hadn’t opened up to the possibility of liking artists that didn’t champion the voice in that way. After this album, all of that went out of the window and I fell in love with the lyrics and poetry of artists like Paul Simon and Bob Dylan. Track 2, ‘America’, remains one of my favourite songs of all time. I’ve had incredible bonding experiences with other people who adore the song and who know about that one lyric where he addresses his wife who’s sleeping next to him to tell her he’s empty and aching and doesn’t know why.  It is my favourite lyric ever and the way its placed in this song will forever inspire me as a writer. 

Lauryn Hill – The Miseducation of Lauryn Hill
Every song and every note just seems like effortless genius. I can’t remember when I first heard this album but it is timeless. It inspired me to be a better musician and to care less about perfecting vocals and more about the depth of the song. ‘Ex-factor’ makes me melt!

Solange – A Seat at the Table
As a huge Destiny Child and Beyonce fan growing up, I think I just never imagined I could possibly get into Beyonce’s sisters music more than Beyonce’s herself until this album. It seemed to come out of nowhere. I listened to it over and over, I love the whole concept of it, the fashion and contemporary dance of the videos and artwork. The interludes, the interviews. The running theme of race and Black beauty. I really think it’s a piece of artwork from start to finish. The depth of the music in its content and musicality is inspiring and I strive to instil that in my own writing.

Massive thanks to RAHH for sharing her Five Favourites with us!

Watch the new video for ‘Overkill’ here and listen on Spotify now:

Track Of The Day: Anna Wolf (ft. Pop Morrison) – ‘The Unfamiliar’

In an eerie-pop lullaby, Anna Wolf and Pop Morrison (Stereophonics) combine forces to create a captivating backdrop for independent horror film ‘The Unfamiliar’. Drawing on the simplicity of folk and the intriguing dynamics of art-rock, they have blended a tasteful concoction of genres to paint a bewitching track that shares an insightful whisper to its accompanying movie. 

Vocal delicacy reminiscent of Ingrid Michealson dances across silky acoustic guitar for fluttering majestic moments. By dispersing and leaving the velvety instrumental to hold its own, Anna and Pop make room for mystery and a quietness that seems to echo down a shadowed hallway. Winding is the track and stoic indie-pop is the vehicle driving this dark tune. 

Soft, cushioned percussion holds ‘The Unfamiliar’ afloat and steady in its progress even when tension builds lyrically through Anna’s ethereal images – “A cat caught their tongue” – but the silence is telling its own tale through Anna and Pop’s pulsing musicality.

‘The Unfamiliar’ is steeped in an eerie, murky shadow and magnificent sense of suspense, offering its own cinematic soundscape of apprehension and horror. 

‘The Unfamiliar’ is out now. Listen on Spotify.

Jillian Goyeau
@jillybxxn

ALBUM: The Gravity Drive – ‘The Wildlight’

The Gravity Drive are a harmony driven, alternative pop band led by spouses Elijah and Ava Wolf. They independently release records on their own label from their house near Bridport in Dorset. Having received acclaim from the likes of BBC Radio 2, their second album, The Wildlight, features a series of powerful songs that promote self-worth, self-discovery and self-actualisation. They cover different styles (psychedelia, pop, dance) and embellish the atmosphere of the songs by experimenting with sounds. The result is an upbeat, inspirational album which showcases their range.

Opener, ‘Hits Like a Fix’, is a gentle intro; a piano-led pop ballad, with cinematic leanings, the prophetic lyricism shines through with a poignancy – “we lost our freedom to the fever again”, suggesting the chemistry of fated love.

Loving relationships are also explored in songs such as ‘Shooting Star’, ‘Inside Out’, and the beautifully lyrical ‘Forever’ – inducing romanticised longings.

There are also heavier moments… as more rock-inspired songs also stand out with enlightening themes of self-empowerment. For example, title track ‘The Wildlight’, ‘Kaleidoscope’, and closing track ‘Wake of the Dawn’ have a spiritual and theatrical feel in their exquisite layering of voices and thrashing guitars, creating a majestic, sweeping atmosphere.

The collection ends with a bang to the rallying cry of “This is a call”… And so it is. This album will have you believing in the power of Love, and the light at the end of the tunnel. What more do you need in these strange times?

 

The Wildlight is out now. Listen on Spotify or buy on iTunes.

Fi Ni Aicead
@gotnomoniker

LISTEN: BAXTR – ‘Feathers’

Following their uplifting debut offering ‘Bloom’, London alt-pop trio BAXTR are back with a catchy brand new single.

‘Feathers’ is a sunny slice of pop-punk filled with a fuzzy contagious spirit and explosive fresh energy. An empowering anthem celebrating self-love and each of our own unique beauty, it’s inspired by the band’s own journey with self image, acceptance and expression of sexuality. The band add:

“Hell hath no fury like a woman who refuses superficial, unrealistic, heteronormative beauty ideals constructed by a patriarchal society and perpetuated by systemic sexism and consumerism. Show… your… FEATHERS!”

Listen to ‘Feathers’ now:

 

Mari Lane 
@marimindles