Track Of The Day: Riotmiloo – ‘Want: I don’t want it’ (Riotmiloo & Eva|3 remix)

Blending Riot Grrrl ethics with dense industrial sounds; London-based Riotmiloo has shared ‘Want: I don’t want it’, a remix of New Zealand trip-hop artist Scalper’s track ‘Want’. Working alongside her musical collaborator Eva|3, Riotmiloo has deconstructed the original song and altered its context to reflect her feelings about consent, and the #MeToo movement.

Speaking about the track, Riotmiloo explains: “When Scalper asked me to remix one of his tracks, I chose ‘Want’. It had to be this one. What if I approached it with the “Don’t want” idea? News, various articles and experiences around me lit up my feminist flame. I had never tackled the subject of consent in a song and this seemed like the perfect opportunity. I asked Eva|3 if he would agree and then our remix was born.”

A cathartic, noise-ridden, raw experience; the dual vocals on ‘Want: I don’t want it’ relay a menacing encounter centered around consent. The role reversal by the end of the track reflects Riotmiloo’s belief that the issues surrounding consent can be dealt with. She extrapolates on this: “Consent is more than ever a subject that ought to be discussed. Social movements like #MeToo and Balance ton Porc (Report your Pig) in France have been decried. Questions like: “What was she wearing then?” or “Wasn’t she looking for it to advance her career?” have been said. There’s no need to say them – “no” means “no”.”

Riotmiloo released her debut album La Pierre Soudée, on German label Ant-zen in 2015. Each track is inspired by a real life story which highlights the suffering of women. Listen to ‘Want: I don’t want it’ below, and follow Riotlmiloo on Facebook for more updates.

You can listen to/download Scalper’s Want More EP on bandcamp.

Photo Credit: Stefan Alt

Kate Crudgington
@KCBobCut

Get In Her Ears w/ Alessi’s Ark 09.01.20

Kate and Tash were back in the studio for GIHE’s first show of 2020, playing the freshet new music tracks to take you into the next decade. Highlights include: Dream Nails, Aisha Badru, Asha Gold, tANGERINECAt, draag, Xylo Aria, Fenne Lily and Party Fears.

They were also joined in the studio by the lovely Alessi’s Ark for a chat and a beautiful live session, be sure to check them out at their London show on March 20th, at the Green Note.

Listen back here:

Tracklist
The Big Moon – Happy New Year
Ethereal UK – Strange World Normal Girl
Alfah Femmes – Skunks
Draag – Ghost Leak
Crest Glider – Queen’s Head
Personal Best – Baby
Drea Marilyn – Everything to me (Lips Cover)
Aisha Badru – Soil’s Daughter
Noshvia Wu – Hurt Somebody
Xylo Aria – Ignorance
Flyying Colours – Good Times
Post Louis – Descender
Captain Handsome – Halloween
Fenne Lily – What’s Good
Mavi Phoenix – Boys Toys
Alessi’s Ark – Born Free
Pete Yorn – Calm Down
Angelica Garcia- Jícama (Con Sal Version)
Asha Gold – Too Good
Party Fears – Money
Dream Nails – Text Me Back (Chirpse Degree Burns)
Evie Balfe – Remember
tAngerinecAt – I don’t want to be a white
Paper Tigers – Gucci Smiles
The Stolen Moans – Bad Guy (Billie Eilish cover)
Big Joanie – New Year

Track Of The Day: draag – ‘Ghost Leak’

A hazy ode to feeling inconsequential; L.A, shoegaze outfit draag have crafted a strung out, dreamy soundscape on their latest single ‘Ghost Leak’. The track is lifted from their upcoming EP Clara Luz, which is set for release on 21st February.

draag was originally a solo project, fronted by Adrian Acosta who was trained as a mariachi singer by his Father. After exploring the worlds of underground punk, no wave, and experimental jazz, Acosta soon met and added Jessica Huang, Nick Kelley, Ray Montes and Shane Graham to draag’s lineup. Together, the five piece create music that’s seen garnered comparisons to My Bloody Valentine and Sonic Youth.

Speaking about their latest single, Jessica Huang explains: “‘Ghost Leak’ is the feeling of being completely invisible and inconsequential. It is also a message to someone we lost — to let them know they weren’t invisible.” draag’s new EP has been underscored by personal hardships, illness and isolation, but there’s a sense of hope that filters through their muddy soundscapes, making it easy to escape into their music.

Watch the video for ‘Ghost Leak’ below, and follow draag on Facebook for more updates.

Photo Credit: Devonte Johnson

Kate Crudgington
@KCBobCut

FIVE FAVOURITES: Bad Honey

South London based duo Bad Honey blend dreamy vocals, bouncing beats and lo-fi electronics to create their upbeat, alt-soul sounds. Formed of Lydia Clowes & Teresa Origone, the duo have received radio support from the likes of BBC Introducing London, BBC Radio 6, Amazing Radio, and from Spotify’s New Music Friday playlist.

We think one of the best ways to get to know a band is by asking what music inspired them to write in the first place. We caught up with Lydia & Teresa to ask her about their “Five Favourites” – five albums that have influenced their song writing techniques. Check out their choices below, and scroll down to watch Bad Honey’s video for ‘Weak When You’re Near’ in collaboration with O2 Music & their ‘Music Box’ challenge, at the end of this post.

 

1. James Blake – Assume Form
Teresa: James Blake’s melodies are the best melodies. His music makes me want to make sure I keep trying to find the best possible melodies when I write. I always loved James Blake, so I wanted to listen to this album as soon as it came out. The day before it was released, I was in the Netherlands playing keys for an artist called Rina Mushonga. We were there for only one day, but had a long day of travelling to play for a TV session, then drove back to Amsterdam for a radio session in the evening, then decided to go for a walk in Amsterdam in the snow, and ended up having a three hour sleep because our flight back to London was really early the next morning. As soon as I got home, I played the album. I was exhausted and I remember having one of those moments where you are reminded of how happy music can make you feel. It happened when I first heard ‘Into The Red’ when the twinkly piano comes in about 40 seconds into the song. It’s so tiny and delicate and it makes you want to cling onto it. The use of tension and release in that song is amazing. You really want something big to happen at the end of the first chorus, but it just doesn’t happen until the second chorus.

Lydia: I love how James Blake’s songs are very atypical and don’t adhere to a “normal” song structure necessarily. Often his songs don’t have an obvious verse or chorus but he somehow manages to give you the feeling of tension and release in other ways. The production on this record is great and the fact that he does it all himself, I feel that this album was a particular motivation to me and Teresa to start producing our own music. I particularly love ‘Into The Red’, ‘Can’t Believe the Way We Flow’ and ‘I’ll Come Too’ on this album, they all have such a great way of portraying a feeling of love through interesting lyrics, without being cheesy, which I’ve found quite a hard thing to achieve!

2. St. Vincent – Strange Mercy 
Teresa: This album is a reminder that you need to be brave with your music, and you can do whatever you want with it. I discovered St. Vincent when she released her album Actor. I think I just saw an article on Pitchfork about it and decided to listen to it, and it took a couple of listens for it to grow on me, but I’ve loved her music since then. I was 18 then, and I remember thinking that it would be cool to produce my own music at some point. She’s one of those artists who I will always love, and will always find something new to love about her each time I listen to her music. Strange Mercy is my favourite St. Vincent album. It’s so dreamy and heavy at the same time, which for me is one of the best things you can achieve in music. I love how loud and direct the guitar is, kind of at the same level as her voice. And I don’t know how she made the backing vocals sound like that, but it sounds so great. My favourite moments on the album are the weird guitar riff on ‘Surgeon’, and the craziness at the end of ‘Northern Lights’. I don’t think I’ll ever get tired of it.

3. Laura Mvula – The Dreaming Room 
Lydia: I first heard of Laura Mvula with ‘Green Garden’ when I had just moved to London and I loved everything she represented. She was making a blend of music that I’d not really heard before and I loved it and wanted to make this myself. I found out she was from Birmingham, which is near to where I grew up so this helped to inspire me to think I could do it too! This album for me has an overwhelming feeling of female empowerment and joy, and therefore it really resonated with me from the first time I listened to it.

I love how Laura Mvula has always had a really unique style of what seems to me, orchestral inspired pop songs, using interesting chord progressions, simple but strong melodies and for me one of my favourite things is her use of close vocal harmonies. I’ve always loved vocal harmonies and I think she uses them so effectively throughout this album, with the emotion of her voice really coming through. This album is also produced by Troy Miller who I think is a genius, I’ve loved many of his other album productions such as Gregory Porter’s ‘Liquid Spirit’ and Jamie Cullum’s ‘Taller’. ‘Overcome’ has such a strong emotion, especially the outro where it builds and builds on the same melody which never gets old, she’s really good at doing this and I could listen to this forever! ‘Show Me Love’ is an amazing song. The intro is almost like an recitative in an opera, and sets the rest of the song up beautifully. I find this song quite deeply sad, but it one of my favourites of the album. My other favourite is ‘Phenomenal Woman’ I just absolutely love this song, it’s so feel good. I remember clearly dancing in the back of a car whilst driving up to Glasgow on a tour to this song. It just makes me want to move, and I love the fact it’s written about her Grandma. Elements throughout the album reflect back to this too with ‘Nan’, a phone calls between Laura and her Grandma. I am keenly awaiting an album 3 for Laura Mvula!

4. Tyler, The Creator – IGOR 
Teresa: This is my album of choice for when I’m driving and want to play something really loud (through my tiny bluetooth speaker). I’m not someone who grew up listening to hip hop, I discovered it quite late and I am still slowly discovering it, but I think everyone should listen to this album regardless of what kind of music they usually listen to. Not that I think people really listen to music based on genre, but hip hop in particular can be so diverse and free and it can incorporate so many types of music, and this album is such a good example of that. The arrangements are amazing, there is so much happening, so many details, and it’s so intricate and colorful. More is more and I really agree with that. I love how much space is given to instrumental sections, the songs are so progressive and each section flows into a new one each time. This is definitely one of those albums I’d need to listen to the whole way through from beginning to end, and I wouldn’t be able to remember even one title of each individual song, because it’s a whole journey. It’s also full of analog synths, so it was just made for my ears. It’s a great example of how making music is just fun, and making music means exploring where you can go without limiting yourself to a structure or a genre.

5. Lianne La Havas – Is Your Love Big Enough?
Lydia: Lianne La Havas has one of my favourite vocalists, so this album was instantly a favourite of mine. I first saw Lianne on Jools Holland singing ‘Age’ in 2011. I just thought she was brilliant, the song was light-hearted and almost humorous, her voice was amazing and her guitar playing was interesting. She was not just your average singer songwriter strumming on a guitar, she could actually play quirky riffs, harmonics, and was also playing electric which I thought was extremely cool. Again like Laura Mvula, I think I discovered Lianne La Havas when I was at a stage in my life when I wasn’t yet sure who or what I wanted to do and be in terms of music, and so she was a huge inspiration for me. Seeing a young woman playing great music, with incredible instrumentation, talent, and confidence was exhilarating. I generally prefer the more acoustic songs on this album, as I think it really showcases Lianne’s voice, such as ‘Lost & Found’, ‘Au Cinema’ and ‘Gone’. Again, she uses lots of vocal harmonies throughout the album, and I love that.

 

Thanks to Lydia & Teresa for sharing their favourites with us. Follow Bad Honey on Facebook for more updates.

Kate Crudgington
@KCBobCut

FIVE FAVOURITES: Boy Harsher

We’re no strangers to the dark, heated sounds of electronic two piece, Boy Harsher. Together, Augustus Muller (synths/percussion) and Jae Matthews (vocals) have released two albums and two EPs since their inception in 2014. Their songs brim with beats designed to ricochet around smoky dance-floors or lonely bedroom walls. The Massachusetts duo blend nostalgic 80s percussion with sharp modern production to create an immersive, magnetic listening experience.

We think one of the best ways to get to know a band is by asking what music inspired them to write in the first place. We caught up with Jae to ask her about her “Five Favourites” – five albums that have influenced her song writing techniques. Check out her choices below, and scroll down to watch Boy Harsher’s video for ‘Send Me a Vision’ at the end of this post.

1. Annie Lennox – MEDUSA
When I was a child, during a rocky divorce, my mom would listen to this album nonstop. Luckily, I was at the age where it wasn’t lame to sing along with your mom, and boy, did we get into it! On a subconscious level, these songs (Annie Lennox in general) gave me this attachment to a contralto voice in contemporary music. DIVA and MEDUSA both got equal play, but my story with MEDUSA is a bit embarrassing. I didn’t realize the songs were all covers, so when years later I heard the originals (like Bob Marley’s ‘Waiting in Vain’ or Al Green’s ‘Take Me to the River’) I was a bit shocked.

2. Nirvana – Nevermind
A classic. I made my dad buy this CD at a garage sale, which he did – yet later took away, due to “it’s graphic nature”. A stubborn child, I found it and hid away with my new love and Walkman. ‘Something in the Way’ really rocked my core. I was a lonely pre-teenager and I remember this music kept me company in a very real way. Now, I can’t listen without getting very nostalgic.

3. Pixies – Doolittle
Okay – this one is tough. It’s a tie between this and Cat Power’s Moon Pix. Both took up the same space in high school. I would listen to ‘Debaser’, literally SCREAMING along with my first crush. Then, later when home, would listen to ‘Metal Heart’ (lol) and cry, because she would never love me. Ah, the drama. I needed a support system for understanding my sexuality and processing my Father’s death. Both albums are amazing in their ability to muster emotion; sometimes flippant or mean, often raw and always very authentic.

4. Troller – Troller
I left the Northeast for graduate school and moved South. It was the furthest I had ever been from my family. It was a really amazing, lonely time. After attending SXSW in 2013, my musical understanding totally changed. I became a devotee of label Holodeck’s projects (Thousand Foot Whale Claw, Survive, Boan, Smokey Emery) and Troller. This is the first physical RECORD that I ever bought. Listened to it over and over – it still makes me think of Savannah, the rain, smoking inside, kissing.

5. Circuit Des Yeux – Overdue
After living in Savannah for a couple years, myself and my partner starting booking shows. We focused mainly on projects that centered on experimentation, some noise, and no drums. We booked Circuit Des Yeux on their first US tour in a small dive bar in downtown Savannah. Far too few people came. It was such an amazing performance. The way Haley used her voice was really inspiring to me – startling even. I began to understand the voice and body as an instrument, a performance tool. This really impacted the way that I sought to use my voice.

Photo Credit: Zach Hart

Track Of The Day: Small Man Society – ‘Songs I Write About You’

Self described as “The kinda band you wanna take home to meet your Mum”, Small Man Society blend indie melodies and down to earth humour on their debut single, ‘Songs I Write About You’.

Accompanied by a video that shows the band joyfully grooving around the office during their 9-5, ‘Small Man Society’ casually laments the tricky situation between dating and becoming “official”, and all the awkwardness in between. Jangly guitars, catchy lyrics and upbeat vocals all blend together to create a care-free tune designed to distract you from feeling crushed by your crush.

Formed of Mother Trigg (guitars/lead vocals), Dapper Dill (guitar/vocals), Mrs Field (drums), and Shed The Sexy (bass), Small Man say their interests are Gordon Ramsay, existential chat, long walks, reading books and breaking hearts. If any of that appeals to you, we suggest you watch their video for ‘Songs I Write About You’ below.

Follow Small Man Society on Facebook for more updates.

Kate Crudgington
@KCBobCut

Get In Her Ears Tracks Of 2019 (12.12.19)

Kate was back in the studio this week for the final Get In Her Ears radio show of 2019!

The GIHE grrrls chose some of their favourite new music from the last 12 months, including tracks from Grizzly Coast, Amahla, CLT DRP, ILL, Scrounge, BEA1991 & Le Butcherettes.

See you in 2020 for more new music goodness!

Listen back here:

@getinherears
@KCBobCut

Tracklist
Poly Styrene – Black Christmas
Grizzly Coast – High Functioning
The Big Moon – Carol Of The Bells (Christmas cover)
ILL – Kick Him Out The Disco
Clt Drp – Speak To My
Pallas Athene – Through Hell
Amahla – Dorothy’s Verses
Catbear – Unrequited Love
Noga Erez – Off The Radar
Le Butcherettes – Give Up
Scrounge – Badoom
PVA – Divine Intervention
FKA Twigs – Cellophane
God Colony (feat. Samirah Raheem) – Girls
Despicable Zee – Counting Cars
Sui Zhen – Perfect Place
Medejin – World’s Fair
BEA1991 – Loser Wins
Alex Jayne – Messy
The Joy Formidable – My Beerdrunk Soul Is Sadder Than A Hundred Dead Christmas Trees
ZAMILSKA – Hollow
Big Joanie – New Year
Kim Gordon – Air B&B
Sonic Youth – Youth Against Fascism