ALBUM: Elsa Hewitt – ‘LUPA’

A captivating reflection on her own thought processes and an extended hand to those who are seeking a similar internal transformation, London-based experimental artist & producer Elsa Hewitt has shared her new album LUPA. Following on from her 2020 EP Ghostcats, the record shimmers with more of Hewitt’s magnetic synth loops and soft vocals, showcasing her truly eccentric spirit across nine fluid soundscapes.

“2020 forced me to look at myself on the inside and it helped me let go of some things and turn around negative patterns and understand how your thoughts and mind influence the way you feel,” Hewitt explains, echoing a sentiment many will be familiar with. For Hewitt though, this process of dismantling her own psyche began earlier in 2019 when she was asked to write a song in response to suicide, having lost a number of friends the same way. She confronted her own experiences of anxiety and depression in the process and channelled them into the ambient, reassuring sounds that form the backbone of LUPA.

“It was a long progression and a lot of other things had to happen at the same time and it really made me face things within myself that I hadn’t been willing to face before,” she confesses about the record’s conception. This compassionate nature permeates Hewitt’s album. Her reluctance to face these difficult emotions dissolves over the course of each track, soothing the stings of loss and confusion that informed them. As with many of her previous recordings, she improvised her way through vocals and synth textures on LUPA, often recording things in one continuous take. This method gives her music a lucid, dream-like quality, dipping in and out of consciousness but remaining rooted in the joy of the moment.

Her talent for reflecting mood fluctuations via breathy vocals and magnetic loops feels effortless, with ‘Howl’, ‘Lavender’ and ‘Squirrelx’ being prime examples of these skilled shifts – her delicate vocal delivery ripples with genuine emotion, underscored by ethereal electronics and tentative beats. Hewitt’s playful side emerges on ‘Car In The Sun’, ‘Inhaler’ and ‘Fuzzy Duck’, but these tracks are usually followed up with sentiments like the ones on ‘IFM’, which are underscored by compassion and a tender desire to absolve anxious thoughts.

On LUPA, Hewitt has constructed a woozy, poetic sublime headrush of comforting electronic sound that provides a pleasant distraction from the overwhelming nature of the world right now.

Follow Elsa Hewitt on bandcamp, Spotify, Twitter, Instagram & Facebook

Kate Crudgington
@KCBobCut

Track Of The Day: Hussy – ‘I Tried’

A swirling guitar tune about self-assertion and facing adversity head on, Sophie Nicole Ellison aka Hussy has shared her latest single ‘I Tried’. Describing her style as “DIY with high ambitions,” the South London-based songwriter & producer performed drums, guitars, synth and bass entirely by herself on this track, which is lifted from her debut EP due later this year.

“I feel like people will instantly think this is a love song but it’s actually not,” Ellison explains about the single. “This song is more me standing up for myself and who I am and maintaining that through adversity. I wrote this pretty instantaneously in the moment, so it definitely has a dramatic ‘take it or leave it’ sentiment whilst landing on an acceptance over it.”

With her talent as a multi-instrumentalist and knowledge as a producer and professional sound engineer, Ellison has an incredibly self-sufficient approach to creating music under her Hussy moniker, which she adopted from a T-shirt slogan. On ‘I Tried’, her guitar sounds are polished, her vocal delivery is charming and the effortless way that she blends these two elements reflects the skill, confidence and resilience it must have took to self-record & produce her upcoming EP.

Listen to ‘I Tried’ below.

 

Follow HUSSY on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo credit: Pooneh Ghana

Kate Crudgington
@KCBobCut

LISTEN: Phia Sky – ‘fosn’

A fluctuating piece of ballad-tronica inspired by the un-nerving nature of a lucid dream, Manchester-based electronic artist Phia Sky has shared her latest single ‘fosn’. Inspired by video game soundtracks, human nature, toy instruments and field recordings, Phia’s self-produced new single is a fun slice of nightmare-pop exploring the strangeness of our subconscious thoughts via elasticated synths and erratic beats.

“‘fosn’ is a nightmare about waiting rooms and mysterious doorways,” Phia explains about the single. “It’s about trying to drop subtle hints of social discomfort (i.e knocking on the door, looking for the right key) but to everyone on the outside that clattering just sounds like normal speech. I tried to make the production match this, contrasting simple, hooky vocals with tangled synths and large beats.”

By fusing together an upbeat tempo with their ditzy synth textures, Phia has crafted an eccentric electro-pop soundscape that shimmers with unpredictability, reflecting the unusual nature of the dreams that informed it.

Listen to ‘fosn’ below.

 

Follow PHIA SKY on bandcamp, SpotifyInstagram

Kate Crudgington
kate_getinherears

Track Of The Day: Pretty Happy – ‘Sea Sea Sea’

A cacophony of raw vocals, thumping beats and swirling guitar riffs, Cork art-punk trio Pretty Happy have shared their latest single ‘Sea Sea Sea’. Through raucous, contrasting rhythms and their blend of chaotic, melodic voices, the band take a dive into the murky waters of gender stereotyping, dismantling misconceptions about queer identity against a cathartic backdrop of post-punk noise.

Formed of Abbey Blake (guitar), Arann Blake (vocals, bass) and Andy Killian (drums), Pretty Happy have been busy cutting their teeth on the DIY Irish music and arts scene over the last few years. Abbey is a founder of Angry Mom Collective, a movement set up to challenge the gender imbalance in Irish arts, whilst Arann and Andy are keenly involved in the local drama and film scenes. Together, the trio combine their talents to create their distinctive sounds and ‘Sea Sea Sea’ is another eccentric taste of what’s to come from the band’s upcoming EP due for release later this year.

Delivering lines like “Your daughter wants to ride a motorcycle / You can’t handle it / She’s your only son,” in their direct, Cork intonation, the band attempt to subvert gender norms and erode the ignorance surrounding queer stereotypes, with the accompanying video reflecting this struggle. Directed by Abbey – who was nominated for Pinewood Studio’s ‘Lift Off First Time Film Makers Festival’ award for her work – the visuals show the protagonist digging into the sand before running full pelt into the sea to wash away the limiting and damaging tropes the band sing of.

Watch the video for ‘Sea Sea Sea’ below.

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Kate Crudgington
@KCBobCut