#ThrowbackThursday: GIHE w/ Charlotte Carpenter (02.11.17)

Due to the ongoing Covid-19 pandemic and lockdown in the UK, we’re unable to make it into the Hoxton Radio studio to broadcast our weekly live new music show from 7-9pm. Instead, we’re sharing previous GIHE radio show recordings as #ThrowbackThursday sessions, so you can still enjoy 2 hours of new music tunes & chats with some of our favourite artists each week.

Today, we’ve picked our November 2017 show with songwriter and Babywoman Records founder Charlotte Carpenter. Tash & Kate spoke to her about her EP Shelter, her gig at St Pancras Old Church, producing and releasing music independently, taking up skateboarding again and her on-going love for Courtney Barnett and Avril Lavigne. She also played stripped back versions of two of her tracks on air.

Listen back to the show below:

Tracklist
Nina Simone – I Put A Spell On You
Kllo – Dissolve
Miya Folick – Give It To Me
Skye Wallace – Scarlet Fever
Ailbhe Reddy – The Tube
PINS – Bad Thing
Kid Cupid – Easy
King Henry & Rhye – Moment
Nova Twins – Thelma & Louise
syrra – I Can Be Mean
REWS – Your Tears
The Franklys – Keeper
Just Because – All I Knew
Pale Honey – Get These Things Out Of My Head
**Charlotte Carpenter – Interview & Live Session**
Courtney Barnett – Pedestrian At Best
BERRIES – Wild Vow
LAD – Dancefloor
Shania Twain – Man! I Feel Like A Woman!

LISTEN: Hari Debi – ‘Bang’

A slow-burning guitar anthem that celebrates the power of female sexuality, London rockers Hari Debi have shared their latest single ‘Bang’. Accompanied by a smoking set of monochrome visuals featuring vocalist Maddy Jones cutting loose and enjoying herself in front of the lens, the track is a riff heavy ode to female desire that simmers with riotous passion.

Formed of Maddy, Mark Docherty (guitar), Jack Hall (bass) and Luis Bezzi (drums), Hari Debi take inspiration from The Kills, Saint Agnes and Dead Weather to create their bold rock and roll sounds. They released their first EP Loose Thread in 2020 and are planning to share a second EP later this year, with ‘Bang’ being the first taste of what’s to come.

“Musically the song is a metaphor for passion,” the four piece explain about the track. “It burns fast and frantic, then evens out into a slow riff before reigniting to an explosive conclusion.” Through Mark’s killer riffs and Maddy’s fervent vocals, the band celebrate the confidence and autonomy that comes with a healthy sexual appetite, even though women often experience sexist double standards when they choose to embrace their own.

Watch the video for ‘Bang’ below.

Follow Hari Debi on Spotify, Instagram &  Facebook for more updates.

Kate Crudgington
@KCBobCut

Track Of The Day: Debby Friday – ‘Runnin’

Intoxicating rap verses and trippy beats blend together to form an eccentric anthem about self-expression on ‘Runnin’, the latest single from Nigerian-born, Vancouver-based audio-visual artist Debby Friday. Full of commanding rhythms and jagged synths, the track marks a new musical direction for Friday, moving away from her abrasive earlier work into more sultry, effervescent territory.

“This new record is about pure expression. I don’t feel like I need to exorcise anything from myself anymore,” Friday explains. “I wanted to to push myself in different directions and see what would happen and I think I accomplished what I set out to do. ‘Runnin’ is a cheeky song that has Debby Friday themes present, but now I’m having so much more fun.” Dripping with unfazed confidence and snaking rhythms, Friday’s synth-rap tune smoulders with autonomous vibes.

The track is accompanied by a colourful new video, co-directed by Friday and Ryan Ermacora. Inspired by the tinting techniques in early cinema and filmed near Hope in British Columbia, the kaleidoscopic visuals show Friday strutting towards the camera, her image splitting and blurring before the lens as her movements effortlessly match her lyrical flow.

Watch the video for ‘Runnin’ below.

Follow Debby Friday on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo credit: Laura Baldwinson

Kate Crudgington
@KCBobCut

ALBUM: Nova Twins Presents ‘Voices For The Unheard’

A year after the release of their debut album Who Are The Girls?, Nova Twins have returned to share Voices Of The Unheard, a charity compilation LP that’s bursting with righteous energy. Driven by their desire to spotlight the work of underrepresented artists of colour in the heavy music scene, the duo (formed of Amy Love and Georgia South) have put together a blistering collection of alternative anthems that showcase an eclectic, tenacious range of talent.

Following their ‘Voices For The Unheard’ Spotify Playlists, an open letter to the MOBO Awards and their online conversations about racism and sexism in music, Nova Twins naturally gravitated towards curating an album that followed up these narratives. Dr Martens Presents (a multi-disciplinary initiative supporting emerging creative talent) brought their idea of a record to life, providing the funding for the physical release of the compilation on limited edition vinyl via Blood Records. Voices For The Unheard is only available for pre-order until 1st March and all profits will be donated to The Black Curriculum, a charitable initiative working to get black history on the UK school syllabus. It’s a deeply political record in many ways, but it’s also a gargantuan distraction from these important issues too.

Amy & Georgia kick things off with their thunderous single ‘Taxi’, filled with Nova Twins‘ trademark distorted bass lines, jagged riffs and ferocious lyrics. Narrowing the track-list down to twelve must have been tricky, as their stellar Spotify playlists include songs by Ho99o9, Bob Vylan, Sampa The Great and Rico Nasty, but the band have tried to give a platform to artists who are rooted in their underground scenes, whether that’s in the UK or further afield.

‘All My Friends’ by Canadian four-piece The OBGMs is a manic mix of punk and garage rock, followed by the gritty charm of Connie Constance‘s ‘Monty Python’. Her track is probably the quietest on the record, but her skill for subtle song-writing punches just as hard as the the visceral metal & hip hop beats on ‘Cross Me’ by Dallas-based UNITYTX. The track burns with corrosive fury, the final lyric “This is rock music motherfucker!” epitomising what Voices Of The Unheard is all about.

The thumping beats and pulverizing synths on ‘Goatmeal’ by New Yorker LustSickPuppy and the intense punk & rap cacophony ‘Scared’ by duo Death Tour both blitz by in under two minutes. Guttural groans, strung out vocals and feverish riffs fuel ‘Aggressive Evolution’ by Liverpool-based Loathe, and their fury is matched by the genre-defying sounds of ‘Green Vision’ by New Yorkers Oxymorrons, who dominate the ear drums from start to finish.

Brit trio Pussycat and The Dirty Johnsons keep things rolling with their classic rock rhythms on ‘Ain’t No Pussy’, followed by the dense beats and incredible vocals on ‘Trouble’ by North Carolina-based queer/trans artist Khx05, who impresses more each time they’re listened to. Washington rapper Zhariah mixes glitchy beats and candid lyrics on the biting ‘Bitch Boy’ before the infectious rhythms of black feminist punk trio Big Joanie bookend this eclectic mix of rap, rock, punk, metal and electronic music. We’ve waxed lyrical about how much we love Big Joanie before on GIHE, and the infectious rhythms on their Hermitage Works live rendition of ‘Fall Asleep’ still have us chanting the chorus in unison every time.

Listening to Voices for the Unheard should rile you up and re-energise your appetite for heavy music. The album showcases a group of artists who have been galvanized by their individual experiences of discrimination, but who are now united in their attempts to create the authentic, exciting music they wish they had heard growing up. Nova Twins’ battle cry for equality and diversity was loud and clear on Who Are The Girls?, but it’s echoed long after the record’s release. The duo are a force for fun, for fury, and most importantly: for change in an industry that is still dominated by white faces.

You can choose to be part of the solution and help to change this by listening to Voices for the Unheard, following the artists on the track-list and continuing to share the conversations that initially fueled the record’s development.

Pre-order your copy of Voices for the Unheard here.

Click on the name of each artist/band to head to their individual Spotify pages.

Kate Crudgington
@KCBobCut