FIVE FAVOURITES: King Isis

Multi-instrumentalist King Isis – whose name pays homage to their great-great-grandmother Omega King, one of the first Black opera singers in Chicago – seems to thrive in the uneasy space between indecision and taking action. The Oakland-based artist explores the gaps between these feelings on their upcoming debut EP, scales, which is set for release on 29th March via Dirty Hit/No Matter. Through a mix of shimmering guitar sounds, driving beats and relatable lyrics, King Isis balances feelings of frustration and apathy alongside buoyant melodies in order to overcome the barriers holding them back, whether they’re self-inflicted or otherwise.

An ardent believer in the empowering and healing nature of music, King Isis uses their artistry to enrich the lives of others too. They volunteer teaching music classes for low-income communities in Los Angeles, and have worked with the FreeStudio Program of Rikers Island, which creates a safe creative space for incarcerated youth and the children of incarcerated adults. 

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with King Isis to ask about their “Five Favourites” – five songs that have inspired their song-writing techniques. Check out their choices below and scroll down to watch the video for their latest single ‘taste of u’.

 

1. King Krule – ‘Czech One’
This song has been one of my favorites for a looooong time. I can’t recall exactly where I heard this for the first time, but sometime in college sounds right. King Krule has consistently been my favorite artist for the longest, specifically for the instrumental arrangement and the authenticity of his voice. This song is definitely different from a lot of his tracks, as it’s driven by keys instead of guitar, but the minor, moody melodic chord progression that carries the track has a special place in my heart. It feels like a dream to me. I feel like a lot of King Krule’s songs – including this one – have influenced the chords and shapes I use in songs and in my guitar practice.

2. Lauryn Hill – ‘I Gotta Find Peace of Mind’
Whenever this song comes on in my car, I gotta listen to the full 9 minutes. Her lyrics really resonate with me on this one. I feel like this song has influenced me specifically with lyric writing and strong melodies. Also her performance. I think a lot of what draws me to certain songs/artists and what I strive to do with my music is delivering authenticity through song. imperfections create perfect moments. The guitar is fairly simple, kinda going between two chords, yet is still super captivating because of her vulnerability both in her lyrics and performance. She’s repeating what appear to be simple phrases, but it carries so much meaning in how she shares these words. I think it brings me a sense of hopefulness and peace in moments of calamity. Her delivery and the repetition of certain phrases has definitely inspired how I create and share music. If you haven’t heard this song, listen!

3. Yves Tumor – ‘Gospel for a New Century’
I heard this song for the first time around the drop of this project. I started listening to Yves Tumor during college and was kinda infatuated with everything they were doing. I think what initially drew me to their music was the instrumental – I love a good bassline. When I’m listening to new music, I’m definitely drawn to the instrumental first, that’ll hook me in and eventually I’ll start hearing what they’re saying with their lyrics. If the music itself doesn’t catch my ear, you probably won’t catch me listening to it. I think Yves Tumor’s music in general and this song specifically has helped me be more open in my sound, they continue to inspire with their artistry. I have a couple songs on my next project that are influenced by the grunge-y, crunchy, darker melodies that flow through Yves Tumor’s music.

4. Hiatus Kaiyote – ‘The Lung’
I have a super distinct memory attached to the first time I heard this song. I was a sophomore in college, going through changes, discovering love, learning a lot about myself as a person. I was in my partner’s dorm room during a shroom trip and I fell in love with the magical energy of this song. I didn’t know what Nai Palm was saying for a long time – and honestly still don’t know what she’s saying – but that introductory guitar line instantly captivated my attention. And then she comes in with some infectious harmonies that still bring the same feelings it brought me the first day I heard it.

Ever since then, I’ve been a huge fan of Hiatus Kaiyote and Nai Palm. I think this song specifically inspired me to explore more harmonies within my songs and voice. In this song, her voice felt more like another instrument, moving in tune with the drums and other instruments in ways that still hold me more than the lyrics. I think that also inspired me to play with my voice more, explore the different ranges, sounds, and places my voice can exist in song.

5. Kanye West, Kid Cudi, 070 Shake – ‘Ghost Town’
I don’t remember the first time I heard this song but I included it in this list because everytime I hear it, I still wanna scream and cry with 070 Shake at the end. I love the rest of the song too, but when she comes in with “and nothing hurts anymore I feel kinda free,” it takes me out of whatever else I’m feeling and makes me feel like I can keep pushing through it all, like I can keep going. Something about this song feels familiar, like it’s all gonna be ok. In a similar way to how Lauryn Hill’s ‘Peace of Mind’ makes me feel, 070 Shake’s part of the song makes me feel hopeful, reignited, and alive. I think this song encourages me to dive deeper into writing and into myself, to continue to find freedom in creating music.

Thanks to King Isis for sharing their favourites with us!

Watch their video for ‘taste of u’ below

Follow King Isis on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo Credit: Richard Mwanthi

Kate Crudgington
@KCBobCut

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LISTEN: Anika & Ni Vash ft. Nasim Luczaj – ‘No Fly Zone’

An evocative, sonic form of resistance, ‘No Fly Zone’ is a fundraising collaboration between Iran-based musicians Ni Vash and Berlin-based musician Anika. Released via Invada Records, all profits from this track will go directly to support a UK-based charitable organisation – who have asked to remain anonymous – who are campaigning for human rights, women’s equality and against government oppression via demonstrations, conferences and publications, offering legal support to those in need.

Collectively know as Ni Vash – a Persian word for “renewal” or “regeneration” – the artists and musicians involved in the project have concealed their names for their own safety. They have worked alongside Anika to create ‘No Fly Zone’, a moving effort to remind listeners that “restrictions come in many forms” and it is our global responsibility to help break down the barriers that are holding others back. You can download the track via bandcamp here

‘No Fly Zone’ is a stirring, atmospheric uprising featuring the words of Anemone, Windflower, by poet Nasim Luczaj. The anemone is known as the “windflower” because its petals close when the plant detects advancing rainstorms. The plant’s natural instincts personify a very human reaction to fear, but on ‘No Fly Zone’, Luczaj’s calm, measured narration and Ni Vash & Anika’s hypnotic synth sounds gently over ride this instinct, quietly urging listeners to do the same.

Speaking about their new collaboration, Ni Vash explain: “In Iran or anywhere, people cannot fly, cannot see their dreams materialize, even through working hard or playing by the rules. Restrictions come in many forms, from without and from within – self or society, made by cultures, we are restricted. We are surrounded by voices without words, in a no fly zone. Join us in the fight for human rights. Join us in the fight against government oppression. This is a world-wide fight. This is your fight.”

Download ‘No Fly Zone’ and donate here.

Watch the video for the collaboration below.

Photo credit: Autumn Andel

Kate Crudgington
@KCBobCut

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LISTEN: HotWax – ‘Treasure’

A grunge-inspired, blissfully bruising guitar anthem that centers around the bittersweet nature of infatuation, Hastings trio HotWax have shared their latest single ‘Treasure’. Full of buzzing basslines, commanding beats and raucous guitar sounds, the track flicks between melodic verses and riff-heavy breakdowns, providing listeners with a welcome rush of blood to the head.

Eighteen year old friends Tallulah, Lola & Alfie aka HotWax are inspired by the gritty sounds of 90s grunge and alternative bands. Together, the trio cut their teeth on their local live music scenes in the South East, with their impressive live shows attracting the attention of Nova Twins, Wolf Alice and Radio 1’s Jack Saunders. Not bad for three teenagers who are fresh out of college.

Now, the band are gearing up for their own mini UK tour this month, before joining The Pearl Harts as main support in May, and performing at a string of festivals including Mad Cool and All Points East alongside The Strokes and Yeah Yeah Yeahs in the summer.

Watch the video for ‘Treasure’ below.

HotWax UK Live Dates 2023
Mar 17 – Reading, Purple Turtle
Mar 18 – Manchester, The Talleyrand
Mar 19 – Liverpool, Round The Corner
Mar 22 – Southampton, Heartbreakers
Mar 24 – Tunbridge Wells, The Forum Basement
May 3 – St Albans, The Horn (Pearl Harts Tour)
May 4 – Norwich, Voo Doo Daddys (Pearl Harts Tour)
May 16 – London, Lower Third (Pearl Harts Tour)
May 17 – Brighton, Prince Albert (Pearl Harts Tour)
May 18 – Portsmouth, Edge Of The Wedge (Pearl Harts Tour)
May 19 – Bristol, The Lanes (Pearl Harts Tour)
May 25 – Belfast, Voodoo (Pearl Harts Tour)
May 26 – Dublin, Workmans Cellar (Pearl Harts Tour)
May 27 – Limerick, Kasbah (Pearl Harts Tour)
Jul 2 – Newport, Tiny Rebel Festival
Jul 7- Madrid, Mad Cool
Aug 25 – London, All Points East with The Strokes/ Yeah Yeah Yeahs
Sep 9 – Torquay, Burn It Down Fest

Follow HotWax on bandcamp, Spotify, Facebook, TikTok, Twitter & Instagram

Photo Credit: Holly Whitaker

Kate Crudgington
@KCBobCut

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FIVE FAVOURITES: Lana Del Rabies

A creator of corrosive, brooding experimental sounds, Phoenix-based musician, producer and multimedia artist Sam An aka Lana Del Rabies is preparing to unleash her new record, STREGA BEATA. Set for release on 17th March via Gilgongo Records, the album – the title of which loosely translates as “Blessed Witch” – is a cathartic medium for the musician’s innermost thoughts on the human condition, grief and navigating tragedy. Written, produced, and almost entirely performed by An, STREGA BEATA promises to be an enthralling, powerful listen.

“There is a specific type of grief that comes from witnessing the brutality of what humans are capable of towards each other. If that grief goes unprocessed, it is doomed to also manifest as brutality,” offers Lana Del Rabies about her upcoming album. “There have been many moments while writing this record that I was grieving through an event that was personal or worldwide, and then another sudden, tragic event would happen. I needed to re-evaluate what I wanted to say because my world and perspective had shifted again. Trying to keep up with tragedy can make one feel helpless, and one way to feel in control is through acts of destruction. My personal impulse towards destruction nearly ended this project.”

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Lana Del Rabies to ask about her “Five Favourites” – five songs that have inspired her song-writing techniques. Check out her choices below and pre-order your copy of her upcoming album STREGA BEATA here

 

1. Nine Inch Nails – ‘The Great Below’
If you know me or know of me, you are probably pretty aware that I am a Nine Inch Nails lifer. NIN has been my favorite musical act since I was 14 years old, and I don’t see that changing anytime soon. The Downward Spiral was my first favorite, but when I found The Fragile (well after it had released), I had never heard anything like it before – especially the more experimental, cinematic and vulnerable tracks like ‘The Great Below’. The ways that emotion on this album are conveyed are so reliant on texture and ambiance, but aren’t too avant garde to be inaccessible. The water themes in this track were something I found myself using a lot on my upcoming album, probably subconsciously because of the emotional experience I always have with this track.

2. Lingua Ignota – ‘That He May Not Rise Again’
I have to admit that I listened to a lot of Kristin Hayter’s work leading up to the writing of this record. I did my best to not overly emulate anything she does, but I also don’t think anyone can do what she does. I think LET THE EVIL OF HIS OWN LIPS COVER HIM is potentially among my all time favorites. It is just such a cohesive, well-thought out, and masterfully executed thesis of an EP. ‘That He May Not Rise Again’ is just not like anything else I have ever heard, and the way it maneuvers between very disciplined, traditional religious music and very honest, guttural, unapologetic cathartic expression for an unrelenting span of time inspired me to push what I was doing with my work further.

3. The Body – ‘Hail to Thee, Everlasting Pain’
I discovered this track almost ten years ago. A friend sent me I SHALL DIE HERE to listen to, I think. I remember hearing ‘Hail to Thee, Everlasting Pain’ and thinking “This is the kind of music I want to make”. I was barely starting to experiment with sound at the time and Lana Del Rabies wouldn’t be established for another couple of years. By the time I started writing STREGA BEATA, I felt a bit more confident about being able to handle composing something like this. I even play actual instruments! Anyway, the way this track (and The Body in general) handles elements from various “dark” genres without ever commiting to a genre is exactly what I love about making music.

4. FKA Twigs – ‘Mary Magdalene’
I discovered FKA twigs in 2014 around the time she was releasing her first EPs. I was always impressed with how she brought a poetic darkness into really catchy but still experimental music. It took me a while to hear Magdalene, but it is absolutely my favorite of hers. I love the way she uses religious metaphor through the record to address her personal experiences and comment on gender roles in relationships without ever being too heavy handed. I also love Nicholas Jaar (he among other collaborators with FKA worked on this), and the way this track ended up sounding feels rooted both in the beauty of traditional music and something really futuristic and otherworldly.

5. Diamanda Galas – ‘The Litanies of Satan’
I think what I love about Diamanda Galas’ work is how determined it feels. It’s more than relentless or raw; it is determined to be what exactly it is, with no hesitation. I think this applies to her more classically inclined work and especially to work like The Litanies of Satan. I am also obsessed with tracks that are maximal even though they are compositionally minimal. It’s incredible when you think about the fact that this came out in the early 80’s. I’ve definitely found her to be more of an inspiration for what I do performatively and in my vocals as well. I would love to have her range and ferocity as I age as an artist.

Thanks to Lana Del Rabies for sharing her favourites with us.

Watch her video for ‘Hallowed is The Earth’ below.

Follow Lana Del Rabies on bandcamp, Spotify, Twitter, Facebook & Instagram

Kate Crudgington1 Comment