EP: Tokky Horror – ‘KAPPACORE’

Thank fuck for attitude! Emerging from the pit to release KAPPACORE, hardcore punk/techno collective Tokky Horror have recorded a visceral collection of mosh-inducing dance melodies; an infectious melding of distorted breakbeat chaos and abrasive guitar filth – from Zee Divine, Ava Akira and Mollie Rush – to piss off the punk purists!

Following their 2021 extended play from Alcopop! Records, I Found the Answers and Now I Want More – later incorporated into their compilation of off-kilter DIY noise, Home Recordings 2020-2021 – KAPPACORE is their latest mutation; a hyper-intense techno-punk record for misfits. Opening with ‘MAXINE’, featuring Blazer Boccle, Zee’s (formerly of Liverpudlian queer punks Queen Zee) (witch)craft results in hypnotic drum & bass; Blazer, Ava and Mollie’s pseudo-rapping buried in the mix, scrambling from a shallow grave for your attention, making your heart skip, skip a beat! “We are the weirdos, mister.”

Now primed to explode, ‘HAMMER 2 THE FACE’ follows, creating punkish energy through Aphex Twin-esque idiosyncratic techno; Tokky Horror’s do-it-yourself ethos resulting in grinding industrial guitar riffs layered with Zee’s experimental hardcore production. Let the bass hit you like a hammer to the face! Preserving this chaotic energy, ‘JAZZ MUSIC’ is a textural electrical assault to the senses, with only woodwind instrumentation providing brief respite from Tokky Horror’s groove. “I love jazz music / You love jazz music / I love jazz music / Tokky Horror crew!”

‘TOILET’, another rave-inducing headbanger, is the crew’s “heartbreak song about falling out of love with a scene.” Punk is supposed to represent anarchy! It should be the perfect petri dish for activism; punk rock’s lyrical vitriol expressing an intense desire for sociopolitical change. Unfortunately, most “punks” were too wasted to protest… So, back in the lab, the mad scientists at Tokky Horror are working towards creating their own sub-culture; one of inclusivity, and ‘TOILET’ is their melancholic dance punk anthem! “We are all searching for change…”

Closing out KAPPACORE with pulsating basslines and distorted vocals comes ‘TRANMERE RAVER’, featuring MC NULTi. The Tokky Horror crew crescendoing into a cataclysm of crusty electronic crud. From the breakbeats of Orbital to the electropunk of The Prodigy, Tokky Horror proudly wear their influences on their Kappa branded sleeves. This is the Tokky Horror Show: hypnotic anarchic catharsis!

Tokky Horror UK Live Dates 2023
18th May – KAPPACORE EP Release Party Blondies, London
26th May – Sneister Festival, The Hague NL
9th June – Fiestas De La Artes, Manchester
5th August – Rebellion Festival, Blackpool
18th August – Convoy Cabaret Festival, Dorchester
19th August – Arctangent Festival, Somerset
9th September – Burn It Down Festival, Devon

Follow Tokky Horror on bandcamp, Spotify, Twitter, Instagram & Facebook

Ken Wynne
@Ken_Wynne

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WATCH: Alex Lahey – ‘They Wouldn’t Let Me In’

Following the release of lead single ‘Good Time’, the infectious ‘They Wouldn’t Let Me In’ is the latest single from Australian artist Alex Lahey‘s upcoming third album and debut for Liberation, The Answer Is Always Yes; a reflective post-punk track inspired by the isolation she experienced during her teenage years. “I spent a lot of time thinking about my own experiences growing up as a queer teenager…being excluded from conventional romantic rites of passage…feeling like I couldn’t relate to anyone around me.”

Finding inspiration after watching the coming-of-age TV romantic comedy-drama ‘Heartstopper’ (adapted from the webcomic of the same name by Alice Oseman), Alex put into words those tough moments many queer teens experience as they try to adapt to a seemingly non-inclusive world: “I couldn’t get into the bar or the church / Or the backseat of your mother’s car / The club or the bus or the band where no one plays guitar / The dance at your school / Or the change rooms at the swimming pool / The haunted house down the street / That all those people died in…”

Venturing into a furniture store for the accompanying music video – co-directed with Claire Giuffre – Alex Lahey furnishes us (literally!) with a multitude of emotions. Through self-discovery, co-writing alongside Chris Collins, she revels in the absurdity through propulsive rhythm and cathartic honesty; finding comfort in discomfort.

“Living in a world that wasn’t made for you makes you pretty strong and adaptive… It also makes you realise how absurd everything is. With this record, I wanted to get weird because the world is weird, and it’s even weirder when you realise you don’t fit into it all the time.”

“They wouldn’t let me in / C’mon just let me in / Why don’t you just fucking let me in?”

The Answer Is Always Yes, the upcoming album from Alex Lahey, is set for release on 19th May via Liberation.

Ken Wynne
@ken_wynne

Photo Credit: Pooneh Ghana

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EP: The Ethical Debating Society – ‘Mutual Indecision’

Writing bubblegum pop melodies before tearing them apart with riot grrrl moxie, The Ethical Debating Society’s (TEDS) DIY punk attitude and multi-faceted lo-fi sound has been preserved on their latest six track extended play, Mutual Indecision; a collection of previously unreleased songs recorded at Sound Savers – Mark Jasper’s Hackney warehouse studio.

Produced by Jasper (Witching Waves), mastered by Dai Jones, and released by Radical Possibilities, the Mutual Indecision EP features vocalist/guitarist Tegan Christmas, vocalist/guitarist Kris Martin, and drummer Eli Tupa obliterating rough DIY indie with cathartic and justified rage! Opening with pop-punk anthem ‘Poor Liam‘, the three-piece examine the “alright-jack-shit generation” under the microscope; the “petri-dish for patriarchy”. “You have, and you are, a tool / That’s so fucking precious…”

‘Emoticon‘ – another whiplash-inducing headbanger – disturbs with distorted chaos, Tegan and Kris harmonising over obnoxious guitar riffs, frustrated with social change. Kicking over her drum kit and strapping on her guitar, Eli shreds lo-fi sludge on ‘Prawn Operation‘; screaming Spanish lyrical angst against male entitlement, before switching back to percussion for the punishing ‘Paywall’ – life as commodity: “Buy, buy, or bye bye.”

‘Pantomine‘ follows with equally irresistible visceral lyricism; challenging alpha male bullshit as abrasive riffs strain under the ferocity of raw instrumentation. Closing with ‘London Particular‘, the London-based trio implore you to look around: your estate regenerated and community lost… “…the fog clears and your heritage has gone. Now all the flats and all the shops ask you for money you haven’t got.”

Following their 2015 debut LP, New Sense, and in anticipation of their long-awaited sophomore record, Mutual Indecision delivers equally spontaneous scuzz, sounding as if TEDS got together in the studio, hit record on analog, and jammed unapologetically through the feedback – an imperfect punk record that is chaotically perfect.

mutual indecision e.p. by the ethical debating society

Catch The Ethical Debating Society playing live for us next month, on 19th May at Shacklewell Arms, supporting Hypsoline with Rom Coms. Tickets here!

Ken Wynne
@ken_wynne

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ALBUM: VUKOVI – ‘Nula’

“What does the future hold for the female of the species?”

Welcome ‘user17359’. You will shortly be departing Trinity Lunar Port for Mars Sanctity Terminal, immersing yourself in VUKOVI‘s latest record for the duration. Since their formation twelve years ago, the genre-defying Scottish duo – comprised of vocalist Janine Shilstone and guitarist Hamish Reilly – have been in flux; roaming rabid wolves sinking their teeth into a constantly evolving sound all their own. From 2011’s It Looked So Good On Me… and 2012’s …But I Won’t Wear You Again EPs, to 2017’s self titled debut and 2020’s Fall Better LP, Janine and Hamish’s chemistry is infectious; a combination of “dark themes and dirty fucking riffs.” Now, VUKOVI are exiting the stratosphere and heading into deep space with sci-fi/horror NULA; a conceptual album set in a distant (yet unnervingly familiar) future. Inspired by sci-fi escapism like Katsuhiro Otomo’s Akira, NULA is a cyberpunk abomination; a sonically ambitious mutation of anthemic pop melodies.

Opening with the cinematic ‘DEPARTURE’ and moshpit inducing ‘TAINTED’, VUKOVI set the tone for NULA. “You’re a fucking monster…” Considered the property of nefarious capitalist corporation Sanctity, and exploited through inhumane experimentation for over twenty five years, the eponymous extra-terrestrial is an otherworldly reflection of Janine’s own survival; her subconscious trauma bleeding into her lyrics. Compulsive, creative and unapologetic: We’d like to wish you a safe and pleasant journey.

“You think I’m a god… Fuck that, fuck you too!” ‘LASSO’ condemns pop idol worship – and highlights the music industry’s hypocrisy, through filthy, fuzz-drenched riffs and insatiable pop-tinged vocals. ‘QUENCH’ delivers sexual liberation with moxie and nu metal groove. “I’m not in love, just wanna feel your touch!” Infused with synthetic noise, ‘SLO’ follows; an ethereal exploration of OCD: “You have a toxic reliance on it and in your eyes that condones reckless behaviour.” Yet, despite feeling broken and vulnerable, NULA (and indeed Janine) re-claims control on mid-album pop-punk-rager ‘I EXIST’, through blood, death and raucous riffs – courtesy of Hamish’s live wire intensity! “I’ve found you, motherfucker!” “I think about what’s happening in the world too much… The greed. The cruelty. There’s a lot of that on the record,” Janine explains. Depression… It’s a temporary feeling. Emotionally driven, VUKOVI stage-dive into anthemic chaos, stronger and feeling empowered: “Stand up / You’ve got to fight… / I know it’s tough / But it’s not enough to give up…”

“I AM NULA. AND I AM FREE.”

After brief respite during interlude ‘ATTENTION’, the disquiet duo’s distorted disorder continues on ‘SHADOW’, ‘HADES’ and ‘KILL IT’; three tracks propelled by an infectious combination of electronic instrumentation, heavy-as-fuck hooks, and raw emotion. “One taste of blood is not enough…” For NULA, revenge is poetic. Confronting abuse with justified angst – “Oh, I’ve waited, for retribution / I’ll watch you burn…” – ‘HURT’ is heavy metal catharsis, whilst ‘SAD’ is a somber realisation that you can never forget trauma. Just like Ripley in Ridley Scott’s Alien, NULA is a survivor realising her own strength and resilience. “I’ll never be whole but I’m a fighter / Kick me in the dirt but still like dust I’ll rise / I’m gonna be heard.” There is no closure, but that is okay. NULA represents female empowerment, and there is life after trauma.

So… “What does the future hold for the female of the species?” Janine pauses for a zeptosecond during closer ‘XX’ before declaring in her distinct Scottish drawl: “She is the answer to extinguishing this toxic masculine cesspool of a society. She deserves to live in a world without fearing for her life… She is the future of humanity… and it’s time to fuck the system!”

Ken Wynne
@Ken_Wynne

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