Track Of The Day: Krush Puppies – ‘Slay The Dragon’

Having charmed us with their immersive live performances on more than one occasion, Alexa Daly, Jenny Wells, Jess McGill and Heather Britton – aka Krush Puppies – have been establishing themselves on the London scene for a few years now, with support slots for the likes of Squid and Sorry already under their belts. Now, they have shared a unique, medieval-inspired, new single.

Propelled by an eerie, synth-driven drive, ‘Slay The Dragon’ is a poignant reflection about “transcending the monsters we’ve all had to endure“. Showcasing the band’s swooning harmonious vocals, which flow throughout with a mystic allure, the track builds with a gritty, swirling energy and scuzzy hooks to a frenzied cacophony, suddenly coming to a halt with a resonant, impassioned wail. Oozing a whirring, bewitching splendour, it oozes a raw, haunting majesty reminiscent of fellow London post-punkers Goat Girl. Offering equal parts playful wit and angst-driven emotion, ‘Slay The Dragon’ cements Krush Puppies as definite ones to watch.

Recorded during Lockdown No.1, ‘Slay The Dragon’ is out now via Strong Island Recordings.

Mari Lane
@marimindles

Track Of The Day: Fräulein – ‘Pretty People’

Originally hailing from Northern Ireland and the Netherlands respectively, London-based duo Joni Samuels and Karsten van der Tol – aka Fräulein – have been winning us over since we first became pretty obsessed with last year’s single ‘Drag Behind’, and then continued to be totally hooked on its follow up, ‘Mary’. So, we were excited to hear that they have now shared an equally impressive new offering.

Reflecting on the shallow world of fashion, ‘Pretty People’ is inspired by a party that Joni attended at which it was highlighted that if you didn’t fit the right look, clothes or clock in the right number of followers online, you’d be dismissed. Propelled by sparse beats and stripped back hooks, the track builds with a captivating dark energy as Joni’s sweeping vocals create a majestic, grunge-infused atmosphere.

Oozing that trademark whirring, lo-fi twang that we’ve come to know and love from previous singles, ‘Pretty People’ showcases the duo developing and honing their sound with a more polished finish. With an anthemic scuzz, Joni’s vocals flow with a visceral passion, exuding a bewitching, gritty splendour.

Of the track, the duo sum-up: “The song is about refusing to be small, even if the people around you are telling you to be.

And so my obsession with Fräulein’s sound continues. I cannot recommend these two strongly enough; I really think they have something wonderfully nostalgic, yet ultimately unique, to offer. And, as soon as it is safe to do so, I cannot wait for them to blow us away live at one of our gig nights!

Shot by Emma Swann and edited by Luke Macpherson, and filmed entirely on Mini DV tape, watch the new video for ‘Pretty People’ now:

Mastered by Noel Summerville (The White Stripes, My Bloody Valentine), ‘Pretty People‘ is out now via Practise Music. If you’re lucky enough to have tickets, you can catch Fräulein live at The Windmill, supporting Butch Kassidy, on 26th May.

Mari Lane
@marimindles

Track Of The Day: Solidarity Not Silence – ‘This Is Sisterhood’

“Using my platform for the greater good. I stand in solidarity, this is sisterhood.

This poignant refrain sums up all that the powerful new release from Solidarity Not Silence stands for. With members of The Tuts, Petrol Girls, Personal Best and Colour Me Wednesday collaborating, as well as a snippet of the legendary Kathleen Hanna speaking about the cause, ‘This Is Sisterhood’ sees members of the DIY feminist music community come together to raise funds for the legal costs of a group of women who are fighting a defamation claim made against them.

The Solidarity Not Silence movement was started to raise money for the legal cost for this group of women, after each of them spoke up about their accuser’s alleged abuse. A number of his former partners, as well as feminist musicians who spoke out in support, including Nadia Javed of The Tuts and Ren Aldridge of Petrol Girls, are facing a libel claim. Their case is immensely relevant in the aftermath of #MeToo and could affect legal precedent on how similar cases are treated by the law. 

And ‘This Is Sisterhood’ marks the perfect way to bring the case to people’s attention; as Nadia Javed explains: “… we’re musicians not lawyers. We can’t fight this case without the help of our lawyers, but what we can do, is use our skills and resources as musicians to tell our story, and build the momentum that we need to expand our fundraising campaign and keep covering our legal costs.”

A truly impassioned and empowering creation, ‘This Is Sisterhood’ is a totally necessary call to arms; a plea to unite in solidarity against the patriarchal norms seeking to hold us down. Starting with the glistening, honey-sweet vocals of Javed telling the story of Solidarity Not Silence, it builds with swirling riffs (courtesy of Katie from Personal Best) and a stirring energy to a rousing anthem.

As the poignant, spoken word from Ren (Petrol Girls) states some of the disturbing facts surrounding gender-based violence against the heartrending backdrop of a sweeping chorus of harmonic voices (all powerful voices from across the DIY punk community), we’re left to reflect on the track’s resonant sentiment – “When will the reputation of men stop being valued over our safety?”.

Propelled by an immense, stirring splendour, ‘This Is Sisterhood’ sends shivers down the spine with its emotion-filled sweeping power and urgent sentiment. An utterly necessary, and deeply cathartic, listen; a beautifully compelling way to bring attention to such a pressing issue, showcasing the true power of women and non-binary people coming together to unite and fight back against the powers that seek to control us.

Watch the emotive new video, created by Martyna Wisniewska and featuring footage of the community recording the track, for ‘This Is Sisterhood’ here:

Engineered by Simon Small and produced by Patrick James Pearson, ‘This Is Sisterhood’ is out now via Alcopop! Records.

Mari Lane
@marimindles

Photo Credit: Martyna Wisniewska

More information about Solidarity Not Silence and the defamation case:
The group of women has been fighting this case for over four years, and is desperately trying to fundraise enough money to maintain their legal representation. Since launching their crowdfunder – and again since identities were made public – they have received an extraordinary amount of support. It seems that their case resonates with many people who have had similar experiences of being silenced by someone with more power, fame or financial backing. 
However, they have now reached a crucial point in the case, where costs are escalating rapidly. Therefore, in an attempt to reach out beyond their usual networks they wrote and recorded this powerful single, which tells the compelling story of their legal battle, in 2019 and are now releasing it into the world. Their strategy in releasing the track is twofold: firstly they hope to raise money directly through digital downloads and merch sales, but ultimately the goal is to tell their story and get as much attention, and therefore donations, to their crowdfunder as possible. 

Premiere: Cozy Slippers – ‘When Will When Come?’

Having started when Barbara Barrilleaux and Sarah Engel met at ‘Ladies Rock Camp’, a weekend event that brings women together to learn to play instruments and form bands, Seattle based Cozy Slippers have since recruited guitarist Steven Skelton, and charmed us live at The Finsbury when they came all the way across the pond to play for us back in 2019. Now, following singles such as ‘Hard To Say Goodbye’ and ‘A Million Pieces’, they’ve shared a luscious new offering.

The first release to come from a year’s worth of home recordings from the band, ‘When Will When Come?’ is a plea to live life to its fullest, embracing all of its messy possibilities. Propelled by a scuzzy, sunny energy and effervescent musicality, it flows with jangly melodies alongside Sarah’s sweeping, smooth vocals that ooze a gentle heartwarming emotion. With shades of The Cranberries, or even GIHE faves Chorusgirl, ‘When Will When Come?’ builds with twinkling hooks and sparkling harmonies to a truly uplifting slice of shimmering indie-pop. I mean, how could a song about pink flamingos do anything but make you smile…?!

 

Mixed by Dylan Wall (Great Grandpa, High Sunn), ‘When Will When Come?’ is out tomorrow 30th April.

Mari Lane
@marimindles