FIVE FAVOURITES: Ailbhe Reddy

A raw and relatable record about existing in the emotional ether at the end of a relationship, Dublin-born artist Ailbhe Reddy’s upcoming third album, KISS BIG, is a wholehearted affair that continues to spotlight her talent for empathetic songwriting. Set for release on 30th January via Don Giovanni Records, across nine tracks she dismantles the cyclical nature of love and the ways in which we persist and resist, but ultimately succumb to romance once again when the breakup cycle is complete.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Ailbhe to ask about her “Five Favourites” and she picked five albums by an eclectic range of artists who have inspired her songwriting techniques. Check out her choices below and scroll down to watch the official video for Ailbhe’s latest single ‘That Girl’ too…

 

1. Fiona Apple – When The Pawn…
I heard this for the first time when I was working an office job in my early twenties. ‘Paper Bag’ came on the radio and I felt like it was written just for me. I was immediately hooked. I went and bought the album that same day and spent months obsessed with it. I, of course, went through Apple’s entire back catalogue and was so inspired by her as an artist and individual. The production, lyrics and vocal delivery still blow me away every listen.

2. Julia Jacklin – Crushing
After I recorded my first album, I got a lot of comparisons to Julia Jacklin (what a compliment!) but I had never heard her. ‘Don’t Know How to Keep Loving You’ came on while I was driving in my car one day and it destroyed me! I pulled over and put the whole album on and listened from start to finish. What a journey. So simple. So perfect. I’ve been a fan ever since and think she’s one of the best songwriters around.

3. Jeff Buckley – Grace
This is a formative one for me. I learned a lot about playing guitar from a book of music from this album. I definitely spent a long time shoehorning nice jazz chords into my songs as a result. I was a kid when I first heard this album — my mum had a copy in her car that she used to listen to. It wasn’t until I started playing guitar that I started really listening to the songwriting properly. By then YouTube existed and I spent hours finding every single video I could of Jeff playing the songs from this album. I got to sing a few songs from this album at a show celebrating the 30 year anniversary of this album a while back, and it gave me a whole new appreciation for his vocal performance.

4. Sufjan Stevens – Illinois
I saw the dance/musical version of this in New York City two years ago and cried my little eyes out. Not just because it was beautifully performed, but because no album reminds me of the pure love I had for music as a teenager as well as this album. When I was 15 or 16 I got a little 8-track and recorded my own version of ‘Chicago’ on it. Still, whenever I hear that song it brings me back to that time. Pure love and awe and discovery. The song itself is rich with imagery and feels like a full novel, and my own memories on top always make it a joyful listen.

5. Big Thief – Capacity
‘Mythological Beauty’ was my introduction to Big Thief, I heard it playing in a friend’s kitchen and was immediately grabbed by it. There was something so mesmerising about Lenker’s vocal delivery and also the lyrics are pretty daaamn perfect. Again – it feels like a novel in a song. How can someone sum up their mother? Such a complex, deep relationship. Yet, she nails it. I got to see the album live in Dublin and was blown away by the band live which kicked off my journey as a long time fan. ‘Mary’ is another song from that album that I think is spectacular, and part of its charm is how different it is from the rest of the band’s discography. I’ve seen it a few times live in different iterations and it’s always been so special.

Thanks to Ailbhe for sharing her favourites with us!

Ailbhe will be playing a London headline show at The Lexington on 21st April to celebrate the release of KISS BIG – tickets are on sale now!

Watch the video for her latest single ‘That Girl’ below.

Follow Ailbhe Reddy: website, bandcamp, TIDAL, Instagram & Facebook

Photo Credit: Su Mustecaplioglu

LISTEN: GIHE on Soho Radio with Whitelands (08.01.26)

For our first radio show of 2026, Tash and Kate were back on Soho Radio bringing listeners an eclectic mix of new music tunes from some of their favourite female, non-binary and LGBTQIA+ artists. Mari offered some of her “musical musings” too!

Etienne, Jagun & Vanessa from London-based shoegaze band Whitelands also joined the team live on air to talk about their highly anticipated upcoming second album, Sunlight Echoes – due on 30th January via Sonic Cathedral.

The trio reflected on how far they’ve come since they were guests on our show back in 2024, as well as the the many ways in which the band have developed and expanded their sound over the past two years. They also shared the poignant inspiration behind their latest single ‘Blankspace‘ and spoke openly about the themes of friendship, grief and memory which heavily influenced the songwriting on Sunlight Echoes.

Whitelands are currently gearing up for their first ever UK headline tour, including a show at Moth Club in East London on 26th February. Grab a ticket here.

Listen back below:

 

We’ll be back on Soho Radio on Thursday 5th February from 16:00-18:00
Make sure you tune in via DAB or download the Soho Radio app.
You can also listen at www.sohoradio.com

Tracklist
Dolly Parton – Dumb Blonde
Hercules and Love Affair, Hips & Lips – That’s Not How to Love
Silk Daisys – nervous wreck
VERO – Calico
Whitelands – Blankspace
Whitelands – Glance
TTSSFU – Upstairs
Maddie Ashman – Seraphim
AE MAK – We Came From Stars
Ailbhe Reddy – So Quickly, Baby
Kareen Lomax – idea of you
Alice Costelloe – Move On With The Year
Mi.el – Grains Of Sand
Softcult – Queen Of Nothing
Robyn – Dopamine (Jamiexx remix) (Tash’s Track Of The Show)
YELF. – loud (Kate’s Track Of The Show)
Midori Jaeger – Dark Green (Mari’s Track Of The Show)
Hadda Be – New To The Office
Ms Mohammed – Ring The Alarm
YAKKIE – Kill The Cop Inside Your Head
Maria BC – Marathon
Elin Hall – As The World Falls Down
Aether Speaker – End Credits
SOFIA ISELLA – Hot Gum

GIHE: Ones To Watch 2026

It’s fair to say that 2025 was another tough year, but one positive we’re taking away from it is the immense amount of incredible new music that was released and the hope of more wonderful offerings from new bands and artists in 2026.

Following on from our features about our favourite Tracks, Albums & EPs and Personal Highlights of 2025, it’s now time for us to share our Ones To Watch for 2026 – naming a handful of bands and artists who we predict will be reaching ears far and wide this year. Have a read of our choices and make sure you give them all a follow on social media to keep track of their achievements over the next 12 months.

We’ve also added tunes from our favourite albums and from the bands included in this feature to our Tracks Of 2025 Playlist, to provide the best soundtrack to the start of your 2026! Have a listen on Tidal and be sure to download songs by the artists you love from bandcamp, go and see them live, buy their merch, and spread the word. They need your support now more than ever!

Here are a few of the bands and artists we’re most excited about going into 2026…

Cowboy Hunters
Having been building a reputation in the Glasgow scene for their memorable live shows, Scottish punks Cowboy Hunters create immense riotous anthems and I was very excited when I was first introduced to their seething single ‘Mating Calls’ back in March last year. Since then, I had the complete pleasure of seeing them at Deer Shed Festival in the summer and the fiercely engaging charisma and stark dry wit that they exuded throughout their immense instrument-swapping set exceeded all expectations. Strictly not adhering to the festival’s suggested reduced swearing policy, they raged about transphobes and needing money for drugs before ending the set by getting the whole crowd to join in doing ‘The Macarena’ with them. It really was the most surreal and perfect way to kick off a Saturday morning! And, with a full EP promised in the spring, I cannot wait to see / hear what wonderfully riotous offerings they have in store for us this year. (Mari Lane – Managing Editor)


Jessie Mac
South East London DJ, producer & label owner Jessie Mac is still a bit of an enigma to the GIHE team, but we all know that we’re obsessed with her track ‘Trans Is Beautiful’ – a total gem that I unearthed in my GIHE inbox last year. It’s a powerful and incredibly catchy “sonic statement” that is equal parts poignant, political and playful, featuring the vital words of American actress & activist Laverne Cox. Jessie’s blend of club-inspired beats and shape-shifting electronics have been ricocheting between my ears for the past twelve months. We know that she’s working on new projects and music for 2026 and we’re excited to hear more of her essential LGBTQIA anthems. (Kate Crudgington – Features Editor)


Lōwli
On both our Soho Radio show and in our monthly playlist features, I consistently coined Irish composer & songwriter Lowli as one of my favourite new music discoveries of 2025. Her debut album, Window In The Woods, is a moving rumination on unsettling memories and emotions, explored through her tender keys, crystalline vocals and beautiful instrumentation. Released via VETA Records, the album provides a safe haven from the stresses of everyday life, as Lowli is adept at crafting a serene, yet melancholic world for you to immerse yourself in. I look forward to hearing Window In The Woods live one day soon. (KC)

Midori Jaeger
An artist I discovered by accident when seeing Tanita Tikaram at Royal Festival Hall in November, Midori Jaeger instantly caught my attention with their unique style of playing the cello and the soothing allure of her vocals while playing in Tikaram’s band. Originally from Japan, Jaeger has recorded three EPs and played alongside the likes of Daughter and Courtney Pine, as well as Tanita Tikaram. But, kicking off this year with the rich sparkling splendour of her new single ‘Dark Green’, I have a feeling she’ll be commanding plenty of stages in her own right throughout 2026, with her immersive, genre-defying sounds. I for one can’t wait to immerse myself in more of her captivating folk-strewn musicality and shimmering heartfelt emotion. (ML)


Pinkshift
With the release of their second album, Earthkeeper, last summer, Maryland punk-rockers Pinkshift cemented their ability to create perfectly honed, refreshingly honest modern day rock anthems. As a fierce sense of urgency and relentless grunge-tinged energy rage throughout the album alongside the gritty raw emotion of front-person Ashrita Kumar’s vocals, it offers a welcoming hit of early noughties nostalgia whilst rippling with the band’s own unique groove. Apparently the aim of the record is to inspire us to “give a fuck”, and I certainly do – about the world, but also about this exciting band who I can’t wait to see on tour with Grandson in March – the UK is in for a treat! (ML)


Sijya
South Asian composer and producer Sijya crafted one of my favourite EPs of 2025, Leather & Brass, so it will come as no surprise that I have chosen her for our Ones To Watch feature too. Signed to the prestigious One Little Independent Records, Sijya’s experimental spirit is reflected in her music, which is an idiosyncratic blend of digital and analogue synths, drifting vocals and atmospheric beats. I was sad to miss her performance at the Tate Modern last year, where she played her EP live in the iconic turbine hall as part of their Tate Lates series, but I’m hoping to hear her expansive electronica in the flesh at some point in the near future. (KC)


Um, Jennifer?
Having first won me over with the playful energy of 2023 single ‘Girl Class’, New York trans duo Um, Jennifer? continued to be total faves last year with the release of their new album, Um Comma Jennifer Question Mark. Oozing so many deliciously scuzzy lo-fi pop-punk vibes, the album reflects on trans identity, lust and obsession, whilst offering a wonderfully empowering ode to defying expectations and not fitting into the moulds that society often places on us. Their band bio says “Fig and Eli met at a party in Brooklyn. Eli wanted to hook up with Fig’s friend. Now they make music together for nobody except the vengeful god, Jennifer. Jennifer thinks their music sucks.” I’d have to disagree with Jennifer, and have a feeling many other people will throughout 2026. (ML)


Yakkie  
Having been privileged enough to attend Yakkie’s first ever gig back in 2023, and since witnessing their immense live presence on more than one occasion, it had felt like a long wait for the debut single from the incredible supergroup back in October. Fronted by interminable force of nature Janey Starling (formerly of Dream Nails) and featuring Robin Gatt (Personal Best, Petrol Girls), Laura Ankles (Colour Me Wednesday, The Dumb Blondes) and Maeve Westall (Jasmine.4.t, itoldyouiwouldeatyou), it was amazing to see this absolutely epic collective of faves come together in all their seething punk-rock glory last year, offering the rage, joy and unity we all so desperately need. And now, with their debut album set for release in February, I cannot wait to be treated to plenty more of their relentless riffs and swirling empowering energy. Entitled Kill The Cop Inside Your Head, of the album Janey explains: “If we want a better world, we must first be able to imagine one. To do that, we have to kill the cop inside our head. Go to the protest! Join your union!” Offering a fierce, rallying cry for unity and rebellion, it’s now more important than ever to have bands like Yakkie, not afraid to speak up for what’s right and use their platform as a real force for change. I’m extremely grateful they exist and look forward to having them see us through 2026. (ML)

Despite our apprehensions about 2026, at least we’re heading into the new year with some fantastic music to accompany it. Huge love and thanks to all the bands and artists who continue to soundtrack our lives and offer hope that we can resist those seeking to oppress marginalised groups and continue to create powerful communities that bring joy, strength and comfort. And massive thanks to all who supported GIHE throughout 2025 and for the last ten years (!) – it really means the world.

Throughout 2026, if possible, please support your favourite artists by downloading their music from bandcamp, following them on social media and nabbing tickets to see them live! For a taste of who to follow next, listen to our playlist of 2025 favourites here.

A great way to discover your new favourite band is to come along to our GIHE gigs! Next up, we’re at The Waiting Room on 16th January with South London post-punk faves Hadda Be, plus support from Sussex alt-rockers Shallow Honey and upcoming shoegaze dreamers Mannequin Flowers. Tickets are on DICE now and they are always cheaper in advance!

GIHE: Personal Highlights of 2025

We’ve already shared our Albums & EPs Of 2025Tracks Of 2025 and our final Soho Radio show of the year, but now the GIHE team have put together a round up of some of their music related highlights from the past twelve months.

From celebrating a decade of GIHE in various ways, to attending Cro Cro Land and Decolonise Fest, plus our first time hosting a stage at The Great Escape Festival; the GIHE team were grateful to feel connected to our friends and followers throughout 2025.

Huge love to everyone who has listened in to our radio shows, read our reviews & features on our website, or attended one of our gigs this year. Take care of yourselves and we’ll see you all in 2026!

Read below for a recap of some of our best bits of the year…

10 years of Get In Her Ears!

Kate: Although Get In Her Ears officially kicked off in 2015, I found the GIHE radio show a year later in 2016. I used to listen in every Thursday evening when Mari and Tash hosted their slot on Hoxton Radio, enjoying the new music tunes and smiling when they gave me a shout out on air. When Mari asked me to cover her when she was unable to make the show one week, I was chuffed. Tash and I met for the first time 20 minutes before we shared mics, but it felt like we’d known each other for ages. The show went really well and I had a blast, so I was overwhelmed with happiness when they invited me to be a permanent co-host with them. We’ve continued on as a three piece for nine whole years and in that time we’ve co-launched our website and monthly gig night, moved to Soho Radio, we’ve been featured in Clash, interviewed for The Guardian and The Independent, spoken on panel events at Southbank Centre and even been on Craig Charles’ Trunk Of Punk on BBC Radio 6!

I’m deeply proud of these accomplishments, but what I’m most proud of is nurturing my friendship with Mari and Tash over the past decade. Teenage me – an anxious girl from Essex – would be so happy to know that I’d meet two people who would not only teach me so much about new music and the importance of community, but also just two really decent, funny, open-minded friends who would support me in all my endeavours. That is the foundation of Get In Her Ears and that is why it’s been such a joy and a privilege to grow this platform together and meet so many wonderfully like-minded people who either make music, or feel as passionate a connection to it as we do. We gathered up some kind words in the form of voicenotes from some of our favourite artists for our special anniversary show on Soho Radio, which reflect all of these things and more.
(Kate Crudgington – Features Editor)

Mari: Hosting GIHE gigs really is my most favourite thing to do. As well as being able to platform fantastic new musicians of marginalised genders, being able to bring together like-minded people in a safe space where everyone feels free to be themselves, part of a chosen family, and able to unite in joy and rage feels like something that is needed now more than ever. Huge thanks to everyone – musicians and supporters alike – who’ve been a part of our little community over the last ten years. And biggest thanks of course to dream team, fellow parents of our precious baby, and the best friends a dweeb like me could ever need – Kate, Tash and Paul. Here’s to the next ten years!
(Mari Lane – Managing Editor)

GIHE 10th Birthday All-Dayer at The Cavendish Arms

Mari: I could gush for pages about how much it means to me that Get In Her Ears turned 10 this year. Being able to celebrate something that myself, Kate and Tash (and Paul!) have put so much love and work into over the last decade felt really important, and I wanted to ensure that any event organised represented the community we are so honoured to have been a part of. So, it felt fitting to host our all-dayer in September at The Cavendish Arms – a venue which, over the last couple of years, has done so much for us and whose gorgeous vibe and ethos aligns perfectly with the safe, inclusive space that is consistently my priority to provide, and whose staff are always the most helpful and welcoming.

It felt fitting, too, to be able to put together a line-up of bands and artists who have been a big part of the Get In Her Ears journey in some way over the years – the fact that Problem Patterns came all the way over from Belfast to headline, along with other favourites like Fightmilk, The Baby Seals, Jenny Moore, Jemma Freeman and the Cosmic Something, Schande, Dogviolet, and last minute recruits The Oozes, plus pillar of the scene Estella (Big Joanie) on the decks, really was the stuff that dreams are made of. Being able to fill the space with so many familiar faces, people who’ve supported us and who we couldn’t do all this without, was something that felt incredibly special, and will stay with me for many more decades. I now have a taste for organising all-dayers, keep your eyes peeled for more special events!

Kate: Get In Her Ears has enriched my life on so many levels and I felt that profoundly at our 10th Anniversary gig at The Cavendish Arms. The line-up that Mari put together was stacked with artists who we have followed since their early days of releasing music, so it felt like a real full circle moment for all of us. It was a joy to catch up with friends old and new throughout the day and share plenty of pints and plenty of memories. It all went by in a flash. I handmade 100+ friendship bracelets for the occasion, we had our very own GIHE tote bags on sale designed by our Art Director & Photographer Paul, plus, Paul’s Mum even made cupcakes. I wish we could do it all again.

Ella from Dogviolet: It was an honour to play at the Get In Her Ears anniversary show at The Cav. One of my favourite pubs (and where GIHE gave us our first ever gig!) and an opportunity to play alongside legends of the scene. Highlights included Jemma Freeman, who, as ever, delivered a high-octane set, ending up on the floor in the middle of the crowd with guitars screaming and wailing. A perfect contrast followed with an intimate set from Jenny Moore on piano and vocals; the room fell completely silent, you could hear a pin drop. She combined tongue-in-cheek humour with spine-tingling intimacy, even getting the whole room singing acappella at the end. The venue was packed throughout the day, and truthfully, the event could have filled a much bigger space, but the intimacy gave it a great buzz and atmosphere. The warmth, solidarity and joy in the room were a testament to the community spirit Get In Her Ears have built over the past ten years. Here’s to many more!

 

GIHE first showcase at The Great Escape

Kate: I’ve been attending The Great Escape Festival as a fan and then as a journalist since 2011, so I was over the moon when Get In Her Ears were given the opportunity to host a showcase on Brighton beach on the Soundwaves Stage in May this year. We booked South London post-punk duo Scrounge to headline our eclectic showcase, with Comic Sans, Rubie, Maria Uzor and afromerm as our supporting artists. We were blessed all weekend with sunny weather, which meant the turnout for or beach stage was beyond what we expected. We loved watching each artist perform their unique sets and appreciated every shout out that they gave us from the stage. It was a proper milestone moment for us all and I hope we can return to The Great Escape in the near future to share more of the vital and exciting music from new artists in our GIHE community. Our unofficial GIHE after-party at our favourite Brighton bar, The Bee’s Mouth, was also a blast.

Mari: Another fitting celebration of our 10th birthday this year was to have the honour of hosting a stage at The Great Escape. An event known for platforming upcoming new artists, it felt really special to be able to showcase an eclectic mix of some of our favourites over the weekend in Brighton – from the dreamy soundscapes of afromerm, the frenzied danceable allure of Maria Uzor and the poignant, empowering grace of Rubie, to the immense swirling energy of Comic Sans and fierce seething power of headliners Scrounge; our evening at the Beach Stage really did feel like a perfect representation of the exciting and talented new artists that we consistently support. As well as our showcase, the weekend as a whole was really special – the four of us being able to spend the whole weekend together, celebrating the last ten years with new music, tattoos, fun and sunshine.

GIHE tattoos at The Dollhouse

Kate: It may not have been my first tattoo (it’s my ninth!) but having the GIHE logo permanently etched on to my skin is definitely the most significant piece of ink I have on my body. The Dollhouse in Brighton was the perfect environment for the GIHE team to get our celebratory shared tattoos whilst we were in town for The Great Escape. Run by a team of ultra friendly female, non-binary and LGBTQ+ artists and staff, we were impressed by everything from the pink decor, to the kindness and curiosity of the folks who inked these important lines into our excited flesh. I chose to have my GIHE tattoo on the inside of my wrist, so that it looks like the entry stamp you receive at the door to one of our gigs. For me, it’s a wonderful visual reminder of all that the GIHE team have achieved so far and of our bond with each other.

Mari: At the age of 39, I got my first tattoo after years after debating whether I should, and it felt only right that this first permanent addition to my body should mark something so personal to me (and be designed by my partner in everything, Paul!); a beautiful, lifelong reminder of all the hard work and joy we’ve shared together over the last decade. I guess we’ll just have to keep doing this forever now! Huge thanks and love to Evie for taking such good care of me and making it such a nice experience, and to all the staff at The Dollhouse for being the loveliest; a tattoo place fully staffed by queer people (and with cute pink walls) it felt like the perfect place for us to do this together. I’ll definitely be back soon!

Decolonise Fest

Mari: A vital event promoting punks of colour and their community, Decolonise Fest is a non-profit DIY festival made up of activists, militant community organisers, musicians and artists that have been coming together to organise the weekend since 2017. This year, I was lucky enough to be be able to attend the Saturday, which started off with an incredibly inspiring and informative panel from YWMP, Good Night Out Campaign, Spark The Noise and Off Shoot Tours about creating safer spaces for marginalised groups to enjoy live music – an incredibly relevant and poignant topic for someone who organises gigs. The day and evening continued to be filled with so much incredible live music – including the playful, jazz-tinged energy of Coventry’s The Genes, post-punk legends Bona Rays and the driving frenzied indie anthems of Liverpool’s ones to watch, steel.

Comic Sans on Soho Radio 

Kate: We enjoyed the company of London-based queer punks Comic Sans so much that we invited them to be guests on our Soho Radio show twice this year. We interviewed vocalist Rachel and guitarist Lauren in March about their personal and political single ‘Mr President’ and the band’s origin story, and Rachel also joined us again in May to chat with us on our Great Escape special. What comes across in both interviews is Comic Sans’ collective wit and humour and like team GIHE, there is also a solid friendship underscoring all that they do. It was a joy to host them as part of our showcase at The Great Escape and I look forward to seeing them live again in 2026!

Cro Cro Land

Mari: Ten years ago, if you’d have asked me what I’d be doing on my 39th birthday, I don’t think DJing at awesome local festival Cro Cro Land alongside a line-up of incredible bands would have even occurred to me. But, a decade on, that’s what happened, and I can honestly say it was one of the most fun birthdays of my nearly 40 years. Spending the day providing tunes for so many familiar faces, as well as 100s of lovely local Croydon folk out to enjoy some fantastic live music felt like the perfect way to celebrate, and being able enjoy bands like Billy Nomates, Goat Girl, Benefits, Berries, Grandmas House, Phwoar, Bugeye and A Void throughout the day was the only present I needed. Huge thanks to organisers Angela and Julia for inviting me to be involved, and massive credit to them for creating such a brilliant and diverse showcase of new music within a community that so needs a bit of a boost right now.

Deer Shed Festival

Mari: My fourth time at the North Yorkshire festival, this year at Deer Shed felt as special as ever. Having fallen in love with its warm, family-focused energy and exciting, eclectic line-ups when first attending in 2022, it has not disappointed since. They manage to consistently create a space that feels comfortingly intimate; an inclusive safe haven for artists and fans of all genres, genders and ages. Amongst those performing, a fantastic amount of female, non binary and queer performers were represented this year, and I was lucky enough to catch lots of these over the weekend, with highlights including Kae Tempest, Moonchild Sanelly, Cowboy Hunters, The None and Jacob Alon. I also felt privileged to be asked to DJ a silent disco for the second year in a row; playing tunes to a huge tent that ended up being full of people provided a much-needed hit of dopamine. And watching the people of all ages, families and friends alike, enjoying the music – making up dances, and getting excited by certain songs (particularly Chappell Roan and Le Tigre!) – was a pretty euphoric experience. I’m mega grateful to have had the opportunity to do it; huge thanks and love to Deer Shed for letting me unleash my danceable queer tunes onto the crowd once again! I strongly suggest you investigate getting tickets for this year – the line-up’s looking pretty lovely, with the likes of Jasmine.4.t, Say She She, The New Eves and Sorry already announced.

Working with Trapped Animal Records

Mari: I just wanted to give a little shout out to perhaps the most positive thing that’s happened for me personally over the last year. Over the last decade of Get In Her Ears, there’s been certain independent record labels who we’ve worked with closely and whose values have consistently seemed to align with what we do. Trapped Animal Records has been one of these, with favourites like The Baby Seals, Jemma Freeman and the Cosmic Something, Grrrl Gang, Gabi Garbutt and Dear Pariah on their roster, and having continued to use their platform to support what we do. So, in Spring this year, when they asked if I’d like to help them out with press for some of their artists, it seemed like the stars had aligned and I jumped at the chance.

It’s been so lovely to be able to be part of a team of such like-minded folk, promoting hardworking DIY artists spread the word about their wonderful new music, and I’m super excited for what 2026 has in store, both with the main label and with their new, artist-focused sub-label We Go To 11, which was created to support independent artists in releasing their music without giving up control or rights. Working with a diverse range of bands and artists, such as Black Water County, Neev, Peter Cat, Jeremy Tuplin, Cormorant Tree Oh, That Old Quiet Lighthouse, Read The Room and Crying Loser has been such a pleasure – huge thanks to Joel, Kerry and the team for having me on board!

Keep your eyes peeled for our Ones To Watch in 2026 feature, which we’ll be publishing on our website very soon…