Introducing Interview: CRAWLERS

Based in Liverpool, raging rockers CRAWLERS have spent the last couple of years building a loyal and committed fan base, and have now shared their long awaited debut EP – a diverse collection of emotion-strewn anthems. From the raging, politically-charged energy of ‘Statues’ to the sparkling melancholic splendour of ‘Come Over (again’), each track oozes the band’s trademark impassioned drive and swirling raw charisma.

We caught up with CRAWLERS to find out more about them and their mission as a band…

Hi CRAWLERS, welcome to Get In Her Ears! Can you tell us a bit about the band?
Hiya Get In Her Ears! Crawlers are a four-piece band based in North-West England (half of us from Warrington and the other Liverpool), we formed in late 2018 and like playing around with the sound of rock in any way we can, but most of all we’re four best mates who love creating music. 

How did you initially all get together and start creating music?
Amy (guitarist) and Liv (bass) played together in a few bands in their high school and ended up splitting up when both went to different sixth forms. Holly (vocals) and Liv then went to LIPA Sixth Form in Liverpool, and were into very similar music and decided after dabbling in a few projects to create a band with Amy. We met Harry just after we released our third ever single as he wrote a review of the song for a magazine, and once we said we needed a new drummer he was the perfect fit!

Your new EP CRAWLERS is out now – can you tell us what it’s all about? Are there any themes running throughout the EP?
The EP has mainy themes, however it definitely has an overarching theme of struggles. The first single ‘Statues’ is about the corruption of the American police system, and its institutionalised racism. The second ‘Breathe’ is about my (Holly) existential crisis about the development of social media and technology. The penultimate ‘MONROE’ explores the beauty standards specifically for women in media, and the unfair treatment of Britney Spears. And finally ‘Come Over (again)’, the final track, is about our own personal woes, grief of relationships and family, and most of all, the people who cause such feelings.

You’ve been compared to the likes of Nova Twins and Yungblood, but who would you say are your main musical influences?
We’re very lucky to be compared to both artists as they’re both individually extremely talented! We as a band definitely are inspired by the likes of Nirvana, The Strokes, Queens of the Stone Age, Pixies and Smashing Pumpkins… However, individually we all love very different types of music which allows us to delve into many different types of genres. Holly loves artists such as Mitski, Phoebe Bridgers and Black Country New Road, whilst Liv is a huge metal fan, inspired by bands such as Metalica and Tool. Harry loves Gorillaz and Rage Against the Machine, and Amy is the biggest Fleetwood Mac and ABBA fan possibly ever!  

How is your local music scene? Do you go to see lots of live music?
Liverpool is a wonderful scene currently, exploding with some of the UK’s biggest talents of many alternative genres. Everybody knows everybody and word spreads fast of a new band on the scene and it’s absolutely crazy to start becoming mutual friends with artists and bands we have loved and respected since we first started out in the scene. 

And what can fans expect from your live shows?
As we have grown as artists, we have definitely also grown as performers. For some reason I (Holly) used to pretend to be bada*s on stage, when in reality I’m a bit of a joker. We focus on creating a safe space for all kinds of supporters, as I have sensory issues. I try to ensure when our heavier songs are played that everyone is aware of their space, as well as those around them and their actions, so that everyone can have a good time! I know there’s been a lot of times at heavier gigs when I have personally felt extremely overwhelmed because of the environment, and we wanna let people enjoy heavy music no matter how they like to enjoy it. Not gonna lie, sometimes I do treat a gig like a bit of a comedy show – I have a funny rapport with the audience and a giggle with the band. I feel like that makes it a lot more personal, and when our emotional songs are performed, it feels like we go through every single emotion at our gigs. 

As we’re a new music focused site, are there any new/upcoming bands or artists you’d recommend we check out?
Our current favourites from our scene are definitely Torture and the Desert Spiders, Stone, Gadzooks and Zuzu! All you should definitely check out! Generally I would recommend Witch Fever, Vial, Lowertown, Tash and Charles and the Big Boys too.

And how do you feel the music industry is for new bands at the moment – would you say it’s difficult to get noticed?
It’s a hard one. Social media has definitely made it easier for artists to get noticed, however it has also meant major labels have even more power to control, and has meant the over saturation of artists has made it difficult to stand out. A good time to play around in the live scene, now it is all back and about, and a good time to build a platform! 

Finally, what does 2022 have in store for CRAWLERS?
A lot. We’re going to be going on our first ever tour, and hopefully showing you guys even more of our now very diverse catalogue, hehe. We’re just so lucky for so early in our career to have such amazing supporters and fanbase – and we can’t wait to grow our craft and share it with the world!

Massive thanks to CRAWLERS for answering our questions! Watch the video for latest single ‘Come Over (again)’ here:

Introducing Interview: Hipersona

With their resounding motto of ‘Pop Punk Is Not Dead!’, Turkish twin sister duo Hipersona ooze their gritty-yet-sugar-sweet and immensely catchy offerings with a sparkling energy and swirling sense of fun. First recommended to me by the almighty John Kennedy, they’re just the empowering, uplifting blast of colour we need in our lives right now.

Having formed back in 2018 and released their debut EP – mixed and mastered by famous drummer and producer Alen Konakoğlu in Los Angeles – in 2019, the vibrant duo have now shared fizzing, energy-fuelled anthem ‘Satellite‘ and we couldn’t be happier.

We caught up with the girls of Hipersona to find out more…

Hi Hipersona welcome to Get In Her Ears! Can you tell us a bit about yourselves?
Hi! We’re so happy to be here! Nice to meet you. We’re twin sisters from Turkey who love making noise! Hipersona was formed in 2018, Turkey. After the disbanding of our previous band in early 2018, we wanted to continue our music career without giving up. With our high and raw youth energy, we wanted to show that pop punk is not dead! I am Bengisu (bass player and backing vocals) – I’m a research assistant at TED University (Dept. Of Electrical Electronics Engineering). My twin sister Bilgesu (lead vocals and guitar) is an architect. 

Are you able to tell us a bit about how you initially started creating music together? 
When we were seven, our dad gave us guitars as gift. Since then we’ve played guitar – forming a rock band was our childhood dream. In our high school years, we played with so many different bands and won awards at music contests. And then these bands broke up, but we did not give up and promised each other: “Lets keep doing what we do love”. We are so happy that our dream came true!

I love the vibrant pop-punk energy of your sound, but who would you say are your main musical influences?
Our hero is Dave Grohl (We have got a crush on him!). We freakin’ love Foo Fighters. But our main musical influence is 2000s pop punk. Maybe it sounds weird for rockers but we looooovvvve BTS! Their impact on our music is huge. 

And I’m a big fan of your recent single ‘Satellite’! Are you able to tell us a bit about this? Are there any particular themes running throughout the song?
Firstly, thank you so much! We always wanted to make happier songs, with a party-like energy. And ‘Satellite’ is about that. We wrote this song about the concerts that we’ve missed during the pandemic. We’re just so glad to see that we make people feel happy with our songs!

How have you found recording and promoting music during these strange times?
JUST ONE SENTENCE: IT WAS QUITE HARD.

How is the live music scene in Turkey at the moment – has it ‘recovered’ after the limitations of the last couple of years?
The number of concerts is increasing day by day. But we don’t think it is yet fully recovered – we’re still afraid to play live because of the virus. Things are crazy in Turkey at the moment…

How do you feel the industry is for new artists at the moment? Do you feel much has changed over the last few years in its treatment of female and non binary artists? 
Making, recording and releasing new songs is much easier than in the past, but things have gotten easier for everyone and that makes our job harder. We can communicate more easily with our listeners – this is the biggest advantage for us. But being a woman in the rock music scene is not so easy. We live in Turkey and the rock scene here is still very much a men’s world. We hate that and feel pressure on ourselves, but do not give a shit. GRRRL POWER!

And, as we’re a new music focused site, are there any other upcoming artists or bands you’re loving right now that you’d recommend we check out?
They’re not that new, but they are more popular lately: Waterparks!

Finally, what does the next year have in store for Hipersona?
We won’t stop! We’ve just finished recording our newest song half an hour ago… And we can say it’s the best we’ve done so far. We’re excited  share it with you. We’re also currently in touch with international music festivals… Maybe a surprise soon…?!

Massive thanks to Hipersona for answering our questions – we can’t wait to hear more from them! Watch the fun-filled video for latest single ‘Satellite’ here:

Get In Her Ears Live @ The Shacklewell Arms w/ Problem Patterns, 03.12.2021

On Friday we were back for our second gig since February 2020, and our first time hosting at the glorious Shacklewell Arms, and what a fantastic night it was! Huge thanks to the three totally amazing bands who played (I was blown away by you all!), and to all the lovely folk who came out to support them and fill the venue with the best of vibes… We’re still feeling all the feels, and are extremely grateful to everyone who made it such a dream night.

First up, GUTTS kick things off in a wonderfully riotous way – blasting out their queer sax-punk with an angst-driven energy and magnetising charisma.

Next up, Margate duo pink suits deliver their poignantly charged, utterly immense punk anthems. With just drums, a guitar and the riotous force of their voices, Lennie and Ray offer an inclusive Feminist rebellion to bring about radical change. With a captivating, seething energy, each frenzied offering is propelled by a colossal force, leaving me mind-blown and ready to join their fight for an upheaval of a neoliberal society. 

Having travelled all the way over from Belfast for the gig, I’ve been excited about hosting headliners, Problem Patterns, for a long time now, and they do not disappoint! Continually swapping instruments throughout the set, the Northern Irish Feminist punks cover topics ranging from transphobia and sexism, to the power of female friendship and the damaging effects of toxic relationships. With each poignant, raging offering, the band ooze a swirling, empowering energy and fierce, infectious passion, uniting the crowd in solidarity with both their righteous anger and vibrant, joyous sense of fun. A truly exciting set from one of my most favourite bands.

Massive thanks to the three incredible bands who played for us on Friday and everyone who came along! Join us for our next gig, on 21st January at The Victoria with headliners Fräulein and support from Breakup Haircut and Naz & Ella.

Words: Mari Lane / @marimindles
Photos: Jon Mo / @jonmophoto

PLAYLIST: November 2021

The GIHE team have unearthed more new music gems for you to listen to on our November Playlist! There’s an eclectic mix of indie anthems, gritty guitar tunes, alt-pop tracks & immersive electronic sounds. Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

 

Problem Patterns – ‘Terfs Out’
Headliners of our gig at The Shacklewell Arms this Friday 3rd December, Northern Irish punks Problem Patterns are total faves with the GIHE, and the immense ‘Terfs Out’ is a sentiment we fully endorse. As the song says, “LGB is nothing if not for the T / So show up with some real solidarity.” I cannot wait to host the band’s first ever London gig and witness their impassioned, frenzied energy live, along with support from pink suits and GUTTS. Get your tickets on DICE now. (Mari Lane)

Agender – ‘No Nostalgia’
The latest release from LA post-punk band Agender. This is the title track from their upcoming album which is set for release in February next year, and it has just the right serving of dysmorphic desire to get your heart beating faster. Enjoy. (Tash Walker)

Momma – ‘Medicine’
A melodic reflection on the intoxicating power of new romance, this single from New York City four-piece Momma is so, so good! Released via Polyvinyl Record Co. & Lucky Number, the track is an aural headrush centered around the passionate emotions that come with an all-consuming crush, full of hazy vocals and infectious guitar riffs. (Kate Crudgington)

VERO – ‘Beg!’
A seething guitar anthem fueled by the anger that’s left behind by a flawed relationship, ‘Beg!’ is the debut single from Stockholm-based trio VERO. Released via PNKSLM and one half of an upcoming 7″ single that’s set for release on 14th January, the track is saturated with brooding bass lines, swirling riffs and stinging vocals. I LOVE it and can’t wait to hear more from the trio next year. (KC)

The Golden Age of TV – ‘What I’ve Been Through’
Leeds art-rockers The Golden Age of TV have shared this loud and vitally important track which, as vocalist Bea Fletcher explains, is “a statement, of sorts, from the perspective of someone who’s experienced sexual violence.” Permeated by raging riffs and Fletcher’s powerful vocals, the track simply asks “for nothing more than to be heard and believed.” (KC)

Sister Ghost – ‘Buried Alive’ 
Derry based duo Shannon Delores O’Neill and Maeve Mulholland – aka Sister Ghost – have just released their brilliantly titled new EP Stay Spooky. Taken from the EP, latest single ‘Buried Alive’ oozes their distinctive swirling, gritty power as soaring impassioned vocals and catchy hooks rage with a seething energy. A perfect slice of sparkling rock ‘n’ roll, exuding a much-needed empowering raucous spirit. Read our recent interview with Shannon here. (ML)

Proper. – ‘Red, White & Blue’
I’m new to Brooklyn punks Proper. but I’m a big fan of this track, which is the first taste of the sound of the band’s upcoming album set for release in 2022. Vocalist & guitarist Erik Garlington explains the context of ‘Red, White, & Blue’ further: “A lot of millennials in my life share the sentiment that being American feels like being in an abusive relationship that you can’t find the courage to leave. I knew I wanted to focus on looking at what makes this country what it is, and how hopeless I feel to stop it.” (KC)

Dutch Mustard – ‘What The People Want’
“‘What The People Want’ is about playing the system, a realisation that you can do anything, give the people what they want, and still stay truthful” explains Dutch Mustard, aka Sarah-Jayne Riedel, about her latest single. Full of lush vocals and rolling rhythms, the track is an infectious slice of alt-rock, lifted from her upcoming EP which is set for release early next year. (KC)

JASMYN – ‘Find The Light’
JASMYN – aka Jasmyn Burke former frontwoman of Weaves – has signed to ANTI- and embarked on her new solo project and released this brilliant single. “This song was loosely written during the Fall of 2020,” she explains. “The world was feeling pretty heavy, and I felt myself wanting to write music that created a mood of happiness and space to grow. It feels like we’re living in this sort of in-between space, where life is altering. I wanted to explore finding comfort and hopefulness through uncomfortable change.” JASMYN achieves this via her relatable lyrics, distinctive riffs and charged beats. (KC)

LibraLibra – ‘Candy Mountain’ (ML)
The latest single from total heroes LibraLibra, ‘Candy Mountain’ showcases their knack for creating immense, swirling soundscapes, propelled by the magnificent, angst-driven power and gritty splendour of front woman Beth Cannon’s impassioned vocals. Another wonderfully genre-defying cacophony from the band. Kate and I were lucky enough to catch LibraLibra live at their single launch the other week – they really are one of the most exciting bands to see; fizzing with a captivating charisma and riotous energy. (ML)

The Klittens – ‘Canned Air’
The first single to be taken from Amsterdam’s The Klittens’ debut EP, ‘Canned Air‘ captures the band’s self-described air of “happy songs and sad sentiments” perfectly. Propelled by shimmering hooks and a raw, scuzzy energy, it builds with a fizzing whirr to an impassioned climax, before winding back down with luscious vocal harmonies, oozing a gentle, stirring emotion. I can’t wait to hear more from this Dutch band; new ones to watch for sure! (ML)

Brimheim – ‘Hey Amanda’
I can’t get enough of this track from Danish musician Brimheim. Taken from her upcoming and excellently titled album, can’t hate myself into a different shape, which is set for release on 28th January, ‘Hey Amanda’ is a celebration of platonic love and an ode her best friend, brimming with nostalgic lyrics, warm guitar sounds and tender vocals. There’s a very cool accompanying video that features members of Baby In Vain too. (KC)

Kills Birds – ‘Married’
It’s been a long time since I’ve been able to mention The Great Escape, but LA punks Kills Birds were recently announced as one of the First Fifty artists who will be performing at the Brighton-based festival in 2022! I’m hoping to be back by the seaside screaming about how much I love new music then. (KC)

O Hell – ‘Down’
After years spent touring and recording music in alternative bands around the UK, Projector’s Lucy Sheehan is venturing into fresh sonic territory under their new moniker O Hell. Influenced by a love of eclectic, brooding soundscapes and aspirations for pure self-autonomy, their debut single ‘Down’ is an “exercise in refusing compromise” brimming with Sheehan’s distinctive vocals and jagged electronics. (KC)

Circe – ‘Mess With Your Head’
I’m a moth to a flame when it comes to Circe’s sultry pop creations. Co-produced by Emre Turkmen (formerly Years & Years), this new track is a crushed-heart-banger, a dazzling blend of distinctive vocals, Kate Bush inspired beats and jagged electronics. There’s even a Shakespeare inspired lyric worked into it too – “You gave me your heart / and I gave you a pound of flesh.” (KC)

Dyan Valdes – ‘Fade Away’ (ML)
Having been involved in the music industry for twenty years, Berlin-based Cuban-American artist Dyan Valdés has played in esteemed bands such as The Blood Arm and Die Sterne, and has now released her first solo material. Taken from her upcoming debut solo album, ‘Fade Away’ offers an immersive shimmering soundscape; propelled by layers of synth and driving beats alongside Valdés’ luscious vocals, it’s a poignant, twinkling message of hope at a time when things can feel hopeless. Read our recent interview with Dyan here. (ML)

Flowerkid – ‘I Met The Devil At 4 Years Old’
This track is taken from Sydney-based Flowerkid’s much-anticipated debut EP, Everyone Has A Breaking Point. The EP covers many personal issues and topics from gender dysphoria, mental health and misogyny – seeking true self-expression beyond ever-restricting heteronormative constraints. Cannot argue with that. It’s also a tuneee. (TW)

BISHI – ‘Let My Country Awake’ (The Anchoress Remix)
Multi-instrumentalist, producer and GIHE fave BISHI has shared a collection of remixes for the title track of her recent album Let My Country Awake, and this version by The Anchoress is my favourite. Check out Samantha Togni and Hannah Holland’s remixes of the track too. (KC)

Shamir – ‘Cisgender’
I’m just totally addicted to this song right now. I’ve been a fan of Shamir for years and really admire how they’re constantly developing their sound and not shying away from being their true self. I just think this single ‘Cisgender’ is a beautiful and moving reflection on their non binary identity. I don’t think anything I say about this track will do Shamir justice, so I’ll leave you with the lyrics: “I’m not cisgender / I’m not binary trans / I don’t wanna be a girl / I don’t wanna be a man / I’m just existing on this god forsaken land.” Solidarity and love to you Shamir, always. (ML)

Baauer, Tirzah – ‘Way From Me’
I love Tirzah, there is no denying it. I got to see her perform at the Oval Space a couple of weeks ago, fully immersing myself in their wonderful, mesmerising sounds as part of Pitchfork Festival. She didn’t play this track on the night but it’s a recent collab I’ve come across and I’m vibing it. (TW)

fanclubwallet – ‘That I Won’t Do’
Ottawa-based artist fanclubwallet aka Hannah Judge has shared this wonderful alt-pop tune about recovering and re-emerging back into the world again, a relatable sentiment in these unusual times. “When I wrote this song, I was recovering from a year long illness and re-entering into the socializing world (like so many others post pandemic),” Hannah explains. “The song is about dealing with a new relationship/friendship where you aren’t sure whether the person is good for you or not, and you’re not feeling like yourself. It’s about trying to break bad habits while not wanting to break them at all.” (KC)

Prima Queen – ‘Chew Your Cheeks’
Released via Nice Swan Recordings and produced by The Big Moon, this fab single from London-based duo Prima Queen – aka best friends Louise Macphail and Kristin McFadden – explores the swirl of emotions that come when you have an unhealthy infatuation with someone unobtainable. The pair explore their ailing fascination via soft vocals and sultry guitar twangs, giving the track its buoyant, relatable charm. (KC)

Why Bonnie – ‘Galveston’
The latest single from the Texas quintet, ‘Galveston’ is a much-needed slice of sunshine for these chilly, dark days. Oozing a heartfelt twinkling grace and warming, shimmering emotion, it offers a wistful, nostalgic reflection – harking back to memories of childhood visits to the island city of Galveston. Flowing with lilting melodies alongside the soothing allure of Blair Howerton’s vocals, it’s an irresistibly uplifting slice of sparkling indie-pop. (ML)

Aisha Badru – ‘Rooted’
The latest single from Aisha Badru, ‘Rooted’ offers a comforting, dreamy warmth. Flowing with a shimmering grace, a sweeping majestic splendour ripples throughout this beautifully stirring ballad as its poignant lyricism swirls throughout. A simply exquisite, evocative creation that’ll soothe the ears with its resplendent, uplifting allure. The Way Back Home, the upcoming EP from Aisha Badru, is set for release on 3rd December. (ML)

Jackie Ward – ‘Chlorine’
West London-based non-binary artist Jackie Ward makes music inspired by an eclectic range of influences, including Car Seat Headrest to Frank Ocean to Xiu Xiu. This track ‘Chlorine’ is full of their soft vocals and dreamy guitar sounds, exploring their own identity and experience of coming out. Jackie is due to release their debut album later this year. (KC)

KIN – ‘The Runaways’
Consisting of Grace, Adam and Ritu, GIHE faves KIN have previously played live for us and continue to charm our ears with their glistening alt-pop. Reflecting on the mixed feelings of leaving a settled life and starting afresh somewhere new, ‘The Runaways’ showcases the distinctive celestial allure of Grace’s vocals alongside chiming hooks and a shimmering energy. ‘The Runaways’ is accompanied by a really beautiful self-directed video which you can watch here. (ML)

MIRI – ‘Trends’
East London artist and friend of GIHE MIRI has previously charmed our ears with poignant offerings such as ‘Electric Vibes’ and has now shared a powerful new single. A reflection on coming together and uniting in the face of adversity, using our imagination and creativity to fight political corruption, ‘Trends’ is propelled by MIRI’s distinctive soulful vocals that flow with a raw, gritty energy and catchy, empowering spirit. Prior to its release on mainstream platforms, ‘Trends’ was shared exclusively on the pay-as-you-go platform Sonstream. MIRI has been outspoken in her support for the “fair play” platform, which offers independent artists an ethical alternative to the miniscule royalties as little as £0.007 or £0.0028 per stream offered by platforms like Tidal and Spotify. (ML)

Belot – ‘Harmless Fun’
This track is bursting full of pop-bopping beats and maybe even a cowbell… what more could you want to get your toes tapping in those chilly winter evenings? (TW)