PREMIERE: The Yves – ‘Golden Days’

A shimmering, nostalgic musing about inevitably progressing from youth to adulthood, LA-based indie duo The Yves have shared their latest single ‘Golden Days’. Full of soft guitar sounds, tender vocals and reflective lyrics, the track provides a sunny moment of respite during a time of universal uncertainty.

“’Golden Days’ is one of those songs that was started and finished in about an hour,” explains vocalist Stevie Perry. “Initially, we thought that maybe the song was too soft, or too endearing to actually release. Probably because it was about vulnerable, intimate thoughts I had and I wasn’t sure that I really wanted to show that side of myself. Selfishly, I like to keep a little distance or allure to things- maybe as a form of self-preservation.”

“But of course, that’s not our job as artists,” Perry continues. “Our job is to dredge up those feelings that we all have and shed some light on them. And as a listener, I always think the best kinds of songs are the ones that are most vulnerable and raw. So it’s only right that we put it out. It’s hard to talk about getting older and growing up. I sometimes wish I could freeze a day or moment and have it forever. I mean, I think we all do that. So that’s what I hope people get from it. A little minute freeze-framed in your mind when you listen.”

Along with guitarist Jake Randle, Perry has crafted a gentle alt-folk gem that proves rose-tinting your memories isn’t always a bad thing, sometimes it’s what makes them so precious. Listen to ‘Golden Days’ below.

Follow The Yves on Spotify, Instagram, Facebook & Twitter for more updates.

Kate Crudgington
@KCBobCut

Premiere: pink suits – ‘Fake Great Britain’

Having first formed back in 2017, Margate based queer punk-rock duo pink suits incorporate politically driven rage, dance and even theatre into their work, exploring issues of sexuality, mental health and a resistance of binary gender. Having just announced their debut album, ‘Political Child’, they have now shared a brand new riotous single.

Propelled by a frenzied, angst-driven power and scuzzy hooks, ‘Fake Great Britain’ hits you with its raw, punk-fuelled lyricism raging against austerity and the fake ‘great’ ideals of a post-Brexit UK. With a seething, ferocious passion, it’s a rallying cry against this government and the intolerance it promotes, its lies and the detrimental effects it’s had on all of our mental health. A totally necessary listen, it’s a perfect riotous catharsis; an immense formidable force calling us to arms in these terrifying times. A queer punk anthem inciting us to get up, make our voices heard and fight fascism with all our might. (It’s also catchy as f**K – an instant earworm that you need in your ears now).

‘Fake Great Britain’ is accompanied by a wonderfully vibrant, poignantly pink-themed video – a perfect depiction of the inclusive Feminist rebellion that pink suits urge us to unite in to bring about radical change.

Watch for the first time now:

Mixed and mastered by Aim4 Recording, Canterbury, ‘Fake Great Britain’ was filmed in Margate with Dogbrain Videos.

Mari Lane
@marimindles

Photo Credit: Kathryn A Betts

INTERVIEW: STRAIGHT GIRL

Describing themselves as “fiercely and fearlessly queer,” STRAIGHT GIRL is is the alias of Leeds-based composer and producer Holly Readman. The non-binary eletro-punk is a master at exorcising their demons and developing them into their own brand of “grave rave” sounds. We caught up with Holly to talk about their new single ‘Limón’, what their thoughts are about the Leeds music scene and what a “well-mannered gang of pixies are bashing down your door with war-hammers” sounds like…

How are you? How have you been finding Lockdown 2.0?
For the most part I’m chill (and thank you for asking!!!) I had to move back up north for “Lockdown 2: Electric Boogaloo” because I’ve had problems with my work and getting furloughed, but it’s meant I can at least take full advantage of the massive bath at my mam’s house so, swings and roundabouts???

You’ve just released your new single ‘Limón’. Talk us through what it sounds like & what it’s about…
The song is a re-envisioned and re-mastered version of one of the first songs I birthed unto the world under my original solo title N/\L/\. It sounds like a very well-mannered gang of pixies are bashing down your door with war-hammers. In a delicious little nutshell, ‘Limón’ is about shame. When I first wrote it I was very stressed and unhappy with the person I was, I was making a lot of decisions and saying things to people that even *I* didn’t agree with. I felt very disconnected within myself and I would picture it as someone was squeezing my head like a lemon until all this horrible, sour, bitter shit came out. It feels like a massive victory to now be releasing a better, stronger version of this song when I now feel like a better, stronger version of myself.

That’s good to hear! We know you’re based in Leeds – so pre-pandemic – what was your favourite thing about the Leeds music scene? How does it compare to other cities?
For me the community behind the music scene in Leeds simply does not compare. While it can be critical, it’s never competitive and we all support and even inspire each others successes. There is so much pure love within the Leeds music scene. I can without a shadow of a doubt say that living there for most of my formative adult years has been the most solid foundation behind my career as a musician.

You recently spoke to BBC Introducing about your experiences as a self-taught producer. Can you share a little bit of this wisdom with us?
I studied music production at college and then later again at university, but I quickly realised that learning to produce in an educational environment was not the way that worked for me and I dropped out of uni (twice). I ended up saving up to buy Logic Pro and just working on that a little bit every day by myself. I am very privileged to have the network I do in Leeds, so practically every single person I knew was a musician or a producer, it meant every conversation I was having I was learning something new or getting inspired in some sort of way. I still feel my knowledge of production is pretty basic, but as long as I can scream and roll around on a sticky beer soaked basement of a club in front of complete strangers (“Siri, define ‘global pandemic’?”) then the job is done and I am happy.

Do you have any advice for aspiring electronic musicians? Has anyone offered you advice about music that you’ve found helpful?
This is not specifically aimed at electronic musicians, but one of the things I spoke about on the production masterclass for BBC Introducing was how I don’t think I would have gotten anywhere if I hadn’t learned to lean on people. I honestly think now that my music means so much to me because I share it and develop it with so many people. My advice always is just to talk to everyone you can about your music, because even if they don’t have advice or insight they can give you, more often than not people are still impressed and think making music is cool and getting compliments is sooo sick.

We know you’re working on a new release for 2021. What details can you tell us about this?
It’s gay as hell!!!!!!!!

Finally, are there any bands or artists you can recommend we listen to?
Right now I am thinking about Team Picture’s debut album The Menace of Mechanical Music, the same way I have literally been thinking about it non-stop since June. Also, Anna Meredith, if you are reading this please know I am free to hang out next Saturday if you are free and would like to hang out next Saturday when I am also free.

Thanks to Holly for answering our questions!
Order your copy of ‘Limón’ on 7″ vinyl here.

Follow STRAIGHT GIRL on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo Credit: Andrew Benge (@andrewbenge)

Kate Crudgington
@KCBobCut

PREMIERE: The Silk Collective – ‘Wanderer’

Fronted by vocalist and songwriter Aimee Warren, London based The Silk Collective have now shared a dreamy debut offering.

Propelled by Warren’s rich, soulful vocals and a twinkling musicality, ‘Wanderer’ oozes a captivating ethereal splendour. As majestic, swirling layers of sound create a soothing groove, it’s reminiscent of the R’n’B tinged alt-pop of Lianne La Havas, with an added lilting folk-strewn musicality. Of the track, Warren explains that it’s a “a tender yet bold commentary on the cyclical nature of self-discovery, loss and healing…”

Listen to ‘Wanderer’ for the first time, along with B-side ‘Solo/Magnificent’ here:

Mari Lane
@marimindles