Category: Features

Whether you’ve miraculously managed to organise a holiday this summer, or you’re playing it safe and staying put post-lockdown, let our August playlist transport you somewhere you’d rather be for a short while. It’s filled with some dream-pop gems, shadowy electronics and the usual dose of indie & punk guitar tunes. Take some time to scroll through our track choices below, and make sure you hit play on the Spotify playlist at the end of the page.

Circe – ‘Ten Girls’
London based dark-pop artist Circe’s latest single is inspired by one of my favourite books, The Handmaid’s Tale by Margaret Atwood. Of the track, Circe explains: “[Atwood’s novel] is a poetic but disturbing view of women living in a dystopian oppressive world. This chimes with my own fractured generation of cancel culture, swipes of sex, and revenge porn.” (Kate Crudgington)

Kynsy – ‘Cold Blue Light’
Mari & I were equally as excited about Kynsy when we first heard her debut single ‘Cold Blue Light’. Based in Dublin, Kynsy takes down bullies and naysayers on this track with her sardonic lyrics and glitchy beats. (KC)

Talking Violet – ‘Indigo’
The new single from Canadian band Talking Violet, and their first in two years, ‘Indigo’ offers an ethereal dreamscape oozing a shimmering haze and immersive shoegaze-tinged hooks. Flowing with the Cocteau Twins-esque vocals of front woman Jill Goyeau, and swooping other-worldly melodies, it’s an utter sonic delight. (Mari Lane)

Babeheaven – ‘Cassette Beat’
This dreamy new offering from West-London duo Babeheaven is lifted from their debut album, Home For Now, which is set for release on 6th November via AWAL. Of this track, vocalist Nancy Anderson explains: “I wanted to write a song about creation. Whenever we create we subsequently end up destroying something in a huge way or a small way. But there is always light behind the dark even when you can’t see it yet. It’s also a comment on media, how we ingest it at an unhealthy rate. I didn’t want it to be too negative so I wrote the chorus as a relief from the darkness of the verses.” Dreamy stuff, looking forward to hearing the full album. (KC)

Evil House Party – ‘Wicked’
Released via Third Coming Records, I’m a bit obsessed with Evil House Party’s debut single. ‘Wicked’ is a “modern murderous ballad, fleshed out in a bittersweet revenge pop anthem.” Very Bonnie-and-Clyde-esque. (KC)

Winter Gardens – ‘Tapestry’
The latest single from Brighton band Winter Gardens, ‘Tapestry’ oozes a euphoric ethereal haze as twinkling, shoegaze-inspired hooks whir alongside the soaring vocals of front person Ananda. Flowing with a rich anthemic emotion, it’s an utterly captivating slice of other worldly dream-punk. Tapestry, the debut EP from Winter Gardens, is set for release on 25th September. (ML)

Arlo Parks – ‘Creep’
Having already fallen head over heels with the utterly spellbinding sounds of Arlo Parks from hearing singles ‘Black Dog’ and ‘Eugene’ getting plenty of airplay on BBC 6Music, discovering that she’d covered Radiohead’s seminal ‘Creep’ did indeed feel so very special… With a delicate emotion-strewn splendour, Parks adds her own unique majestic grace to the original. A stripped back, and truly captivating, rendition that will tug at even the toughest of heartstrings. (ML)

Ailbhe Reddy – ‘Between Your Teeth’ 
A tentative rumination on the struggle to communicate your true feelings when in a relationship, Ailbhe Reddy’s latest single blends soft vocals with atmospheric guitars to help overcome feelings of frustration and sadness. ‘Between Your Teeth’ is lifted from her debut album Personal History, which is set for release on 2nd October via Friends of the Family. (KC)

New Pagans – ‘Yellow Room’
I love it when my feminist literature & new music worlds collide! Belfast-based New Pagans’ latest single ‘Yellow Room’ is inspired by the semi-autobiographical short-story The Yellow Wallpaper, written by American feminist author Charlotte Perkins Gilman. The band have penned the track to highlight the need for a specialised parent-and-baby mental health unit in Northern Ireland. They’re challenging and updating the narrative around women’s mental health, and they’ve crafted a catchy, energetic post-punk tune in the process. (KC)

Belako – ‘Truth’
The latest single from Spanish faves Belako, ‘Truth’ reflects on the reality of romance often being weaponized and used to exploit us. With  its scuzzy racing riffs and the raw, swooning vocals of front person Cristina Lizarraga, it offers a snappy blast of post-punk energy. Plastic Drama, the upcoming album from Belako, is out 28th August via BMG. (ML)

Screaming Toenail – ‘IOU’
Oozing a seething energy as a whirring tension builds with jangling hooks, Screaming Toenail’s ‘IOU’ asserts that we are worth so much more than our wages, and that we don’t owe our bosses, landlords, or this racist government, anything. Propelled by an impassioned cathartic rage and swirling magnetism, its raw, angst-driven power immerses the listener in its striking, empowering message. As front person Jacob repeats the refrain “I owe you nothing” with a fierce intensity, you’re left – fists-clenched – ready to come together in solidarity and rise up against the forces seeking to oppress us. ‘I.O.U’ is taken from Screaming Toenail’s immense new album, Growth, which is out now via Hell Hath No Fury Records. Buy now on Bandcamp. I tried to word just how important a collection it is in this full review. (ML)

Mothercanyouhearme – ‘Knowing You’
The latest single from London duo Rosie Krause and Georgia Mancey – aka Mothercanyouhearme – ‘Knowing You’ oozes an uplifting jangly scuzz and catchy sunny hooks. With a subtle gritty angst, it’s a perfect slice of emo-tinged indie-pop with shades of faves Diet Cig or Partner. ‘Knowing You’ is taken from Mothercanyouhearme’s upcoming new EP People². It’s a completely DIY release, produced by Rosie and with all artwork by Georgia, with an accompanying handmade zine wonderfully entitled ‘Maga Can You Zine Me’ – celebrating a number of female creatives and raising awareness to create safe spaces for queer identifying women and allies within music. (ML)

KIN – ‘L.O.V.E’
The new single from London trio Kin, ‘L.O.V.E’ is inspired by the euphoric feeling of being at the ‘Great British Festival’, that we’ve all been missing so much this summer. With shades of the driving majesty of Warpaint, its sun-strewn hooks and rippling energy make for an instantly catchy and soothingly cathartic listen. A truly uplifting alt-pop anthem. (ML)

Tiger Mimic – ‘Where The Fire Used To Be’
The new single from Tiger Mimic, ‘Where The Fire Used To Be’ is an energy-fuelled slice of alt-rock. With shades of early Arctic Monkeys, the soaring power of front woman Jess’ vocals are juxtaposed with psychedelic hooks and a whirring drive, building to an eerie climax. An instantly catchy offering, it offers a glimmer of hope in these strange times, promising that “the whole world will start over in the spring”. (ML) 

Despicable Zee – ‘We Won’t Stop’ (Tiiva Remix)
I’ve been listening to the Tiiva remix of Despicable Zee’s ‘We Won’t Stop’ since it was released at the beginning of August. Taken from her collaborative EP Atigheh Reimagined, Tiivah’s treatment of ‘We Won’t Stop’ fuses smooth, breathy vocals together with dense yet ambient beats. (KC)

MJ Guider – ‘Lit Negative’
Based in New Orleans, MJ Guider (aka Melissa Guion) blends elements of shoegaze, gothic pop and industrial sounds to create her hypnotic music. On her upcoming album Sour Cherry Bell, she explores power dynamics, musing about the notion of “lost and found, corporeal and cerebral, harnessed and exploited, of one and many, in this reality and the next.” (KC)