Video Premiere: Bugeye – ‘Blue Fire’

Following their last uplifting single, ‘When The Lights Go Out’, and with acclaim from the likes of John Kennedy and Amazing Radio, GIHE faves Bugeye have now shared another offering from their upcoming debut album.

Raging with Angela Martin’s gritty, sultry vocals and whirring electro hooks, ‘Blue Fire’ is perhaps more disco and less punk than previous releases, but maintains all the colourful pizzazz and magnificent vibrant energy that we’ve come to know and love from the band. A perfect uptempo blast of life that we all need right now.

A woman of many talents (musician, songwriter, promoter, manager, mother and now film-maker, to name a few!), Angela has now made a beautiful homemade new video for ‘Blue Fire’. An immersive collage of footage of the band spliced together with poignant clips of masked protesters, it perfectly captures all the colour and retro energy of Bugeye, whilst oozing a striking riotous force in these uncertain times. A necessary watch from this awesome group of wonder-women.

Watch the new video, for the first time, here:

When The Lights Go Out, the debut album from Bugeye, is out 10th July via Reckless Yes.

Mari Lane
@marimindles

 

Introducing Interview: The Frisbys

Having received praise from the likes of Amazing Radio, Gigwise and For Folk’s Sake, South London folk collective The Frisbys create twinkling, emotion-strewn offerings, oozing a sweeping musicality and celestial splendour.

With a new EP set for release this week, we caught up with Nicola Frisby from the band to find out more…

Hi, welcome to Get In Her Ears! Can you tell us a bit about The Frisbys? 
Hi! We are an alternative folk/country band from South London. Our band consists of myself (Helen – vocals, flute), my twin sister Nicola (vocals – guitar), my husband Sam Keer (electric guitar) and three of our friends from university/college – Sal Palekar (piano and violin), Will Cattermole  (bass) and Tom Finigan (dums). We will be releasing our third EP, My Wicked Mind this week and we’re looking forward to hopefully playing live again as soon as we possibly can!  

How did you initially all get together and start creating music?
Although Nicola and I have been writing music together since we were teenagers, our line up as a band has changed massively over the last few years. When Nicola and I started creating music, we were an acoustic duo playing locally around South London with just harmonies, guitar and a flute. Gradually as the years have gone by, we’ve recruited some amazing musicians who also happen to be some of our best friends. Every member of our band is a friend that we’ve met through studying music at college or university. The most wonderful thing is that making music together has helped to reunite us again and I know that both Nicola and I feel incredibly lucky for that.

Your new EP My Wicked Mind is out on Friday – can you tell us what it’s all about? Are there any themes running throughout the EP?
The title of My Wicked Mind stems from the idea that the human mind is just bonkers. I suppose I just find it strange how the mind can create such wonder and beauty, whilst at the same time be capable of causing so much anxiety and suffering. I wouldn’t say that this EP is thematic in its concept, but it is a collection of songs that explore both the inner turmoil and the resolute strength of the human mind. So, for example, the songs ‘I Heard’ and ‘Print’ are almost opposite viewpoints based on the same theme. ‘I Heard’ is a fighting song about pushing through even when everyone is telling you what you are trying to achieve is impossible, whereas ‘Print’ highlights the insecurity that lies beneath. Even if you believe in yourself and the path you’ve chosen, it can be very hard not to let those doubts overwhelm you. Everybody wants to be accepted. 

You’ve been compared to the likes of First Aid Kit and The Lumineers, but who would you say are your main musical influences?
Unsurprisingly, Nicola and I have very similar musical influences. Our early days listening to my mum’s Simon and Garfunkel records or my brother’s Nirvana collection has meant that we have a pretty varied taste in music; which would maybe explain why our music can be so hard to fit into one genre. We like everything. As individuals, we all have quite different musical tastes. I recently asked the band to compile some of their favourite artists for a Spotify playlist and it was pretty amazing how diverse some of the artists were. Nonetheless,  there are always points where our influences cross. I would say that, collectively, we are inspired by artists such as Carole King, Eagles, Fleetwood Mac, Bruce Springsteen and The Beatles. 

How is your local music scene (in ‘normal’ times!)? Do you go to see lots of live music?
I actually moved very recently and so Covid has prevented me from getting out and about and testing out the local music scene, but before that we gigged a lot in the Croydon and South London area. Some of our very first gigs were gigging in South Croydon and we have a real soft spot for it in our hearts. What we’ve noticed as the years have gone by is that more and more of the venues that we used to play in have closed down and so now it can be quite difficult to find a venue that has a capacity for a band of our size. The good news is that there are some local musicians and venues who are constantly fighting this and putting on some excellent nights of music. I adore seeing live music and I try to see as much of it as I can. I prefer more intimate gigs to big arenas as I sometimes feel a little stifled by the environment. I need to move around and hate being restricted to a seat! One of the best gigs I’ve been to recently was watching Skunk Anansie in Brighton. The energy they created was just incredible and Skin’s stage presence is second to none.

And what can fans expect from your live shows?
I think our aim as a band is to make you feel something. Tom (our drummer) has a particular talent for creating set-lists and he always puts a lot of thought into making the set into a bit of a journey. We definitely don’t just have one style that we sit with, we try to mix it up. I love the fact that we can build the crowd’s energy with songs like our recent single ‘I Heard’, only to drop them back down again and make them almost silent with songs like ‘Give in to the Dark’. As horrible as it sounds, I quite like it when people tell me we made them cry! For me it means that we connected with them.

As we’re a new music focused site, are there any new/upcoming bands or artists you’d recommend we check out?
One of my favourite bands I have found over the last few years is an American band called Joseph. They are a band of three sisters who create the most incredible live sound I’ve ever heard. Other upcoming bands we’d recommend are Theo Katzman (a multi-instrumentalist from California) and FlagTwister, John Lovell, Scott McFarnon, Chloe Ray and Dave Sears who are all local musicians we love to listen to.

And how do you feel the music industry is for new bands at the moment – would you say it’s difficult to get noticed?
I think there are lots of really wonderful opportunities for new bands at the moments. For example, anyone can submit their music to be played on BBC Introducing and there are some fantastic blogs (like yourself) who are out there promoting new music. More affordable music software has meant that it is cheaper for people to create music themselves which is so wonderful, but it does mean that the music industry is very over-saturated. Most bands now realise that they can make music without record companies funding them and so that has meant that it is a much more level playing field. I think it has meant that bands have to work harder to get their music heard and maybe they have to be more creative about how they promote their music, but I don’t think that is necessarily a bad thing!

Finally, what does the rest of 2020 have in store for The Frisbys?
We recorded a live lock-down version of our new single, ‘I Heard’, in May and we are currently in the process of creating some more videos for our fans. We were hoping to be playing an EP release party this year and some festivals, but who knows what will be happening on the ‘live’ music front. Hopefully, we will find a way of playing an ‘online’ gig to help celebrate the release, so fingers crossed we can make something happen!

Massive thanks to Helen for answering our questions!

 

My Wicked Mind, the upcoming EP from The Frisbys, is out this Friday 26th June.

FIVE FAVOURITES: Dolls

After sharing their debut EP Pop The Bubble in 2018, garage-rock duo Dolls have been busy writing new material and working with Producer Margo Broom (Hermitage Studio Works) to create more of their energetic guitar tunes. Filled with buoyant riffs, crashing percussion and strong vocals; their new EP, Eggshells, is a retrospective take on “Losing friends, creepy men, the strive for perfectionism, and day-to-day anxiety.”

We think one of the best ways to get to know a band is by asking what music inspired them to write in the first place. We caught up with Dolls’ vocalist & guitarist Jade Ellins to ask about her “Five Favourites” – five albums that have influenced her writing techniques. Check out Jade’s choices below, and scroll down to watch the video for Dolls’ track ‘Eggshells’ at the end of this post.

1. PJ Harvey – To Bring You My Love
I felt like I got into PJ Harvey surprisingly late considering I have loved female-fronted bluesy rock for most of my life. When I first started gigging in London about 8 years ago, I used to get compared to her so I thought “I should really give her a listen2. This was the first PJ album I listened to and it blew my mind. I loved everything about it – her vocal performance, the production, the lyrics – it was all incredible. It really influences my song writing and I especially like the way she plays with dynamics on this album. She manages to make one riff sound interesting for over five minutes with her arrangements, which I feel is one of the hardest things to do. My partner bought me this on vinyl and I honestly find it hard to listen to records all the way through without zoning out but this album keeps my interest the whole time.

2. Deep Purple – Made In Japan
I used to listen to this album on car journeys when I was little all the time. I love Deep Purple, and this live album showcases how brilliant they are live, even if Ritchie Blackmore likes to go off and do his own thing a lot of the time! I love every song on this album but my favourites are ‘Highway Star’, ‘Lazy’ and ‘Space Truckin’. This album has a lot of good memories for me and Ritchie Blackmore is still one of my favourite guitarists. I wouldn’t say I directly use Deep Purple to influence my song writing but I feel like parts of them must come out as I have listened to them so much.

3. Pixies – Doolittle
I actually used to hate the Pixies, and I did see them live when I was 21 and was bored. Then about 4 years later I listened to some songs of Doolittle and it was a light bulb moment (I thought it might happen with The Smiths but I still hate them!) I think my music taste really changed as I wanted to be more experimental with song writing. Pixies have an amazing way of making certain songs that really shouldn’t work sound interesting and engaging. My favourite song off the album is ‘Hey’. When I listen to it I sometimes want to cry because it is so good. Every single musician brings something unique to the band and I feel like every part fits together perfectly. It’s probably why when seeing them live now it isn’t quite the same as they don’t have Kim Deal anymore. I have watched old live videos and she definitely brings the energy and has such a distinctive voice. Raspy and angelic at the same time! I love you Pixies, I’m sorry I doubted you.

4. Talking Heads – Stop Making Sense
Is this one of the best live albums/shows of all time? I think so! I sometimes put the show on just so I can run around with them. The song writing is magnificent and I love how in the show they gradually build up the stage, I couldn’t believe it when I first watched it. The only thing I can’t work out is everyone is wearing a similar outfit but the drummer is wearing a bright blue polo shirt, it annoys me slightly but I’ll let it go one day. I love Talking Heads’ use of vocal harmony and much like most of the albums I have put on this list – every instrument has its own essential part. Some bands you can feel that they haven’t been bothered to push themselves to think of a better bass line or guitar part but each instrument and choice made on these Talking Heads songs creates an essential part in a well-oiled and groovy machine.

5. The Kills – Keep On Your Mean Side
A friend at music college introduced me to The Kills and out of the largely male led duos I was listening to at the time. I loved the fact that there were male and female vocal parts. I thought Alison Mosshart was the coolest person ever and such a brilliant performer. I don’t listen to The Kills much anymore, but when I was first starting Dolls they played a big role at influencing my song writing. My favourite song from the album is ‘Fried Your Little Brains’. Much like PJ Harvey, they manage to make one riff throughout a whole song sound brilliant. I think that is largely down to Jamie’s rhythmic guitar playing. I used to watch him a lot to help with guitar playing ideas for Dolls. Out of the big duos at the time (The Black Keys, The White Stripes) Jamie’s guitar playing was my favourite. Not too showy but still unique.

Thanks to Jade for sharing her favourites with us!
Listen to Dolls’ new EP Eggshells on Spotify.

Photo Credit: Keira-Anee Photography

FIVE FAVOURITES: Fran Lobo

A singer, songwriter, producer, DJ, choral composer & sound artist; Fran Lobo has extensive and impressive experience in multiple areas of the music industry. The North East London artist takes inspiration from both the club scene and the choral scene to create her own music, and her new EP, Brave – released today (19th June) via Slow Dance Records – is a stellar example of how she seamlessly mixes these genres together.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Fran to ask about her “Five Favourites” – five songs that have influenced her writing techniques. Check out Fran’s choices below, and scroll down to watch the video for her track ‘Brave’ at the end of this post.

 

1. Aaliyah – ‘More Than A Woman’
This has got to be one of the best R&B/Pop songs ever made. The production from Timbaland is so playful and ASMR like. All the crazy percussion shakes, scrapes and clatters are so delicious. The drums are so powerful and the squelchy synths take you to a deep sludge. The guitar licks and string sample sounds are insane and the outro section just listening to that squelch alone is such life. Of course Aaliyah’s syrup vocals and delivery top it all off, it’s totally luscious and sensual. I love this track! I always aim to play it if I’m DJing somewhere and watch the crowd drop into ecstasy.

2. Tirzah – ‘Holding On’
I’m so in love with Tirzah and Mica, their Devotion record is a slight obsession for me. This track is so simple and hits so direct yet in a complex way. I love the brassy synth sound and highly reverbed, floaty but big old school drum machine beat which is so driving. Tirzah’s vocal is so relaxed but also troubled. “This feeling’s controlling me, I can’t shut it down” – it’s so gentle and so melancholic and easy at the same time. I can imagine dancing to this in a big club and also crying at the same time. I really connected to the sentiment of this song when I went through a troubling relationship while writing this EP. I even danced around at like 3am with said person blasting this track on full, singing the lyrics pretty much to them! It’s got such a yearning and fragile quality to it and at the same time the sounds are so pleasing you can’t help but sway and step to it.

3. FKA twigs – ‘Sad Day’
The latest Twigs record is my favourite piece of work she’s put out. The production is really adventurous and powerful. This particular track has an incredibly classic quality to the songwriting. In my opinion, it’s one of the strongest songs on the record, production aside. It’s got a simplicity to it too that drives the story home. I love the sound design/ field recordings throughout and use of vocal sampling in the breakdowns. The drum programming is really interesting and has strange textures in there. The chorus is killer and my absolute favourite part – the bridge sounds like something from Kate Bush’s ‘Running Up That Hill’ era. It’s so beautiful and really lifts your heart out of your chest. I think the song is so exposing and vulnerable and it’s a perfect mix of old songwriting and adventurous 2020 production.

4. Everything Everything – ‘Kemosabe’
What an incredible band! This song, just as a feeling, brings me so much joy. The chorus takes you up to space, makes you want to outstretch your arms and look to the sky. The vocal production on the intro and strange noises are really great, how all the sounds really move around. All the new elements that come in genuinely make you so excited. The guitar parts and “Yes!” shouts/echoes really build you to the chorus amazingly. I like how quick and rhythmically the vocals and lyrics are delivered, again quite stark and unusual. The bridge brings a great down moment, then the synths build us back into the chorus. I think it’s jaw-droppingly great as a song, and all the movements happen at the right time. The production and body of the song is really alive and keeps moving forwards.

5. Mount Kimbie ft. Micachu – ‘Marilyn’
Andy, who I worked with on my EP recorded the marimba on this in his studio. The intro is so great. And wow, Mica’s vocal is just so standout. I love listening to her voice, it tells you so much! I love the live percussion and orchestral instruments mixed with drum machine/live kit. All the sounds are so interesting, the mix of them. What I love about this tune is that it sounds like it was recorded in one take or as a jam, it’s so free and natural.

Thanks to Fran for sharing her favourites with us. Listen to her new EP Brave here.

Fran will be playing at the Love record stores digital event on Saturday 20th June.
Full event details here.

Photo credit: El Hardwick