Introducing Interview: Mexican Radio

With their third album due out later this month, Berlin-based Mexican Radio pride themselves on their visceral energy and quirky unique, ‘uniformed’ style.

Complete with pumping beats and glitchy electro hooks, latest single ‘Night Of The Nihilist’ is an intense, energy-fuelled synth-punk anthem with shades of the likes of LCD Soundsystem.

We caught up with Dyan from the band to find out more…

Hi Dyan, welcome to Get In Her Ears! Can you tell us a bit about the band?
Hello Get In Her Ears! We of Mexican Radio are a synth punk trio out of Berlin. We wear uniforms at all times, limit ourselves to our setup of synths, vocals and drums (no stringed instruments), and pride ourselves on our high-energy music and performances. We celebrate our weirdness and want to connect with others who do the same.

How did you initially all get together and start creating music?
Nathaniel (lead vocals/synths/effects) and I moved over to Germany from California with our old band The Blood Arm in 2011. Hannes (drums/vocals), originally from Berlin, was playing with his band The Mokkers and we all met through the rock scene here in around 2016. Nathaniel and Hannes are obsessed with The Fall. They formed a German-language Fall cover band (Der Sturz, German for “The Fall”) and roped me into playing keys with them. It was mostly just for fun, but we played a few wild shows. The guitarist and bass player of Der Sturz had other projects on the go, so after a couple of months they decided to move on. Hannes, Nathaniel and I looked at each other and asked, “can we keep going?”. We had learned so much from playing The Fall’s unique brand of intensely repetitive music with powerful vocals and bizarre lyrics, we wondered what would happen if we took that inspiration and tried making something of our own. And so, out of the ashes of Der Sturz, Mexican Radio was born.

Your new single ‘Night of the Nihilist’ is out – can you tell us what it’s all about? Are there any themes running throughout the track?
The song was inspired by the Russian nihilist movement from the 1860s and makes reference to the assassination of Tsar Alexander II. The narrator of the song also takes influence from the nihilist character Bazarov from Ivan Turgenev’s novel Fathers and Sons. The song is about rejecting everything, wreaking righteous havoc and still managing to have a good time in the process. Out of all our songs, this one is the most closely tied to techno music. Berlin is world-renowned for its club scene, and this is the closest we’ll probably get to it. Anyone who has been to a club here has seen a special kind of reckless abandon that can only come when people completely let themselves go in an environment with almost no limitations – so referencing this musical style when singing about hedonism, chaos and destroying everything seems to make sense. There’s also a conspiratorial vibe to the song – it’s almost like a manifesto written behind closed doors by people who are eager to unleash their “holy hate” on the world outside as soon as the sun comes up, once they’ve finished dancing the night away.

 

You’ve been compared to the likes of The Fall and Chicks On Speed, but who would you say are your main musical influences?
Well, since we started as a German-language Fall cover band, I would consider us to be fairly high-level Fall obsessives. Mark E. Smith and crew have definitely been a big influence on us – in fact, we went on a band field trip to what ended up being the last ever Fall show in Berlin, and Hannes and Nathaniel ran on stage to kiss Mark E. Smith on either side of his face, I suppose in an attempt to absorb some of his magic. I was meant to photograph the incident, but in my excitement the picture ended up being very blurry (which the boys have not let me forget since!), but I think there is some video of it online somewhere. Other than that, we take a lot of inspiration from Neue Deutsche Welle bands and bands from Berlin in particular. When Nathaniel and I first moved here nine years ago, I was eager to follow in the footsteps of other musicians who have come here to find inspiration – David Bowie, Iggy Pop, Nick Cave, etc. However, in the last few years, I’ve been discovering more and more of Berlin’s homegrown musical history. Bands like Malaria!, Ideal and of course Einstürzende Neubauten came out of 1980s West Berlin, and have been hugely influential for us as a band. 

How is your local music scene? Do you go to see lots of live music?
Berlin is primarily known as a techno city, but there are actually a lot of very exciting punk and rock bands playing around town. The city has a tradition of fostering innovative music – punk and rock venues like SO36, Kirche von Unten, and Schokoladen give space to all kinds of emerging talent. The city’s countercultural DIY aesthetic encourages everyone to work together and get involved in each others’ projects – the goal is not commercial, but rather to create something interesting and inspiring.We’re also very eager consumers of new music – so much so that we host a monthly radio show on KCRW Berlin called The Mexican Radio Radio Show, on which we play our favourite bands, old and new, and feature interviews with musicians we think are cool. We go to a lot of shows to find new bands and to interview people on tour – we’ve had Ian Svenonius, Surfbort, Alex Kapranos/Franz Ferdinand, IDLES, Ezra Furman and many other cool musicians on the show so far, with future episodes featuring Amyl and the Sniffers, Death Valley Girls, John Dwyer/Thee Oh Sees, Stereo Total and more exciting guests!

And what can fans expect from your live shows?
Our shows are like a psychotic radio broadcast from another planet – I am the hostess of the show, and I try to run a tight ship that relentlessly charges through until we hit the last notes. We wear uniforms at all times (the stage uniform is a red jumpsuit with a white lightning bolt emblazoned on it, and we have separate uniforms for offstage). We are a gang, and want to inspire the audience to join us.

As we’re a new music focused site, are there any new/upcoming bands or artists you’d recommend we check out?
Nathaniel just sent me the new Dry Cleaning EP Sweet Princess this morning, and I loved it. There is a very cool modern Anne Clark vibe to them, and they wrote the only post-punk song about Meghan Markle that I am aware of, which makes them great in my book!

And how do you feel the music industry is for new bands at the moment – would you say it’s difficult to get noticed?
Yes and no. Obviously the internet allows everyone to put their music out there, it’s just a question as to whether anyone will listen to it. Streaming platforms are getting more and more sophisticated about connecting listeners with new music they might like, so hopefully that will allow the little guys to get a bit more exposure than they may have in the past. Ultimately though, you just have to play a lot of shows and go to a lot of shows if you want people to hear your music and meet people who might be able to help you get a foot in the door. It’s all about hard work, diplomacy, stealth and charm!

Finally, what does the rest of 2019 have in store for Mexican Radio?
Our album Destruction / Reconstruction comes out on 20th September, so we’ll be working hard to promote that with press and as many shows as we can play. We’d like to play outside of Germany and make it over the UK either this year or the beginning of next year, and in addition to producing The Mexican Radio Radio Show, we plan to start writing the next record. Our first album Mexican Radio (2018) was our white album, Destruction / Reconstruction is our red album, so now it’s time to write the black one to complete the trilogy.

Massive thanks to Dyan from Mexican Radio for answering our questions! 

Destruction / Reconstruction, the upcoming album from Mexican Radio, is out 20th September via R.I.P. Ben Lee Records. 

PREMIERE: Moon Palace – ‘Bold’

A brooding, yet hopeful blur of atmospheric guitars and soft vocals; Moon Palace have shared their latest single ‘Bold’. The Seattle indie band – fronted by twin sisters Cat & Carrie Biell – have been busy gearing up for the release of their new album Shadowcast, which is described as “a balance between light and dark”.

‘Bold’ is a gentle, yet urgent track that elegantly showcases this balance. The accompanying video directed by Sierra of Elope Productions, also reflects the band’s outlook. Talking about their new record, the band extrapolate: “Shadow self and trying to be positive through interactions with people you love. Outer world to the innermost personal world. Balancing the sun sign and moon sign. Knowing your inner personal self within the context of the universe.”

Throughout the recording of their new album, the band members would text each other songs from Sonic Youth, Talking Heads, Duran Duran and Big Thief, shaping the sound of what was to come. Twins Cat (guitar, vocals) and Carrie (bass, vocals) began writing songs together as teenagers, cultivating a musical bond made particularly significant as children of two deaf parents. Joined by Jude Miqueli (drums) and Darcey Zoller (cello, synth), the band’s hook-driven yet at times discordant guitars are the perfect soundtrack for late-night desert drives.

When they’re not making music, Carrie works with the blind and deaf to secure employment (as well as taking care of her 5-year-old son), Jude is an elementary school teacher & drum instructor at Queer & Trans Youth Music Program, Cat is a graphic designer and Darcey also works in art direction and film production.

Watch the video for ‘Bold’ below and follow Moon Palace on Facebook for more updates.

Moon Palace US 2019 Tour Dates
9/20: Seattle, WA @ Clockout Lounge (Album Release Show)
9/28: Bellingham, WA @ The Shakedown
10/12: Seattle, WA @ Screwdriver Bar (Spread)
10/19: Boise, ID @ Neurolux
10/24: Portland, OR @ Bunk Bar
10/26: San Francisco, CA @ Amnesia
12/6: Seattle, WA @ Southgate Roller Rink
12/13: Seattle, WA @ Crybaby Artist Showcase

Kate Crudgington
@KCBobCut

Video Premiere: Wallis Bird – ‘Life Is Long’

Set to release her sixth album, Woman, at the end of this month, Irish artist Wallis Bird has now shared a brand new video.

Flowing with folk-infused glitchy beats and the luscious allure of Bird’s smooth Irish vocals, ‘Life Is Long’ is an anthemic recollection of a family weekend in West Ireland. Oozing a twinkling atmosphere, it’s a refreshing, contemporary take on more traditional folk songs, filled with a heartwarming emotion. A catchy slice of alt-pop that’ll instantly charm the ears and leave you longing for more of Wallis Bird’s dreamy sounds.

Watch the brand new video for ‘Life Is Long’, for the first time, here:

Woman, the upcoming new album from Wallis Bird, is out 27th September via Caroline International.

Mari Lane
@marimindles

Introducing Interview: Lyrah

Following the release of her debut EP Chemicals earlier this year, San Francisco-based artist Lyrah has been featured on the likes of Earmilk, and in popular playlists such as Spotify’s ‘Fresh Finds’.

Recently sharing the GOLDHOUSE remix of her latest single ‘Don’t Make Me’, she creates smooth, sultry dance pop, flowing with luscious, soaring vocals and pulsating beats.

We caught up with Lyrah to find out more…

Hi Lyrah, welcome to Get In Her Ears! Can you tell us a bit about yourself please?
Hello! Nice to meet y’all. I’m a writer/singer/producer in San Francisco. I make dark indie pop music and love to create things that feel like they could be the soundtrack of someone’s life.

How and why did you initially start creating music?
I’ve been making music since I was a kid. I was lucky that my parents set me up with piano lessons when I was three – the teacher didn’t want to take me on since I was so young, but my dad worked it out so that she would give us both a lesson. Piano was my gateway to writing; it started with dark, heavy piano compositions, and then grew into more structured pop songs. For the past five years or so, I’ve been writing for other people as well as stuff just for myself. It wasn’t until two years ago that I decided to go for it and put out my own music – I was getting better at production and could finally capture the sound I had been hearing in my head. I wanted to have the complete creative control to create a vision around the sound and feeling I was chasing.

Your new single ‘Don’t Make Me’ is out now, can you tell us a bit about the inspiration behind the track?
I wrote this song during a lonely night at my piano. It started because I was in a mental space of questioning someone’s love; it’s shitty to be in a situation where you feel someone pulling away and you begin to question how they feel about you and what that means going forward. When I wrote this song, I had no intention of putting it out or sharing it with anyone, but when I was picking songs for my EP around the theme of love driven chemicals, it was a piece of that spectrum that I wanted to include.

 

And you’ve recently shared the GOLDHOUSE remix of the track, how did that collaboration come about?
I first discovered GOLDHOUSE through his Billie Eilish remix of ‘Ocean Eyes’. I followed a lot of his remixes after that, so I hit him up when I was thinking about remixes for the EP and he wanted to remix ‘Don’t Make Me’. I knew there was a dancier, more energetic version of this song living within it and GOLDHOUSE nailed it.

You’ve been compared to the likes of Daughter and Halsey, but who would you say are your main musical influences?
Two influences that are constant are Sylvan Esso and Trent Reznor. But a more recent influence would be Sasha Sloan – I absolutely love her writing.

How is your local music scene? Do you go to see lots of live music?
I was talking about this recently with Parker – who is part of Cassette Tapes — that there is something cool about the SF music scene because it is not the natural place to live for music. And that difference of environment shapes the stories you wanna tell and the ways you write and produce about it. That said, the price of admission to live in San Francisco is so high that it’s unrealistic for some. Many musicians here are like me in that they have a job to support their music. I wish the city could better support creatives and people of all types of backgrounds that are currently driven away.     

And what can fans expect from your live shows?
For right now, I’m not doing any shows so that my energy goes into writing/producing/recording/designing/planning out the next releases. The songs to come are the ones that I am most excited to perform, so when that happens, I hope I give everyone a hell of a night!  

As we’re a new music focused site, are there any new/upcoming artists you’d recommend we check out?
Ooo let’s see. Here are some newer artists I’ve been excited about and the songs of theirs I love most: Banoffee – ‘Bubble‘, WENS – ‘Call’, Luka – ‘Closer‘, Hana Vu – ‘Crying On The Subway’. 

And how do you feel the music industry is for new artists at the moment – would you say it’s difficult to get noticed?
Since the barrier to create music is lower, people are inundated with tonnes of new music. This makes it harder to cut through the noise, but the part that is super interesting is that you can reach an audience that is really into your specific sound.

Finally, what does the rest of 2019 have in store for Lyrah?
All of my new stuff is pushing a darker, dancier direction. They’re living in a space that is dreamy, yet realistically cinematic. These songs to come are my favourite ones yet! You can follow me on Insta or Spotify to hear what’s to come. 

Massive thanks to Lyrah for answering our questions! 

‘Don’t Make Me’ (GOLDHOUSE Remix) is out now.