FIVE FAVOURITES: Ren (Petrol Girls)

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Ren, frontwoman of the brilliant Petrol Girls, to ask about her “Five Favourites” – five songs that have kept her going whilst she’s been busy fighting & fundraising for a defamation case against a man in music industry for statements she made concerning his treatment of women.

Ren has written an intro to her favourite tracks, and we urge you to donate to the Solidarity Not Silence campaign – whether it’s £1 or £100 – every penny counts!

Ren: I’ve picked five tracks by artists that I really respect for the way that they’ve handled the issue of sexual abuse within the music industry. Many of them also faced defamation cases very similar to the one we are currently fighting as Solidarity Not Silence. We are still trying desperately to cover our legal costs and appreciate any donations that people can give, or awareness that people can raise of our crowd funding campaign. 

We are determined to win this case because the use of defamation law to silence survivors and their allies is yet another deeply unjust part of a legal system that is utterly stacked against survivors. In the wake of #MeToo this is more important than ever.

1. The Tuts – ‘Tut Tut Tut’
The Tuts are the other band involved in Solidarity Not Silence. During 2016 both bands spoke out about the behaviour of the man that is suing us, in solidarity with the survivors that we were aware of at the time. We received the first letters from his lawyers just before Christmas that year, and have been fighting it ever since!

I have so much respect for how outspoken the Tuts are about inter-sectional feminist issues and left politics more broadly, and super grateful for the huge amount of hard work they’ve done during this legal case, including organising a huge benefit gig at the end of last year! I’m so proud of all of us for how well we’ve been able to work together and support each other through this.

2. Taylor Swift – ‘Shake it Off’
I remember sticking on 1989 and leaping around the room when I heard about Taylor winning her case against David Mueller. She alleged that he groped her whilst they posed for a picture and consequently got him fired from his job. He then tried to sue her but she counter sued for a symbolic $1 and won following an incredible testimony in court, where she refused to take any bullshit: “I am not going to allow your client to make me feel like it is in any way my fault, because it isn’t.”

3. Alice Glass – ‘Cease and Desist’
Alice Glass left Crystal Castles in 2014 but as #MeToo gathered momentum she gained the confidence to speak up about her reasons why. In a post on her website she described horrific and sustained sexual, physical and emotional abuse at the hands of her former bandmate Ethan Kath. He then sued her for defamation but the case was dismissed in February 2018. When he appealed it in May 2018, he was ordered to pay Glass almost $21,000 in legal fees.

4. Venom Prison – ‘Immanentize Eschaton’
Vocalist Larissa Stupar wrote a public statement in support of survivors that spoke out about her former bandmates in Wolf Down. In her post she detailed some of her own experiences and ended with: “Enough is enough. I stand with the victims.”

5. Kesha – ‘Praying’
Kesha’s legal case against her former producer Dr Luke and record label Sony has been long, drawn out and bitterly unfair. It was overseen by a Judge that is married to a partner in Sony’s legal firm. Somehow Kesha pulled herself back to her feet and was able to release some hard hitting new music including ‘Praying’, which came out in the summer of 2017, just before #MeToo started gaining momentum.

Huge thanks to Ren for sharing her favourites with us. Follow Petrol Girls and Solidarity Not Silence on Facebook for more updates.

Kate Crudgington
@KCBobCut

FIVE FAVOURITES: Leggy

Having recently shared stages with The Spook School, Personal Best and Pile, angular punks Leggy  have been functioning at full speed. Formed of Véronique (lead vocals/guitar), Kerstin Bladh (bass) and Chris (drummer), the band released their album ‘Let Me Know Your Moon’ via Sheer Luck Records this year, as well as playing a run of shows at SXSW and completing a successful US tour.

We think one of the best ways to get to know a band is by asking what music inspired them to write in the first place. We caught up with Véronique & Chris to ask about their “Five Favourites” – five albums that have influenced their songwriting techniques. Check out their choices below, and make sure you listen to Leggy’s track ‘Taffy’ at the end of this post.

 

1. Eisley – Marvelous Things
Veronique: Discovering this EP while watching some type of late night Subterranean MTV channel changed my life. I remember it was right before Christmas 2013, and I put this on my Christmas list and my cool Dad, who loves music, got it for me. The vocal melody in Marvelous Things is true art and hearing it the first time ran shivers down my spine! It’s so simple and yet so unique, brilliant and dark . Also, discovering this band which was being led by young womxn, MY AGE (13!!!!) was inspiring. I felt like I could picture myself doing it too. Some of the first tabs I ever learned were super early Eisley songs . I named this EP because it was the first one I discovered, but I delved deep into the back catalogue after that, and all of it was highly influential in my first several years of songwriting.

2. Kesha – Cannibal
Veronique: This album was the anthem of my 21st year. I have so many fun feelings associated with it. I also have a lot of depressing memories tied to it (21, amiright??) The album is amazing – the lyrics were extremely relatable to me at that point in my life, and still continue to be relevant. Kesha is a damn boss bitch. I love pop music and simple but super dope beats, and I especially think it can be super beautiful when a rock band incorporates that sound a bit. I have certainly been influenced by her songwriting style.

I’m also 10000% over “music people” or “punks” or “intellectuals” hating on pop stars. I know it hasn’t been the case recently (thank you LIZZO, Carly Rae, Lana Del Rey) but Kesha was underrated in her first years. Fight me.

3. Joanna Newsom – Milk Eyed Mender
Veronique: Milk Eyed Mender made me feel knock kneed and tongue tied. The fact that she was singing in such a bare bones and peculiar way felt like complete anarchy to me. It kinda felt like she had declared “anything goes” – you didn’t have to be the standard to make music. That mindset totally inspired me to start writing a bunch of weirdo songs when I was in high school. Some of them evolved and eventually made it onto our first two EPs. Her whimsical and narrative heavy style of lyrics (similar to Eisley’s in this way) was really wonderful for someone like me, who was obsessed with fantasy at the time and spent a good deal of my waking day dreaming about random mystical shit (Lord of The Rings, anyone?) Also, Joanna Newsom was definitely a crush of mine before I knew what it meant. That’s just a bonus though.

4. Mika Miko – C.Y.S.L.A.B.F
Chris: True concrete floor dance party anthems. Big rowdy punk heavy hitters with a relentlessly dancey rhythm section, shout along until your out of breath. It has on point bopping guitar, and swing from the chandeliers energy. Still slams in 2019. Remember getting this the day my suburban record shop got it in stock and it’s been on rotation ever since. Soundtrack to a lot of fun times and long late drives. Wall to wall banging fun with undeniable hooks. Fuckin sick. KRS classic imo. Not sure if this has been long enough of a review so I’d also like to add The Blow’s “Paper Television” to this favorite album. Similar reasons I guess, same kinda era etc. Way different but y’know both are influential, make me happy and totally rock!

5. Best Coast – Crazy For You
Chris: Front to back contemporary classic. Every song is a hit. Love everything about it. The guitars and vocals and lyrics and drums and videos and everything. One time like years ago, my roommate and I were tripping in different parts of our place down on 12th Street and when I went to her room to see what was up, she was wearing shades, drinking a cocktail, blasting this record and lounging on her bed under a heat lamp because it was like 4am in the dead of winter. This album is like that y’know, a warm sunny day in summer, or a stoned heat lamp on a cold winter night, whatever you need it to be. Still really heavy hitting emotionally though, not just all fun in the sun. But also yeah. Just great. Love this album!

Thanks to Véronique and Chris for sharing their favourites with us. Follow Leggy on Facebook for more updates.

Premiere: Faultress – ‘Beating Heart’ / ‘Marilyn’

Having just announced her new EP, set for release in November, innovative artist Faultress (an extinct word for a female criminal) explores themes of mental health, power and desire through a female lense. And now we can hear not just one, but two, seductive tasters of the new release.

First up, exploring the role of the human bonding hormone oxytocin, ‘Beating Heart’ flows with crystalline vocals and a dark, gritty energy. As its pulsating, tribal beats whirr with a carnal groove, it builds to a stirring, glitchy anthem oozing a subtle, poignant majesty.

 

Deconstructing the masculine idea of femininity and inspired by the Hollywood star, ‘Marilyn’ showcases the raw power of Faultress’ vocals perfectly. Propelled by a soaring, visceral energy and soulful splendour, it’s a sparkling and impassioned reflection on being female under the ever-present pressure of the male gaze. Of the track, Faultress explains:

“I read that Marilyn Monroe could ‘turn off’ her persona to such a degree that she could walk through LA with no-one recognising her. After coming out of a gaslighting and controlling relationship, I similarly felt that I was done putting on an act just to feel an approximation of love.”

Watch the compelling brand new video for ‘Marilyn’ here:

Produced by Joshua Davenport, 5 Myths, the upcoming new EP from Faultress, is out 8th November. Catch her live at the following dates:

26th October – Union Chapel, London (supporting Eska and London Contemporary Voices)
8th November – The Laylow, Ladbroke Grove (headline)

Mari Lane
@marimindles

Introducing Interview: Mexican Radio

With their third album due out later this month, Berlin-based Mexican Radio pride themselves on their visceral energy and quirky unique, ‘uniformed’ style.

Complete with pumping beats and glitchy electro hooks, latest single ‘Night Of The Nihilist’ is an intense, energy-fuelled synth-punk anthem with shades of the likes of LCD Soundsystem.

We caught up with Dyan from the band to find out more…

Hi Dyan, welcome to Get In Her Ears! Can you tell us a bit about the band?
Hello Get In Her Ears! We of Mexican Radio are a synth punk trio out of Berlin. We wear uniforms at all times, limit ourselves to our setup of synths, vocals and drums (no stringed instruments), and pride ourselves on our high-energy music and performances. We celebrate our weirdness and want to connect with others who do the same.

How did you initially all get together and start creating music?
Nathaniel (lead vocals/synths/effects) and I moved over to Germany from California with our old band The Blood Arm in 2011. Hannes (drums/vocals), originally from Berlin, was playing with his band The Mokkers and we all met through the rock scene here in around 2016. Nathaniel and Hannes are obsessed with The Fall. They formed a German-language Fall cover band (Der Sturz, German for “The Fall”) and roped me into playing keys with them. It was mostly just for fun, but we played a few wild shows. The guitarist and bass player of Der Sturz had other projects on the go, so after a couple of months they decided to move on. Hannes, Nathaniel and I looked at each other and asked, “can we keep going?”. We had learned so much from playing The Fall’s unique brand of intensely repetitive music with powerful vocals and bizarre lyrics, we wondered what would happen if we took that inspiration and tried making something of our own. And so, out of the ashes of Der Sturz, Mexican Radio was born.

Your new single ‘Night of the Nihilist’ is out – can you tell us what it’s all about? Are there any themes running throughout the track?
The song was inspired by the Russian nihilist movement from the 1860s and makes reference to the assassination of Tsar Alexander II. The narrator of the song also takes influence from the nihilist character Bazarov from Ivan Turgenev’s novel Fathers and Sons. The song is about rejecting everything, wreaking righteous havoc and still managing to have a good time in the process. Out of all our songs, this one is the most closely tied to techno music. Berlin is world-renowned for its club scene, and this is the closest we’ll probably get to it. Anyone who has been to a club here has seen a special kind of reckless abandon that can only come when people completely let themselves go in an environment with almost no limitations – so referencing this musical style when singing about hedonism, chaos and destroying everything seems to make sense. There’s also a conspiratorial vibe to the song – it’s almost like a manifesto written behind closed doors by people who are eager to unleash their “holy hate” on the world outside as soon as the sun comes up, once they’ve finished dancing the night away.

 

You’ve been compared to the likes of The Fall and Chicks On Speed, but who would you say are your main musical influences?
Well, since we started as a German-language Fall cover band, I would consider us to be fairly high-level Fall obsessives. Mark E. Smith and crew have definitely been a big influence on us – in fact, we went on a band field trip to what ended up being the last ever Fall show in Berlin, and Hannes and Nathaniel ran on stage to kiss Mark E. Smith on either side of his face, I suppose in an attempt to absorb some of his magic. I was meant to photograph the incident, but in my excitement the picture ended up being very blurry (which the boys have not let me forget since!), but I think there is some video of it online somewhere. Other than that, we take a lot of inspiration from Neue Deutsche Welle bands and bands from Berlin in particular. When Nathaniel and I first moved here nine years ago, I was eager to follow in the footsteps of other musicians who have come here to find inspiration – David Bowie, Iggy Pop, Nick Cave, etc. However, in the last few years, I’ve been discovering more and more of Berlin’s homegrown musical history. Bands like Malaria!, Ideal and of course Einstürzende Neubauten came out of 1980s West Berlin, and have been hugely influential for us as a band. 

How is your local music scene? Do you go to see lots of live music?
Berlin is primarily known as a techno city, but there are actually a lot of very exciting punk and rock bands playing around town. The city has a tradition of fostering innovative music – punk and rock venues like SO36, Kirche von Unten, and Schokoladen give space to all kinds of emerging talent. The city’s countercultural DIY aesthetic encourages everyone to work together and get involved in each others’ projects – the goal is not commercial, but rather to create something interesting and inspiring.We’re also very eager consumers of new music – so much so that we host a monthly radio show on KCRW Berlin called The Mexican Radio Radio Show, on which we play our favourite bands, old and new, and feature interviews with musicians we think are cool. We go to a lot of shows to find new bands and to interview people on tour – we’ve had Ian Svenonius, Surfbort, Alex Kapranos/Franz Ferdinand, IDLES, Ezra Furman and many other cool musicians on the show so far, with future episodes featuring Amyl and the Sniffers, Death Valley Girls, John Dwyer/Thee Oh Sees, Stereo Total and more exciting guests!

And what can fans expect from your live shows?
Our shows are like a psychotic radio broadcast from another planet – I am the hostess of the show, and I try to run a tight ship that relentlessly charges through until we hit the last notes. We wear uniforms at all times (the stage uniform is a red jumpsuit with a white lightning bolt emblazoned on it, and we have separate uniforms for offstage). We are a gang, and want to inspire the audience to join us.

As we’re a new music focused site, are there any new/upcoming bands or artists you’d recommend we check out?
Nathaniel just sent me the new Dry Cleaning EP Sweet Princess this morning, and I loved it. There is a very cool modern Anne Clark vibe to them, and they wrote the only post-punk song about Meghan Markle that I am aware of, which makes them great in my book!

And how do you feel the music industry is for new bands at the moment – would you say it’s difficult to get noticed?
Yes and no. Obviously the internet allows everyone to put their music out there, it’s just a question as to whether anyone will listen to it. Streaming platforms are getting more and more sophisticated about connecting listeners with new music they might like, so hopefully that will allow the little guys to get a bit more exposure than they may have in the past. Ultimately though, you just have to play a lot of shows and go to a lot of shows if you want people to hear your music and meet people who might be able to help you get a foot in the door. It’s all about hard work, diplomacy, stealth and charm!

Finally, what does the rest of 2019 have in store for Mexican Radio?
Our album Destruction / Reconstruction comes out on 20th September, so we’ll be working hard to promote that with press and as many shows as we can play. We’d like to play outside of Germany and make it over the UK either this year or the beginning of next year, and in addition to producing The Mexican Radio Radio Show, we plan to start writing the next record. Our first album Mexican Radio (2018) was our white album, Destruction / Reconstruction is our red album, so now it’s time to write the black one to complete the trilogy.

Massive thanks to Dyan from Mexican Radio for answering our questions! 

Destruction / Reconstruction, the upcoming album from Mexican Radio, is out 20th September via R.I.P. Ben Lee Records.