Video Premiere: Cat Mahatta – ‘Hymn To Dudes’

Started as a bedroom project in Oakland, to try and encapsulate her experience as a queer mixed-race multi-instrumentalist, producer and dancer Cat Mahatta creates collaborative electro-pop and innovative performance art. Having previously wowed our ears with her last single ‘Barely’, she’s now returned with a spellbinding new offering.

An anthemic message to the patriarchal powers that be, ‘Hymn To Dudes’ drips with glitchy beats alongside Mahatta’s swirling, sparkling vocals, creating a glistening slice of alt-pop, oozing a poignant majesty and sweeping splendour.

Accompanied by an artfully choreographed and beautifully thought-provoking video that portrays a mystical sleepover in which Cat is inducted into a coven of Feminist Art Goddesses, ‘Hymn To Dudes’ offers a dreamily bewitching electro soundscape filled with an empowering spirit that we need now more than ever.

Of the track, Mahatta expands:

“‘Hymn to Dudes’ is a message to everyone who’s ever underestimated, belittled, or oppressed me and my global community; it empowers us and reminds us that we have permission not to care what they or anyone else thinks of us.”

Watch the new video for ‘Hymn To Dudes’ here:

‘Hymn To Dudes’ is out on 20th May via Practical Records – an independent label that releases music by California’s queer, trans, and experimental music communities.

Mari Lane
@marimindles

VIDEO PREMIERE: Hana Piranha – ‘Waiting To Burn’

Bewitching vocals and moody monochrome visuals collide on Hana Piranha‘s new video for ‘Waiting To Burn’ premiering exclusively today on Get In Her Ears. Released via Fourglove Records on 17th May, the new song is a “carefully balanced mix of subtle strings, heavy guitar riffs” and compelling lyrics.

The single is the title track of the band’s latest album and the accompanying video was shot and directed by filmmaker and long-term collaborator Arron West. Frontwoman Hana Mari is the daughter of a Catholic priest who was born during a hurricane; so it’s no surprise her songwriting and the band’s aesthetic are turbulent and prophetic.

Formed of Jim Beck (guitar), Daniel Tompkins (bass), Andrew Lane (drums), and multi-instrumentalist Hana, the band work together to create a sound inspired by Bach, Nine Inch Nails and everything in between. They’ll be touring their new album in September, so keep your eyes peeled for updates on cities and venues.

Watch the video for ‘Waiting To Burn’ below and follow Hana Piranha on Facebook for more updates.

Kate Crudgington
@KCBobCut

FIVE FAVOURITES: Grace Savage

Grace Savage is a four-time UK beat-box champion turned electro-pop artist. With her ability to produce catchy beats and write witty relatable lyrical content, her live shows are an impressive spectacle; and her performance at Loud Women Festival last year made a mark in our musical memory. She’s set to release her new EP Cracks on 17th May and will pre-empt the launch with a headline show at Bermondsey Social Club on 15th May (tickets available here).

We caught up with Grace to ask her about her “Five Favourites” – five albums that have influenced her songwriting techniques. Check out her choices below, and make sure you listen to her single ‘Snowflake’ at the end of this post.

Amy Winehouse – Frank
I heard this album for the first time when I was 14, hanging out in my friend’s bedroom. I instantly fell in love and knew this woman was something special. The tone of her voice, the sensitivity and intelligence of the lyrics, the infectious melodies..I didn’t know much about music technically at the time, but I just felt the soul of this album to my core and I still listen to it today as much as I did back then.

I learned the song ‘Fuck Me Pumps’ on the guitar and it was the first song I ever sang in front of another human being. It was a producer who’d seen me beatbox in a talent competition, and then invited me to her studio; she asked me to sing something for her and I was absolutely terrified. I sang Amy’s song and she must’ve seen something in me because we then worked together as a songwriting partnership for four years. So this album will always have a special place in my heart.

P!nk – Can’t Take Me Home
I cannot even begin to explain the level of obsession I had with P!nk as a young girl. Posters on the bedroom wall, dyed my hair pink at 13, got my tongue pierced at 15, my email address for most of my teenage years was pink_b!tch@hotmail.com – it was a LOT. She was this bad ass lady with bright pink hair and so much attitude and I just wanted to be everything she was. She was a great role model for me as a young girl who didn’t fit in with the ”girly girls” and this album (although when I listen to it now sounds SO dated) was a big part of my teenage years. I’ve followed her career ever since and I’m seeing her live for the first time this summer….I think I might explode with nostalgia and happiness.

Nirvana – Nevermind
This album inspired me to learn the guitar. I went through the classic “grunge girl” stage for about a year (black nails, big nose ring, nirvana hoodies, eye liner, really bad skate boarding) and it was all heavily influenced by this album and Kurt Cobain’s genius. I was always such a hip hop head/r&b and pop music girl, but something about Nirvana really got me. The guitar riffs, the husky tone of his voice, the weird lyrics and the “don’t give a f***” attitude of the whole band was really refreshing against the shiny manufactured pop bands I was exposed to in the 90’s and early 00’s. This album introduced me to a different kind of music and really let me indulge my emo side.

Ms Lauryn Hill – The Miseducation Of Lauryn Hill
Ahhh it was so close between Lauryn and Missy Elliot because both had a huge impact on me growing up, but seeing as this is about ALBUMS and not ARTISTS… I had to choose this one. I remember I was about 14/15 and my mate said he bought this album and didn’t like it so he gave it to me to try. I’m so glad he did, because BOOYYY it is ICONIC! I fell in love with her voice watching Sister Act and I fell in love with this album the moment I heard it. Triple threat: singer, rapper, writer. There were really no other artists around like her at the time and her voice is unparalleled in my opinion. I still can’t think of anyone who sings, writes and raps as fluently and excellently as she does. She is one of a kind. I saw her perform the 20 year anniversary of this album in London last year and it was a beautiful experience.

BANKS – Goddess
This is the only “modern” album on my list but no less impactful and meaningful to my life. This is my break up album. I must have listened to it and cried to it and ran to it and danced to it and slept to it and then cried some more to it almost every day for about a year. When it came out, the production was like nothing I’d ever heard before and her lyrics and tone were so unique and dark and sexy, I was immediately like “WOAH” who is this girl? I’ve seen her live a few times now and she never fails to disappoint. ‘Waiting Game’ and ‘Brain’ still continue to be some of my favourite songs in existence – the slow driving kick drum, the long builds throughout the whole song, the deep driving synths and the tribal feel to her vocals drenched in reverb. Beaut. Thanks for getting me over the worst break up of my life. I owe you one BANKS!

Kate Crudgington
@KCBobCut

Video Premiere: Varley – ‘Proof’

Formed on the way home after a night of bowling, Berlin-based Varley have amassed more than 1.6 million plays, with their debut single ‘Roamer’ peaking at #23 in the Spotify Viral Charts. Following the equally captivating ‘Lonely Were The Days’, and having enchanted us with their live performance at one of our Notting Hill Arts Club showcases, the trio have now returned with a sparkling new offering.

‘Proof’ flows with chiming waves of synth and bright, infectious beats, providing a sweeping backdrop to Claire-Ann Varley’s luscious rich vocals, with shades of Aussie songwriter Julia Stone. A truly dreamy slice of ethereal indie-pop, it oozes a twinkling uplifting splendour that’ll stick in your ears on first listen.

Of the track, Claire-Ann explains:

“‘Proof’ was written just as Summer 2018 was coming to an end and tells the story of two people, who both know that whatever they have together is coming to an end but they are not quite ready to let it go. It follows them on their last adventure, their last road trip and their last few minutes together. It’s actually a positive song because even though they aren’t going to be together anymore, they still care about each other and want their last moments to count.”

Filmed while the band were on a trip to New York, watch the nostalgia-tinged new video for ‘Proof’, for the first time, here:

‘Proof’ is out now via Seahorse Music. Listen on Spotify. Catch Varley live at the following dates:

23rd May – Auster Club, Berlin
24th May – Freundlich + Kompetent, Hamburg

Mari Lane
@marimindles