WATCH: Tina Boonstra – ‘My Concrete Heart’

London-based artist Tina Boonstra has released a stunning stop-motion video to accompany her track ‘My Concrete Heart’, and it’s a collaborative effort that reflects her determination and vulnerability as a songwriter.

Made with designer Nina Pro and film maker Lizzie Nock, the video required hundreds of painstaking hours and over 5,000 photos in order to tell the story behind ‘Concrete Heart’, which is one of urban escape and a flight into nature. The track is taken from Tina’s debut EP of the same name, which was released in February via 7Core Music.

With its pounding drums, melodic guitar riffs, and a catchy chorus, ‘Concrete Heart’ feels like an aural emotional release, ringing out with the relief you experience when you find someone worth opening up to again. Watch the accompanying video below, and follow Tina on Facebook for more updates.

Kate Crudgington
@KCBobCut

Introducing Interview: M.I.

Hot off the back of her latest release ‘Euphoria’ we caught up with East London born DIY, alternative R&B artist M.I. to talk about living in Leeds, being a DIY artist and an excellent list of new music artists to shout out!

And what a pleasure it was…

Welcome to Get In Her Ears! Can you tell us a bit yourself – who is M.I and how did it all get started?
Hello! Thank you for having me (or featuring me lol). Where it started…? I’ve always loved the music since I was a kid. Mum played Motown classics all the time. I also went to theatre schools on the weekends throughout secondary school and then I decided I wanted to do it all day, everyday. So I studied music in college then came to Leeds to continue. When I initially started gigging it was under the name ‘Miss Idele’. I enjoyed it but I realised that it wasn’t a true representation of me. I wasn’t a ‘sassy soulstress’ all the time and I got a bit tired of trying to be that at every performance/appearance. So I created M.I.
M.I I would say is kind of a culmination of all the different aspects of me. So she’s got the sass of Miss Idele, but she’s also vulnerable, scared and anxious. With M.I there are no expectations or limitations.  She can be anything or everything she wants to be.

And you’re originally from East London (where GIHE HQ is!), what made you make the move to Leeds?
Yes, E17 all day everyday! Hahaha. I moved because of the choice I made to go to Leeds College Of Music (LCOM). It was a tie between there or Liverpool Institute of Performing Arts (LIPA). As soon as I got to Leeds it felt like a second home immediately, and it helped that three friends from college were coming to Leeds too!

Leeds has a great music scene, do you find it very different to London’s?
The Leeds music scene is great. Lots of talent all around. I have to give a whole heap of praise to DJ Lubi for giving a lot of us opportunities to gig around some of the best venues, line ups and promoters! I do think the London scene is a bit different – the music scene is huge with lots of different things happening. Unfortunately from what I know, I feel like the London music scene is kind of people saying the same thing over the same type of music. Something I really appreciate is coming to Leeds to find my sound and what I like and/or dislike, and what I have to say that can impact, that is honest. Having said that I do feel like the London scene would cater more to my sound than Leeds would. I think Leeds has a soft spot for Jazz, Afro Beats or singer-songwriters!

You are a DIY artist which we respect so much, was this a conscious decision to keep more control over your music? How do you find being a DIY artist?
I’m neither happy or sad to be a DIY artist. I don’t think I can see it any other way right now as I know what I want, I’m very involved in all aspects like the writing, arrangement and production. So, unless the perfect recording contract came along giving me that same amount of control, I’m happy to stick with being a D.I.Y artist! I must say though, it is sometimes easy to be a DIY artist because I don’t see music as a task or job. Sometimes I don’t even see it as a career. It’s my passion so it will always be a part of me whether I become a huge superstar or not. I think the only big struggle with being DIY is there isn’t a big company funding you so you kinda have to find ways to literally DIY, hahaha (sorry, bad joke).

We’re loving the new single ‘Euphoria’ at Get In Her Ears HQ and have played it on our radio show! Can you tell us a bit about the song and what inspired it?
Euphoria!!! The first song I ever wrote. It was surprisingly easy to write despite having never written before and not thinking I could. I just started improvising to an instrumental on youtube and boom! It appeared! I think what helped is that I needed to get something of my chest… I didn’t realise it at the time but writing was my outlet. My inspiration for that song was a guy I liked…! I wrote it as a kind of letter I suppose. We were both dealing with a huge change in our lives and I was kind of writing to myself as well.  Telling myself (and him) to try something new, to escape reality (funnily enough most of my songs became about escaping). I really enjoyed writing it as if it was a breath of fresh air, instead of making it direct which gives it a freedom to mean the listeners interpret it to be.

 

Am I right in thinking you are part of a vocal group called Leeds Contemporary Singers? Who have performed with the likes of Kelis? That must have been amazing!
Yes!  L.C.S!!!  I absolutely adore them! Yes we have! We also performed with Will Young who was one of our mentors on the show! We also got to see Jermaine Jackson, Nick Jonas, Seal and my number one idol CHAKA KHAN!!  Definitely the big highlight of 2017!!!

At Get In Her Ears we’re about promoting and supporting women in music, hoping for a day when people can talk about good music no matter what the artist’s gender is on an equal basis. Do you find as a woman that people label you as a ‘female’ artist rather than an ‘artist’? If so how do you feel about that?
Sadly I think my race is picked up on before my gender. So kind of a double whammy there.  Most of the time, despite my change in image/sound, I’m labelled as a “Soulstress” or “Gospel Singer”. It’s something I really struggled with in University, people just assuming what I do and limiting me to that. Most of the time I got labelled as a backing vocalist. I think a lot of the time people think because I’m a female, all I do is sing and if I play an instrument too an even bigger achievement. But yes I sing, I can accompany myself on a piano but I also write, arrange and produce my songs. I may not be the best producer but I know what I want and it was really hard finding producers who let you do you. I found a lot of producers try and force what they want for you, upon you and ignore when you disagree or try to have an opinion on your own songs! When speaking to male artists, they never seem to have that issue. I think that enforces my being DIY as well as I do not have the time or the patience to deal with it.

What’s 2018 got in store for M.I.?
2018!!  Reclaiming my time, reclaiming my time!!  I plan to ‘snatch wigs’, be the best version of me musically and personally, put in the work and leave the rest to GOD! I want to release a couple more tracks throughout the year and get some gigs in. But other than that, I’m gonna live my BEST LIFE!

Finally as we’re a new music focused site, are there any other new/upcoming bands or artists you’d suggest we check out?
New music! I love supporting friends so here is a nice list! I’m mentioning producers, instrumentalists and writers because I think it’s important to shed light on people behind the spotlight – they’re all important too!! Becky Bowe, Loux, Park fires and Luna Pines recently released new singles. The compilation album by Sixteen Records compiled by Lotte Van Den Berg is full of loads of upcoming artists/bands in and around Leeds – Ofure Faith, Dija Bhlue, Mali Hayes and Jermaine Peterson – amazing artists! Chloe Rianna – best drummer I know! Kieran Williams – greatest songwriter I know, he’s written a couple of bops including BBC Radio 1’s Track Of The Week ‘I’m Not Ever Coming Back again’ (I’ve also got a couple of bops coming out with him). Akin Music – he co-produced ‘Euphoria’ and a couple of other tracks of mine, AND he’s opening for Lalah Hathaway in July in Leeds!  Monkey Harper – he’s a producer, he’s got some bops coming out too! And he co-produced ‘Euphoria’ and a couple of other tracks. I could actually go on but I think that’s enough!!!

‘Euphoria’ is out now, check out more from M.I. via her socials – Facebook, Instagram or Twitter

Tash Walker
@maudeandtrevor

PLAYLIST: June 2018

We’re mid-way through 2018, and we’re ready to share another playlist packed with fresh new sounds for your very eager ears! Take some time to scroll through our track selections, hit play on the Spotify link below, and let your ears fill up with the glorious new sounds of June…

Fever Ray – ‘If I Had A Heart’
Fever Ray were one of the headliners of Field Day this year and it could not have been a better end to the festival, hypnotic beats, terrifyingly warped vocals and an explosive stage performance. Gender bending outfits, with reverberating sound all whipped up together by the psychedelic and endorphin inducing visuals. When this track started I lost my mind – wow wow wow. (Tash Walker)

Catgod – ‘Keep My Promises’
Lead by sibling duo Robin and Catherine, Catgod’s new single interweaves swirling folk-tinged melodies with trip-hop inspired beats. As Robin’s soaring vocals are perfectly complemented by Cat’s exquisite harmonies, it showcases the band’s unique musicality in a cinematic soundscape that’ll captivate on first listen. Heartbeat In My Hand, the debut EP from Catgod, is out 22nd June. (Mari Lane)

Dott – ‘Bleached Blonde’
Galway’s Dott have released the perfect single for girls who love sunshine, surfing, and super-catchy garage pop anthems. The track is taken from their upcoming album Heart Swell, which is set to be released via Graveface Records on 8th June. It’s not on Spotify yet, but you can watch the video for it below. (Kate Crudgington)

S4U – ‘Heart’
‘Heart’ is the latest single London-based duo S4U (Something For You) taken from their upcoming Mixtape Heart 2 Say, which will be released via Different Recordings on 6th July. Looking forward to that a lot… I’m loving S4U’s new low-slung R&B experimental electro with some heavy 90s influences. Of the track S4U says “Curved, Parallel conscious, sub conscious, the synergy of heart and mind generates wise choices that benefit all. In other words as you appreciate that which is appreciating you. It is a wonderful thing to hold someone as your object of attention while you feel that G force Roses in Britain” Lovely. (TW)

The Menstrual Cramps – ‘Make Girls Feel Good’
Combining activism with musical prowess, The Menstrual Cramps provide a captivating force that we all need now more than ever.  With their fist-clenching ferocity, racing catchy hooks and a tongue in cheek wit, they create truly infectious punk-rock anthems. And this track is no exception – an epic dose of empowering energy, with lyrics like “you always look like such perfection that you don’t even need to try”, it’ll leave you feeling good and ready to take on the world. And we CANNOT WAIT to see The Menstrual Cramps headline for us at The Finsbury on Friday(ML) 

Slowcoaches – ‘Found Down’
Having previously captured our hearts with the totally epic, anti-toxic-masculinity anthem ‘Complex’, Slowcoaches are back with a new single. Racing with a seething energy, ‘Found Down’ hits your ears with its scuzzy riffs and the raw, angst-driven vocals of Heather Perkins. Oozing an immense, punk-fuelled power, it’s a perfect blast of raging honesty that we need now more than ever. (ML)

Placebo – ‘Scared Of Girls’
I scored tickets to Placebo’s Meltdown gig at Southbank Centre (curated by Robert Smith) and although this will be the fourth time I’ve seen them (quit bragging Kate), my heart is still beating double time with joy at the prospect of potentially hearing this track live. I imagine this song title accurately describes how most men feel when they see me dancing to it on a night out… (KC)

The Joy Formidable – ‘Dance Of The Lotus’
This is the band responsible for getting me in to alternative music a decade ago, so when I heard new single ‘Dance Of The Lotus’, my inner 18 year old imploded. They’re playing Robert Smith’s Meltdown Festival on the same day as NIN, and they’ll be playing at one of my favourite venues, The Lexington, in August. I missed out on tickets for both, so if anyone wants to help a girl out…I write good reviews… (KC)

Hilary Woods – ‘Inhaler’
‘Inhaler’ is the first single from Hilary Woods’ upcoming debut solo album Colt, which is set to be released via my favourite label Sacred Bones Records on 8th June. It’s a pensive, delicate, melancholy track about her struggles with homesickness, and it’s going to sound beautiful live when ringing out against the walls of St Pancras Old Church on 11th June. (KC)

VTR – ‘Soul To Skin’
‘Soul To Skin’ is taken from Brixton duo VTR’s recently released EP of the same name via Dream Diary. So sultry, so smooth, so seductive. This track reverberates around my ears giving me so much audible pleasure, very excited to hear more from these two in the future. (TW)

Barrie – ‘Tal Uno’
The new single from Brooklyn’s Barrie, ‘Tal Uno’ is filled with jangly hooks and swooning vocals, creating a totally dreamy, twinkling soundscape. As glistening synth-filled melodies glide alongside glitchy beats, it’s impossible not to float away in the shimmering, psychedelic haze that Barrie create. (ML)

ELA Lindsey – ‘Healing Me Slow’
This is the debut track from Nashville’s singer-songwriter ELA Lindsey who found her musical passion later in life starting at the age of 29. She says that by releasing this single she hopes to inspire other women to start their artistic journeys later than the typical industry standard usually allows. ‘Healing Me Slow’ has been firmly stuck in my head over the last couple of weeks, starting with her sweet and gentle vocals, then breaking down into this dark electro synth laden TUNE. With all the hooks and loops I could ever want. INTO IT. (TW)

Tigercats – ‘Candy’s Tailor’
Tigercats’ new single ‘Candy’s Tailor’ is filled with twinkling, jangly melodies and uptempo, calypso-like beats. Flowing with raw vocals and rich layers of sound, it’s an utterly uplifting summer anthem, and I’m already getting pretty excited about seeing these guys at Indietracks Festival next month! Pig City, the new album from Tigercats, is out now. (ML)

Nine Inch Nails – ‘Ringfinger’
I only discovered the true glory of NINs last year (always late to the party, when will I learn?) but I’m seeing Trent Reznor & co twice this month – at Meltdown Festival & The Royal Albert Hall – and I am nerve-shreddingly excited. ‘Ringfinger’ is one of my favourite tracks on 1989’s Pretty Hate Machine, and although they’re unlikely to play it live – I’ll still be bouncing off the walls in anticipation leading up to the gigs. (KC)

Photo Credit: Slowcaoches shot by Priti Shikotra

Interview: Leah Dou

Leah Dou has firmly established herself as the face of China’s alt-pop scene with her work receiving nominations at China’s biggest annual Film Festival awards, 53rd Golden Horse Awards and the 36th Hong Kong Film Award. Having grown up under the musical guidance of her pop royalty parents, Leah exudes self-confidence within her genre-defying style which she showcased recently at The Great Escape Festival as part of her UK tour. We caught up with Leah ahead of her sell-out performance at Birthdays… 

How was playing the Great Escape over the weekend as an experience?
I don’t really have anything else to compare it to, I’ve never really played a festival that’s been on such a big scale! I’ve played festivals with a big crowd but with this covering a whole town – that’s really amazing. I don’t know how they (the festival organisers) do it as I hear there’s about a thousand bands playing there.

Do you find there’s much difference in the culture which surrounds the live music scene in the UK compared to China?
Oh yeah, definitely! The live scene in China is not as flourished as the one over here. I think it’s something in China which is still building, or it might just be the way people aren’t used to things.  There aren’t that many venues in China to be honest, so this is like heaven to me!

As a child, you travelled with your parents on tour. Did that help shape you as a musician?
I’m sure it did as I don’t know any differently.

Do you feel that as you were touring with them at such a young age that your career was written in the stars so to speak?
I felt like as a kid a lot of people were anticipating that I go on the same path. For a while I struggled with that. When I was a teenager, I was really starting to think through these things – I was wondering if I wanted to do that (follow in her parent’s footsteps) as it was the obvious choice. Then I came to the conclusion that I’m doing it because I love it. I’m not trying to impress or not do something because people are anticipating me to do it. Once I was able to figure out what mattered the most to me, and what I care about, then I was able to be more clear minded and pure about music.

Do you have any creature comforts or routines which help you deal with the pressures of tour life?
Not so much just when I’m touring, but in life in general, I find it important to have time to meditate. It helps you to slow down a little bit. Taking a break from technology as well – you’re online 24 / 7, that brings me a lot of anxiety.

Do you feel technology and social media is a platform for change for musicians or too consuming?
I think the whole thing with social media is that it really depends on you, how you treat it and what your take on it is. It’s a wonderful thing in a way it creates platforms for so many young artists. It’s really great, but if you go overboard than it consumes you.

Lastly, what can we expect from the songs you’ll be working on this year?
I think for the next project, it’s going to be very different from the previous record. A lot of different sounds and it’s spread across a pretty wide range of genres and styles. It’s certainly not going to be a singular sound.

Huge thanks to Leah for answering our questions! 

Nicky Lee-Delisle 
@Nicky___Lee