Introducing Interview: Chymes

When I find myself describing a track as “so chill, I can’t even” I know it deserves a solid place on my current playlist, and that’s exactly what happened with ‘Dreaming’, the latest release from Sydney duo Chymes. We caught up with Kiersten – one half of Chymes – to talk about how it all began, Australia’s music scene and what equal billing is really about.

Welcome to Get In Her Ears!  Can you tell us a bit about Chymes and how it all started?
Thanks for having me! Chymes came about when I was writing my own music as a folk artist and needed a producer. I found Cameron through some mutual friends and we began working together. We started to turn what we were creating into something neither of us had explored before. We found we had similar ambitions and decided to pursue them together as Chymes.

So you are currently in Australia… Have you ever visited the UK?  If so do you think there is a difference between the two scenes?
I visited the UK two years ago just before Christmas to see my sister who was living there at the time. I wasn’t there long enough to check out the music scene. However it seems to have a really artistic and creative vibe and in the future I’d LOVE to go back and perform our music and write with other musicians.

Australia (Melbourne especially) has such an incredible music scene, with so many great artists emerging. Would you say there is much of a community among emerging artists over there?
There are some seriously talented people coming out of Australia and it is very exciting! All kinds of music too, which is great. In terms of a community… Not really. From what we’ve experienced, it is hard to get in touch with other artists because everyone is hustling and focusing on their own path. In saying that though, we have made really good friends with lots of people who we’ve met through doing shows and often invite each other back for more.
Also, Chymes HQ is an hour and a half away from Sydney and it makes it hard for us to be properly involved in a community if there was one.

We’re loving your latest single ‘Dreaming’ which we played on our radio show, can you tell us a bit more about what inspired this?
Yay! We are sooo glad you like it. It’s about that euphoric feeling when you experience something that feels larger than life, like coming up with a new idea or falling in love and how you find yourself being whisked away into another world or a dream-like place. It’s how we feel when we make music.


Here in London there is a big movement to promote and support women in music, and increase the representation of women & non-binary people in the music industry. I was wondering what the scene is like in Australia?

We definitely feel like it’s growing. The last festival we played at had a designated stage for ‘female artists only’ which is cool. And there are a few “mini festivals” & shows popping up advertising female only line-ups.

Do you have any thoughts on what we can do to combat these issues in the music industry such as equal billing on festival and gig line ups?
Creating awareness around the value that these people have in the industry. Let’s just pay attention to the fact that a woman’s skill set is just as good as anyone else’s and that’s why there should be equal billing, not just because they are suppressed.

Many people I’ve talked to say that more often than not, being a woman is highlighted over the music you are producing. What has your experience been like?
We haven’t experienced too much of that ourselves. I can see why it would be frustrating because it actually has nothing to do with the music. In my experience, I often find an emphasis on how young a female artist is. Which is annoying! As if there wasn’t already enough pressure on women to stay or look young.

Do you have any plans to come to the UK in the future?  We’d love to see you live!
We would seriously LOVE to but unfortunately there aren’t any plans yet. Hopefully soon!

Finally as we’re a new music focused site, are there any other new/upcoming bands or artists you’d suggest we check out?
Omg yes, you MUST check out a band called Refs – my absolute favourite song is called ‘Fools’.

Chymes’ single ‘Dreaming‘ is out now, find out more via their socials Facebook | Soundcloud
Instagram

Tash Walker
@maudeandtrevor

Premiere: Muertos – ‘Suck It Up’

London-based Muertos combine the songwriting of De Avis and Marc Crane to create their vintage garage sleaze. Now, following their acclaimed debut EP, they’re back to treat our ears to the title track of their upcoming debut album.

‘Suck It Up’ is a dark, gritty slice of desert-rock. Flowing with swooning harmonies, reminiscent of The Kills or BRMC, it builds to a heady climax of swirling, psychedelic haze. An immense sonic delight, it will suck you in and leave you longing for more of Muertos’ eerily addictive offerings.

Of the track, Marc Crane explains:

“The world is a bit strange at the moment and this song is about wanting to get away from it all. Away from the orange goblin in the White House, Brexit, horrible commutes and shattered economy. It’s that feeling, when you are wound up and the least helpful thing someone can do is tell you to calm down and it makes you want to bang their head into a table. This song exists on that space of tension, where you want to BURN EVERYTHING. There is no tidy resolution to this story – we don’t do happy endings. Suck it up!”


Suck It Up, 
the debut album from Muertos, is out 24th August via Roadkill Records. Pre-order here. Catch Muertos live at the following dates:

8th June – New Cross Inn, London (Single Launch)
24th August – Shacklewell Arms, London (Album Launch)

Mari Lane
@marimindles

Photo Credit: Mark Richards

INTERVIEW: Hilary Woods

When news reached our ears that Dublin-based artist Hilary Woods had signed to Sacred Bones – a label which hosts our favourites Zola Jesus, Jenny Hval and The Soft Moon – our excitement for her debut album, Colt, gave us palpitations. Both Woods (a former member of JJ72) and Sacred Bones have a reputation for releasing altruistic sounds, so the pairing felt like a divine meeting of musical talent and opportunity.

Hyperbole aside, it’s clear from singles ‘Inhaler’ and ‘Prodigal Dog’ that Hilary Woods’ debut LP is going to be an exquisitely painful listen. Soaked in stark, minimalist, ambient electronic sounds that explore feelings surrounding grief and abandonment, her melancholic music is the perfect fit for venues like St. Pancras Old Church, which she headlines on 11th June (tickets available here).

We caught up with Woods to talk about her anticipations for this show, her multi-disciplinary creativity and what went into the making of her debut album…

Can you tell us a little bit about your recent single ‘Prodigal Dog’? What went into the making of this track, and why you chose to release it as a single?

I made the album without thinking of singles, pretty naïve really! But I think when ‘Prodigal Dog’ was suggested as a single it made sense. This was the first track I recorded in the record making process, bringing it to James we spent a lot of time on drum sounds and enjoyed layering vocals.

Your debut album has been described as “an intensely personal journey through grief, abandonment and mutating love”. How did you manage to translate these emotions into lyrics and music? Do you have a particular process when it comes to song-writing that you follow, or is it a more improvisational?

I’d say both, usually songs either arise after a lot of playing around and experimenting, or they just appear like a bolt. I think emotions and feeling are translated in any given process whether subconsciously or consciously.

You recently signed to Sacred Bones, who we love. What is it about the record label that drew you in? They’re on the ball when it comes to modern electronic music. Zola Jesus, Jenny Hval & The Soft Moon in particular are our favourites (and you of course)…

Thank you! I love their aesthetic, integrity and taste, that’s what drew me in, I’m a fan of many of my label mates.

You were a film, literature and fine-art student back in Dublin. Your music is intensely cinematic and your visuals are highly ornate: did studying a variety of subjects help you to develop your own sound and style easier than if you’d simply chosen to study one specific thing? Would you recommend a multi-disciplinary approach to other creatives?

I don’t know if I’d recommend anything! Everyone is on their own trajectory. In my case I was curious. I liked getting my hands dirty and the physicality of painting. Re studies: I went to college to get out of the house, literally. I needed some structure at that point in my life and I was lucky enough to be awarded some funding to go. It was all a bonus then to be super excited by what I encountered and be inspired by the material I was reading and seeing.

You described Colt as a way to “explore aloneness”, which is particularly poignant as many people use music to escape this feeling. What artists or bands do you listen to when you want to feel less alone?

Gosh, I think a good definition of a good film is one which makes you feel less alone, Music wise: I genuinely don’t have one specific answer to that, anything from Sybille Baier to Jlin to Father John Misty and beyond.

You have two upcoming London shows, St Pancras Old Church on June 11th and Southbank’s Meltdown Festival with Moon Duo on 20th June. What are you anticipating from these gigs?

I’m looking forward to them, they’ll be intimate and atmospheric.

Finally, you’ll be playing at The Sugar Club in Dublin on 14th September. It’s a hometown show, so are you anticipating something extra special from the night?

It’s always different playing at home, feels more vulnerable if anything. It’s a beautiful space with the best of promoters and a great PA and some good friends helping out. I have some plans for it, it’ll definitely be a special one for me.

Huge thanks to Hilary for answering our questions.
Colt is released via Sacred Bones on 8th June. Pre-order your copy here.

Photo Credit: Joshua Wright

Kate Crudgington
@KCBobCut

LISTEN: Gazel – ‘Book Of Souls’

A classically trained string player and composer, Gazel has performed in venues such as Hammersmith Apollo, O2 Shepherd’s Bush Empire, O2 Academy Islington, and Borderline. These are impressive feats for the newcomer who independently released her debut EP Bone Key in 2016, after studying at the prestigious Royal Academy of Music.

Gazel’s music encompasses the genres of pop, electronic & modern folk and her new single ‘Book Of Souls’ is a mystic blend of all three. It’s the title track from her debut album, which she’s working on with a team that includes sound engineer Shuta Shinoda (Ghostpoet, Hot Chip) and Haydn Bendall (Kate Bush, Massive Attack, David Gilmour). The single also forms part of a musical Gazel is writing, inspired by the fictional cast of characters that inhabit our collective unconscious.

To celebrate the release of her new track, Gazel will be playing an intimate gig at Birthdays in Dalston on June 15th, hosted by Piu Entertainment UK (RSVP here). Listen to ‘Book of Souls’ below, and follow Gazel on Facebook for more updates.

Gazel’s debut album Book Of Souls will be released in Autumn 2018. Visit her website for more details.

Kate Crudgington
@KCBobCut