Interview: Hannah Peel

Hannah Peel is a musician who very much marches to the beat of her own drum, or rather more fittingly, the beat of her Moog synth. Always diving head first into whichever project or two she has going, always pouring in a sense of discovery and wonderment, creating her own unique blend of sound.

We caught up with Hannah to talk about her recent touring, creating the sound for a musical adaptation of Brighton Rocks, as well as the story behind her upcoming remix album Particles In Space.

“Dipping my toes back into the theatre for Brighton Rocks was brilliant for me as I could express a lot of things. I had a lot of freedom with the director and the creative team to explore what I wanted to. They were really up for pulsing, dark synths.”

But how did she cope with the pressure of the interpretation?

“The most interesting part of that discovery is the book – when you go back and read it from a musical point of view there are hundreds of references to music in there… One of my favourite films is David Lynch’s Blue Velvet – you’ve got this classical kind of you know… ‘Blue Velvet’ (she sings down the phone) underpinning it all. In the show there’s a dancehall theme and they go to the cinema. I wrote three songs which were of a classic kind of ilk.”

Storytelling is something that Hannah does best with her albums, and with her most recent Mary Casio: Journey to Cassiopeia, Peel makes use of a colliery brass band and synths to launch Mary Casio (a wonderful, mad space lady) into outer space.

“On paper it looks like something that wouldn’t work, like it may be twee or something. But actually the power of the brass and synths, using the low end of the sub of the Moog fills that whole sonic palate of waves of the brass band. Live, you just get this overwhelming feeling – it just hits you like a force! It has this effect of making you feel like you’re really small… I would put on my glasses and play Casio keyboards, like the tango and rumba beat. Just as a way to alleviate what Awake But Always Dreaming (Hannah’s album prior to Mary Casio) was. I started taking it a bit further but there’s actually a star constellation called Cassiopeia which is the most insane thing – what if she went to space? What if she’s this mad space lady? I’ve been reading up on physics and in one of the books I’ve been reading it said we have a hundred billion neurons in the brain which are as many stars as there are in the galaxy. Reading that just cemented the idea – she’s going to go to space!”



Awake But Always Dreaming was dedicated to the debilitating effects of Alzheimer’s disease on sufferers and their families. Something which Hannah dealt with first hand with her own Grandmother. Mary Casio, however, lives in the world of lost memories.

“At the very, very end of the album my Grandfather sings on the ‘Planet of Passed Souls’ and that’s him from 1927 as a 13-year-old boy. I kind of imagine that she got to this planet, stepped out of her spaceship, and has gone out and seen all the wind and rain, but the planet itself was sort of a place that might filter the rain out of the atmosphere, all the memories and sound and what you might remember. Take them off and put them into the air, swirl them around you… That is the end of the whole thing. After that I couldn’t write anymore anyway as it felt like that was the end. But maybe this was just her waking up in her garden, maybe this somebody passing into the realm of a different life. Maybe she just went there?”

With such a magical story behind the album, what was the thought behind inviting others on board for Particles In Space?

“I wanted to see how other people would interpret synths and brass bands, see what they would do with them…. I’m very honoured a lot of people have done the mix for me. I wanted to call it Particles In Space because of all these new stars that are being born and the atmosphere. All the people on there are UK based and that’s something I really wanted – to be a nod to the radiophonic workshop. I would say about 80% of it is female. Everything has its time, now seems to be the analogue, synth revival – I don’t think I’ll ever change out of it, I like it way too much!”

Huge thanks to Hannah for the chat and answering our questions!

Mary Casio: Journey to Cassiopeia is out now and Hannah Peel is playing at BBC Music Biggest Weekend today in Belfast.

Nicky Lee Delisle
@Nicky___Lee

WATCH: SKYND – ‘Elisa Lam’

Freakishly catchy, industrial duo SKYND‘s debut single ‘Elisa Lam’ is a mad medley of electronics and warped vocals. The track is named after the tragic death of Elisa Lam, whose demise at the Cecil Hotel in Los Angeles in 2013 is still shrouded in mystery.

Writing about morbid, inexplicable and brutal criminal cases, SKYND use their warped sources of inspiration to create overwhelming industrial-electronic offerings. “Listening to these tracks, you should feel like you’re in a tiny room and the walls are closing in from all sides,” the duo explain, and that’s definitely the case with ‘Elisa Lam’.

The track is accompanied by a haunting video directed by TallyHo!, which depicts the mysterious events surrounding Elisa’s final moments.

Watch the video below and follow SKYND on Facebook for more updates.

@KCBobCut
Kate Crudgington

Premiere: Coltana – ‘Bitter Sweet’

Having previously blown us away with the visceral energy of ‘Break Her’, Brixton’s Coltana have now announced their debut EP.

Taken from the EP is frenzied new single ‘Bitter Sweet’. Propelled by whirring hooks and front-woman Cat’s impassioned spoken word vocals, it races with a thrashing energy and the band’s trademark refreshing brutal honesty. Building to a raging climax complete with slick riffs, it’s a riotous blast of sound that’ll hit your ears with its defiant ferocious force.

Of the track, Cat explains:

“‘Bitter Sweet’ has all the ingredients that Coltana like to cook with. Light and heavy dynamics, spoken word-esq vocals followed by sing along choruses and a guitar solo thrown in for good measure. This song packs a punch but manages to push and pull the listener in the right direction at every juncture. Go Listen!”

Listen to ‘Bitter Sweet’, for the first time, here:

Produced by Xavier Stevenson (Editors, 30 Seconds To Mars), Coltana’s debut EP Blighty is out 15th June. Catch Coltana live:

3rd June – The Windmill, London
8th June – Get In Her Ears Live @ The Finsbury, London
9th June – Aclam Village, Portobello Market, London (at 4pm)
15th June – Audio, Glasgow
16th June – The Bobbin, Lancaster
17th June – The Sunflower Lounge, Birmingham

Mari Lane
@marimindles

Introducing Interview: Sabatta

Having wowed audiences with their electric live show at Dublin Fringe Festival, the Decolinise Punk Fest and Punx of Colour Fest in New York, London duo Sabatta create immense, genre-defying offerings, full of heavy riffs, heavy grooves and heavy beats.

With the new album set for release next month, we caught up with Yinka and Debbie to find out more…

Hi Sabatta, welcome to Get In Her Ears! Can you tell us a bit about yourselves and what you do?
Yinka: We’re Sabatta, a duo from South East London. Our music is a mixture of rock, punk, funk, soul, psychedelia and even a little hip-hop – we call it grunge-soul ourselves, but some call it rock, some call it punk – it’s all good to be honest.

How did you all initially get together and start creating music?
Yinka: Well, Debbie and I got together in 2016 along with our previous drummer Adriano, who I’d been playing with since 2015 – who appears on the upcoming album.

You’re set to release your new album Misfit Music next month, can you tell us a bit about it? Are there any themes running throughout it?
Yinka: Yeah we’re really excited about it. Theme-wise, it’s almost like everyday where you go through different emotions. Some of it’s all out energy, some is pensive, some is political. A lot of it is trying to reflecting from the perspective of a person living in this society; whether a town, city or the country. It’s really just thinking about and observing aspects of life. For example, ‘Feel It’, for instance, is about the aftermath of a relationship, specifically dealing with how that feels with so much being shared and visible on social media. ‘Rock Star Shit’ is about the ‘real’ life of a ‘rock star’ – in all its ‘glamour’. ‘Scream’ is how you feel every morning when you wake up and get on the tube or in the car to work. It’s little vignettes of life I suppose. Musically, it’s all the styles and vibes you hear living in London – mixed into a blender with reckless abandon and the sludge and funk that comes out is what you hear – at least it’s organic!
Debbie: This album has been born through an array of emotions – as well as blood, sweat (buckets and buckets loads), and tears. Mainly me screaming at Yinka whilst his voice still dominates the conversation (I don’t know how he does this still…). It’s special because it was created in a small sweaty home studio in north London (and also one just as small South of the river!) during the hottest summer that I can remember. It consisted of 3 people pushing each others musicial boundaries, evolving with each other, fighting, drinking, sweating, playing and bonding. In the midst of all that, something very special was created. Sure, we had more arguments to make than probably Trump could muster, but what we learnt together in that room was indelible and our musical intuition, magical.

You’ve been compared to the likes of Bad Brains and Dead Kennedys, but who would you say are your main musical influences? 
Yinka: Wow. Those are nice compliments. We’ve had a few comparisons but influence wise it’s accurate to count those two. Fela Kuti, Tupac, Parliament/Funkadelic, AC/DC, Guns n Roses, Metallica, Otis Redding, Marvin Gaye, Curtis Mayfield, Living Colour, Simon and Garfunkel. I could go on and on. I mean it’s Misfit Music!
Debbie: There is some cross-over here – I grew up on mainly soul, old skool RnB and pop classics. And then, towards my teenage years, it was the intelligent punk phase of 3 Colours Red, The Clash, early Manics, but through playing there’s a bit of everything these days – Sabbath, Hendrix, Stevie Wonder, Thin Lizzy. There’s no limitation of choice at my musical buffet!

You’ve played alongside GIHE faves Skinny Girl Diet at Decolonise Fest, but would you say there’s been a particular gig you’ve played that stands out as a highlight for you? 
Yinka: That would be one of them. Especially since it was the first Punx of Colour Festival over here in London so it was special to be included. We just played a show in New York in March as part of a mini tour of New York and Philly – that was memorable. Oh and we did one of those shows in Dublin too last September. I get it in the neck from Debbie when I mention this place (apparently I love it) but we’ve had some crazy shows at the Windmill (yes, we love The Windmill too!) in Brixton. Near stage invasions and a whole lot of WTFs – in a good way. Literally sweat dripping off the ceiling. I like gigs like that. I do remember this one gig we played at the Mau Mau in West London where I think I managed to knock the guitar amp off the stage – it can get hectic! I love it! Oh shit – how can I forget – we also played a big show in Florence in Feb 2017 – that was INCREDIBLE!! We have clips of it up on our Facebook page – that’s probably the one!

How is your local music scene? Do you go to see much live music? 
Yinka: It’s happening. I’ve mentioned a few places we’ve played. I try to get out as much as possible – there are bands you mentioned like SGD, some cool guys called Coltana who are also female led (we love Coltana too!). Elephant 12. We’re friends with the Deadcuts. There’s a few bands out there making it happen. A few venues have shut down or moved in recent years like the 12 Bar, but you still have places like Dublin Castle, Camden Assembly, The Windmill. A cool place for more soul and funk and hip hop music is The Ritzy in Brixton – we’ve actually rocked out there – I think we were a bit loud though. There are still places to go.
Debbie: Yeah, devastated to see Proud Galleries as a music venue bow out earlier this year, however there are still people fighting the good fight out there. Lewis and Izaak always put on an amazing shindig at the end of every month at The Engine Rooms in Bow – great atmosphere, nice people, those guys are really flying the flag for independent music.

As we’re a new music focused site, are there any other new upcoming bands/artists who you’d recommend we check out? 
Yinka: Looks like I answer too soon – see above for some cool bands!
Debbie: LACK, an awesome based Luton band who are amazing to watch live, they are killing it north of the river.

And how do you feel the industry is for new bands at the moment – would you say it’s difficult to get noticed?
Yinka: Honestly I’d say yes. I’ve said this before and probably will again. With how things are with social media – it’s like being in the ocean with a lifebelt trying to get noticed from miles away by a plane, at night – it’s gonna be tricky. Meanwhile major labels pass by like super tankers. Who is it going to be easier to see? I think a super tanker is gonna stand out against a sea full of bobbing heads. What we wanna do is maybe find a little island out there and draw people to it. Then maybe after a while we can make a fire and more people will see that.

Finally, what does the rest of 2018 have in store for Sabatta? 
Yinka: Playing, playing, playing. The new album is out on Monday 4th June. We’d love people to stream, download or even buy that. We’ve got a launch party on Sat 26th May at a venue I believe you guys know (we do indeed) – The Finsbury – and people can get free tickets for that here. They are limited so get them as soon as poss.
Debbie: Other than that check us out at www.sabatta.net, www.facebook.com/sabatta or www.youtube.com/sabatta  Or just Google us!

Huge thanks to Sabatta for answering our questions! 

Misfit Music, the new album from Sabatta, is out 4th June via Blackfriars Entertainment.