Premiere: Baby Raptors – ‘Time Is Money’

A collaboration between Brooklyn artist Tora and producers John Young and Evan Marien – aka Party Supplies -, Baby Raptors have already achieved Top 40 UK dance chart success with previous single ‘I Am My Only Love’, which drew comparisons to the legendary Madonna. Now, following the acclaim of last year’s self-titled EP, Baby Raptors are about to head out on a huge US tour supporting pop duo Time Flies, and have treated our ears to the luscious sounds of their brand new single…

An uplifting and infectious slice of glitchy synth-wave, ‘Time Is Money’ flows with Tora’s rich, soulful vocals and a sparkling energy. An instant dance-floor filler, it’ll stick in your ears on first listen and leave you wanting more of Baby Raptors’ irresistible, feel-good offerings.

Listen to ‘Time Is Money’ here:

 

Mari Lane
@marimindles

PLAYLIST: April 2018

Another month, another brand new playlist brimming with fresh music! We’ve been (gladly) overwhelmed by the amount of brilliant new sounds bursting in to our ears this April, and we wanted to share our favourites with you here. Whether you’re in to the idustrial/electronic beats of Zola Jesus, the anti-fascist punk glory of Dream Nails, or if you’re breaking in to “mumble rap” with Tierra Whack…there’s something here for your listening pleasure. Scroll down to the playlist below & enjoy! 

 

Zola Jesus – ‘Bound’ 
Artist & Producer Zola Jesus has shared an eclectic set of new tracks & remixes on Okovi: Additions, and ‘Bound’ is one of many sonic treats on this project. This release follows her 2017 critically acclaimed album Okovi (via Sacred Bones Records), and features remixes by a diverse cast of artists including; Johnny Jewel, Katie Gately, Wolves in the Throne Room, and Joanne Pollock. I’ve had this track on repeat since I first heard it in March, and I’m happy to stay ‘Bound’ by Zola Jesus’ sounds. Read our review of the album here(Kate Crudgington)

Wendy Rae Fowler – ‘Svengali’ 
Having previously worked alongside the likes of Queens Of The Stone Age, Mark Lanegan and UNKLE, American artist Wendy Rae Fowler has now released her new solo album, Warped. Taken from the album is the utterly bewitching ‘Svengali’. Filled with sweeping layers of sound and the cinematic grace of Wendy’s vocals, it’s a truly captivating creation. Read our review of Warped here(Mari Lane)

Rhye – ‘Please’
I was lucky enough to get tickets to see Rhye perform in London this week, back in our ears after a four year hiatus.  What a treat. When they played this track I felt like I was melting into Heaven’s floor (apt), so incredibly gentle, sensual and intimate. I can never get enough of the gender-fluid vocals of Mike Milosh, now more so than ever. (Tash Walker)

Girls Names – ’25’
Taken from their upcoming new album, Belfast’s Girls Names’ new single ’25’ is a brooding, shoegaze-reminiscent sonic delight. Filled with sweeping, reverb strewn layers of synth-heavy sound and the dark, swooning vocals of Cathal Cully, it oozes a twinkling, ethereal haze alongside eerie undertones. An intensely captivating offering, it’ll have you hooked on first listen, and desperate to hear the album in full. Stains On Silence, the new album, is out 15th June. (ML)

Henry Green – ‘Another Light’ 
I recently reviewed Henry Green’s debut album Shift, and I felt like every track was a helpful reminder to inhale, exhale, and try to exist in the moment. His gentle electronics and intuitive lyrics have helped me to slow down (whilst still moving at full speed) this month, and I’d recommend him to anyone that needs a ‘Shift’ in perspective. (KC)

Black Gold Buffalo – ‘Magnets’
Keziah Stillwell’s vocals blaze in full glory on the mesmerising ‘Magnets’, which is a swirling fusion of bass, guitar & electronics that prove Black Gold Buffalo have a knack for writing atmospheric dark-pop songs. Their debut album is released today via their own label Buff Rekkids, and we’ve been swooning over it ever since. Read our review here(KC)

Lamb – ‘Gabriel’
I was recently reminded of Lamb after we put together our alternative Best of British playlist this week. Gabriel is a solid blast from my past taken from their album What Sound released back in 2001, which was my soundtrack of that summer.  Listening to Rhodes’ distinctive and emotive vocals wavering over the top of a medley of string samples and gentle beats, this song marks the beginning of my love for electronic music. 15 going on 16 and very sexually confused. All the feelings, all the emotions and all the hormones in the world. (TW)

Maria Kelly – ‘Small Talk’
Filled with smooth, celestial vocals and folk-tinged melodies, Irish artist Maria Kelly’s ‘Small Talk’ is a majestic, emotion-strewn offering. Written during a storm blackout in her hometown, the song parallels the nature of a storm with her own feelings of social anxiety. Double A-side ‘Small Talk’/’Dark Places’ is out 27th April via Veta Records. (ML)

Fenne Lily – ‘On Hold’
Since I saw her live at The Islington pub a few months ago, Fenne Lily’s sad but sublime music has played on my mind (as has her sharp wit and dry sense of humour). ‘On Hold’ is the title-track from her debut album (released today), and it makes my spirits sink and soar whenever I listen to it. The accompanying video is a charming ode to small acts of kindness too. (KC)

Courtney Barnett – ‘Never Tear Us Apart (Rehearsal Room Recording)’
A beautiful stripped back cover of INXS’ ‘Never Tear Us Apart’ by Courtney Barnett. I love this simple recording of her performance, finding myself completely entranced by our Aussie fav. This song was released for an Apple commercial in support of marriage equality – here here. (TW)

Sit Down – ‘Honeysucker’
Oh. My. Word. There’s no force on earth that could make you sit still or indeed Sit Down to the sound of this Brighton duo (pictured above). The pair released their knockout debut EP Cheap Luxe at the end of March, and ‘Honeysucker’ is my go-to track. Filthy, furious, and sweet as hell. Read the full review here(KC)

Queen Zee – ‘Victim Age’
It was Transgender Day of Visibility on 31st of March (thanks to Tash for informing me), so it feels apt to support Queen Zee and all that she and her band mates stand for. They’ve been taking down trolls and tearing up stages across the country with their live shows, and I can’t wait to see them again at their sold out Sebright Arms show on April 26th. Long live Queen Zee! (KC)

Dream Nails – ‘Vagina Police’
“Your body is not your own, you are public property…” Dream Nails front-woman Janey rages in the refrain of our favourite Feminist Punk Witches’ ‘Vagina Police’. Oozing the poignant message that women are not allowed to have control over their own bodies, it races with the band’s trademark punk-fuelled energy and the riotous power of Janey’s seething, impassioned vocals. Another formidable offering that proves once again why we need Dream Nails in our lives, and makes us even more excited to see them live at The Finsbury for GIHE on 13th April! (ML)

Tierra Whack – ‘Mumbo Jumbo’
A twisted reflection of mumble rap and hip-hop, I cannot get this song out of my head and I especially love the ambiguity around what she’s saying, making it so much easier for me to join in.  Quietly. Mumbo Jumbo came out last year but I was recently introduced to her in the wake of her outstanding performance at SXSW. Soooo godamnnnn gooood. Need I say more? (TW)

BARQ – ‘Sassy Mouth’ 
One half of their new double A-side, Dublin band BARQ’s ‘Sassy Mouth’ is inspired by the courage and resilience of Ireland’s Repeal The 8th movement and the perils of online debate. Oozing the soaring power of front-woman Jess Kav’s soulful vocals alongside immense funk-fuelled beats, it’s a powerful, and empowering, call to arms. (ML)

LISTEN: Alternative ‘Best Of British’

If you’re anything like us, you’d have been pretty bewildered to wake up this morning to Radio X’s ‘Best Of British‘ chart – a list of what their listeners apparently deem to be the ‘best’ 100 British songs ever made. Not only did the list not feature one single female artist or female-led band, but it seemed to consist of pretty much the same few white male ‘rock’ bands repeated throughout…

Whoever it was who compiled the list, this seems like an embarrassing and unbelievably short-sighted representation of the British music scene. So, whilst we’re not denying the influence that the likes of Oasis, The Rolling Stones, Arctic Monkeys, Stone Roses and – of course – The Beatles have had (we count some of their songs as our faves too!), we feel that there were too many fantastic and pivotal songs missing from the list not to make our own!

So, have a listen to a few more of the ‘best’ British songs (in our opinion), courtesy of yours truly…

LISTEN: Cat Turner – ‘Waster’

Don’t you just love it when you hear something new and exciting, coming from an unexpected place? This is what you’ll get when you hear the Irish alt-electro-pop artist Cat Turner for the first time. Based in Galway, she brings something fresh and slightly twisted to the genre with her unique crafting of ‘goth pop’, featuring angst-ridden lyrics delivered with raw emotion, and a clever crafting of seductive synth.  

Self-producing for just a year, her new single ‘Waster’ is the taster track from her forthcoming debut EP, Contrast. The song showcases the contrasts that a young woman faces as an internal battle between the strong driven part of the ‘self’ opposes the weaker side. These themes are also prevalent in the music, powerfully expressed through Cat’s bruising, raw vocals (like a female Kurt Cobain);  an immediate contrast to the classic ’80s/’90s sound of the synth which spiral you into the song. You’re being lured in, and then spat out as the song unfolds.

Intensity rises in the first verse as the stronger side addresses the weaker side – “Can you stand up, please try because you’re wasting time/ Take a backseat, I’ll drive.” You can almost hear Turner spitting in anger through the vocal delivery, more suited to a rock song than an electro song; and again this is another powerful contrast.

The pain of the struggle is evident – “It’s breaking my back, creeping into my spine” – as, towards the middle of the song, the weaker side has ‘dug her grave’. The pace of the music slows briefly before building up once more in an intoxicating rush of synth-filled drum beats and emotion.

Contrast, the debut EP from Cat Turner, is out now.

 

Fi Ni Aicead
@gotnomoniker