Introducing Interview: Galileo’s Fan

Set to release their new album next month, Scottish duo Galileo’s Fan have previously received acclaim from the likes of Folk Radio UK and BBC Radio Scotland, and played at festivals such as Edinburgh Fringe and Yes Festival. Delivering cinematic alt-folk soundscapes with twinkling electronics and soaring emotion, they look to set to charm ears a plenty with their upcoming release.

We caught up with Galileo’s Fan to find out more…

Hi Galileo’s Fan, welcome to Get In Her Ears! Can you tell us a bit about the band?
Hi! Thanks for having us. We are brother and sister, Martin and Fi Vass, from the Scottish highlands. We play guitar and piano/keyboards, respectively. We both write the material for Galileo’s Fan, so we each contribute (and lead) 50% of the songs, so it’s an interesting mix! The music is predominantly indie-pop with some electronic themes and textures, but I think our northern roots can be heard throughout as well. 

How did you initially all get together and start creating music?
We used to play Scottish folk music with our other siblings, Mike and Ali, when we were all very young. Then, as we grew up listening to indie, electronic, pop and everything in-between, we began composing ourselves (separately, as adults). Music has been a hugely strong common bond for us and we have always loved sharing our songs with each other. Eventually, as we began to jam more and arrange the songs, we decided to try some recording and we made a demo in a studio on Loch Fyne, with our brother Mike at the desk. We had a lot of fun doing that, so I suppose the idea of Galileo’s Fan was conceived then. 

Your new album I Won’t Be Found is out in September – can you tell us what it’s all about? Are there any themes running throughout the album?
Yes, that’s right. The album is a collection of some of our favourite songs that we’ve written to date. The songs are stories about love, loss, political dismay and life experience, told from both a female and male perspective.

 

You’ve been compared to the likes of The Frames and The Cranberries, but who would you say are your main musical influences?
Ooh, such a tough question. I think it changes so much over time and we’ve been writing these songs for years! In our younger years we listened to a lot of indie bands like Biffy Clyro and Jimmy Eat World and I think they are still a big influence. Also The Frames, The Cranberries, Sigur Ros. There are lots of bands we have enjoyed more recently too, like CHVRCHES, Dry The River and Kiasmos. Too many to name actually! 

How is your local music scene? Do you go to see lots of live music?
We are based in Nairn (near Inverness) and St Monans (Fife) just now, and we both travel for gigs regularly… Every time I (Fi) see a live gig I vow to try to see more because each one is inspiring in its own way. In the central belt, you’re really spoilt for choice. There’s the Edinburgh fringe festival in August, Glasgow’s Celtic Connections in January and loads in between. I saw Olafur Arnalds (Kiasmos) in Glasgow recently and First Aid Kit in Dundee. Inverness always has plenty on too. There was a new festival run by the Feis in July called ‘Under Canvas’ and we’ve been along to the songwriters’ circle at Magregor’s Bar a few times now. 

And what can fans expect from your live shows?
It depends! We love playing with the full band when we can – it’s always loads of fun and high-energy but we also enjoy a wee acoustic gig. The stripped back, more intimate performances are great in the right setting. We recognise that audiences will have a definite preference so we’re happy to offer both. 

As we’re a new music focused site, are there any new/upcoming bands or artists you’d recommend we check out?
Absolutely! Wee bit of nepotism here for you but it is a truly outstanding album… Our brother, Mike Vass, is a well known instrumental composer but he has just released his first ever song album. It’s called Save His Calm and is stunningly clever and beautiful. Well worth a listen. 

And how do you feel the music industry is for new bands at the moment – would you say it’s difficult to get noticed?
There is so much good music available just now. The industry is incredible. It’s a steep learning curve, but there are definitely little tricks you pick up along the way. The internet offers a wealth of information for new artists, so you just have to be willing to put in the work and have realistic expectations to begin with. It’s also been really helpful having Mike (Vass) as a sort of mentor. We can always rely on his expertise when we need a bit of guidance. 

Finally, what does the rest of 2019 have in store for Galileo’s Fan?
I’m hoping the rest of 2019 will provide a little respite… Hopefully just some time to decompress and get back into writing a bit more. There is a huge amount of work that goes into releasing an album, so we’ve had the blinkers on for a while. We have such respect for the musicians that are churning them out! It’s been an illuminating process. I’m not sure I’ll ever leave a gig without buying a CD now… 

Huge thanks to Galileo’s Fan for answering our questions! 

I Won’t Be Found, the upcoming album from Galileo’s Fan, is out 16th September via GF Records.

 

PLAYLIST: August 2019

Summer’s nearly over, but we’ve selected some of the finest new music tracks to see you through August’s final weeks of sunshine and unexpected showers.Take some time to scroll through our track choices and make sure you hit play on the Spotify playlist link at the bottom of the page…

Bones UK – ‘I’m Afraid Of Americans’ 
I have Anthony & Elis of Noise Noir to thank for this B.A.N.G.E.R. I heard it during their DJ set for Siren Calling Festival and I’ve been obsessed with it ever since. One of my favourite Bowie tracks covered in super cool style. I’m now an avid follower of Bones UK too. (Kate Crudgington)

Sui Zhen – ‘Matsudo City Life’
Inspired by the Japanese city of Matsudo – known by locals as a ‘sleeper town’ -, Sui Zhen’s latest single flows with infectious, ’80s inspired whirring hooks, alongside her luscious vocals. An utterly dreamy, synth-driven soundscape, it’s another slice of sparkling alt-pop from the Melbourne artist, and I cannot wait for the release of her upcoming new album, Losing, Linda, out 27th September. (Mari Lane)

Le Butcherettes – ‘Ever Fallen In Love (With Someone You Shouldn’t Have)’ 
My absolute faves Le Butcherettes have shared their brilliant cover of The Buzzcocks’ classic and I’m hooked on it. The Guadalajara-born and El Paso/L.A. based group shot a live video of the song as part of their collaboration with Fender for their Vintera Series of guitars before recording a studio version for the single release. (KC)

Cat Apostrophe – ‘January’ 
‘January’ by Yorkshire-based radically soft pop band Cat Apostrophe is taken from their debut LP Lifelong Amateurism, which is out now via Everything Sucks Music. You can catch them on their tour across the whole of the UK hitting London on 26th August at DIY Space for London. (Tash Walker)

Babeheaven – ‘Seabird’ 
Babeheaven’s cover of 70s classic ‘Seabird’ originally by the Alessi Brothers, is incredibly beautiful and has left me gazing dreamily out of many a window with it playing into my ears… so what better reason for wanting to share that with you all. It is quite simply, heart wrenchingly, sublime. (TW)

Suggested Friends – ‘Cygnet’
I’ve been completely addicted to Suggested Friends‘ eponymous debut release over the last couple of years, and so I couldn’t be more excited to hear that they have just announced the release of their second album. To coincide with the announcement, Suggested Friends have shared new single ‘Cygnets’. With totally dreamy harmonies and the distinctive heartfelt crystalline vocals of Faith Taylor, it’s filled with an infectious jangly scuzz and stirring raw emotion, complete with some impressive rollicking riffage. Turtle Taxi, the upcoming album from Suggested Friends, is out 4th October. (ML)

Wyldest – ‘Mind Over Body/Slowdance’ 
I caught two thirds of Wyldest live at Siren Calling Festival over the weekend, and their shoegazey guitars and smooth vocals melted my ears. (KC)

Hurtling – ‘Summer’
I just can’t get enough of London band Hurtling’s new single ‘Summer’. Starting off with gentle, finger-picked melodies and the luscious, delicate vocals of Jen Macro, it soon builds with sun-drenched whirring hooks and immense beats to a fuzz-filled noisepop anthem. A scuzzy dream of a track, it’s impossible not to get caught up in its sparkling, psychedelic haze.‘Summer’ is out now, whilst Hurtling’s debut album – Future From Here – is out 18th October, both via Onomatopoeia Records. (ML)

Hannah Stewart – ‘Glaze’
The new single from California based artist Hannah Glaze is propelled by throbbing beats and gritty bass-lines. Filled with the smooth allure of Hannah’s honey-sweet vocals and a driving energy, it oozes an infectious danceability and fuzzed-out groove that we can’t get enough of. (ML)

Hana Vu – ‘At The Party’ 
I am hooked on LA artist & producer Hana Vu’s down-beat disco banger ‘At The Party’. It’s a song about ““spite and how truly meaningless it is” and I can’t help but feel any sense of spite evaporate when I hear her sultry vocals. She’s set to release a new EP titled Nicole Kidman/Anne Hathaway on 25th October via Luminelle, and I can’t wait to hear more from this talented nineteen year old. (KC)

TONI&MASH – ‘LTGFU’ 
The debut electro-house banger ‘LTGFU’ by Berlin-based TONI&MASH out via Black Diamond Records. Absolute tune. (TW)

Nasty Cherry – ‘Live Forever’ 
Nasty Cherry co-wrote ‘Live Forever’ with Charli XCX & producer Justin Raisen (Angel Olsen, Kim Gordon), so it was destined to sound cool. In their own words “‘Live Forever’ is a song about being unconfined, unrefined and self-assured” – here’s to that! (KC)

Cozy Slippers – ‘A Million Pieces’
Formed at ‘Ladies Rock Camp’ – a weekend event that introduces women to rock instruments and playing in a band – Seattle band Cozy Slippers are back with a brand new single. Contrasting popular culture depictions of romance with lived reality, ‘A Million Pieces’ oozes shades of the jangly surf-pop of the likes of Real Estate or Best Coast, whilst adding its own dreamy air of romanticism. Flowing with luscious melodies, it’s filled with all the sparkling, uplifting summer vibes. We can’t wait for Cozy Slippers to come over to the UK and play for us at The Finsbury on 8th November! (ML)

Delacey – ‘Emily’  
The from LA singer-songwriter Delacey is an ode to her best friend. Shout out to her for representing the importance of female friendship, especially when it comes in the form of reverb heavy electro. (TW)

Intaya – ‘Guaguancó’ 
‘Guaguancó’ by Venezuelan born, London based Intaya is a potent amalgamation of cross-cultural music, described as a commute to an electric Latin Caribbean Island in a London Tube train. Their debut EP is due out later in the year. (TW)

Like A Villain – ‘My Hands’
The new single from New York artist Holland Andrews, aka Like A Villain, ‘My Hands’ is filled with glistening electronics and a hypnotic, haunting grace. Propelled by the emotion-strewn power of Andrews’ soulful vocals, it creates a poignant, ethereal soundscape.
Like A Villain’s upcoming album What Makes Vulnerability Good is out 20th September via Accidental Records. (ML)

BAD – ‘Sweat’ 
‘Sweat’ is a track so catchy it’s had me popping my shoulders all over London these last couple of weeks – the jury’s still out on those moves, but not on this track. Coming from NYC based duo BAD, described as Lizzo meets George Michael, this track is full of funk, soul and just enough of that throwback to Saved by the Bell that you need. (TW)

Roniit – ‘Foreign Tongues’
Self-proclaimed “Dark Queen” Roniit’s reimagination of Crywolf’s ‘Foreign Tongues’ is an ethereal, melancholy exploration of sound that gives me goosebumps. Roniit is a friend and frequent collaborator of Crywolf’s, working behind-the-scenes for the production of many of his photographs and videos. A true talent. (KC)

 

Premiere: Party Fears – ‘Dog Star’ (Rookes Remix)

What better news of a Thursday than to find out that two of your favourite artists have teamed up for an epic new release… ? And that’s the case today, as we have the honour of sharing the brand new remix of Party Fears‘ track ‘Dog Star’, by electro pioneer Rookes.

With eight years’ live experience under her belt (including two gigs for yours truly!), Rookes is set to release her second EP Liminal later this year, and is known for creating immersive electro-pop soundscapes. Party Fears have also wowed us live, and initially formed in South Korea by Irish native Maggie Devlin. Now Berlin based with co-founder Eilis Frawley, they continue to create their unique, jangling art-pop sounds.

This latest edition of ‘Dog Star’ oozes whirring, glitchy hooks and luscious layers of sound, creating a sweeping, glistening soundscape complete with throbbing bass-lines and showcasing the allure of Devlin’s captivating vocals. Interweaving a range of sonic elements to create an anthemic, majestic wall of sound, the remix adds an eerie, propulsive energy to the already soaring power of the original, leaving you utterly spellbound.

Listen to Rookes’ remix of ‘Dog Star’, for the first time, here:

 

‘Dog Star’ is out tomorrow 16th August. Make sure you also keep an ear out for Rookes’ upcoming EP, Liminal, and Party Fears’ next single ‘Ok. No Problem’, set for release in early Autumn.

Mari Lane
@marimindles

 

PREMIERE: Kianja – ‘There’s Nothing More’

Sincere lyrics, heartfelt vocals and an understated power permeate British multi-instrumentalist Kianja‘s new single ‘There’s Nothing More’. Released via Best Laid Plans, the 20 year-old artist has demonstrated her ability to create beautiful soul-pop sounds on this latest release.

“It’s about longing for love that you can’t fix,” Kianja explains, “It’s gone, but you constantly wish you could repair it”. She wrote the song originally when she was 14, but has since reworked it and collaborated with Dan Smith (Bastille) and producers Mark Crew and Dan Priddy (Rag’n’Bone Man, James Arthur) in order to fully develop the track.

Born and raised in north-east London, Kianja moved to Durban in South Africa as a teenager. There, she experienced a totally different way of life, before moving back to London again in recent years. “Moving to South Africa gave me a shift in perspective. education is a focal point there and I went to two solid schools. I got a music scholarship for a private school. I’ve experienced two very different worlds, which I feel feeds into my creativity”

We’re certainly fans of Kianja’s creativity here at GIHE. The songwriter is set to release her debut EP Glory later in 2019, and we’re looking forward to hearing more of her smooth, soulful songs. Listen to ‘There’s Nothing More’ below and follow Kianja on Facebook for more updates.

Kate Crudgington
@KCBobCut

FIVE FAVOURITES: Ilgen-Nur

If Hamburg-based “Slackerqueen” Ilgen-Nur had listened to the doubts instilled in her mind by the petty comments of her male teenage counterparts, she wouldn’t be preparing to release her debut album Power Nap on 30th August via her own label Power Nap Records. “If some stupid boys…hadn’t given me the feeling that I had nothing on my plate, I would have knocked something out four or five years ago at the age of 18/19” she recounts, “It took me so long to rebuild my self-confidence”.

But that’s exactly what she’s done, having released an EP titled No Emotions in 2017, playing slots at The Great Escape Festival, Eurosonic and Spot Festival, and even having her song ’17’ chosen for Netflix series How to Sell Drugs online (fast).

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Ilgen-Nur to ask her about her “Five Favourites” – five albums that have influenced her songwriting techniques. Check out her choices below, and make sure you listen to her brand new track ‘Nothing Surprises Me’ at the end of this post.

 

1. Kate Nash – Made of Bricks
This album is probably the reason why I’m writing music. Made of Bricks by Kate Nash was the first album I purchased that wasn’t something that was considered “mainstream” or some sort of music I got to know through TV or the radio. Actually, my sister recommended it to me after hearing the song ‘Foundations’ which I feel like to this day is an iconic indie song for an entire generation. I was immediately drawn to the story-telling songwriting and I remember listening to this album over and over again for years and years (starting when I was 11) and just getting obsessed over the lyrics, remembering every single lyric and getting lost in the characters Kate Nash was singing about. For example, ‘Mariella’ — I even have a reference to that song in my own song ‘Cool’! I remember practicing the songs on my piano over and over again and spending endless hours watching Kate Nash interviews. After all, she was my first proper role model and I am more than thankful for that. Through her, I discovered bands like Nirvana and Hole and Bikini Kill. Kate Nash taught me that I don’t have to be professional in playing an instrument to create something that I like, which I cherish to this day. And oh ‘Nicest Thing’ is still a classic to cry to!

2. Hole – Live Through This
When I first started getting into Hole, I read an interview with Courtney Love in which she said “I want every girl in the world to pick up a guitar and start screaming” — I believe that this statement was the ultimate reason why I asked my parents to get me an electric guitar for my 16th birthday. I started playing a bunch of Hole songs on guitar which was super fun and to this day, I love playing ‘Miss World’ on guitar. It’s so simple, yet so energetic. Ultimately, after watching all these videos of Courtney Love perform and re-watching all these dark and dreamy Hole music videos I felt like for the first time in my life I was allowed to scream and be angry at the world. It felt, and still feels liberating to this day. Obviously at the beginning of my Hole fandom I didn’t really get what most songs were about, yet later re-connected and understood the themes of sexual abuse, trauma and feeling angry and empty. It’s a powerful album to me, and it’s also probably one of my favorite artworks.

3. Elliott Smith – Either/Or
This one I have only discovered a year ago or so. Whilst hanging out at my bassists place ‘Between the Bars’ came on and I was drawn to it immediately. My guitarist and roommate had Either/Or on vinyl and I couldn’t stop listening to it, I put it on almost every morning for months, got completely sad and lost in all the songs. I was surprised that it literally took me this long to discover Elliott Smith, but I’m also thankful and excited about it. I’m very drawn to his guitar sound and the overlapping of vocals and the general lo-fi sound. I actually once got asked if the title of my first EP No Emotions is linked to Elliott Smith’s song ‘Waltz #2’ where he sings “she shows no emotion at all, stares into space like a dead china doll“ — but at the time I didn’t even know the song, only later listened to it randomly and that line came up and I was super perplexed and didn’t know what to say. I felt even more connected to his whole persona and music. ‘Angeles’ is by far one of my favorite songs generally and on this album.

4. Jeff Buckley – Grace
Every time someone plays ‘Lover, You Should’ve Come Over’ in the van whilst we are on tour, I believe at least one person in the car cries. I don’t know what else to say, other than this is an amazing album to cry to and be melancholic and dramatic. It’s also just perfect to me, and I feel like it’s extremely underrated among other musicians. I actually don’t think that a lot of my friends who play guitar music know or love this album, but I feel like it’s that one album everyone can find a song on that they connect with. Jeff Buckley’s voice is so beautiful, and I don’t even know how and what he plays on guitar because it’s definitely nothing simple but it sucks you in like crazy. His lyrics are so pure and magical, one of my favorites by him on this album is on the song ‘So Real’ – “Love, let me sleep tonight on your couch / and remember the smell of the fabric of your simple city dress”. And “We walked around ’til the moon got full / like a plate”. It’s by far one of my favorite albums, it’s quiet and it’s loud and dramatic – it’s everything. I’m definitely influenced by Buckley’s singing even though I would never compare my voice to his.

5. Soko – I thought I was an Alien
Soko is not only my fashion and makeup inspiration, but also taught me so many things. I love all of her songs, but this debut album is special to me. It’s extremely raw and Soko doesn’t shy away when it comes to being in touch which her negative emotions and being completely honest with her listeners. I love her stories and her calm voice, and I like the way she’s switching instruments when she’s playing live (even though I haven’t seen her live yet, unfortunately). She has this one song on this album called ‘I Just Want To Make It New With You”, which initially made me pick up my bass more when it came to song writing. Overall, Soko was my first queer indie icon and every one of my queer friends has cried at least once to the “We Might Be Dead By Tomorrow’ video. I love Soko, and I’m so excited for her future records and videos.

Thanks to Ilgen-Nur for sharing her favourite with us. Follow her on Facebook for more updates.

PLAYLIST: July 2019

Whilst we’re still in the midst of a mind-melting heatwave here in the UK, we’ve thrown together some fresh new music on our July playlist that promises to soothe your sunburned ears. Take some time to scroll through our track choices and make sure you hit play on the Spotify playlist link at the bottom of the page…

BEA1991 – ‘Loser Wins’
Amsterdam-based artist and musical polymath BEA1991 has swept me away with this track, taken from her debut album Brand New Adult which is out now. I love her subtle, soaring vocals and there’s a beautiful accompanying video to this track that I recommend you check out. Bliss. (Kate Crudgington)

Grawl!x – ‘Epicene’
The new single from Derby-based artist James Machin – aka Grawl!x – ‘Epicene’ is a collaboration with Umbilica’s Jo Lewis, A soaring, cinematic soundscape that sends shivers down the spine, it explores discussions of gender, sexuality, feminism and the role of allies. Identifying as non binary themselves, Machin explains: “… [gender] is an issue I’ve wanted to explore in a musical dialogue for quite some time. It’s quite alarming when you realise how great the gender disparity is and how our culture is divided in binary terms.(Mari Lane)

Noga Erez & ECHO – ‘Chin Chin’
A dizzy, laid-back take on the links between sex and money; Noga Erez’s latest collaboration with Israeli MC and producer ECHO brims with off-kilter beats and tongue-in-cheek lyrics. Erez combines intimidatingly cool vocals with her trademark defiant flair on this new release. (KC)

King Hannah – ‘Crème Brûlée’
The impressive debut single from King Hannah, ‘Crème Brûlée’ is as utterly moreish as the dessert it’s named after. With its sweeping ethereal power, majestic twinkling musicality, and the longing, impassioned vocals of front woman Hannah Merrick, it’s a stunning introduction to a band who I’m sure we’ll be hearing a lot more from very soon. (ML)

Elliot Lee – ‘Dirt’
‘Dirt’ is the latest single from Brooklyn based Elliot Lee – a big slice of dirty pop which narrates the frustration towards those who don’t understand how much music means to people. (Tash Walker)

Kitzl – ‘Wizard Girls’
‘Wizard Girls’ is the latest release from Canadian producer and composer Kitzl, described as a shining offering, combining elements of ambient-electronic-pop, art-pop and experimental shoe-gaze. I’m into it. (TW)

Jenny Hval – ‘Ashes To Ashes’
Sacred Bones signee Jenny Hval’s new single is an enchanting, uplifting electronic affair. The track is taken from her upcoming album, The Practice of Love, which is set for release on 13th September and I can’t wait to listen to the record in full.(KC)

Sui Zhen – ‘Perfect Place’
Inspired by how we exist in the digital age, ‘Perfect Place’ flows with glitchy beats and twinkling, ‘80s-inspired hooks alongside Sui Zhen’s quirky, honey-sweet vocals. An instantly infectious slice of sparkling alt-pop. Zhen recently contributed a Five Favourites feature for the website, and because she couldn’t narrow it down to five, we also put together a banger-filled playlist of all her favourites – check it out! Sui Zhen’s upcoming new album, Losing, Linda, is out 27th September. (ML)

Arthur Moon – ‘Reverse Conversion Therapy’ 
Fronted by Lora-Faye Åshuvud, Brooklyn avant-pop group Arthur Moon are set to release their self-titled debut album on 2nd August via Vinyl Me, Please. ‘Reverse Conversion Therapy’ is another example of Lora-Faye’s “deconstructed pop music” which celebrates the queer impulse, and takes ownership when it comes to “breaking the rules” and doing things wrong – something we should all embrace a little more. (KC)

ZAMILSKA – ‘Hollow’
Polish Producer ZAMILSKA released her third album Uncovered this month, and it’s a densely hypnotic record permeated by her fascination with levitation. The result is thirteen richly textured tracks that seethe with “the anxiety of what we want vs what we get”. If you’re a fan of industrial or electronic music I recommend a listen. She’s my new music obsession. (KC)

Deep Deep Water – ‘Something In The Water’
Having recently wowed crowds at Glastonbury, London-based four piece Deep Deep Water have now shared blissful new single ‘Something In The Water’, and we can’t get enough of it. Flowing with whirring soundscapes and soaring, harmonising vocals, it’s an utterly euphoric creation, twinkling with a majestic splendour. Of the track, the band explain: “‘Something in the Water’ is about change… Something is making you act differently, strangely, in a way you can’t explain. It is change out of your control, you are rendered powerless.” (ML)

Daniella Mason – ‘Deepest of Wells’
Deep, synth-based melodies from Nashville-based Daniella Mason, taken from her EP Mental State – it’s so hauntingly addictive, once you’ve heard there is no going back. (TW)

Greentea Peng – ‘Downers’
The new single from South-East London’s Greentea Peng, described as “A disillusioned confession to self, my London city blues. A tune for us hedonistic youths searching to feel nothing, but who actually feel everything. Instead of getting you to sleep – I’m tryna wake ya up.” (TW)

Anna Wiebe – ‘I Felt It In The Wind’
‘I Felt In In The Wind’ is the latest release from Anna Wiebe taken from her recently released album All I Do Is Move, and I can’t stop listening to this emotionally evocative track. (TW)

Salad – ‘Under The Wrapping Paper’
Taken from their upcoming new album, Salad’s ‘Under The Wrapper’ is about exposing what we are sticking in the sand, and shoving under the carpet. With its gritty, post-punk energy and tongue-in-cheek deadpan vocals, it’s a unique euphonic delight, proving that the ‘90s band have still got it and are still capable of pushing boundaries with a distinct, vibrant spirit. Salad’s upcoming new album, The Salad Way, is out 30th August on Three Bean Records. (ML)

CirKT Launches New Music Programme in South London

Offering opportunities for all kinds of upcoming musicians from South West London to take part in events, CirKT is a new live music project running at a number of new and existing venues in the area, from August to November this year. A welcome project, it offers a dedication to new musicians and a genuine passion for live music.

The loss of venue spaces is one of the biggest problems facing London’s live music sector and CirKT has developed an ecosystem style approach to respond to this. Kingston Council was awarded The Mayor of London’s Cultural Impact Award, and CirKT has now launched its four month music programme with its final New Talent Call Out, seeking some of London’s most promising new artists. An eclectic mix of artists have already been chosen, but there are still more places available to receive a once in a lifetime professional development, networking support and performance opportunities. Up to three acts will have the opportunity of securing a bursary of £500.

Successful applicants will have the chance for their music to be heard by a stellar panel of music industry giants including: Novelist (grime artist), Dave Maclean (Django Django), Chantelle Fiddy (music journalist/event promoter) and Tom Baker (Founder of Eat Your Own Ears and Field Day festival). Amy Lamé, London’s Night Czar, says of the project:

“I am delighted to see such an inspiring line up of live music as part of the Mayor’s London Borough of Culture programme. Kingston’s project will support up-and-coming musicians as well as some of the capital’s much-loved live music venues. This is what London Borough of Culture is all about – putting creativity on every doorstep and supporting the city’s creative talent to flourish.”

CirKt have now launched a second music talent call out. The deadline for applications is midnight on 18th August. More information about how to apply and a full listings of upcoming events here.