PLAYLIST: March 2023

The Get In Her Ears team have put together another eclectic mix of indie & alternative anthems, alt-pop tunes and electronic sounds for your listening pleasure. We skipped February’s edition of the Playlist, so March is packed with loads of new music! Take some time to scroll through our track choices below and then press play at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Fraulein – ‘Pet’
Is it even a GIHE Playlist if we don’t include a Fraulein track? Since Mari first introduced Joni & Karsten to the GIHE team in 2020, we’ve been fans of everything the grunge duo have released, including this new track ‘Pet’. It was a pleasure to have them in the studio chatting about it on our February Soho Radio show, which you can listen back to here.
(Kate Crudgington)

Hot Wax – ‘Treasure’
Full of buzzing basslines, commanding beats and raucous guitar sounds, this track from Hastings trio HotWax flicks between melodic verses and riff-heavy breakdowns, providing listeners with a welcome rush of blood to the head. The band are gearing up for their own mini UK tour this month, before joining The Pearl Harts as main support in May. (KC)

Brix Smith – ‘Fast Net’
The awesome latest single from rock legend Brix Smith, ‘Fast Net’ is propelled by a fierce energy and gritty punk-fuelled spirit. Racing with pummelling hooks alongside Smith’s soaring honey-sweet vocals and immersive charisma, it offers a raging reflection on facing up to your vulnerabilities. ‘Fast Net’ is taken from Smith’s debut solo album, Valley Of The Dolls, out now. (Mari Lane)

Hannah Jadagu – ‘What You Did’
I love this hazy guitar tune from Texas-based musician Hannah Jadagu, who only recently appeared on my radar. Taken from her upcoming debut album Aperture, which is set for release on 19th May via Sub Pop, Jadagu’s bittersweet vocals and reverb-laden riffs are totally infectious. I can’t wait to hear the record in full. (KC)

Lunch Machine – ‘Pipedream Graveyard’
On ‘Pipedream Graveyard’, Belfast-based alt rockers Lunch Machine blend the angst of 90s grunge and melodic pop sensibilities to push past feelings of apathy. Marking their first piece of new music in five years, the track is a grunge-infused take on the futility of planning for the future whilst the planet is slowly collapsing around us. (KC)

Earthlung – ‘Joy¿’
Full of sardonic spoken-word style vocals, cutting lyrics and distorted riffs, this single from Brighton-based band Earthlung is a search for meaning and relief amidst the mind-numbing everyday tasks we undertake in order to keep living our best lives. (KC)

English Teacher – ‘Song About Love’
Out now via Speedy Wunderground, ‘Song About Love’ is the latest single from Leeds band English Teacher. As the sultry smooth vocals of front woman Lily Fontaine flow alongside chiming hooks and steady beats, it offers a wonderfully infectious exploration into the romance that can be found in the mundane; a whirring ode to “doing the chores, instead of doing someone else.” Watch the fantastic, Sims-inspired, video for ‘Song About Love’ here. (ML)

cruush – ‘Stick In The Mud’
“I guess you can say our music has the sweet elements of having a crush on someone, but the screeching of an industrial car crusher…” explains cruush’s vocalist Amber Warren. Say no more, Amber, I love it! This track is taken from the Manchester-based shoegaze band’s upcoming EP Wishful Thinker, which is set for release on 14th April via Heist Or Hit. (KC)

Red Sun Alert – ‘Huge’
Taken from their recent EP Assume Power, this track from Cork-based post-hardcore band Red Sun Alert is an angst-ridden banger. Their new record is full of raging riffs, relentless beats and anthemic vocals, so definitely check it out if you like the sound of this. (KC)

Problem Patterns – ‘Who Do We Not Save?’
The first piece of new music since their visceral 2022 anthem ‘Y.A.W‘ (Yes All Women), I’m a big fan of Belfast-based DIY punks Problem Patterns’ latest single. Released via Alcopop! Records who the band have recently signed to, ‘Who Do We Not Save?’ takes aim at the incompetent Tory government and their continued attempts to privatise the NHS. Giving their listeners a space to release their pent up frustrations, fears and disappointments is a core value of Problem Patterns’ music, and with this track the band have provided another cathartic aural antidote to offset the anxiety of the uncertain times we’re currently living through. (KC)

SPIDER – ‘America’s Next Top Model’
Written in response to the backlash she received and the whitewashing she witnessed on popular online platforms, SPIDER chooses to thrive in the face of adversity on her new track, ‘America’s Next Top Model’. Taking aim at her critics via abrasive riffs and candid lyrics, the London-based, Irish musician & producer has channelled her vitriolic energy into another empowering anthem and accompanying video, which acts as a defiant cry for better black representation in alternative music scenes. (KC)

Momma – ‘Bang Bang’
New York City four-piece Momma are back – with a bang – on their latest single. This track was co-written by band members Etta Friedman and Allegra Weingarten when they both caught Covid-19 last year. Making the most of their time in isolation, the pair got drunk together and ended up writing a fun song about great sex, with ‘Bang Bang’ being the result. All of Momma’s songs are mega catchy and this one is no exception. (KC)

Lilies In My Brain – ‘Blue Sky’
Inspired by everyone from Alkaline Trio, to Angel Olsen and Wet Leg, South London-based four-piece Lilies In My Brain create shimmering indie-pop anthems. This track is taken from their album, 21 = 2a + 7, which the band released back in 2021. They’re currently working on their second album, which they’re planning to release later this year. (KC)

Perlee – ‘Lampshade’
Inspired by everything from the nature of unconditional love to the banality of capitalist society, Berlin-based Irish band Perlee are preparing to release their debut album, Speaking from Other Rooms on 21st April. This track is lifted from the record, and its full of glistening guitars and dreamy vocals. (KC)

Lunar Vacation – ‘Only You’
Following the release of their debut album in 2021, ‘Only You’ is the latest single from Atlanta-based Lunar Vacation. Rippling with beautifully lilting melodies, it shimmers with a stirring emotion and sparkling, cinematic grace, offering an irresistibly effervescent slice of indie-pop with shades of the likes of Alvvays and Best Coast. (ML)

Lusa Morena – ‘Where’s The Spark (If Not In You)’
Having wowed us with the fierce charisma of their live show at The Shacklewell Arms last year, London-based five piece Lusa Morena have recently released a twinkling new single. Reflecting on society’s frequent dismissal of – and stigma around – feelings of depression or mental health struggles, ‘Where’s The Spark’ is a beautifully moving ballad, oozing sweeping, glossy riffs alongside front woman Bárbara’s rich, luscious vocals. (ML)

Aisha Badru – ‘Lazy River’
Flowing with a lilting energy, ‘Lazy River’ reflects on the journey of emotional healing and the time that this can take. Rippling with the shimmering grace of Badru’s vocals and a twinkling folk-strewn musicality, it oozes an exquisite stirring splendour. Learning To Love Again, the upcoming new EP from Aisha Badru, is set for release in June. (ML)

JFDR – ‘Spectator’
I notice something different each time I listen to this beautiful track by Icelandic experimental songwriter JFDR. Her tender voice and concise, gentle lyrics compliment the glimmering synths perfectly. ‘Spectator’ is lifted from her upcoming album Museum, which is set for release on 28th April via Houndstooth Records. Speaking about the track, JFDR explains “‘Spectator’ is an anthem for the codependent, a lullaby for the ones slightly codependent and for those who have never felt it; a mirror into the raw thought process of someone deep in the trenches of it.” (KC)

Midwife & Vyva Melinkolya – ‘NMP’
I never tire of listening to Midwife’s melancholy sounds, and this new collaborative effort with Vyva Melinkolya is no exception. ‘NMP’ is taken from the duo’s upcoming 5-song album, Orbweaving, which will be released on 12th May via The Flenser. The record is described as “a web like structure – a gauze of sorrow and visceral connective thread” that combines their experiences of hopelessness, calling on a higher power, being alone, and the sublime horror of the natural world. I can’t wait to hear it. (KC)

LANA DEL RABIES – ‘Prayers of Consequence’
The opening track to her recent album STREGA BEATA – which loosely translates as “Blessed Witch” – I love this gloomy, evocative track from Lana Del Rabies. A creator of corrosive, brooding experimental sounds, the Phoenix-based producer and multimedia artist’s new record is a cathartic medium for her innermost thoughts on the human condition, grief and navigating tragedy. You can listen to the album and read about some of the music that inspired her to write it in our Five Favourites feature here. (KC)

MANDY, INDIANA – ‘Pinking Shears’
A brittle, abrasive blend of beats, noise and bittersweet French vocals, this track from Manchester-based four-piece MANDY, INDIANA seethes with a palpable frustration. The track is taken from their upcoming debut album, i’ve seen a way, which is set for release on 19th May via Fire Talk Records. (KC)

DEBBY FRIDAY – ‘Hot Love’
Taken from her upcoming debut album, GOOD LUCK, which is set for release via Sub Pop on 24th March, ‘Hot Love’ is another industrial-tinged, explosive electronic banger from DEBBY FRIDAY. The Nigerian-born, Toronto-based artist continues to provide the soundtrack for messy nights on the dancefloor, and the impact that the intoxicating and toxic people we meet in the hedonistic process. (KC)

ARXX – ‘God Knows’
The latest single from absolute faves, Brighton’s ARXX, ‘God Knows’ offers a perfectly heartfelt and instantly catchy anthem. Embracing their love of all things pop, it veers away from the more gritty sound of previous offerings whilst maintaining the duo’s distinctive emotion-strewn power. Of the track, they explain: “We really pushed ourselves to step into Dua Lipa’s shoes. We were able to live our Cher dreams and dive into the world of auto tune and swoopy synths.” ARXX’s upcoming debut album, Ride or Die, is out on 31st March – pre-order here. Catch ARXX live on tour over the next couple of months (I can’t wait to catch them at Rough Trade East on my birthday!) (ML)

Gabi Garbutt and Du Blonde – ‘Panic’
A perfect collaboration between Gabi Garbutt and acclaimed artist Du Blonde, ‘Panic’ is propelled by a swirling post-punk energy alongside sugar-sweet pop melodies as the two vocals fuse together with a shimmering charm, creating a truly blissful, instantly infectious, indie-pop anthem. Watch the wonderful DIY video for ‘Panic’ here. (ML)

Tiiva – ‘Teenage Dirtbag’ (Wheatus Cover)
Taking a classic 00s anthem and putting their own euphoric spin on it, London-based producer Tiiva’s cover of Wheatus’ ‘Teenage Dirtbag’ is a celebration of queer love. Full of quirky synths and dreamy vocals, the track reflects Tiiva’s own feelings about coming-of-age as a queer person. “I wanted to cover something that I could sing about and be like, ‘yeah that’s me, that’s how I feel’,” Tiiva explains. “The lyrics feel hyper real, my first crush on a girl, feeling invisible in my queerness and wanting to be accepted, to be cool. I feel like this song is such an anthem but also so fun, celebrating how to just be yourself and enjoy it, that’s what the song means to me, and I wanted to share that.” (KC)

Panic Pocket – ‘Mad Half Hour’
The first taste of their upcoming album of the same name, Panic Pocket’s latest single ‘Mad Half Hour’ offers a joyous ode to Spice Girls legend Geri Haliwell, oozing all the playful tongue-in-cheek energy that we’ve come to know and love from the London duo. An instantly catchy slice of fizzing punk-pop, it will have you singing along on first listen; so, don your thigh high boots, scream ‘Girl Power!’ and relish in the nostalgic bliss of this witty anthem. (ML)

Jen Cloher – ‘Mana Takatāpui’
This poignant single from Australian artist Jen Cloher, ‘Mana Takatāpui’ offers a blissful celebration of the indigenous Polynesian people of Aotearoa, New Zealand, the Māori LGBTQ+ community. Showcasing Jen’s trademark luscious soothing vocals alongside a shimmering musicality, it builds with an uplifting energy to a truly joyous unifying anthem. I Am The River, The River Is Me, the upcoming new album from Jen Cloher, is out now via Milk! Records / Marathon Artists (ML)

Girl Ray – ‘Everybody’s Saying That’
Reflecting on themes of new love and self-doubt, ‘Everybody’s Saying That‘ is the latest single from London trio Girl Ray. Swirling with a disco-inspired energy, oozing the band’s colourful charisma and uplifting charm, I just love its funk-fuelled hooks and sparkling danceable allure – a perfect uplifting anthem, that will elevate your spirits, leaving you ready to hit the dancefloor/roller-disco/bedroom with a revived sense of optimism. (ML)

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FIVE FAVOURITES: Lana Del Rabies

A creator of corrosive, brooding experimental sounds, Phoenix-based musician, producer and multimedia artist Sam An aka Lana Del Rabies is preparing to unleash her new record, STREGA BEATA. Set for release on 17th March via Gilgongo Records, the album – the title of which loosely translates as “Blessed Witch” – is a cathartic medium for the musician’s innermost thoughts on the human condition, grief and navigating tragedy. Written, produced, and almost entirely performed by An, STREGA BEATA promises to be an enthralling, powerful listen.

“There is a specific type of grief that comes from witnessing the brutality of what humans are capable of towards each other. If that grief goes unprocessed, it is doomed to also manifest as brutality,” offers Lana Del Rabies about her upcoming album. “There have been many moments while writing this record that I was grieving through an event that was personal or worldwide, and then another sudden, tragic event would happen. I needed to re-evaluate what I wanted to say because my world and perspective had shifted again. Trying to keep up with tragedy can make one feel helpless, and one way to feel in control is through acts of destruction. My personal impulse towards destruction nearly ended this project.”

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Lana Del Rabies to ask about her “Five Favourites” – five songs that have inspired her song-writing techniques. Check out her choices below and pre-order your copy of her upcoming album STREGA BEATA here

 

1. Nine Inch Nails – ‘The Great Below’
If you know me or know of me, you are probably pretty aware that I am a Nine Inch Nails lifer. NIN has been my favorite musical act since I was 14 years old, and I don’t see that changing anytime soon. The Downward Spiral was my first favorite, but when I found The Fragile (well after it had released), I had never heard anything like it before – especially the more experimental, cinematic and vulnerable tracks like ‘The Great Below’. The ways that emotion on this album are conveyed are so reliant on texture and ambiance, but aren’t too avant garde to be inaccessible. The water themes in this track were something I found myself using a lot on my upcoming album, probably subconsciously because of the emotional experience I always have with this track.

2. Lingua Ignota – ‘That He May Not Rise Again’
I have to admit that I listened to a lot of Kristin Hayter’s work leading up to the writing of this record. I did my best to not overly emulate anything she does, but I also don’t think anyone can do what she does. I think LET THE EVIL OF HIS OWN LIPS COVER HIM is potentially among my all time favorites. It is just such a cohesive, well-thought out, and masterfully executed thesis of an EP. ‘That He May Not Rise Again’ is just not like anything else I have ever heard, and the way it maneuvers between very disciplined, traditional religious music and very honest, guttural, unapologetic cathartic expression for an unrelenting span of time inspired me to push what I was doing with my work further.

3. The Body – ‘Hail to Thee, Everlasting Pain’
I discovered this track almost ten years ago. A friend sent me I SHALL DIE HERE to listen to, I think. I remember hearing ‘Hail to Thee, Everlasting Pain’ and thinking “This is the kind of music I want to make”. I was barely starting to experiment with sound at the time and Lana Del Rabies wouldn’t be established for another couple of years. By the time I started writing STREGA BEATA, I felt a bit more confident about being able to handle composing something like this. I even play actual instruments! Anyway, the way this track (and The Body in general) handles elements from various “dark” genres without ever commiting to a genre is exactly what I love about making music.

4. FKA Twigs – ‘Mary Magdalene’
I discovered FKA twigs in 2014 around the time she was releasing her first EPs. I was always impressed with how she brought a poetic darkness into really catchy but still experimental music. It took me a while to hear Magdalene, but it is absolutely my favorite of hers. I love the way she uses religious metaphor through the record to address her personal experiences and comment on gender roles in relationships without ever being too heavy handed. I also love Nicholas Jaar (he among other collaborators with FKA worked on this), and the way this track ended up sounding feels rooted both in the beauty of traditional music and something really futuristic and otherworldly.

5. Diamanda Galas – ‘The Litanies of Satan’
I think what I love about Diamanda Galas’ work is how determined it feels. It’s more than relentless or raw; it is determined to be what exactly it is, with no hesitation. I think this applies to her more classically inclined work and especially to work like The Litanies of Satan. I am also obsessed with tracks that are maximal even though they are compositionally minimal. It’s incredible when you think about the fact that this came out in the early 80’s. I’ve definitely found her to be more of an inspiration for what I do performatively and in my vocals as well. I would love to have her range and ferocity as I age as an artist.

Thanks to Lana Del Rabies for sharing her favourites with us.

Watch her video for ‘Hallowed is The Earth’ below.

Follow Lana Del Rabies on bandcamp, Spotify, Twitter, Facebook & Instagram

Kate Crudgington1 Comment

Five Favourites: Frankie Rose

Having just released her fifth studio album Love As Projection, New York based artist Frankie Rose creates stirring, electro-fused soundscapes. Propelled by a whirring ‘80s-inspired drive with shades of the likes The Cure (you should also check out Rose’s Cure cover album Seventeen Seconds) or Joy Division, a glistening musicality flows throughout the album with a stirring anthemic majesty, creating a blissful sonic experience.

We think one of the best ways to get to know an artist is by asking what music inspires them. So, to celebrate the release of Love As Projection, we caught up with Rose to ask about the music that has inspired her the most. So, read about her five favourite ever albums, and check out the beautiful video for latest single ‘Come Back‘ below…

The Cure – Head On The Door
On an 18 hour drive during a tour a few years ago, we decided to listen to every Cure album in chronological order front-to-back. And, while it was hard to decide during the course of the listening process, Head On The Door was ultimately my choice for best album in the end. The difficulty in the decision is due to the Cure being one of my all-time favourite bands, and choosing this release over a masterpiece such as Disintegration is controversial… But having absolute perfect songs like ‘Close to Me’ and ‘In-Between Days’ on one album sealed the deal after combing through the entire catalogue.


Depeche Mode – Violator
As much as I’ll always appreciate Depeche Mode in their more minimal, early synth-pop days, Violator is the band’s introduction into the mainstream. The album is just so crammed full of ‘tracks’, how can it possibly be topped? The pinnacle of electronic pop mastery. If I recall correctly, I first heard this record when I was 14; ‘Enjoy The Silence’ was a massive hit on the radio, and it became an omnipresent soundtrack to my youth. In retrospect, it’s odd that this synth band had such a major crossover hit in the United States, especially with such a – dare I say – kinky album? 


Kate Bush – Hounds Of Love
‘Running Up That Hill’ and ‘Cloudbusting’ on one release..? Wow! Kate Bush is another key influence on me. I took direct inspiration from the drums on ‘Running Up That Hill’ for a song on Love As Projection (Can you guess which one?!) She’s such an original talent – she has a totally unique style of songwriting and pop structure, she uses almost no cymbals. It’s incredibly theatrical, something I had never encountered before in music prior to getting into her albums. She’s not a typical pop star; it comes across almost more like performance art.


Talk Talk – Spirit Of Eden
For me, this will always be the quintessential Talk Talk album. It is understated but undeniably epic. I don’t consider this a pop record – it’s a record I feel should be listened to from beginning to end. It’s a complete piece of art, and it is perfection. It’s almost like a jazz record; a massive album with lots of negative space, so orchestrated. Meticulously made, and you can tell. It feels like a story told beginning to end, like Mark Hollis had a complete vision for the record conceptually. It’s funny because I’d say there aren’t even any ‘hits’ on the album (at least not in a conventional way). 


Cocteau Twins – Heaven or Las Vegas
Elizabeth Fraser will always be my go-to inspiration. This record is stunning from beginning to end… Is there a more perfect opening song than ‘Cherry-Coloured Funk’? I also find a drummerless band extremely inspirational these days – less is more, and this album proves you can accomplish so much with a minimal sonic palate. I celebrate Cocteau Twins’ entire discography, but this is definitely their most straightforward ‘pop’ record in my opinion; it’s more accessible and fully realized, which I appreciate. 


Massive thanks to Frankie Rose for sharing her favourite albums with us!

Love As Projection, the new album from Rose, is out now via Night School Records.

mariangelicalaneLeave a comment

GIHE: International Women’s Day 2023

International Women’s Day is a time to celebrate the achievements of women, and a time to reflect on and evaluate the work that still needs to be done to achieve true gender equality. As you already know, these are some of the core values of Get In Her Ears! We champion women & non-binary folk who make the music that we love every day.

Last year, we put together a round-up of some of the brilliant organisations who work tirelessly to make local music scenes and the wider music industry a safer, more enjoyable place for women to create their art.

Today, we’ve updated that list to include more initiatives and events that are taking place across the month of March. We’ve also included links to some UK based charities who stand up for women’s rights, informative & fun podcasts, and there’s even some reading recommendations too.

We’ve also put together a celebratory IWD Playlist to accompany this information, which you can listen to at the end of this post. You can find plenty of new music on our website and on our Spotify page too.

Solidarity to all of our followers. Thank you for supporting GIHE and all of the wonderful artists & initiatives that we help to promote all year round. x

 

Level Up! International Women’s Strike (8th)

Where & When: Wednesday 8th March, Trafalgar Square, London 6.30pm

Organised by the Feminist community for gender justice, Level Up, the Transnational Strike of all Women and Gender Non-Conforming folks takes to the streets this IWD to resist capitalist, colonial and patriarchal exploitation. With Trans and migrant rights currently under attack from the far right and the government, it seems particularly important to be drawing attention to these issues right now, especially whilst the police remain a violent institution, protecting the interests of those who systemically continue to abuse us. In the words of Level Up: “Around the world, our sisters shout WOMEN LIFE FREEDOM from Kurdistan to Peru. They fight for liberation and sovereignty against violent and repressive states. We stand with them because this is our fight here too”.

Find out more at Level Up’s Instagram and visit their website

Come Away With ESG by Cheri Percy (9th)

Where & When: Thursday 9th March, Rough Trade East, London 7:00pm

Journalist and broadcaster Cheri Percy has written a new book that champions South Bronx sister trio ESG. Featuring insights from Peter Hook, Karen O and punk professor Vivien Goldman, the book shares how this group of young women and their primal beats paved the way for modern dance music today.

Cheri will be celebrating the launch of her new book with an event at Rough Trade East. She will be in conversation with Hacienda DJ Dave Haslam and Melissa Rakshana Steiner (The Quietus), discussing the album’s decade-spanning influence on modern music some 40 years on from its original release. The panel will be chaired by journalist and Green Man Literature Tent host Michelle Kambasha.

Grab your ticket on DICE here

WOW Festival: Queers On The Map Panel (10th)

Where & When: Friday 10th March, Southbank Centre, London 12:00-1:00pm

Our very own Tash Walker will be speaking at Women Of The World Festival as part of the Queers On The Map panel! The discussion will run from 12:00-1:00pm and you will need a day pass to attend the event (tickets here). Full event details below.

“A look at the story behind the recent census data on the LGBTQIA community. The 2021 census was the first to ask people about their gender identity and sexual orientation, and so revealed for the first time data about queer life in Britain today. We look at the story behind the data, and revisit some of the activism and milestones along the way. Why has it taken so long for the LGBTQIA community to be included in the national story? And what impact does this recognition have for a community that still struggles for equality?

Speakers include host and producer of The Log Books podcast Tash Walker; journalist and presenter Shivani Dave; award-winning trans and queer creative Fox Fisher; Gayathiri Kamalakanthan from the School of Sexuality Education; and writer, producer and presenter Abi McIntosh.”

Safe Gigs 4 Women Event (11th)

Where & When: Saturday 11th March, Bush Hall, London, 3:00pm

“An initiative established by regular gig goers with the aim of creating a safer environment for women at gigs.”

Inspirational and innovative organisation Safe Gigs For Women are hosting an awesome sounding event on Saturday to celebrate International Women’s Day. With live music from the likes of The Pearl Harts and GENN, it’ll be a perfect opportunity to celebrate some incredible women in music and network with some of the incredible people behind the scenes working to create safe spaces for us all.

Tickets on Dice now. Visit their website for more information.

Whose Song Is It Anyway? Panel Event (22nd)

Where & When: Wednesday 22nd March, The House Of Commons, London

A special event to celebrate the launch of ‘Whose Song Is It Anyway’ – a podcast discussing copyright and creativity in the music industry. Hosted by Dr Hayleigh Bosher, it will include panel discussions with the likes of rock legend Brix Smith, songwriter and founder of the OWHL Foundation (Overseeing Welfare, Human Rights and Liberty within the creative industries) Katie Waissel and Charlene Brown. Panel discussions will be followed by live music and networking opportunities.

Register to attend by emailing whosesongisitanyway@gmail.com

Decolonise Fest

“A London-based festival created by an for punx of colour.” They’re taking a break from organising their annual festival this year, but visit their website for more information on upcoming events and how you can support them in their future efforts.

First Timers Fest

A DIY music festival encouraging people to pick up instruments for the first time and learn how to play in a low pressure, friendly environment. We spoke to some of the team on our February Soho Radio show, which you can listen to here. Visit their website for more information about this year’s edition of the festival.

Girls Rock London

A charity based in Hackney who focus on increasing access to music for young and adult women, trans and non-binary people. Visit their website

LOUD WOMEN

London-based promoter, blog and radio show “putting women on stage and turning up the volume!” Visit their website

Girls Against

Organisation fighting against sexual assault at live music events. Visit their website

OMNII Sound Collective

A London-based collective “aiming to inspire women, trans and non-binary sound enthusiasts to operate in all aspects of audio production.” Visit their website

Music Production For Women

“A global movement, community and online education platform which aims to encourage and empower women who are taking their first steps into music production.” Visit their website

Ladies Music Pub

A London-based community open to all women, non-binary and gender variant people in music. Visit their website

WXMB 2

A “community of womxn connecting and coming together with a shared mission: to take on inequality within the music industry.” Visit their website

WITCiH

“An inclusive platform supporting Women in Tech. WITCiH is an online and real world platform for research, creation, performance and networking.” Visit their website

Content Is Queen

A “podcasting agency and community that’s been amplifying minority voices since day dot.” Visit their website

The Log Books

An award-winning podcast telling the untold stories from Britain’s LGBTQ+ History. Founded by fellow GIHE grrrl Tash Walker. Listen here

Black and Gay, Back In The Day

Black and Gay, Back in the Day brings to life a photo archive of Black LGBTQIA+ life in Britain, from the 1970s through to the early 2000s. This podcast is about the experience of Black LGBTQIA+ communities with open discussion about racism, homophobia, transphobia and sexual discrimination. You can listen here

Black and Gay, Back in the Day is an Aunt Nell Production (who GIHE Co-founder Task Walker also works with!)

We Wear Black

A fun podcast that focuses on what it’s like for women & non-binary people living an alternative lifestyle, talking about everything from “sex, racism and gigs to Myspace and emo fashion.” Listen here

Girls Twiddling Knobs

A podcast “for female identifying musicians eager to start self-recording their music” hosted by Isobel Anderson, featuring interviews with Gazelle Twin, Jessica Paz and Emily Nash. Listen here

Unglamorous Music Project 

This Leicester-based local initiative, founded by Ruth Miller back in 2021, aims to mentor, coach and support women of all ages to start playing a musical instruments. This year, they encouraged women to get involved, form a band, and then perform live for their International Women’s Day gig!

Find out more about the gig & what they do by visiting their website

Sisters Uncut

UK based charity “taking direct action for domestic violence services.” Visit their website

Why Solange Matters by Stephanie Phillips

Author, Journalist, Activist and one third of GIHE faves Big Joanie, Stephanie Phillips’ book looks at more than just the career of Solange Knowles. Why Solange Matters is a book about “what freedom could look like for Black women, in which Phillips provides a framework [and] a vision of a new world, one she hopes Solange would be proud to be a part of.”

Buy your copy here

Lead Sister: The Karen Carpenter Story by Lucy O’Brien

Mari Lane (GIHE Co-Founder & Managing Editor)

“Having had somewhat of a fascination and tender spot for Karen Carpenter since first hearing that unique crystalline voice on ‘Close To You’ as a child, I was extremely happy to hear that one of my favourite authors/journalists Lucy O’Brien was releasing a new book about the late star. With Lead Sister, O’Brien looks to shine a light on the often overlooked strength, talent and humour of Carpenter, whilst of course delving in with poignant insight into the musician’s infamous tragic fate.

The Karen Carpenter song on our IWD Playlist is taken from her solo album (which was sadly never released in her lifetime due to the record label not approving of her change in direction), which she recorded in New York during the last few years of her life. Although it’s a Paul Simon cover, I love how you can hear the joy in Karen’s voice – free to experiment creatively, and delve into her love of disco and blues.”

Buy your copy of Lucy’s book here

 

GIHE: IWD Playlist 2023

We’ve put together another eclectic playlist of new music and classic tunes from women who we love for personal and political reasons. Featuring genre pioneers SOPHIE, ESG, Queen Latifah, The Runaways and Jackie Shane, pop heroes Lady Gaga, Shania Twain and Lizzo, and GIHE faves such as ARXX, Problem Patterns, Circe, Maria Uzor and Fraulein…we hope this mix provides the perfect soundtrack to your activism and your after-party this International Women’s Day!

 

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