PLAYLIST: Galentine’s Day 2023

It’s one of the best days of the year, GALENTINE’S DAY! Coined by Amy Poehler’s ‘Parks and Recreation’ character Leslie Knope back in 2010, Galentine’s has since been recognised by gals across the globe and used as a light-hearted way to celebrate the women who enrich our lives.

With this in mind, we’ve chosen tracks from a handful of our favourite female and LGBTQ+ artists and put them together into one eclectic playlist. We’re all about self-love and sisterly love – not just cis-terly love – so scroll down, press play and share the Galentine’s joy!

Aretha Franklin & Annie Lennox – ‘Sisters Are Doin’ It For Themselves’
I know I put this on all of our Galentine’s playlists, but that’s because it’s a classic! It may have been released back in 1985, but the lyrics are just as relevant today. Annie Lennox also reminds me of my Mum, who is one of Get In Her Ears’ most loyal fans. Thanks for everything Cindy.
(Kate Crudgington)

Queen Latifah – ‘U.N.I.T.Y’
If you haven’t watched the documentary Fight The Power: How Hip-Hop Changed The World already, I urge you to do so. Public Enemy’s Chuck D and many other pioneers of the genre give one of the best history lessons on this revolutionary form of protest music, that continues to thrive 50 years after its inception in the Bronx in the early 70s. I was moved by the way many of the interviewees spoke about Queen Latifah’s contribution to the movement. This track ‘U.N.I.T.Y.’ won her a Grammy back in 1993. It ruthlessly calls out street harassment, domestic violence and the blatant disrespect black women endure in hip-hop culture. Queen Latifah is one of many excellent women named in the documentary, alongside Monie Love, Roxanne Shante and activist Sister Souljah. (KC)

ARXX – ‘Ride Or Die’
A total Galentine’s anthem from our total faves, Brighton duo ARXX! ‘Ride Or Die’ is an utterly uplifting celebration of queer love and platonic friendship. Propelled by Clara’s thrashing time-keeping and the gritty emotion strewn vocals of Hanni, it’s a sweeping pop classic, oozing an empowering euphoria. Happy Galentine’s Day, ARXX – we love you!
(Mari Lane)

Big Joanie – ‘In My Arms’
GIHE faves and all round punk icons Big Joanie continue to inspire and impress us with all that they do, both on and off stage. Watching them play a sold out headline show at The Garage earlier this year was equally as exciting as it was emotional. This track ‘In My Arms’ celebrates queer love and friendship, and is taken from their acclaimed second album, Back Home. The accompanying video was shot in Southend too, which is 30 minutes away from where I grew up in Essex. (KC)

Ethel Cain – ‘American Teenager’
It was hard to pick just one Ethel Cain track for this playlist, but I figured ‘American Teenager’ captures the euphoric, giddy nature of Galentine’s Day best. I’d like to dedicate this anthem to my GIHE pals Mari & Tash. They let me freely express my teenage angst – despite being in my 30s – frequently on all of the GIHE platforms. That’s the sort of love and patience you just can’t buy. I feel very lucky to have you both. ** cheerleader fist pump ** (KC)

Robyn – ‘Dancing On My Own’
One for our GIHE co-founder and all round hero Tash Walker! Robyn is an outspoken ally for LGBTQ+ rights and we all know romance isn’t just for the heterosexuals out there. So whether you honour Galentine’s or Valentine’s Day, make sure you have a good old dance! (ML)

Blonde Maze – ‘Leaving Home’
I cannot get enough of the shimmering, heartfelt splendour that Blonde Maze is consistently able to create; a comforting embrace in audio form. Blonde Maze just never fails to soothe and uplift with her beautiful creations, and I’m forever grateful to be able to immerse myself in her truly blissful soundscapes. Blonde Maze’s creations are a consistent companion to me whenever I feel lost, and I’ve also been lucky enough to get to know her as a friend over the years – showing the power of beautiful music to bring like-minded people together. (ML)

Maria Uzor – ‘Over This’
Reflecting on a time of reclaiming your identity and being honest with your emotions, this track from GIHE fave Maria Uzor whirrs with a glitchy splendour as her distinctive honey-sweet vocals flow. Shimmering with an immersive grace, it offers a resplendent slice of electro-pop fizzing with an empowering drive. Of the track, Maria explains: “… it’s about reclaiming parts of yourself after a period of silencing yourself and your experiences to keep other people safe and unchallenged in their ignorance. It can be an isolating thing to go through, and I wanted to write as though I was speaking to myself, or anyone else who may have felt silenced due to race, sexuality, or gender identity; I needed reminding that I wasn’t alone.” (ML)

NOVA TWINS – ‘K.M.B’
Like everyone else who saw Nova Twins ruling the red carpet in their custom-made Bad Stitches dresses at The BRITs on Saturday night, I am in awe of Amy Love and Georgia South. Firm favourites of the GIHE team since they were guests on our radio show back in 2018, they have triumphed in the face of so much adversity in predominantly white, male music industry spaces. They’ve stood their ground, remained true to themselves, lifted up their peers and made some of the best heavy music that’s hit our ears in the last decade. This track ‘K.M.B’ is lifted from their Mercury-prize nominated album, Supernova. (KC)

Le Tigre – ‘Keep On Livin’
Such an empowering and motivating anthem from my utter favourites – a song I listen to whenever I need a pick-me-up. And I never tire of listening to it twice in a row (with this name and ‘Cry For Everything Bad That’s Ever Happened’) at the end of 2001’s Feminist Sweepstakes. I CANNOT WAIT to dance and cry in euphoric joy to this live with my GIHE gal pals Kate and Tash (and Paul!) in June. (ML)

Dream Phone – ‘Strut’
The debut single from Oxford duo Dream Phone (aka my new favourite band), ‘Strut’ showcases everything there is to love about their utterly unique creations. Combining playful voice augmentation and synth-driven soundscapes, all fuelled by Jen and Hannah’s sparkling charisma and vibrant energy, it’s a gloriously danceable Galentine’s anthem. Dream Phone played for us last Friday at Shacklewell Arms, and their wonderfully quirky joy and sense of fun-filled friendship was instantly infectious and a truly entertaining spectacle (even their swirling Papa Roach cover!) I cannot wait to see and hear more from this exciting duo. (ML)

Currls – ‘Honey’
Currls wowed us live, headlining for us at Shacklewell Arms for us in December and their track ‘Honey’ is a colourful ode to female friendship and owning your own unique individuality. I just love its empowering energy and unifying, singalong refrains – a truly energising and compelling anthem of self-love that’ll motivate and inspire on first listen. (ML)

Personal Best – ‘This Is What We Look Like’
A track dedicated to the queer community, ‘This Is What We Look Like’ perfectly showcases Personal Best’s “classic rock for tragic lesbians”. As the poignancy of the lyrics “I wanna kiss you in the street / where everyone can see /’cause this is what we look like” shines through with an empowering sense of unity, it’s a perfect anthem for love between anyone and everyone. (ML)

Fightmilk – ‘Overbite’
As the raw emotion and distinctive smooth-yet-husky charm of front-person Lily’s vocals deliver a heartwarming sentiment (“You don’t have to smile if you don’t want to darling, you’re perfect as you are”) alongside scuzzed-out riffs and an infectious, shimmering energy, Fightmilk have created the perfect, alternative fuzzy love-song. A totally joyous ode to your best pal or lover, or both, it offers another slice of blissful power-pop from one of my favourite bands. (ML)

Wolf Alice – ‘Bros’
The scene in this Wolf Alice video where the two young girls are colouring each other’s nails in with felt-tip pens takes me right back to doing the same thing with my younger sisters when I was a kid. The overwhelming nostalgia makes me want to cry? ANYWAY. I adore music that celebrates the importance of platonic love, and ‘Bros’ is one of my all-time favourites. Love you Wolf Alice. Love you Holly and Sarah. x (KC)

Brimheim – ‘Hey Amanda’
I put this track by Danish alt-pop artist Brimheim on our playlist last year, but it’s too good not to include again! An ode to friendship in all its bittersweet glory, ‘Hey Amanda’ is taken from her brilliant debut album, can’t hate myself into a different shape, which I have had on repeat since it was released last year. (KC)

Self Esteem – ‘I Do This All The Time’
As always, I just want to dedicate this track to my awesome GIHE team mates and leave you with Self Esteem’s inspiring lyrics from this perfect anthem of self-love: “Be very careful out there / Stop trying to have so many friends / Don’t be intimated by all the babies they’ve had / Don’t be embarrassed that all you’ve had is fun. Prioritise Pleasure.” (ML)

M(h)aol – ‘Period Sex’
As M(h)aol’s bassist Zoë Greenway so accurately puts it: “At the end of the day, it’s just a bit of blood, isn’t it?” ‘Period Sex’ is a sultry, slow-burning anthem about centering female pleasure, accompanied by a beautiful video that Greenway also directed. I’m consistently moved by the efforts that Irish post punks M(h)aol make to talk about what many perceive to be shameful or painful subjects. This track is one of ten poignant songs that make up their debut album, Attachment Styles. (KC)

Boygenius – ‘Emily, I’m Sorry’
So, it turns out dreams do come true… When news hit last month that absolute super group of dreams Phoebe Bridgers, Lucy Dacus and Julien Baker – aka Boygenius – were releasing new music, I couldn’t have been happier. The three songs they’ve shared so far are all total beauts, but what’s been even more lovely is seeing these three friends clearly having such a blast promoting them – especially their incredible, playful takes on Nirvana photoshoots of the ‘90s in their recent Rolling Stone feature. (ML)

Get In Her Ears Live @ Shacklewell Arms w/ Me Rex, 10.02.2023

For our first gig of 2023, we were lucky enough to host a beautiful sold out night at The Shacklewell Arms, filled with the best music, best people and best vibes. Huge massive thanks to headliners Me Rex, as well as Dream Phone and Jen Denitto for being amazing! Thanks too to Sofia on sound, and to everyone who came down to support the bands, dance the night away, and help us raise £200 for vital organisation, Gendered Intelligence.

See below for some fantastic photos of the night, courtesy of our photographer Jon Mo…

Kicking off the night, London DIY legend Jen Denitto and her band deliver a career-spanning range of scuzzy indie-pop offerings. Covering themes from narcissists to the power of friendship, it’s a wonderfully uplifting set, oozing a unifying sense of joy throughout the crowd.

Next up, Oxford duo Dream Phone (aka my new favourite band) take to the stage. An utterly unique experience, their set offers voice augmentation and synth-driven glitch-pop soundscapes, all fuelled by Jen and Hannah’s sparkling charisma and vibrant energy. With the set lasting just under 20 minutes, every single second is a truly entertaining spectacle (a highlight being a swirling rendition of Papa Roach’s ‘Last Resort’), and I cannot wait to see and hear more from this exciting duo.

Headliners Me Rex take to the stage amidst a sea of adoring fans, treating them to 45 blissful minutes of indie-pop goodness. Oozing a swirling emotion alongside jangling melodies and luscious harmonies, each and every song flows with the band’s stirring lyricism, glistening musicality and impassioned energy; and I can’t help but lose myself in the rich, soothing catharsis that ripples throughout. Having been a mega fan of Me Rex for a few years now, it really is an honour to have them play for us – an experience that exceeded all expectations.

Huge thanks again to the three INCREDIBLE bands who played for us on Friday – what a dream of a night! Next up, we’re at Sebright Arms on 31st March for Gold Baby’s single launch, with support from The Other Ones and Argonaut – nab tickets here!

Words: Mari Lane / @marimindles
Photos: Jon Mo / @jonmophoto

INTERVIEW: Jessica Winter

Described as a state of mind that relates to both romantic and platonic relationships, ‘Limerence’ refers to the “intrusive, melancholic thoughts” and the “involuntary, intense desire” we experience when falling in love with someone. This myriad of conflicting emotions is what inspired Jessica Winter‘s upcoming EP of the same name. Set for release tomorrow (10th Feb) via Lucky Number, the London-based artist has transformed her heavy experiences of heartache into five new glossy, energetic pop gems.

We caught up with Jessica to talk about her new record, what she’s learned from falling in and out of love, and her anticipations for her upcoming SXSW appearance and support slots touring with Rebecca Black…

 

Hello Jessica, it’s been a while since we last spoke! We were big fans of your EP, Sad Music, which you released back in 2020, but a lot has happened since then. You now have a new record on the horizon now, talk me through what inspired the songs on your new EP, Limerence

I think it all started with the final track of the EP, which is called ‘The Love Song’. It was a stream of consciousness thing, it was almost like verbal diarrhea. Life can be quite chaotic, especially with love, and having no control over it. It was just all of my thoughts and feelings coming out. So I was thinking about why these things were happening in my life, what patterns I kept following, and then it got into other things things like addiction, which is where ‘Funk This Up’ came from. That track is to do with sabotaging yourself through drugs, drink and sex. You know that’s the place that you can go to to escape, but that it will hurt you, but you end up doing it anyway. It’s like the angel and the demon complex. So I think from those two songs, I was like, ‘Wow, that’s a lot issues going on there!’

I wrote ‘Let Me In’ a long time ago, but it is also about struggling with the same kind of love issues. ‘Choreograph’ is more of a perspective of society in itself. It’s about where we’re at, in terms of what we portray love as and what we deem as happiness. I think ‘Choreograph’ is the standout track for me. ‘Clutter’ is the pop banger, which I’m really proud of, but I feel that ‘Choreograph’ is the best song, for sure. In terms of production, it has three different genres in one. It starts as a piano musical theater ballad, and then goes into a disco, trance-y big chaotic mess at the end. It’s really dramatic. It’s just one of those songs that doesn’t come around very often. It stands on its own. It’s all about the lyrics for me on that song. The desperation to just find something real.

So when I put all of my songs together, I realized there was a running theme to do with love. I think the EP is also a reaction to what was going on in 2020 too. We all went into lockdown, and I think we’re all yet to realize how that has affected us in the years to come. It’s amplified all of our demons in some weird way.

There’s something about your music and the way in which you tackle quite dark concepts, but with such a euphoric pop twist. I think that’s a real achievement.

Thank you! I don’t want things to just be doom and gloom. You’ve got to entertain!

Exactly, you’ve got to have the light with the dark. That’s how it works. Something that I do find really entertaining are the music videos that accompany your singles, especially your most recent ones ‘Choreograph’ and ‘Clutter’, which features Lynks. Talk me through your approaches to making them…

I feel like you can’t take yourself too seriously. There’s a real fine line between taking yourself too seriously, but also not being a joke. So I’m always treading that fine line. But with ‘Choreograph’, it had to be quite a grandiose kind of video, because I was talking about that classic Hollywood-style type of love. So obviously, I had to have a rain machine and do a video where I was recreating ‘Singing In The Rain’…

I always feel like I need to juxtapose things, depending on the song and the content. So with ‘Clutter’, it’s such a shiny glossy song, so with the video, it was more like a very British reality. A gloomy day in a vintage car, not in Hollywood with a rain machine.

I love the group of older women who feature in the video. I also love the concept that they have “left their husbands in order to seek a new life, filled with independent energy and hotness…”

It was so nice working with the women in the video, because they ended up giving us some words of wisdom. They were telling us about the different stages in your life as a woman, and how you come to different realizations at different points. It ended up being almost like a therapy session! They said not to worry, because it does take women a lot longer than we think to work out relationships, and what they want and need from a relationship. It can take people up to their 40s to suddenly realise, ‘Oh, my God, this is what I need out of life!’

We’re so put upon with the idea of ‘you need to be this, and you should be this’ by a certain age, especially in romantic relationships. It stops us from thinking ‘actually, what do I want?’ It takes women a lot longer to get to a point where we can actually go ‘this relationship is making me ill. I’m not going to do that anymore.’

That’s good advice.

You collaborated with Lynks on that track, but you’ve also collaborated with lots of other artists before, including The Big Moon, Jazmin Bean, Phoebe Green, Sundara Karma, Walt Disco and Brodka. Juliet from The Big Moon described you as “an angel who came into her life” and helped her to make sense of the band’s song ‘Wide Eyes’, which is very sweet. What do you think makes for a good musical collaboration? 

That’s probably the nicest compliment I’ve ever had! I think a positive collaboration, for me, is when people come to me because they rate what I do, rather than me having to bend or change what I do to please someone else, and vice versa. I always end up working with people that I really, genuinely love. There have been times when I’ve been put in a room with a Tik Tok star, and when I ask them what they want to do, they’ve got no idea. That’s not really a collaboration in my opinion, that’s just me working for someone.

So, I think what makes it good is working with someone who already knows what they want. They just need someone with a fresh perspective. Because sometimes when you’re on your own, you do get lost, and you need a fresh pair of ears. Just to have someone that can come in and say ‘Oh, how about this? Have you tried this?’ That’s what is good for me. I think it’s about having a shared ethos and respect.

You’ve got some great live shows coming up, including a performance at SXSW in March and some support slots with Rebecca Black on her UK tour. What are your anticipations for these?

I’m excited to go over to the states and play SXSW because I haven’t done that before. I’m not expecting anything other than to just to have some fun!

I’m really excited to play with Rebecca Black too. I love her new music, it’s so good. I think she’s gone through so much, from her parents buying her a day in a recording studio for her thirteenth birthday, up to now. I don’t think they knew how much that would change her life at the time. I love the fact that she’s having a moment now.

You’re taking this call from inside a recording studio, so does this mean you’re recording more new music? What can you tell us about that?

I’m writing an album at the moment actually. Well, I’m desperately trying to write it. I’m just never happy with any anything I do. At the moment I’m just in writing mode, but at some point I’ll stop and review everything.

Taking time away from things is useful in all walks of life, but do you think this is especially useful in terms of music? Is it important to you to have gaps between your records?

Completely! This is what I feel is kind of wrong with the pop world, is that you have to try and bang out a song in a day – and then that’s it. No one ever goes back to it and tries to refine it. I love refining, going back and really taking time over things and then having a break, not listening to it, coming back to it refreshed. I feel that that process is dying in pop music, but I’m going to try and keep it alive. I come from an indie background, from bands and stuff like that, so that’s probably why I do it like that. But making pop music is what I really want to do.

Do you think people’s attitudes to pop music have changed since the introduction of Tik Tok? You mentioned earlier that you had worked with someone who was famous on the app, and it wasn’t the most equal collaboration. What are your thoughts on this new online culture around music? I find it hard to wrap my head around sometimes.

I feel like Tik Tok a great platform to make silly videos and make silly songs. I think it’s really entertaining, but the thing that it doesn’t really account for is artistry. You’re making content for that platform, and that’s great, and there are people that can do it really, really well. It can translate on to Spotify, but I don’t think people really care where it comes from, or who it was made by. They’re not going to want to go and see the artist live necessarily. I just feel like that it separates the two, and I think trying to urge artists on to Tik Tok, to create for Tik Tok, has to be done in a certain way.

As an artist, it’s really good to try and stay authentic to what feels comfortable for you, because these platforms change so often. In five years time, I think that Tik Tok will have so many more different levels to it, so I’m not going to obsess and change my entire diary to factor in Tik Tok all the time. The way in which we use it will probably change, or it might even just go altogether, just like Vine. We’re in this crazy technology age, unfortunately. We’re all still so new to this.

That’s a really good point. Tik Tok feels like the biggest thing ever, and you can’t live without it. But truthfully, it could just disappear tomorrow, because it’s just all digital, isn’t it? It’s not tangible. This makes me feel better about not being on the app…

Finally, we always ask people we interview to recommend some new music to us. Who have you been listening to recently?

I really love JVKE and his song ‘Golden Hour’ at the moment. It just does it for me. It’s like if John Legend was on speed or something. I love Hemlock Springs as well. She’s got this song called ‘Girlfriend’, which is just brilliant. It’s kind of like 80s lo-fi, but the song is basically two chords and it just builds and builds and builds and is really beautiful.

Thanks to Jessica for answering our questions!

Follow Jessica Winter on bandcampSpotifyTwitterInstagramTikTok & Facebook

Photo credit: Nan Moore

Kate Crudgington
@KCBobCut

LISTEN: GIHE on Soho Radio with First Timers Fest (06.02.23)

Tash and Kate were back on Soho Radio’s airwaves playing loads of new music from some of their favourite female, non-binary and LGBTQIA+ artists! Mari offered some of her “musical musings” too. The pair enthused about the eclectic mix of tracks on the playlist, including Circe, Ritual Forms, ALT BLK ERA and Spring & I.

They were also joined in the studio by Charlie and Mel from First Timers Fest. The London-based DIY community of musicians and activists believe that having access to creating and playing music should not be a privilege, it should be a joyful and social experience that empowers everyone. Charlie and Mel elaborated on this ethos, and shared details of the upcoming workshops and gigs that First Timers are hosting this year. You can find out more information and apply to play 2023’s festival by clicking here.

Listen back to the show below:

 

We’ll be back on Soho Radio on Monday 6th March, 12-2pm!

Tracklist
Le Tigre – Deceptacon
Jadu Heart – Sway
Phoebe Troup – Worm Dance
Boygenius – Emily I’m Sorry
Ritual Forms – Down
CIRCE – Undone
Aby Coulibaly – Weekdays
Sylvan Esso – Echo Party
Grandmas House – Desire
Piss Kitti – I’m Jammed
ALT BLK ERA – Rockstar
Jennifer Evans – Very Fond
Karen Jonz ft. CSS – ET
Kara Delik – Strange Attractor
M(h)aol – Therapy
Spring & I – I Hate Your Money
Softcult – Dress
**Interview with Charlie & Mel from First Timers Fest**
adults – all we’ve got // all we need
Coi Leray – Players
t l k – Serenia
ARXX – Ride Or Die
Death Valley Girls – Sunday
Frankie Rose – Anything
HL Grail – OTD
Emily Mercer – Soft Place
Me Rex – Jupiter Pluvius
Destiny’s Child – Girl